Chords for Notes - 2004 Film | The Phantom of the Opera
Tempo:
147.75 bpm
Chords used:
D
C
A
G
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] [A] [D]
[A] [Bm] [Gm] [D]
[A]
[Gm] Mystery after gala night, it says mystery of soprano's flight.
[Fm] Mystified, [E] all the [Fm] papers say, we are mystified, we suspect foul play.
[E] Bad news on [C] soprano scene, [G] first Colotta, now [Cm] Christine.
[B] Still, at least the seats [Em] get [D] sold.
Gossip's worth its [G] weight in gold.
What a way to run a [Am] business.
[Dm] Spare me these [G] unending trials.
[C] Half your cast [Am] disappears, but the crowd [Fm] still cheers.
[C]
Opera, [Gm] to hell with glukon handle, have a scandal and you're sure to have a hit.
[Gb] Damnable, well they all walk [Gm] out, this is damnable.
Andre, please don't shout, [Fm] it's publicity, and [C] the take is vast, free publicity.
But we have no [E] cast.
Andre, have you seen [Am] the [G] queue?
[C] It [G] seems you've got [C] one too.
[Am] Dear Andre, what a [Bm] charming gala.
Christine [Em] was in a word [A] sublime.
[D] We were hardly bereft [G] when Colotta [D] left.
[G] The diva's a disaster, but you cast her when [A] she sees the farce of brime.
[D] Dear [Db] Fearman, just a brief [Bm] reminder.
[D] My [Em] salary has not been [A] paid.
[Bm] Send it [A] care of the ghost by [Bm] return [Gm] of post.
[D] P.T.O.
[A] No one likes a debtor, so it's better if my [D] orders are [Bb] obeyed.
[Eb] Who would have the gall to [Cm] send this?
[Fm] Someone with a [Bb] purer brain.
These [Eb] are both signed [Bb] and [Cm] cheered.
Who the hell [F] is he?
[Eb] Oh, for the ghost, [C] it's nothing short of shocking.
He is mucking our position.
In addition, he wants money.
What a funny apparition to expect a large [Bb] retainer.
Nothing plainer, he is clearly [Dm] quite insane.
Where is she?
You mean Colotta?
I mean Miss Dye.
Where is she?
Well, how should we know?
I want an answer.
[Gm] I take it that you sent me this note.
What's all this nonsense?
[Dm] Of course not.
Don't look at us.
She's not with you, then?
Of course not.
We're in the dark.
Miss, you don't [C] argue.
Isn't this the letter [Gm] you wrote?
And what is it that we're meant to have wrote?
[B] Written.
Do not fear for Miss Dye.
[A]
The angel of music has her [G] under his wing.
Make no [Fm] attempt to see her again.
If you did write it, [Bbm] then you did.
Where is he?
Oh, welcome back.
Your precious patron.
Where is he?
What is it now?
I have your letter, [Dbm] a letter which I rather resent.
And did you [Bbm] send it?
Of course not.
As if he would.
You didn't send it?
Of course not.
What's going on?
You dare to tell me [Abm] that this is not the letter you sent?
And what is it [Db] that I'm meant to have sent?
Your days at the Opera Populaire are [C] numbered.
Christine Dye will be [B] singing on your behalf tonight.
Be prepared for a great [E] misfortune
should you attempt to take her place.
[Gm]
[F] Far too [C] many notes [Dm] for my taste,
[Bb] and most of them about [C] Christine.
[F] All we've heard [C] since we came [Dm] is Miss [Bbm] Dye's name.
[D] Miss Dye has returned.
I hope no worse for [F] wear as far as we're concerned.
[Gm] Where precisely is she now?
I thought it best she was alone.
She needed [D] rest.
[G] May I see her?
No, monsieur, [Dm] she will see no one.
[Bb] Will she sing?
Will she sing?
Here, I have a note.
[Em] Let me see it.
[Gbm]
[D] Slowly, [A]
gently,
[D] now falls [A] its
[A] [Bm] [Gm] [D]
[A]
[Gm] Mystery after gala night, it says mystery of soprano's flight.
