Chords for Ordinary Day (w. nod to Janie/Jann Arden), Alan Doyle, JUNO Songwriters' Circle, Calgary

Tempo:
127.2 bpm
Chords used:

F

G

C

Bb

Fm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Ordinary Day (w. nod to Janie/Jann Arden), Alan Doyle, JUNO Songwriters' Circle, Calgary chords
Start Jamming...
You got enough stories for them.
One time
Thank you.
I would like to stand up for one moment.
You heard the lady?
[N]
I would like to sing a great music song.
[Bb] [Eb] I'd like to do it like I want to, because it has a very special connection to Calgary.
And in particular, a [G] very [Gb] special connection to some of the people involved in the group.
[Eb] This weekend, so
If it's cool, [Fm] I'll do it this [Gb] way.
When it [E] gets to that part, then I'll explain [Gb] it.
Because if I kind of explain it before, they'll probably forget about it.
Or I will, [F] most likely.
[D] Is anyone else getting nervous?
[F]
[Ab] Myself and Sean wrote this song in late [E] 1990.
It's a good one.
[D] [C] [Gb]
Thank God [F] for this song that I'm playing right now.
[Gb] I think if you know how to sing along, I'm going to put [Eb] it all together.
[F]
[Fm]
[Bb] [F]
[F] [Fm]
[Bbm] [F]
[Bb] [F]
That's right, it's not so [Gm]
bad.
Come on, everyone.
[G]
[F]
[G] [C]
[Fm] [F]
[F]
I had that much in the song, and I wanted a second Christmas song.
I don't give up one person in particular, but maybe a character, a body, a survivor.
[G]
[Fm] I was watching television and there was a documentary [G] that came out on the TV,
[F] the little news story about a gal who was busking in Vancouver.
And it got the model.
She beat up pretty bad.
What did she do?
She didn't give up.
She didn't quit.
She just turned around and went right back to the place.
Stared right up at the mouse.
Wonderfully, uh, assiduously, beautiful.
So I called her, uh, I was a bit afraid to call her Jane, but I don't know why.
I was a little bit nervous to call her by her actual name in the song.
I called her Janey in the song.
Her name is Janey.
[Bb] [F]
[Bb] [F] You put me to the door, I'm going up, I'm going down.
One signal, one voice, one stop [Fm] trying.
Oh no, she might stumble, they will [F] stir her up.
She might fall, but she'll never [G] let her down.
It's not so [Gm] bad.
Come on!
[C] And I say, [Bb] yeah, it's a little [F] everyday thing.
Some once in a lifetime.
I think it ain't no [Bb] good.
Just [Fm] got to sit somewhere.
[F]
In life, there's always some sorrow.
It's a double edge knife, but there's always tomorrow.
It's for the female musical fair.
Yes, keep the thing, the ship will come in.
It's not [Gm] so bad.
Come on, y'all.
[C] And I [Gm] say, yeah, [G] it's a little [C] everyday thing.
Some once in a lifetime.
I think [Gm] it ain't no good.
[G] Just got to sit somewhere.
[F]
In life, there's always some sorrow.
It's a double edge [C] knife, but there's always [Bb] tomorrow.
It's [G] for the female musical fair.
It's a double edge knife, but there's always tomorrow.
It's for the female musical fair.
I think it ain't no [Gm] good.
Just [C] got to sit somewhere.
[Bb]
In [Fm] life, [F]
there's [C] always some sorrow.
It's a double edge knife, but there's always tomorrow.
[C] It's for the female musical fair.
[N] It's a double edge knife, but there's always tomorrow.
It's for the female musical fair.
It's for the female musical [G] fair.
It's for [C] the female musical fair.
Key:  
F
134211111
G
2131
C
3211
Bb
12341111
Fm
123111111
F
134211111
G
2131
C
3211
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_ _ _ _ _ _ _ _
You got enough stories for them. _ _ _
_ One time_
Thank you. _
_ _ _ _ _ _ _ _
I would like to stand up for one moment. _ _ _ _
