Chords for Pat Martino - Multiple Substitutions Demonstration

Tempo:
84.35 bpm
Chords used:

A

Dm

Em

Am

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Pat Martino - Multiple Substitutions Demonstration chords
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[A] [Dm] [A] [C#] [F#] [E] The chord that now shall be played is an A7 sharp 5 and the substitution that I'm going to demonstrate here [C#] is in one position
as an E minor 7th.
[A]
[Em] One more time.
[A]
Again A7 sharp 5, [N] but now the substitution shall be [Am] B flat minor [A] 7th.
[G#] [F]
[A] Now again an A7 sharp 5, the substitution shall be G minor 7th.
[F]
[A] Now the A7 sharp 5 shall be played again and this time the substitution will be from the D flat minor 7th.
[D#]
[F#] [A]
[Am] Now let's see how we can through motion of these forms, one flowing into another, multiple substitutions emerge on the same voicing, A7 sharp 5.
Here I'm going to use two at a time to give you a demonstration to hear the harmonies and the melodies in these substitutions.
A7 sharp [A] 5, I now will play E minor 7th into G minor 7th.
[F#]
[G] [Am] How about G minor 7th into E minor 7th.
[A] [Dm] [F]
[Em] [G] The next shall be D flat minor 7th also with a B flat minor 7th against A7 sharp [A] 5.
[F] [N]
[A] [Em] One more time.
[A]
[Dm] [N] Two different forms in light of that.
Now let's take another possibility which could also be a [A] B flat minor 7th into a G minor 7th.
[C#] [C]
[A#] [A] One more time.
[A#] [Am] [Em] [Dm]
Key:  
A
1231
Dm
2311
Em
121
Am
2311
F
134211111
A
1231
Dm
2311
Em
121
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[A] _ [Dm] _ [A] _ [C#] _ [F#] _ _ [E] The chord that now shall be played is an A7 sharp 5 and the substitution that I'm going to demonstrate here [C#] is in one position
as an E minor 7th.
_ [A] _ _ _ _
_ _ _ _ [Em] _ _ One more time.
[A] _ _ _ _ _ _ _ _
_ Again A7 sharp 5, [N] but now the substitution shall be [Am] B flat minor [A] 7th.
_ _ [G#] _ [F] _ _
_ [A] _ _ Now again an A7 sharp 5, the substitution shall be G minor 7th.
_ _ _ _ [F] _
_ [A] _ Now the A7 sharp 5 shall be played again and this time the substitution will be from the D flat minor 7th.
_ [D#] _ _
[F#] _ _ [A] _ _ _ _ _ _
[Am] Now let's see how we can through motion of these forms, one flowing into another, multiple substitutions emerge on the same voicing, A7 sharp 5.
Here I'm going to use two at a time to give you a demonstration to hear the harmonies and the melodies in these substitutions.
A7 sharp [A] 5, I now will play E minor 7th into G minor 7th.
[F#] _ _ _ _ _
[G] _ _ [Am] _ How about G minor 7th into E minor 7th.
[A] _ _ _ [Dm] _ _ [F] _ _
[Em] _ _ [G] _ The next shall be D flat minor 7th also with a B flat minor 7th against A7 sharp [A] 5.
_ _ [F] _ [N] _ _ _
_ [A] _ [Em] One more time.
[A] _ _ _ _
[Dm] _ _ _ _ [N] Two different forms in light of that.
Now let's take another possibility which could also be a [A] B flat minor 7th into a G minor 7th.
_ _ [C#] _ _ [C] _
[A#] _ [A] _ _ One more time.
_ _ [A#] _ _ [Am] _ _ _ _ _ [Em] _ [Dm] _