Chords for Paul McCartney - Get Out Of My Way

_ _ _ Get Outta My Way is really_
Cos we like old rock'n'roll stuff.
It's quite hard to write.
And if you listen to Chuck Berry's stuff,
I think he's a genius in his work,
cos it just rolls off the tongue,
it sounds so ordinary, it sounds like ordinary talk,
yet it's kind of American, it's South,
it's the black thing going, you know.
So all us kids who were brought up in England,
you really admire all that kind of stuff.
So basically you're always trying to write something a bit like that,
just a rock [Am]'n'roll song.
[D] And I just came up with this, it's a driving [A] song,
you know, I'm in the car, I'm heading to see my [N] girl,
so get outta my way. _ _ _ _ _
_ [Am] _ [D] _ _ _ _ [A] _ _
[D] _ [Am] _ _ _ [Em] _ [A] _ _ _
_ _ [D] _ _ _ [E] _ _
Heading [A] to see her
_ _ Twice in my life
This is me
[D] _ _ _ [E] _ _
Heading [A] to see her
_ [F#m] Get [D] outta my way
[A] Get [E] outta my life
I [F#m] don't need [D] anybody
To tell [A] me I gotta be right
[F#m] Don't try [D] to stop me
[A] I've got [E] the answer
Don't [F#m] need [D] anybody
Except for [A] my one good night
[D] [C] Yeah, yeah
[G] _ _
[D] _ [A] _ _ _ [D] _ [Em] _ _ _
[Am] _ [A] _ _ _ _ _ [Am] _ [D] _
_ [A] _ [Em] _ [A] _ _ [E] _ _ _
[A] _ _ _ _ _ [D] _ _ _
[A] _ I've [F#m] _ _ [Em] _ _ [C] _
_ [A] _ had a happy new start to [D] smile
I've got a full gas tank and it's only a [E] mile
I'm happy with my little room
[A] I'm ready to see her _ _
[Em] Twilight, why don't you listen to [Am] me?
I don't know, I don't know, I don't know
[D] But if you're gonna [E] be my real mama
I'm ready [A] to see her now
Just [D] get outta my way
[A] Get outta my [E] life
I don't [F#m] need [D] anybody
To tell [A] me I gotta be right
Don't _ [F#m] [D] try to stop me
I've [A] got the [E] answer
I don't [F#m] need [D] anybody
Except for my one good [A] _ _
_ _ [F#m] _ [D] night
Baby, get [A] outta my [E]
life
I don't [F#m] need [D] anybody
Except my one [A] good night [F#m] Yeah, [G] yeah
_ _ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C] _ [A] _ _ _ _
_ _ [Em] _ _ [A] _ _ _ [Bm] _
_ [D] _ _ _ _ _ _ [A] _
_ _ _ _ [D] _ [A] _ _ _
_ [Am] _ _ _ _ _ _ _
_ [Em] _ _ [C] _ _ [A] _ _ [N] _
_ _ _ _ _ _ Thank you, thank you, thank you
What used to happen is you'd [A#] record the song,
whatever song it was,
and you'd then get to do it on stage.
The nice thing about me being left-handed,
probably the best thing,
was that when you get two guys on a mic,
if they're right-handed, they'd bang each other with the guitars,
they'd both fight in that space,
whereas with me and George, as it was often,
doing the things, it'd be like that.
I'd be this way, George would be that.
It's very convenient.
So you're just both moving on a mic,
you can get easy on the mic,
so that always used to be the thing.
And then when we had She Loves You and Twist and Shout,
there was this bit where we went_
And we did that.
And to get a bit of feeling into it,
[E] one night we just found that both of us were excited,
we'd_
and shook our heads, you know.
And all the fans went_
And it was like, what did we do?
And somebody later said, just shook your heads, you know.
That was great.
[N] Oh, keep it in then.
So that became one of those things that just you thought,
well, you know, if we want to laugh, shake your head, you know.
So that all grew off the mic position there,
so that became one of our trademarks.
It got embarrassing, actually.
We knocked it on the head after a while,
cos it got to be too silly, you know.
But