Chords for One Direction - That Moment (Short Film)

Tempo:
93.75 bpm
Chords used:

Bb

F

C

D

Gm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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One Direction - That Moment (Short Film) chords
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Hi, we're One Direction and we're on the set of our photo shoot for our fragrance, That Moment.
Today we're really looking forward to working with the photographer.
He's a very famous French photographer.
My name is Girold, I am a photographer.
I specialize in the photography of perfume.
He's come all the way from Paris to see us today and he's taken some of the best photographs of all time.
So we're really looking forward to [C] working with him and getting to know him.
So [D] here we go.
It's going to be great.
Hi, how are you?
Louis, good to meet you.
Girold, lovely to meet you.
How are you?
Nice to meet you.
Girold, what's your name?
Nael.
Nael.
Nael.
Nael.
Wonderful.
Liam.
Liam, lovely, beautiful name.
This is Rochelle.
Rochelle.
This is
Zane.
This is
[Gb] Zane.
This is Zane.
This is Zane.
Sorry, what's your name again?
Nael.
Nael.
Louis.
Yes.
Good French name.
Lovely to see you again.
My name is Girold.
I take the picture and then from looking at the picture you can tell how the perfume smells.
That is why they asked for me.
That is why they asked for Girold.
So basically you know you [E] are releasing a perfume, [C] yes?
Mm-hmm.
Now this perfume is called That Moment.
[Eb] Think of that moment.
Thinking of a moment.
That moment.
That moment, not this moment, not those moments, that moment over there.
What is that moment?
This is what we're trying to [B] get to, yes?
[E] That moment.
Let me introduce you to Rochelle.
What Rochelle's speciality is, is conveying a smell in the face.
Rochelle.
Rochelle.
Rochelle.
[A] Rochelle.
Show the Zane that [Abm] moment.
You see?
[B] Yeah.
What do you feel when you think of that moment?
Happy.
What do you [Eb] smell when you think of that moment?
[E] Love.
After three, two, one, open your eyes and make the face of the smell.
Three, two, one, and the [Ab] face.
[C] What does love smell like?
Sweet.
[Db] Sweet.
A sweet, warm love means a sweet, warm face, yes?
[Ab] Show me the sweet, warm face.
No!
[D] That face is cold and dark.
You want the sweet and the warm face.
Rochelle, he's good.
We shoot.
Come on!
[Gm] Okay, Liam, on the spot, [D] please.
No, the spot.
No, the spot.
No, no, the [Gm] spot.
There is a spot.
No, [D] no, no, that is not the spot.
[D] It's the spot.
Where's the spot?
The spot, [Cm] over there, the spot.
Ah, ah, ah!
[Eb] You didn't know, you [A] stepped on the spot.
That's it, [Gm] the spot.
Think of the smell.
Think of the smell.
Can you [G] be a rose for me?
Very good.
Again.
[C] That moment.
[D] That moment.
That moment.
Three, two, one, and the face.
[G] Three, two, one, face.
[Eb] Now do a different [Bb] face.
And a [Cm] smiley.
[Bb] And a sad.
[C] Do it again.
What are we going to say with that?
[F] We're going to be the seed.
We're going to grow into the flower.
Smell!
Let's [C] see those nostrils flare.
[D] We're going to be a [Eb] seed.
You are [G] a seed, Zane.
Cut!
[F] Rochelle!
[Bb]
Watch yourself for me.
Look at this face.
[F] Look at Rochelle.
[Bb] Be the smell.
[F] Be the smell.
Be the [G] smell.
[Bb] Yes, you see that?
Remember [G] that moment.
Think of it.
Think of it.
Think of it.
[C] Love it.
Again!
[F]
[Gm] Wonderful, that is wonderful.
[Cm] Thanks very much.
No problem at all.
You are wonderful.
[C] You are fantastic.
You are brilliant.
It's [E] amazing to work with somebody with this colour.
I mean, [Bm] you've seen, he's got some amazing [Em] shots out there, but I [Gb] didn't know that's
the way that he shot them.
There we go.
Yes, a [G] green apple!
The [C] green apple!
Now you are a sprout.
[Bb] You are a flower.
[F] Do that again.
Go, uh.
[E] [Bb] Again.
Uh.
[F] [Bb] Yes.
[G] Yes.
No!
[Cm] [Bb] [F]
Louis, can I speak to you for a second, please?
[Gm] What's wrong, man?
[Cm] What's wrong with you?
I'm just [F] not tired.
Listen.
[Bb] I didn't want to say anything, but
[D] as far as I'm concerned, it's all about you.
[Bb] Now be the apple.
[Gm] [C] It's all about [Bb] you.
Forget about the other guys.
What's the problem?
My problem is with the seed.
Come with me.
I don't.
I wanted to just photograph you.
If it was down to me, I would take [G] a picture of you, put it on the box, [Bb]
everyone else be
on the inside.
Okay.
Okay, let's [Cm] mix it up a bit.
All of you together, please.
[F] Thank you.
Back a bit, please.
[Gm] [Cm]
Beep, beep, beep.
Beep, beep, beep.
[F] Beep, beep, beep.
Beep, [Bb] beep, beep.
Beep, beep, beep.
Beep, beep, beep.
Beep, beep, [D] beep.
Beep, beep, beep.
Beep, beep, beep.
All wrong.
All wrong.
Break it up.
Break it up.
People, they say, Gérôme is [Gm] so easy to work with.
[C] He's such a delight.
What are you doing [Bb] here?
Go, go.
You're [F] done.
I press a button, nothing [Bb] happens.
I press a button, nothing happens.
I press a button [Bb] and nothing happens.
[F] You're scared, yes?
Come here.
It's [C] okay.
It's okay.
It's going to be okay.
For [F] me, I want to make them feel at ease, [Gm] make them feel at home, you know.
[Cm] Whatever they want to do, it's fine by me.
[C] It's okay.
It's okay, Mr.
[G]
Nile.
[D] It's a don't cry.
It's okay, Mr.
Nile.
Okay, two of you on this side, three of you on this [C] side.
I want you to one in the middle, look at the [F] lens and go.
[D] Three, two, one, [Gm] one.
[C] Now, [D] this time I want three, two, one, hey.
Three, two, one, one.
[D]
I [Cm] want all of you to put your hands around that moment, [Gm] to feel that moment, to love that moment.
[D]
[G] Yes, yes, yes!
[Cm] Think of that moment.
[Dm] Zazan, head back a bit please.
[G] Okay, again a bit.
To the left, a bit.
[Eb] Right a bit.
Up a bit.
Down a bit.
[C] You're all seeds.
You are [Bb] growing.
[F] You are growing.
Yes, [Eb] yes, you are One [F] Direction.
You are the greatest band [Bb] in the world!
[C] [F]
Key:  
Bb
12341111
F
134211111
C
3211
D
1321
Gm
123111113
Bb
12341111
F
134211111
C
3211
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Hi, we're One Direction and we're on the set of our photo shoot for our fragrance, That Moment.
Today we're really looking forward to working with the photographer.
He's a very famous French photographer.
My name is Girold, I am a photographer.
I specialize in the photography of perfume.
He's come all the way from Paris to see us today and he's taken some of the best photographs of all time.
So we're really looking forward to [C] working with him and getting to know him.
So [D] here we go.
It's going to be great.
Hi, how are you?
Louis, good to meet you.
Girold, lovely to meet you.
How are you?
Nice to meet you.
Girold, what's your name?
Nael.
Nael.
Nael.
_ Nael.
Wonderful.
Liam.
Liam, lovely, beautiful name.
This is Rochelle.
Rochelle.
This is_
Zane.
This is_
_ [Gb] Zane.
This is Zane.
This is Zane.
Sorry, what's your name again?
Nael.
Nael.
Louis.
Yes.
Good French name.
_ _ Lovely to see you again.
My name is Girold.
I take the picture and then from looking at the picture you can tell how the perfume smells.
That is why they asked for me.
That is why they asked for Girold.
So basically you know you [E] are releasing a perfume, [C] yes?
Mm-hmm.
Now this perfume is called_ That Moment.
[Eb] Think of that moment.
Thinking of a moment.
That moment.
That moment, not this moment, not those moments, that moment over there.
What is that moment?
This is what we're trying to [B] get to, yes?
_ _ [E] That moment.
Let me introduce you to Rochelle.
What Rochelle's speciality is, is conveying a smell in the face.
Rochelle.
Rochelle.
Rochelle.
[A] Rochelle.
Show the Zane that [Abm] moment. _ _ _ _ _
You see?
[B] Yeah.
What do you feel when you think of that moment?
Happy.
What do you [Eb] smell when you think of that moment?
[E] _ Love.
After three, two, one, open your eyes and make the face of the smell.
Three, two, one, and the [Ab] face. _
[C] What does love smell like?
Sweet.
[Db] Sweet.
A sweet, warm love means a sweet, warm face, yes?
[Ab] Show me the sweet, warm face. _
_ No!
[D] That face is cold and dark.
You want the sweet and the warm face. _ _
Rochelle, he's good.
We shoot.
Come on!
[Gm] _ _ Okay, Liam, on the spot, [D] please.
No, the spot.
No, the spot.
No, no, the [Gm] spot.
There is a spot.
No, [D] no, no, that is not the spot.
[D] It's the spot.
Where's the spot?
The spot, [Cm] over there, the spot.
Ah, ah, ah!
[Eb] You didn't know, you [A] stepped on the spot.
That's it, [Gm] the spot.
_ Think of the smell.
Think of the smell.
Can you [G] be a rose for me?
_ Very good.
Again.
[C] That moment.
[D] That moment.
That moment.
Three, two, one, and the face.
[G] Three, two, one, face.
[Eb] Now do a different [Bb] face.
And a [Cm] smiley.
[Bb] And a sad.
[C] Do it again.
_ _ What are we going to say with that?
[F] We're going to be the seed.
We're going to grow into the flower.
Smell!
Let's [C] see those nostrils flare.
[D] We're going to be a [Eb] seed.
You are [G] a seed, Zane.
Cut!
[F] _ Rochelle!
[Bb]
Watch yourself for me.
Look at this face.
[F] Look at Rochelle.
_ [Bb] Be the smell.
[F] Be the smell.
Be the [G] smell.
[Bb] Yes, you see that?
Remember [G] that moment.
Think of it.
Think of it.
Think of it.
[C] Love it.
Again!
[F] _ _
_ [Gm] Wonderful, that is wonderful.
[Cm] Thanks very much.
No problem at all.
You are wonderful.
[C] You are fantastic.
You are brilliant.
_ It's [E] amazing to work with somebody with this colour.
I mean, [Bm] you've seen, he's got some amazing [Em] shots out there, but I [Gb] didn't know that's
the way that he shot them.
There we go.
Yes, a [G] green apple!
The [C] green apple!
Now you are a sprout.
[Bb] You are a flower.
[F] Do that again.
Go, uh.
[E] _ [Bb] Again.
Uh.
_ [F] _ _ _ [Bb] _ _ Yes.
[G] Yes.
No!
[Cm] _ _ [Bb] _ _ [F]
Louis, can I speak to you for a second, please?
[Gm] What's wrong, man?
[Cm] What's wrong with you?
I'm just [F] not tired.
Listen.
_ [Bb] I didn't want to say anything, but _
[D] as far as I'm concerned, it's all about you.
[Bb] Now be the apple.
[Gm] _ _ [C] _ It's all about [Bb] you.
Forget about the other guys.
What's the problem?
My problem is with the seed.
Come with me.
I don't.
I wanted to just photograph you.
If it was down to me, I would take [G] a picture of you, put it on the box, [Bb]
everyone else be
on the inside.
Okay.
Okay, let's [Cm] mix it up a bit.
All of you together, please.
[F] Thank you.
Back a bit, please.
_ [Gm] _ _ _ [Cm] _
Beep, beep, beep.
Beep, beep, beep.
[F] Beep, beep, beep.
Beep, [Bb] beep, beep.
Beep, beep, beep.
Beep, beep, beep.
Beep, beep, [D] beep.
Beep, beep, beep.
Beep, beep, beep.
All wrong.
All wrong.
Break it up.
Break it up.
People, they say, Gérôme is [Gm] so easy to work with.
[C] He's such a delight.
What are you doing [Bb] here?
Go, go.
You're [F] done.
I press a button, nothing [Bb] happens.
I press a button, nothing happens.
I press a button [Bb] and nothing happens.
[F] You're scared, yes?
Come here.
It's [C] okay.
It's okay.
It's going to be okay.
For [F] me, I want to make them feel at ease, [Gm] make them feel at home, you know.
[Cm] Whatever they want to do, it's fine by me.
[C] It's okay.
It's okay, Mr.
[G]
Nile.
[D] It's a don't cry.
It's okay, _ Mr.
Nile.
Okay, two of you on this side, three of you on this [C] side.
I want you to one in the middle, look at the [F] lens and go.
[D] Three, two, one, [Gm] one. _
_ _ [C] Now, [D] this time I want three, two, one, hey.
Three, two, one, one.
_ [D] _ _ _
I [Cm] want all of you to put your hands around that moment, [Gm] to feel that moment, to love that moment.
[D] _ _
[G] Yes, yes, yes!
[Cm] Think of that moment.
[Dm] Zazan, head back a bit please.
[G] Okay, again a bit.
To the left, a bit.
[Eb] Right a bit.
Up a bit.
Down a bit.
[C] You're all seeds.
You are [Bb] growing.
[F] You are growing.
_ Yes, [Eb] yes, you are One [F] Direction.
You are the greatest band [Bb] in the world!
_ [C] _ _ _ _ _ _ _ [F] _ _