Chords for ONE ON ONE: Rodney Crowell w/ Rosanne Cash & John Paul White - Leaving Louisiana 3/30/17 City Winery

Tempo:
84.65 bpm
Chords used:

C

G

D

Em

Gm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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ONE ON ONE: Rodney Crowell w/ Rosanne Cash & John Paul White - Leaving Louisiana 3/30/17 City Winery chords
Start Jamming...
And we'll bring our friends back, you know.
Here we go.
John Paul and Roseanne.
Mary kept a-running with a traveling man.
Left her mama crying with her head in her hands.
Such a [C] sad case.
[G] So broken-hearted.
She said, mama, I gotta go.
I gotta get out of here.
I gotta get out of town.
I'm tired of hanging around.
I gotta roll out between the ditches.
This is an ordinary story about the way
things go around and around.
Nobody [C] knows, but the highway, that [Gm] goes on forever.
[D] That little highway, that goes on [G] forever.
[Em] And she never would have done it if she hadn't got [G] drunk.
If she hadn't started running with a traveling man.
If [C] she hadn't started taking those crazy chances.
She said, darling, let me tell you about the traveling kind.
Everywhere is good, just a very soft town.
It'll be [C] long gone [G] before you know it.
[C] It'll be long gone [G] before you know it.
[Em] She said, never have I known it when it felt [C] so good.
Never have I knew it when I knew I [Em] could.
Never have I found it when [D] it looked so bright.
[G] Even Louisiana and the broad [C] daylight.
[D]
[E] [C] [G]
[Gm]
[C] [G]
Louisiana.
[C]
[G] [C]
[G]
[D] Louisiana.
Oh, this is down in the swampland where anything goes.
The taligator fade and the bars don't close.
[C] It's a real thing down in [G] Louisiana.
How did you ever see a cage and when it really got mad?
It just really got trouble like a daughter going bad.
It gets real hot down in [G] Louisiana.
And on the streets of any movie, it's always gonna get killed.
It's gonna have to get her a shotgun.
[C] Well, it ain't no time for [G] lengthy speeches.
Oh, this ain't [C] no time for lengthy speeches.
[Em] She said, never have I known it [D] when it felt so good.
[C] Never have I knew it when I knew [Em] I could.
Never have I found it when it looked [C] so bright.
Even Louisiana and the broad daylight.
She [Em] said, never have I known [D] it when it felt so [C] good.
Never have I knew [D] it when I knew I could.
[Em] Never have I found it when it looked so [C] bright.
Even Louisiana and the broad daylight.
It's just [G] an ordinary story about the way things go.
Round and around nobody knows.
But the [C] highway goes [G] on for a while.
[C] That highway [G] goes on forever.
[G]
[C] [G]
[C] [G]
[N]
Joe Robinson, Stuart Smith, John Paul White, Roseanne Cash,
Eamon McLaughlin, New York City.
Yes, sir.
[Bb] [C]
[Cm] [E]
[N] You know this is fun.
[A]
Key:  
C
3211
G
2131
D
1321
Em
121
Gm
123111113
C
3211
G
2131
D
1321
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And we'll bring our friends back, you know.
Here we go.
John Paul and Roseanne. _ _ _ _ _ _ _
Mary kept a-running with a traveling man.
Left her mama crying with her head in her hands.
Such a [C] sad case.
[G] So broken-hearted. _
She said, mama, I gotta go.
I gotta get out of here.
I gotta get out of town.
I'm tired of hanging around.
I gotta roll out between the ditches. _
This is an ordinary story about the way
things go around and around.
Nobody [C] knows, but the highway, that [Gm] goes on forever.
_ [D] That little highway, that goes on [G] forever. _ _ _
_ _ [Em] And she never would have done it if she hadn't got [G] drunk.
If she hadn't started running with a traveling man.
If [C] she hadn't started taking those crazy chances.
_ She said, darling, let me tell you about the traveling kind.
Everywhere is good, just a very soft town.
It'll be [C] long gone [G] before you know it.
_ [C] It'll be long gone [G] before you know it.
_ _ _ _ [Em] She said, never have I known it when it felt [C] so good.
Never have I knew it when I knew I [Em] could.
Never have I found it when [D] it looked so bright.
[G] Even Louisiana and the broad [C] daylight.
_ _ _ [D] _ _ _ _ _
_ [E] _ _ [C] _ _ _ [G] _ _
_ _ _ [Gm] _ _ _ _ _
_ _ [C] _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Louisiana. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ [G] _ _ _ _ [C] _
_ _ [G] _ _ _ _ _ _
_ [D] Louisiana.
Oh, this is down in the swampland where anything goes.
The taligator fade and the bars don't close.
[C] It's a real thing down in [G] Louisiana.
_ How did you ever see a cage and when it really got mad?
It just really got trouble like a daughter going bad.
It gets real hot down in [G] Louisiana.
_ _ And on the streets of any movie, it's always gonna get killed.
It's gonna have to get her a shotgun.
[C] Well, it ain't no time for [G] lengthy speeches.
Oh, this ain't [C] no time for lengthy speeches.
_ _ _ _ _ [Em] She said, never have I known it [D] when it felt so good.
[C] Never have I knew it when I knew [Em] I could.
Never have I found it when it looked [C] so bright.
Even Louisiana and the broad daylight.
_ She [Em] said, never have I known [D] it when it felt so [C] good.
Never have I knew [D] it when I knew I could.
[Em] Never have I found it when it looked so [C] bright.
Even Louisiana and the broad daylight. _ _ _ _ _
_ It's just [G] an ordinary story about the way things go.
Round and around nobody knows.
But the [C] highway goes [G] on for a while.
_ [C] That highway _ [G] goes on forever. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
_ [C] _ _ _ _ [G] _ _ _
_ _ [C] _ _ _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
Joe Robinson, Stuart Smith, _ John Paul White, _ Roseanne Cash,
Eamon McLaughlin, New York City.
_ Yes, sir. _ _
_ _ _ _ _ _ _ _
_ _ _ [Bb] _ _ _ _ [C] _
_ _ _ [Cm] _ _ _ _ [E] _
_ _ _ [N] _ _ _ You _ know this is fun.
_ [A] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _