Chords for NYPBoS's "Illumination" - THE CONCERT (13): Inisheer

Tempo:
94.4 bpm
Chords used:

Eb

Ab

Bb

Cm

Fm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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NYPBoS's "Illumination" - THE CONCERT (13): Inisheer chords
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[Gb] [Eb]
[Cm]
[Bb] [Eb]
[Eb] [Cm]
[Bb] [Ab] [Eb]
[Cm]
[Eb]
[Cm] [Bb]
[Ab] [Eb]
[Cm] [Ab]
[Bb] [Eb]
[Cm] [Ab]
[Bb] [Eb]
[Cm] [Ab]
[Bb] [Eb]
[Cm] [Ab]
[Bb] [Fm]
[Ab] [F]
[Bb] [Fm]
[Ab] [Bb]
[Eb] [F]
[Fm]
[Bb] [Fm]
[Eb] [Ab] [Bb]
[Eb]
[Dm] [Cm] [Gm] [Ab]
[Bb] [Eb]
[C] [Cm] [Bb] [Ab]
[Eb]
[Dm] [Cm] [C]
[Bb]
[Cm] [Bb] [Eb]
[Cm]
[Bb] [Eb]
[Cm]
[Ab] [Eb]
[Ab] [Cm]
[Bb] [Eb]
[Ab] [Cm]
Next up, [Ab] on four, [Fm]
[Ab] three, [Fm]
two, [Bb] [Fm]
[Ab] [Bb]
[Eb] one.
[Fm] We are going to do [Ab] a little movement.
It is a [Fm] little bit of dance.
So [Bb]
[Ab] [Bb]
[Eb] here [Cm] we go.
[Ab]
[Bb] [Eb]
[Cm] [Ab]
[Eb]
[Cm] [Ab]
[Bb] [Eb]
[C] [Ab]
[Eb]
[Gm]
[N]
[Gb]
I think that PakiBell piece was just fantastic, wasn't [G] it?
Do you all agree with [C] me?
Yeah, fantastic.
And they followed that up with
Well, let's go to the last one first.
The last one was [Eb] an Irish trope called [G] Inish-Een.
Inish-Ear.
I keep getting mixed up with Inish-Free.
That's the place in Quack Man, isn't it?
When John Wayne fights Molly Nahara or something like that.
But that was Inish-Ear.
And before that, in the middle, there were three gigs.
The Snuff Wife, The Hag at the Kiln and Haste to the Wedding.
That's [Ab] right.
The Snuff Wife, the first one, that particular version [Gb] was arranged by [Gm] Derry Pincock.
Who's the [Gb] Director of Music [Eb] at the National Centre for [D] Excellence in Traditional Music in Plochton.
And isn't it a [B] good thing that somebody realised [N] not to close it down because it's far too important.
So a big round of applause for Derry.
We need to have that because I think it happens.
I don't know how many people here were involved in Plochton.
Quite a few.
There you go.
100%  ➙  94BPM
Eb
12341116
Ab
134211114
Bb
12341111
Cm
13421113
Fm
123111111
Eb
12341116
Ab
134211114
Bb
12341111
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_ _ _ _ _ _
_ _ _ _ _ _
[Gb] _ _ [Eb] _ _ _ _
_ _ _ [Cm] _ _ _
[Bb] _ _ _ _ [Eb] _ _
_ [Eb] _ _ [Cm] _ _ _
[Bb] _ [Ab] _ _ _ [Eb] _ _
_ _ _ [Cm] _ _ _
_ _ _ _ [Eb] _ _
_ _ _ _ [Cm] _ [Bb] _
_ [Ab] _ _ _ [Eb] _ _
_ [Cm] _ _ _ [Ab] _ _
_ [Bb] _ _ _ [Eb] _ _
_ [Cm] _ _ _ [Ab] _ _
[Bb] _ [Eb] _ _ _ _ _
_ [Cm] _ _ _ [Ab] _ _
_ [Bb] _ _ _ [Eb] _ _
_ [Cm] _ _ _ [Ab] _ _
[Bb] _ _ _ _ [Fm] _ _
_ [Ab] _ _ _ [F] _ _
_ [Bb] _ _ _ [Fm] _ _
_ [Ab] _ _ _ [Bb] _ _
_ [Eb] _ _ _ [F] _ _
_ _ _ _ [Fm] _ _
_ [Bb] _ _ _ _ [Fm] _
_ [Eb] _ [Ab] _ _ [Bb] _ _
_ _ [Eb] _ _ _ _
[Dm] _ _ [Cm] _ _ [Gm] _ [Ab] _
_ [Bb] _ _ _ [Eb] _ _
_ [C] _ [Cm] _ _ [Bb] _ [Ab] _
_ _ [Eb] _ _ _ _
_ [Dm] _ [Cm] _ _ [C] _ _
_ _ [Bb] _ _ _ _
_ _ [Cm] _ _ [Bb] _ [Eb] _
_ _ _ _ _ _
_ _ _ _ _ [Cm] _
_ _ [Bb] _ _ [Eb] _ _
_ _ _ _ [Cm] _ _
_ _ [Ab] _ _ [Eb] _ _
_ [Ab] _ _ _ [Cm] _ _
_ [Bb] _ _ _ [Eb] _ _
_ [Ab] _ _ _ [Cm] _
Next up, [Ab] on four, [Fm] _ _
[Ab] three, _ _ [Fm] _
two, [Bb] _ _ _ [Fm] _ _
_ [Ab] _ _ _ [Bb] _ _
[Eb] one.
_ [Fm] We are going to do _ [Ab] _ a little movement.
It is a [Fm] little bit of dance.
So [Bb] _ _ _ _ _
_ [Ab] _ _ _ [Bb] _ _
[Eb] here _ _ _ _ [Cm] we go.
_ _ [Ab] _ _
_ [Bb] _ _ _ [Eb] _ _
_ [Cm] _ _ _ [Ab] _ _
_ [Eb] _ _ _ _ _
_ [Cm] _ _ _ [Ab] _ _
_ [Bb] _ _ _ [Eb] _ _
[C] _ _ _ _ [Ab] _ _
_ _ [Eb] _ _ _ _
_ _ _ _ _ _
_ _ _ [Gm] _ _ _
_ _ _ _ [N] _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ [Gb] _
I think that PakiBell piece was just fantastic, wasn't [G] it?
Do you all agree with [C] me?
Yeah, fantastic.
And they followed that up with_
Well, let's go to the last one first.
The last one was [Eb] an Irish trope called [G] Inish-Een.
Inish-Ear.
I keep getting mixed up with Inish-Free.
That's the place in Quack Man, isn't it?
When John Wayne fights Molly Nahara or something like that.
But that was Inish-Ear.
And before that, in the middle, there were three gigs.
The Snuff Wife, The Hag at the Kiln and Haste to the Wedding.
That's [Ab] right.
The Snuff Wife, the first one, that particular version [Gb] was arranged by [Gm] Derry Pincock.
Who's the [Gb] Director of Music [Eb] at the National Centre for [D] Excellence in Traditional Music in Plochton.
And isn't it a [B] good thing that somebody realised [N] not to close it down because it's far too important.
So a big round of applause for Derry. _
_ We need to have that because I think it happens.
_ I don't know how many people here were involved in Plochton.
_ _ Quite a few.
There you go.