_ _ You heard _ _ _ _ the lady?
_ _ [N] _ _ _ _
_ _ I would like to sing a great music song.
_ _ _ _ _ _ _ _
_ _ _ [Bb] _ [Eb] I'd like to do it like I want to, because it has a very special connection to Calgary.
And in particular, a [G] very [Gb] special connection to some of the people involved in the group.
_ _ [Eb] This weekend, so_
If it's cool, [Fm] I'll do it this [Gb] way.
When it [E] gets to that part, then I'll explain [Gb] it.
Because if I kind of explain it before, they'll probably forget about it.
_ _ _ Or I will, [F] most likely.
_ [D] Is anyone else getting nervous?
[F] _ _
_ _ _ _ _ [Ab] _ Myself and Sean wrote this song in late [E] 1990.
_ It's a good one.
_ [D] _ _ _ _ [C] _ _ [Gb]
Thank God [F] for this song that I'm playing right now.
[Gb] _ I think if you know how to sing along, I'm going to put [Eb] it all together.
_ _ [F] _ _ _
_ _ _ _ _ _ _ [Fm] _
_ _ _ [Bb] _ _ _ _ [F] _
_ _ _ [F] _ _ _ _ [Fm] _
_ _ _ [Bbm] _ _ _ _ [F] _
_ _ _ _ [Bb] _ _ _ [F] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
That's right, _ it's not so [Gm]
bad.
Come on, everyone.
_ [G] _ _ _ _ _
_ _ _ _ _ _ [F] _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ [C] _ _ _
_ [Fm] _ _ _ [F] _ _ _ _
_ [F] _ _ _ _ _ _
I had that much in the song, and I wanted a second Christmas song.
_ _ I don't give up one person in particular, but maybe a character, _ a body, a _ survivor.
[G] _ _ _ _
[Fm] _ I was watching television and _ there was a documentary [G] that came out on the TV,
[F] the little news story about a gal who was busking in Vancouver.
_ _ And it got the model. _ _
She beat up pretty bad.
What did she do?
She didn't give up.
She didn't quit.
_ She just turned around and went right back to the place.
_ Stared right up at the mouse. _ _
_ Wonderfully, uh, assiduously, beautiful. _ _
_ So I called her, uh, I was a bit afraid to call her Jane, but I don't know why.
I was a little bit nervous to call her by her actual name in the song.
I called her Janey in the song.
Her name is Janey.
_ _ [Bb] _ _ _ _ [F] _
_ _ _ [Bb] _ _ [F] You put me to the door, I'm going up, I'm going down. _ _
_ _ _ _ _ One signal, one voice, one stop [Fm] trying.
_ Oh no, _ she might stumble, they will [F] stir her up.
She might fall, but she'll never [G] let her down.
It's not so [Gm] bad.
Come on!
_ _ [C] And I say, [Bb] yeah, it's a little [F] everyday thing.
Some once in a lifetime.
_ I think it ain't no [Bb] good.
Just [Fm] got to sit _ somewhere.
_ _ [F] _ _ _ _ _
_ _ _ _ _ _ In life, there's always some sorrow.
_ _ _ _ _ _ It's a double edge knife, but there's always tomorrow. _
_ _ _ _ _ It's for the female musical fair.
Yes, keep the thing, the ship will come in.
It's not [Gm] so bad.
Come on, y'all.
_ [C] _ And I [Gm] say, yeah, [G] it's a little [C] everyday thing.
Some once in a lifetime.
I think [Gm] it ain't no good.
[G] Just got to sit somewhere.
_ _ _ _ _ _ [F] _
In life, there's always some sorrow.
It's a double edge [C] knife, _ _ but there's always [Bb] tomorrow.
It's [G] for the female musical fair.
_ _ It's a double edge _ _ _ _ knife, _ but there's always tomorrow.
It's for the female musical fair.
I think it ain't no [Gm] good.
Just [C] got to sit somewhere.
_ _ [Bb] _ _
In [Fm] life, _ _ _ _ [F] _ _
there's [C] always some sorrow.
It's a double edge knife, but there's always tomorrow.
[C] It's for the female _ _ _ musical fair.
[N] It's _ _ _ _ _ _ _ _ a double _ _ _ _ _ _ edge _ _ _ _ _ _ knife, _ but there's always tomorrow.
_ _ _ _ _ _ It's for the female musical _ fair.
It's for the female musical [G] fair.
It's _ _ for [C] the female musical fair. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _