Chords for Open Chords Concept - Chords for Worship with Paul Baloche part. II

I could just live in this key all day long.
Again, it's hard for me to leave the key of E
because it just [E] has so many things, _ _
so many things about it that I love,
just the fullness of it.
[A] So [E] before we move on from the key of E,
let's look at a few other unique things to the key,
things that we can take advantage of.
We have our basic E here.
Now if we [F#] move it up, you ever see that voicing?
[E] _
We're gonna keep the E in the bass,
so we have the E, and then we slide that up
and use our index [F#] finger,
_ _ [E] and then we slide that whole shape up again.
It's a great thing about guitars
is that we can lock into a shape
and just move that shape around.
So it's E, there's a shape, move it up,
and then we do like an E here,
and then move it up two more frets,
_ _ _ _ _ and you can keep on going, but it's _ not used as often.
But just that, _ you know, it's just, again,
another [F#] thing that we can hang on
[E] allows us to be freed up [F#] to sing. _ _ _
_ Okay, or like an offering.
_ _ [B]
♪ _ [A] I [E] bring an offering to you [B] ♪
_ [A] ♪ To you, my king, I bring [E] an offering _ ♪
♪ _ _
[E] I bring an offering to you ♪
And sometimes I'll end songs with, here's an E,
and we'll go play an E too. _ _ _
_ _ _ _ [F] I want us to start, let me just put a capo on,
and that puts us in the key of F,
which is really [C] the key that offering was [A#] written in.
♪ I bring an offering to [F]
you ♪
♪ To you, my king ♪ _
Now here's a consideration when we capo,
is always be aware that when you capo,
it could alter the tuning ever so slightly on your guitar.
That's why having a good visual tuner is helpful.
So in the middle of a [G] _ _ song, if I have to capo up,
sometimes I'm aware that,
and you have to get to know your guitar,
I'm aware that on this particular guitar,
that sometimes the B string will be a little bit sharper
once I capo than it was when it was completely open.
So it's a very subtle thing,
but sometimes you just [F]
wanna be aware of that,
and at times I've actually made a slight little adjustment
or I'll quickly [C] turn on the tuner.
I'll step on that and I'll just make
that slight adjustment _ visually.
♪ I bring an [F] offering to you ♪
[C] _ And I just [F] make sure, so get to know your guitar,
get to know the idiosyncrasies of your particular guitar.
And capo the third fret, sometimes the third fret
[E] will make the low E a little bit sharp,
and you have to make these tiny little adjustments. _
_ _ So pay attention to that.
Let's go back to the key of E,
let's look at a few of the peculiar things
about E that we can do.
This is an E, and by moving this pinky out,
just drop your wrist a little bit,
we get this nice E add nine,
kind of just _ a beautiful mellow chord, _ _
_ _ _ and that's an E add nine.
So you know, like if we're gonna do an E sus,
[C#m] you could do that for an E sus if you want,
[E] or you can just do the standard E, E sus, _ _ _ _ _ okay?
Let's look at what we call an E five, [B] okay?
That's an E five [E] is implying that there's no third,
and the third of a chord is what tells you
if it's major or minor.
So without this, _ _ that's the third,
so we take that out and look at this voicing.
_ _ There's our E five, there's no third there,
and it's very, you can play that,
or play this one up here.
_ _ _ It's a nice and _ very Celtic, very open sounding, okay? _
And then we have like an E six,
you can just, you can always send them,
_ [A] _
_ _ _ _ it's one [E] way to play E six.
_ _ _ _ Then you have your E major seven,
_ which a lot [B] of times you can do that,
or you can just slide up, I [E] prefer this one,
it's like E, it's _ basically an E major seven sound,
kinda has a sneak in a nine in there too. _ _