Chords for Ozzy Osbourne on ISIS, Politics, and Not Knowing How to Play Guitar: Back & Forth (Part 2/3)
Tempo:
171.95 bpm
Chords used:
Cm
Gm
C
Ab
Bb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
What is something about yourself that no one really knows about?
What's your sex life like or whatever?
I don't want to know that.
[Em] [Cm]
You [Gm] yourself as a solo artist, you're on a very short list of [Ab] musicians [Cm] that went on to be
arguably more successful [Gm] when they left their original band.
Why do you think that is for you?
When I go into a studio, I've [Cm] never gone,
you know what, I really feel like doing a fucking bad album [Dm] now.
Sometimes that happens.
Sometimes you don't.
Are you your own worst critic in that sense?
Absolutely.
See, when you're in a studio for [Gm] months on end,
getting built from it, you're kind [Bb] of used to it.
[G]
[Ab] Sometimes you still like to do it, but it's impossible now.
I'd record an album, leave it for a couple of weeks,
then listen to [C] it to get it out of my head because you're too [Cm] attached.
[Gm] Yeah, that's right.
So as [G] an artist and a songwriter, [Cm] would you say your strongest point,
your strongest asset is the [Gm] ability to pull these melodies?
Yeah, that's the only thing.
[Bb] I don't play an instrument, I don't [Cm] understand music,
[B] I'm not great with lyrics, I come up with [Gm] melodies.
I think you can actually play more music on more instruments [Ab] than you give yourself credit for.
Because I remember you picked up a guitar and you just started playing chords.
No, I can't play.
You absolutely
I watched you play chords on a guitar and I'm like, where did you learn that?
[C]
I mean, after [G] 40 years, if you can't play some chords on a guitar I can't.
You can.
All right, you can.
Okay, [B] say [Ab] you can.
Okay.
You can, there you go.
So you're releasing this best of right now, this compilation.
Memoirs of a Madman.
Memoirs of a Madman.
I think the selection is pretty [Cm] cool.
Yeah, I mean, because there [Eb] hasn't actually been a complete,
[Gm] a genuine true best of compilation.
I mean, do you look at the body of work [C] going, wow, that's kind of crazy?
I remember from the very first thing I did, the first Black Sabbath album,
it went in the charts.
I remember the manager coming up to me in the club and going,
you've got something to tell you.
And I go, what's that?
He goes, your [G] album's entering the charts at number 17 next week.
Oh, you're pulling my leg.
Because I'd got off previously to hear that song, the cover song,
with Evil Woman at six o'clock in the morning.
I was like, we're on the radio.
[Gm]
And then I remember thinking, [Bb]
this is going to be fun for a couple of [Gm] years.
Let me have a booze up with my mates and I'll be back to this.
And from that moment [Bb] on, my life forever changed.
We all got ripped off by my managers, [Cm] but it was forever changed.
[Fm] I was married to another woman and then she divorced me.
I met your mum and I married your mum and we had [Cm] you guys.
And you couldn't write my script.
It was [C] just amazing what my [Gm] life's been like.
I mean, this is it for the rest of my life.
This is it.
And then [D] all of a sudden, [Cm] from nowhere, you just make a turn,
which you go somewhere completely out of [G] context of where you were before.
Yeah.
So you got your driver's license a couple [Cm] of years ago.
Where was the first place you went when you got your driver's license?
[Bb] They drive on the wrong side of the road here.
We in England drive on the other side.
You know, I've still got a license.
[Ab] I haven't got any points from it because I haven't driven.
[B] Do you have any regrets from when you were younger?
Life's full of regrets, but you can't leave.
You just, you know, you regret doing this, you regret doing that.
But you know, [G] you either get over it or you don't.
A lot of your songs, [Cm] Subject Matter, is very political.
But as a, you know, growing up with you,
[Gm] you've never been one of these very vocal [Cm] politically around the house.
It seems to kind of get directed a lot into your music.
Are you, do you [Eb] care about politics or anything like that?
[Gm] They all should start playing fucking music.
[Cm] What?
I mean, I met Tony Blair one time, the old English prime minister.
And he's looking at me and he comes over,
just [C] when the Iraq war started going,
I thought he was going to come up to me and say,
you could do very good for the country by doing a song or something for the troops.
He comes up to [Gm] me and he goes, do you know, I was once in a band.
I'm like, what [Bb] the fuck, you made it?
[Eb] And he goes, I couldn't quite get the chords to Iron Man.
I'm like, [Gm] is that all you've got to fucking say?
We vote for these people in.
And they [Cm] never seem to pull off all the shit that promises to get in.
In Sabbath, so Giza was the main lyricist.
So I used to sing, he could give me some phenomenal lyrics.
Yeah.
And [Ab] I have to craft them into a song.
But even post Sabbath though, you've done very kind of,
you know, whether [C] it's songs about war on drugs or just wars in general,
you know, it does seem to be something that [Cm] resonates with you.
Well, you know, my latest thing,
you see these people on TV talking about this ISIS thing.
And then we're going to go, yes, we should send [Gm] troops there.
And I go, [Fm] how [Cm] can they talk politely?
You can't have a polite war.
Excuse me, I'm just going to [Bb] shout you and you.
It must be the [A] scariest fucking place ever.
When, you know, when all [E] those kind of religious
zealots were coming after you back in the [A] day.
We were, we give them a job.
Yeah.
[C] I remember one time they [Gm] were going out picketing the gig.
And I got a [C]
broomstick and a staple gun, have a nice day.
And [Ab] I followed them around.
[G] They didn't even know who I was.
But that's something that has followed you your entire career, this [D] kind of.
[Ab] Yeah, but you know, at the poor Ronnie James Dales funeral,
they were out there going, I'm like, you fucking ignorant assholes.
The guy's got a gun and you want to send him a book.
Jesus could have saved you.
I mean, you've got nothing else better to fucking do.
Yeah.
You know, and they condemn that.
But they won't do anything good for someone, you know.
Yeah.
[Bb] It's just wrong.
But you can't see how freedom of [Eb] speech.
[C] Because in this world we live in, no matter how good the idea is,
there will always be someone who will go, [G] no, I don't think that's a good idea.
[Bb] Other countries, you go, oh yeah, even if it is a bad idea, you go, [Ab] yeah, yeah.
Because you go, you don't [C] like it?
In that [Gm] fucking van.
[Cm]
[N]
What's your sex life like or whatever?
I don't want to know that.
[Em] [Cm]
You [Gm] yourself as a solo artist, you're on a very short list of [Ab] musicians [Cm] that went on to be
arguably more successful [Gm] when they left their original band.
Why do you think that is for you?
When I go into a studio, I've [Cm] never gone,
you know what, I really feel like doing a fucking bad album [Dm] now.
Sometimes that happens.
Sometimes you don't.
Are you your own worst critic in that sense?
Absolutely.
See, when you're in a studio for [Gm] months on end,
getting built from it, you're kind [Bb] of used to it.
[G]
[Ab] Sometimes you still like to do it, but it's impossible now.
I'd record an album, leave it for a couple of weeks,
then listen to [C] it to get it out of my head because you're too [Cm] attached.
[Gm] Yeah, that's right.
So as [G] an artist and a songwriter, [Cm] would you say your strongest point,
your strongest asset is the [Gm] ability to pull these melodies?
Yeah, that's the only thing.
[Bb] I don't play an instrument, I don't [Cm] understand music,
[B] I'm not great with lyrics, I come up with [Gm] melodies.
I think you can actually play more music on more instruments [Ab] than you give yourself credit for.
Because I remember you picked up a guitar and you just started playing chords.
No, I can't play.
You absolutely
I watched you play chords on a guitar and I'm like, where did you learn that?
[C]
I mean, after [G] 40 years, if you can't play some chords on a guitar I can't.
You can.
All right, you can.
Okay, [B] say [Ab] you can.
Okay.
You can, there you go.
So you're releasing this best of right now, this compilation.
Memoirs of a Madman.
Memoirs of a Madman.
I think the selection is pretty [Cm] cool.
Yeah, I mean, because there [Eb] hasn't actually been a complete,
[Gm] a genuine true best of compilation.
I mean, do you look at the body of work [C] going, wow, that's kind of crazy?
I remember from the very first thing I did, the first Black Sabbath album,
it went in the charts.
I remember the manager coming up to me in the club and going,
you've got something to tell you.
And I go, what's that?
He goes, your [G] album's entering the charts at number 17 next week.
Oh, you're pulling my leg.
Because I'd got off previously to hear that song, the cover song,
with Evil Woman at six o'clock in the morning.
I was like, we're on the radio.