[Fm] Mystified, [E] all the [Fm] papers say, we are mystified, we suspect foul play.
[E] Bad news on [C] soprano scene, [G] first Colotta, now [Cm] Christine.
[B] Still, at least the seats [Em] get [D] sold.
Gossip's worth its [G] weight in gold.
What a way to run a [Am] business.
[Dm] Spare me these [G] unending trials.
[C] Half your cast [Am] disappears, but the crowd [Fm] still cheers.
[C]
Opera, [Gm] to hell with glukon handle, have a scandal and you're sure to have a hit.
[Gb] Damnable, well they all walk [Gm] out, this is damnable.
Andre, please don't shout, [Fm] it's publicity, and [C] the take is vast, free publicity.
But we have no [E] cast.
Andre, have you seen [Am] the [G] queue?
[C] It [G] seems you've got [C] one too.
[Am] Dear Andre, what a [Bm] charming gala.
Christine [Em] was in a word [A] sublime.
[D] We were hardly bereft [G] when Colotta [D] left.
[G] The diva's a disaster, but you cast her when [A] she sees the farce of brime.
[D] Dear [Db] Fearman, just a brief [Bm] reminder.
[D] My [Em] salary has not been [A] paid.
[Bm] Send it [A] care of the ghost by [Bm] return [Gm] of post.
[D] P.T.O.
[A] No one likes a debtor, so it's better if my [D] orders are [Bb] obeyed.
[Eb] Who would have the gall to [Cm] send this?
[Fm] Someone with a [Bb] purer brain.
These [Eb] are both signed [Bb] and [Cm] cheered.
Who the hell [F] is he?
[Eb] Oh, for the ghost, [C] it's nothing short of shocking.
He is mucking our position.
In addition, he wants money.
What a funny apparition to expect a large [Bb] retainer.
Nothing plainer, he is clearly [Dm] quite insane.
Where is she?
You mean Colotta?
I mean Miss Dye.
Where is she?
Well, how should we know?
I want an answer.
[Gm] I take it that you sent me this note.
What's all this nonsense?
[Dm] Of course not.
Don't look at us.
She's not with you, then?
Of course not.
We're in the dark.
Miss, you don't [C] argue.
Isn't this the letter [Gm] you wrote?
And what is it that we're meant to have wrote?
[B] Written.
Do not fear for Miss Dye.
[A]
The angel of music has her [G] under his wing.
Make no [Fm] attempt to see her again.
If you did write it, [Bbm] then you did.
Where is he?
Oh, welcome back.
Your precious patron.
Where is he?
What is it now?
I have your letter, [Dbm] a letter which I rather resent.
And did you [Bbm] send it?
Of course not.
As if he would.
You didn't send it?
Of course not.
What's going on?
You dare to tell me [Abm] that this is not the letter you sent?
And what is it [Db] that I'm meant to have sent?
Your days at the Opera Populaire are [C] numbered.
Christine Dye will be [B] singing on your behalf tonight.
Be prepared for a great [E] misfortune
should you attempt to take her place.
[Gm]
[F] Far too [C] many notes [Dm] for my taste,
[Bb] and most of them about [C] Christine.
[F] All we've heard [C] since we came [Dm] is Miss [Bbm] Dye's name.
[D] Miss Dye has returned.
I hope no worse for [F] wear as far as we're concerned.
[Gm] Where precisely is she now?
I thought it best she was alone.
She needed [D] rest.
[G] May I see her?
No, monsieur, [Dm] she will see no one.
[Bb] Will she sing?
Will she sing?
Here, I have a note.
[Em] Let me see it.
[Gbm]
[D] Slowly, [A]
gently,
[D] now falls [A] its
Key:
D
C
A
G
Gm
D
C
A
[G] _ _ _ [A] _ _ _ [D] _ _
[A] _ _ [Bm] _ _ [Gm] _ _ [D] _ _
_ [A] _ _ _ _ _ _ _
[Gm] _ Mystery after gala night, it says mystery of soprano's flight.
[Fm] _ Mystified, [E] all the [Fm] papers say, we are mystified, we suspect foul play.
[E] Bad news on [C] soprano scene, [G] first Colotta, now [Cm] Christine.
[B] Still, at least the seats [Em] get [D] sold. _
Gossip's worth its [G] weight in _ gold. _ _ _ _
What a way to run a [Am] business. _
[Dm] Spare me these [G] unending trials.
[C] Half your cast [Am] disappears, but the crowd [Fm] still cheers.
[C] _
Opera, [Gm] to hell with glukon handle, have a scandal and you're sure to have a hit.
[Gb] Damnable, well they all walk [Gm] out, this is damnable.
Andre, please don't shout, [Fm] it's publicity, and [C] the take is vast, free publicity.
But we have no [E] cast.
Andre, have you seen [Am] the [G] queue? _ _ _ _
[C] It [G] seems you've got [C] one too.
_ _ _ _ [Am] Dear Andre, what a [Bm] charming gala.
Christine [Em] was in a word [A] sublime.
[D] We were hardly bereft [G] when Colotta [D] left.
_ _ [G] The diva's a disaster, but you cast her when [A] she sees the farce of brime.
[D] Dear [Db] Fearman, just a brief [Bm] reminder.
[D] My [Em] salary has not been [A] paid.
[Bm] Send it [A] care of the ghost by [Bm] return [Gm] of post.
[D] P.T.O.
[A] No one likes a debtor, so it's better if my [D] orders are _ _ [Bb] obeyed.
[Eb] Who would have the gall to [Cm] send this?
[Fm] Someone with a [Bb] purer brain.
These [Eb] are both signed [Bb] and [Cm] cheered.
Who the hell [F] is he?
[Eb] Oh, for the ghost, [C] it's nothing short of shocking.
He is mucking our position.
In addition, he wants money.
What a funny apparition to expect a large [Bb] retainer.
Nothing plainer, he is clearly [Dm] quite insane.
Where is she?
You mean Colotta?
I mean Miss Dye.
Where is she?
Well, how should we know?
I want an answer.
[Gm] I take it that you sent me this note.
What's all this nonsense?
[Dm] Of course not.
Don't look at us.
She's not with you, then?
Of course not.
We're in the dark.
Miss, you don't [C] argue.
Isn't this the letter [Gm] you wrote?
And what is it that we're meant to have wrote?
[B] _ Written. _ _ _ _ _
Do not fear for Miss Dye.
_ [A]
The angel of music has her [G] under his wing.
_ Make no [Fm] attempt to see her again.
If you did write it, [Bbm] then you did.
Where is he?
Oh, welcome back.
Your precious patron.
Where is he?
What is it now?
I have your letter, [Dbm] a letter which I rather resent.
And did you [Bbm] send it?
Of course not.
As if he would.
You didn't send it?
Of course not.
What's going on?
You dare to tell me [Abm] that this is not the letter you sent?
And what is it [Db] that I'm meant to have sent? _ _ _ _ _
_ _ Your days at the Opera Populaire are [C] numbered.
_ _ Christine Dye will be [B] singing on your behalf tonight.
Be prepared for a great [E] misfortune
should you attempt to take her place.
[Gm] _ _ _ _ _
_ _ _ _ [F] Far too [C] many notes [Dm] for my taste,
[Bb] and most of them about [C] Christine.
[F] All we've heard [C] since we came [Dm] is Miss [Bbm] Dye's _ name.
_ [D] _ Miss Dye has returned.
I hope no worse for [F] wear as far as we're concerned.
[Gm] Where precisely is she now?
I thought it best she was alone.
She needed [D] rest.
[G] May I see her?
No, monsieur, [Dm] she will see no one.
[Bb] Will she sing?
Will she sing?
Here, I have a note.
[Em] Let me see it. _ _ _
_ _ _ _ _ _ _ _
[Gbm] _ _ _ _ _ _ _ _
[D] Slowly, _ _ [A] _ _ _
gently,
[D] _ _ now falls [A] its _
[A] _ _ [Bm] _ _ [Gm] _ _ [D] _ _
_ [A] _ _ _ _ _ _ _
[Gm] _ Mystery after gala night, it says mystery of soprano's flight.
[Fm] _ Mystified, [E] all the [Fm] papers say, we are mystified, we suspect foul play.
[E] Bad news on [C] soprano scene, [G] first Colotta, now [Cm] Christine.
[B] Still, at least the seats [Em] get [D] sold. _
Gossip's worth its [G] weight in _ gold. _ _ _ _
What a way to run a [Am] business. _
[Dm] Spare me these [G] unending trials.
[C] Half your cast [Am] disappears, but the crowd [Fm] still cheers.
[C] _
Opera, [Gm] to hell with glukon handle, have a scandal and you're sure to have a hit.
[Gb] Damnable, well they all walk [Gm] out, this is damnable.
Andre, please don't shout, [Fm] it's publicity, and [C] the take is vast, free publicity.
But we have no [E] cast.
Andre, have you seen [Am] the [G] queue? _ _ _ _
[C] It [G] seems you've got [C] one too.
_ _ _ _ [Am] Dear Andre, what a [Bm] charming gala.
Christine [Em] was in a word [A] sublime.
[D] We were hardly bereft [G] when Colotta [D] left.
_ _ [G] The diva's a disaster, but you cast her when [A] she sees the farce of brime.
[D] Dear [Db] Fearman, just a brief [Bm] reminder.
[D] My [Em] salary has not been [A] paid.
[Bm] Send it [A] care of the ghost by [Bm] return [Gm] of post.
[D] P.T.O.
[A] No one likes a debtor, so it's better if my [D] orders are _ _ [Bb] obeyed.
[Eb] Who would have the gall to [Cm] send this?
[Fm] Someone with a [Bb] purer brain.
These [Eb] are both signed [Bb] and [Cm] cheered.
Who the hell [F] is he?
[Eb] Oh, for the ghost, [C] it's nothing short of shocking.
He is mucking our position.
In addition, he wants money.
What a funny apparition to expect a large [Bb] retainer.
Nothing plainer, he is clearly [Dm] quite insane.
Where is she?
You mean Colotta?
I mean Miss Dye.
Where is she?
Well, how should we know?
I want an answer.
[Gm] I take it that you sent me this note.
What's all this nonsense?
[Dm] Of course not.
Don't look at us.
She's not with you, then?
Of course not.
We're in the dark.
Miss, you don't [C] argue.
Isn't this the letter [Gm] you wrote?
And what is it that we're meant to have wrote?
[B] _ Written. _ _ _ _ _
Do not fear for Miss Dye.
_ [A]
The angel of music has her [G] under his wing.
_ Make no [Fm] attempt to see her again.
If you did write it, [Bbm] then you did.
Where is he?
Oh, welcome back.
Your precious patron.
Where is he?
What is it now?
I have your letter, [Dbm] a letter which I rather resent.
And did you [Bbm] send it?
Of course not.
As if he would.
You didn't send it?
Of course not.
What's going on?
You dare to tell me [Abm] that this is not the letter you sent?
And what is it [Db] that I'm meant to have sent? _ _ _ _ _
_ _ Your days at the Opera Populaire are [C] numbered.
_ _ Christine Dye will be [B] singing on your behalf tonight.
Be prepared for a great [E] misfortune
should you attempt to take her place.
[Gm] _ _ _ _ _
_ _ _ _ [F] Far too [C] many notes [Dm] for my taste,
[Bb] and most of them about [C] Christine.
[F] All we've heard [C] since we came [Dm] is Miss [Bbm] Dye's _ name.
_ [D] _ Miss Dye has returned.
I hope no worse for [F] wear as far as we're concerned.
[Gm] Where precisely is she now?
I thought it best she was alone.
She needed [D] rest.
[G] May I see her?
No, monsieur, [Dm] she will see no one.
[Bb] Will she sing?
Will she sing?
Here, I have a note.
[Em] Let me see it. _ _ _
_ _ _ _ _ _ _ _
[Gbm] _ _ _ _ _ _ _ _
[D] Slowly, _ _ [A] _ _ _
gently,
[D] _ _ now falls [A] its _