Chords for Pattie Boyd getting woo'ed by The Beatles' George Harrison
Tempo:
132.25 bpm
Chords used:
E
C#
D
Cm
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
[D] [E]
So, many people over the years have written great songs about Patti, as we know, [N] and let's
He wrote Something in the Way She Moves, which was absolutely a
I saw Paul McCartney the other night, he did a lovely tribute to the song,
Hall.
and he sent you his love.
something.
started modelling when I was about 18, 19, and occasionally I would do some TV commercials.
So, many people over the years have written great songs about Patti, as we know, [N] and let's
He wrote Something in the Way She Moves, which was absolutely a
I saw Paul McCartney the other night, he did a lovely tribute to the song,
Hall.
and he sent you his love.
something.
started modelling when I was about 18, 19, and occasionally I would do some TV commercials.
100% ➙ 132BPM
E
C#
D
Cm
G#
E
C#
D
[D] _ _ [E] _ _ _ _ _
So, many people over the years have written great songs about Patti, as we know, [N] and let's
get to George first.
He wrote Something in the Way She Moves, _ _ which was absolutely a
lovely song. _ _
I saw Paul McCartney the other night, he did a lovely tribute to the song,
a beautiful version of it, at the Albert Hall.
Did he?
Yeah.
And Paul's in good form, and he sent you his love.
Oh, thank you.
Yeah, let's hear something.
_ _ _ _ I started modelling when I was about 18, 19, _ and occasionally I would do some TV commercials.
_ Anyway, one day I was doing a job, I think it was for Bailey, and my agent phoned and
said that I had an interview with somebody else, so I went along.
And I recognised the
director, Dick Lester, who I'd done a commercial with.
[E] And so I imagined this is [Cm] what I was,
and I'd come, the interview was all about.
But it wasn't, it was to get, in fact I got
the part of a schoolgirl in the Beatles' first film, Hard Day's Night. _
And that's when you first met George?
That's when I first met George. _
The filming started on a train, and the train was going from London to _ Cornwall and back.
There were three girls, including me.
_ And the train left London and stopped at this
tiny little station, and then four familiar figures were there, the only [G#] people on the
platform.
And they leapt onto the train [D#] and came into our carriage and politely introduced
themselves, as if we didn't know who they were.
Oh, right.
At the end of filming, _ we were filming all day long, _ _ _ the train stopped at Paddington
Station and he said, oh, will you come out with me tonight?
[C#] And I said, oh, I'm so sorry,
I can't, because I've got a boyfriend and we're going out.
But, you know, you're welcome
to join us. _
Not what he wanted to hear at all.
And when did he finally get to take you out?
_ Well, it was amazingly lucky, because we were all called back about a week later to do a
bit more filming.
_ And during that week, I fired the boyfriend.
_ And so when I saw George,
he said, how's your boyfriend?
And I said, well, he isn't my boyfriend any longer. _
And
so he said, oh, good, [G] let's go out tonight.
And that was it.
So we were together for 10 years. _ _
I'm deeply, deeply honoured that George wrote that seriously beautiful song.
_ _ _ _ And, you know,
he was quite shy and he didn't really tell me straight away that he'd written it for
me.
He waited till he got back from the studio and they put it down on a cassette.
Do you
remember those little cassettes? _
And so he played it and said that he'd written it for me and I was just completely blown
away.
[C#] And I think what's happened with time, it has become more iconic.
Because when I
first heard it, you know, it's a beautiful song.
But then the more you hear it, the more
it just gets you because it's
So, many people over the years have written great songs about Patti, as we know, [N] and let's
get to George first.
He wrote Something in the Way She Moves, _ _ which was absolutely a
lovely song. _ _
I saw Paul McCartney the other night, he did a lovely tribute to the song,
a beautiful version of it, at the Albert Hall.
Did he?
Yeah.
And Paul's in good form, and he sent you his love.
Oh, thank you.
Yeah, let's hear something.
_ _ _ _ I started modelling when I was about 18, 19, _ and occasionally I would do some TV commercials.
_ Anyway, one day I was doing a job, I think it was for Bailey, and my agent phoned and
said that I had an interview with somebody else, so I went along.
And I recognised the
director, Dick Lester, who I'd done a commercial with.
[E] And so I imagined this is [Cm] what I was,
and I'd come, the interview was all about.
But it wasn't, it was to get, in fact I got
the part of a schoolgirl in the Beatles' first film, Hard Day's Night. _
And that's when you first met George?
That's when I first met George. _
The filming started on a train, and the train was going from London to _ Cornwall and back.
There were three girls, including me.
_ And the train left London and stopped at this
tiny little station, and then four familiar figures were there, the only [G#] people on the
platform.
And they leapt onto the train [D#] and came into our carriage and politely introduced
themselves, as if we didn't know who they were.
Oh, right.
At the end of filming, _ we were filming all day long, _ _ _ the train stopped at Paddington
Station and he said, oh, will you come out with me tonight?
[C#] And I said, oh, I'm so sorry,
I can't, because I've got a boyfriend and we're going out.
But, you know, you're welcome
to join us. _
Not what he wanted to hear at all.
And when did he finally get to take you out?
_ Well, it was amazingly lucky, because we were all called back about a week later to do a
bit more filming.
_ And during that week, I fired the boyfriend.
_ And so when I saw George,
he said, how's your boyfriend?
And I said, well, he isn't my boyfriend any longer. _
And
so he said, oh, good, [G] let's go out tonight.
And that was it.
So we were together for 10 years. _ _
I'm deeply, deeply honoured that George wrote that seriously beautiful song.
_ _ _ _ And, you know,
he was quite shy and he didn't really tell me straight away that he'd written it for
me.
He waited till he got back from the studio and they put it down on a cassette.
Do you
remember those little cassettes? _
And so he played it and said that he'd written it for me and I was just completely blown
away.
[C#] And I think what's happened with time, it has become more iconic.
Because when I
first heard it, you know, it's a beautiful song.
But then the more you hear it, the more
it just gets you because it's