[Gm]
And then I remember thinking, [Bb]
this is going to be fun for a couple of [Gm] years.
Let me have a booze up with my mates and I'll be back to this.
And from that moment [Bb] on, my life forever changed.
We all got ripped off by my managers, [Cm] but it was forever changed.
[Fm] I was married to another woman and then she divorced me.
I met your mum and I married your mum and we had [Cm] you guys.
And you couldn't write my script.
It was [C] just amazing what my [Gm] life's been like.
I mean, this is it for the rest of my life.
This is it.
And then [D] all of a sudden, [Cm] from nowhere, you just make a turn,
which you go somewhere completely out of [G] context of where you were before.
Yeah.
So you got your driver's license a couple [Cm] of years ago.
Where was the first place you went when you got your driver's license?
[Bb] They drive on the wrong side of the road here.
We in England drive on the other side.
You know, I've still got a license.
[Ab] I haven't got any points from it because I haven't driven.
[B] Do you have any regrets from when you were younger?
Life's full of regrets, but you can't leave.
You just, you know, you regret doing this, you regret doing that.
But you know, [G] you either get over it or you don't.
A lot of your songs, [Cm] Subject Matter, is very political.
But as a, you know, growing up with you,
[Gm] you've never been one of these very vocal [Cm] politically around the house.
It seems to kind of get directed a lot into your music.
Are you, do you [Eb] care about politics or anything like that?
[Gm] They all should start playing fucking music.
[Cm] What?
I mean, I met Tony Blair one time, the old English prime minister.
And he's looking at me and he comes over,
just [C] when the Iraq war started going,
I thought he was going to come up to me and say,
you could do very good for the country by doing a song or something for the troops.
He comes up to [Gm] me and he goes, do you know, I was once in a band.
I'm like, what [Bb] the fuck, you made it?
[Eb] And he goes, I couldn't quite get the chords to Iron Man.
I'm like, [Gm] is that all you've got to fucking say?
We vote for these people in.
And they [Cm] never seem to pull off all the shit that promises to get in.
In Sabbath, so Giza was the main lyricist.
So I used to sing, he could give me some phenomenal lyrics.
Yeah.
And [Ab] I have to craft them into a song.
But even post Sabbath though, you've done very kind of,
you know, whether [C] it's songs about war on drugs or just wars in general,
you know, it does seem to be something that [Cm] resonates with you.
Well, you know, my latest thing,
you see these people on TV talking about this ISIS thing.
And then we're going to go, yes, we should send [Gm] troops there.
And I go, [Fm] how [Cm] can they talk politely?
You can't have a polite war.
Excuse me, I'm just going to [Bb] shout you and you.
It must be the [A] scariest fucking place ever.
When, you know, when all [E] those kind of religious
zealots were coming after you back in the [A] day.
We were, we give them a job.
Yeah.
[C] I remember one time they [Gm] were going out picketing the gig.
And I got a [C]
broomstick and a staple gun, have a nice day.
And [Ab] I followed them around.
[G] They didn't even know who I was.
But that's something that has followed you your entire career, this [D] kind of.
[Ab] Yeah, but you know, at the poor Ronnie James Dales funeral,
they were out there going, I'm like, you fucking ignorant assholes.
The guy's got a gun and you want to send him a book.
Jesus could have saved you.
I mean, you've got nothing else better to fucking do.
Yeah.
You know, and they condemn that.
But they won't do anything good for someone, you know.
Yeah.
[Bb] It's just wrong.
But you can't see how freedom of [Eb] speech.
[C] Because in this world we live in, no matter how good the idea is,
there will always be someone who will go, [G] no, I don't think that's a good idea.
[Bb] Other countries, you go, oh yeah, even if it is a bad idea, you go, [Ab] yeah, yeah.
Because you go, you don't [C] like it?
In that [Gm] fucking van.
[Cm]
[N]
Key:
Cm
Gm
C
Ab
Bb
Cm
Gm
C
What is something about yourself that no one really knows about?
What's your sex life like or whatever?
I don't want to know that. _ _ _
_ _ _ _ _ [Em] _ _ [Cm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ You [Gm] yourself as a solo artist, you're on a very short list of [Ab] musicians [Cm] that went on to be
_ _ _ arguably more successful [Gm] when they left their original band.
Why do you think that is for you?
When _ I go into a studio, I've [Cm] never gone,
you know what, I really feel like doing a fucking bad album [Dm] now.
_ Sometimes that happens. _
_ _ _ Sometimes you don't. _
Are you your own worst critic in that sense?
Absolutely.
See, when you're in a studio for _ [Gm] months on end,
_ _ _ getting built from it, _ you're kind [Bb] of used to it.
[G] _ _ _
[Ab] _ _ Sometimes you still like to do it, but it's impossible now. _ _ _ _ _
I'd record an album, _ _ leave it for a couple of weeks,
_ _ then listen to [C] it to get it out of my head because _ _ you're too [Cm] attached.
[Gm] Yeah, that's right.
So as _ [G] _ an _ artist and a songwriter, [Cm] would you say your _ strongest point,
your strongest _ _ asset is the [Gm] ability to pull these melodies?
Yeah, _ _ that's the only thing.
[Bb] _ I don't play an instrument, I don't [Cm] understand music,
[B] I'm not great with lyrics, I come up with _ [Gm] melodies.
_ I think you can actually play more music on more instruments [Ab] than you give yourself credit for.
Because I remember you picked up a guitar and you just started playing chords.
No, I can't play.
You _ absolutely_
I watched you play chords on a guitar and I'm like, where did you learn that?
[C] _ _
I mean, after [G] 40 years, if you can't play some chords on a guitar_ I can't.
You can.
All right, you can.
Okay, [B] say [Ab] you can.
Okay.
You can, there you go.
So you're releasing this best of right now, this compilation.
Memoirs of a Madman.
Memoirs of a Madman.
I think the selection is pretty _ [Cm] cool.
Yeah, I mean, because there [Eb] hasn't actually been a complete, _ _
[Gm] a genuine true best of _ compilation.
I mean, do you look at the body of work [C] going, wow, that's kind of crazy?
_ I remember from the very first thing I did, _ the first Black Sabbath album,
it went in the charts.
I remember the manager coming up to me in the club and going,
you've got something to tell you.
And I go, what's that?
He goes, your [G] album's entering the charts at number 17 next week.
_ Oh, you're pulling my leg.
Because I'd got off previously to _ hear that song, the cover song,
with Evil Woman at six o'clock in the morning.
I was like, we're on the radio.
_ [Gm]
And then I remember thinking, _ _ [Bb] _
this is going to be fun for a couple of [Gm] years.
Let me have a _ booze up with my mates and I'll be back to _ this.
And from that moment [Bb] on, my life forever changed.
We all got ripped off by my managers, [Cm] but it was forever changed.
[Fm] I was married to another woman and then she divorced me.
I met your mum and I married your mum and we had [Cm] you guys.
And you couldn't write my script.
It was [C] just _ amazing what my [Gm] life's been like.
I mean, _ _ this is it for the rest of my life.
This is it.
And then [D] all of a sudden, [Cm] from nowhere, you just make a _ _ turn,
which you go somewhere _ completely out of [G] context of where you were before.
Yeah.
So you got your driver's license a couple [Cm] of years ago.
Where was the first place you went when you got your driver's license?
[Bb] They drive on the wrong side of the road here.
_ _ _ We in England drive on the other side.
_ _ You know, _ I've still got a license.
[Ab] I haven't got any points from it because I haven't driven.
_ _ _ [B] Do you have any regrets from when you were younger?
Life's full of regrets, but you can't leave.
You just, _ you know, you regret doing this, you regret doing that.
But you know, _ [G] you either get over it or you don't.
_ A lot of your songs, _ [Cm] Subject Matter, is very political.
But as a, you know, growing up with you,
[Gm] you've never been one of these very _ vocal [Cm] politically around the house.
It seems to kind of get directed a lot into your music.
Are you, do you [Eb] care about politics or anything like that?
[Gm] They all should start playing fucking music.
_ [Cm] What?
I mean, I met Tony Blair one time, the old English prime minister.
_ And he's looking at me and he comes over,
just [C] when the Iraq war started going,
I thought he was going to come up to me and say,
you could do very good for the country by _ doing a song or something for the troops. _
He comes up to [Gm] me and he goes, do you know, I was once in a band.
I'm like, what [Bb] the fuck, you made it?
[Eb] _ And he goes, I couldn't quite get the chords to Iron Man.
I'm like, [Gm] is that all you've got to fucking say?
We vote for these people in.
And they [Cm] never seem to pull off _ all the shit that _ promises to get in.
_ In Sabbath, so Giza was the main lyricist.
So I used to sing, he could give me some phenomenal lyrics. _
_ Yeah.
And [Ab] I have to craft them into a song.
_ But even post Sabbath though, you've done very kind of,
you know, whether [C] it's songs about _ war on drugs or _ just wars in general,
you know, it does seem to be something that [Cm] resonates with you.
Well, you know, my latest thing,
you see these people on TV talking about this ISIS thing.
_ And then we're going to go, yes, we should send _ _ [Gm] troops there.
And I go, [Fm] _ how [Cm] can they talk politely?
You can't have a polite war.
Excuse me, I'm just going to [Bb] shout you and you.
_ It must be the [A] scariest fucking place _ ever.
When, you know, when all [E] those kind of religious
zealots were coming after you back in the [A] day.
We were, we give them a job.
Yeah.
[C] I remember one time they _ [Gm] were going out picketing the gig. _
And I got _ a [C] _ _ _
broomstick and a staple gun, have a nice day.
And [Ab] I followed them around.
[G] They didn't even know who I was.
But that's something that has followed you your entire career, this [D] kind of.
[Ab] Yeah, but you know, at the poor Ronnie James Dales funeral,
they _ were out there going, I'm like, you _ fucking ignorant assholes.
The guy's got a gun and you want to send him a book.
Jesus could have saved you. _ _
_ I mean, you've got nothing else better to fucking do.
Yeah.
You know, and they condemn that.
But they won't _ _ do anything good for someone, you know.
Yeah.
[Bb] It's just wrong.
_ _ But you can't see how freedom of [Eb] speech.
_ [C] Because in this world we live in, no matter how good the idea is,
there will always be someone who will go, [G] no, I don't think that's a good idea.
_ [Bb] _ Other countries, you go, oh yeah, even if it _ _ is a bad idea, you go, [Ab] yeah, yeah.
Because you go, you don't [C] like it?
In that [Gm] fucking van. _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ _ _ _ _ [N] _
What's your sex life like or whatever?
I don't want to know that. _ _ _
_ _ _ _ _ [Em] _ _ [Cm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ You [Gm] yourself as a solo artist, you're on a very short list of [Ab] musicians [Cm] that went on to be
_ _ _ arguably more successful [Gm] when they left their original band.
Why do you think that is for you?
When _ I go into a studio, I've [Cm] never gone,
you know what, I really feel like doing a fucking bad album [Dm] now.
_ Sometimes that happens. _
_ _ _ Sometimes you don't. _
Are you your own worst critic in that sense?
Absolutely.
See, when you're in a studio for _ [Gm] months on end,
_ _ _ getting built from it, _ you're kind [Bb] of used to it.
[G] _ _ _
[Ab] _ _ Sometimes you still like to do it, but it's impossible now. _ _ _ _ _
I'd record an album, _ _ leave it for a couple of weeks,
_ _ then listen to [C] it to get it out of my head because _ _ you're too [Cm] attached.
[Gm] Yeah, that's right.
So as _ [G] _ an _ artist and a songwriter, [Cm] would you say your _ strongest point,
your strongest _ _ asset is the [Gm] ability to pull these melodies?
Yeah, _ _ that's the only thing.
[Bb] _ I don't play an instrument, I don't [Cm] understand music,
[B] I'm not great with lyrics, I come up with _ [Gm] melodies.
_ I think you can actually play more music on more instruments [Ab] than you give yourself credit for.
Because I remember you picked up a guitar and you just started playing chords.
No, I can't play.
You _ absolutely_
I watched you play chords on a guitar and I'm like, where did you learn that?
[C] _ _
I mean, after [G] 40 years, if you can't play some chords on a guitar_ I can't.
You can.
All right, you can.
Okay, [B] say [Ab] you can.
Okay.
You can, there you go.
So you're releasing this best of right now, this compilation.
Memoirs of a Madman.
Memoirs of a Madman.
I think the selection is pretty _ [Cm] cool.
Yeah, I mean, because there [Eb] hasn't actually been a complete, _ _
[Gm] a genuine true best of _ compilation.
I mean, do you look at the body of work [C] going, wow, that's kind of crazy?
_ I remember from the very first thing I did, _ the first Black Sabbath album,
it went in the charts.
I remember the manager coming up to me in the club and going,
you've got something to tell you.
And I go, what's that?
He goes, your [G] album's entering the charts at number 17 next week.
_ Oh, you're pulling my leg.
Because I'd got off previously to _ hear that song, the cover song,
with Evil Woman at six o'clock in the morning.
I was like, we're on the radio.
_ [Gm]
And then I remember thinking, _ _ [Bb] _
this is going to be fun for a couple of [Gm] years.
Let me have a _ booze up with my mates and I'll be back to _ this.
And from that moment [Bb] on, my life forever changed.
We all got ripped off by my managers, [Cm] but it was forever changed.
[Fm] I was married to another woman and then she divorced me.
I met your mum and I married your mum and we had [Cm] you guys.
And you couldn't write my script.
It was [C] just _ amazing what my [Gm] life's been like.
I mean, _ _ this is it for the rest of my life.
This is it.
And then [D] all of a sudden, [Cm] from nowhere, you just make a _ _ turn,
which you go somewhere _ completely out of [G] context of where you were before.
Yeah.
So you got your driver's license a couple [Cm] of years ago.
Where was the first place you went when you got your driver's license?
[Bb] They drive on the wrong side of the road here.
_ _ _ We in England drive on the other side.
_ _ You know, _ I've still got a license.
[Ab] I haven't got any points from it because I haven't driven.
_ _ _ [B] Do you have any regrets from when you were younger?
Life's full of regrets, but you can't leave.
You just, _ you know, you regret doing this, you regret doing that.
But you know, _ [G] you either get over it or you don't.
_ A lot of your songs, _ [Cm] Subject Matter, is very political.
But as a, you know, growing up with you,
[Gm] you've never been one of these very _ vocal [Cm] politically around the house.
It seems to kind of get directed a lot into your music.
Are you, do you [Eb] care about politics or anything like that?
[Gm] They all should start playing fucking music.
_ [Cm] What?
I mean, I met Tony Blair one time, the old English prime minister.
_ And he's looking at me and he comes over,
just [C] when the Iraq war started going,
I thought he was going to come up to me and say,
you could do very good for the country by _ doing a song or something for the troops. _
He comes up to [Gm] me and he goes, do you know, I was once in a band.
I'm like, what [Bb] the fuck, you made it?
[Eb] _ And he goes, I couldn't quite get the chords to Iron Man.
I'm like, [Gm] is that all you've got to fucking say?
We vote for these people in.
And they [Cm] never seem to pull off _ all the shit that _ promises to get in.
_ In Sabbath, so Giza was the main lyricist.
So I used to sing, he could give me some phenomenal lyrics. _
_ Yeah.
And [Ab] I have to craft them into a song.
_ But even post Sabbath though, you've done very kind of,
you know, whether [C] it's songs about _ war on drugs or _ just wars in general,
you know, it does seem to be something that [Cm] resonates with you.
Well, you know, my latest thing,
you see these people on TV talking about this ISIS thing.
_ And then we're going to go, yes, we should send _ _ [Gm] troops there.
And I go, [Fm] _ how [Cm] can they talk politely?
You can't have a polite war.
Excuse me, I'm just going to [Bb] shout you and you.
_ It must be the [A] scariest fucking place _ ever.
When, you know, when all [E] those kind of religious
zealots were coming after you back in the [A] day.
We were, we give them a job.
Yeah.
[C] I remember one time they _ [Gm] were going out picketing the gig. _
And I got _ a [C] _ _ _
broomstick and a staple gun, have a nice day.
And [Ab] I followed them around.
[G] They didn't even know who I was.
But that's something that has followed you your entire career, this [D] kind of.
[Ab] Yeah, but you know, at the poor Ronnie James Dales funeral,
they _ were out there going, I'm like, you _ fucking ignorant assholes.
The guy's got a gun and you want to send him a book.
Jesus could have saved you. _ _
_ I mean, you've got nothing else better to fucking do.
Yeah.
You know, and they condemn that.
But they won't _ _ do anything good for someone, you know.
Yeah.
[Bb] It's just wrong.
_ _ But you can't see how freedom of [Eb] speech.
_ [C] Because in this world we live in, no matter how good the idea is,
there will always be someone who will go, [G] no, I don't think that's a good idea.
_ [Bb] _ Other countries, you go, oh yeah, even if it _ _ is a bad idea, you go, [Ab] yeah, yeah.
Because you go, you don't [C] like it?
In that [Gm] fucking van. _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ _ _ _ _ [N] _