Chords for Paul McCartney on Arthur Alexander and Sam Cooke
Tempo:
120.95 bpm
Chords used:
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E] And I met him once, he was a very sweet guy, Arthur.
You did?
Yeah.
Great.
Met him backstage somewhere with the Faces, [N]
way back in the 70s.
Yeah.
I never knew anything about him, you know, except this record.
Never heard anything else from him.
He was telling me about his collaborations with Sam.
You know what was nice for, well, go on.
Yeah, cos Rod was always so into Sam, Sam and Otis.
But the nice thing I loved about that was, cos we'd do these songs
just cos we loved them so much and they got in our stage act,
and then that became our first record.
And of course all these guys saw these nice little royalty checks.
And they were going, hello.
Hello.
There's money in this.
If only we could get it off of the holding company.
Oh, yeah.
Don't go there.
Hence all the grudges, you know, Bo Diddley, Chuck Berry,
they never got paid.
No, I know.
I got some early Beatles, each member of the band got paid
ten shillings, seven pounds ten shillings for each session,
which were, please, please me, you did nine hours in three-hour sitting.
Rich pickings.
Yeah.
Come on, man.
It's the job for me.
Get paid like that.
Brilliant.
Yeah, so Arthur Alexander who wrote that last song, he did,
yeah, yeah, yeah, if you ever change your mind.
About leaving me behind, yeah.
Leave me behind.
Leave it, give it to me.
Give your soul to me.
Bring your speed, love it.
Bring it on home to me.
Bring it on home to me.
Yeah, he wrote that with Sam Cooke.
That's a quick one.
Yeah, he sang along.
And I met him once and he seemed quite a very polite
You did?
Yeah.
Great.
Met him backstage somewhere with the Faces, [N]
way back in the 70s.
Yeah.
I never knew anything about him, you know, except this record.
Never heard anything else from him.
He was telling me about his collaborations with Sam.
You know what was nice for, well, go on.
Yeah, cos Rod was always so into Sam, Sam and Otis.
But the nice thing I loved about that was, cos we'd do these songs
just cos we loved them so much and they got in our stage act,
and then that became our first record.
And of course all these guys saw these nice little royalty checks.
And they were going, hello.
Hello.
There's money in this.
If only we could get it off of the holding company.
Oh, yeah.
Don't go there.
Hence all the grudges, you know, Bo Diddley, Chuck Berry,
they never got paid.
No, I know.
I got some early Beatles, each member of the band got paid
ten shillings, seven pounds ten shillings for each session,
which were, please, please me, you did nine hours in three-hour sitting.
Rich pickings.
Yeah.
Come on, man.
It's the job for me.
Get paid like that.
Brilliant.
Yeah, so Arthur Alexander who wrote that last song, he did,
yeah, yeah, yeah, if you ever change your mind.
About leaving me behind, yeah.
Leave me behind.
Leave it, give it to me.
Give your soul to me.
Bring your speed, love it.
Bring it on home to me.
Bring it on home to me.
Yeah, he wrote that with Sam Cooke.
That's a quick one.
Yeah, he sang along.
And I met him once and he seemed quite a very polite
Key:
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_ _ [E] _ _ _ _ And I met him once, he was a very sweet guy, Arthur.
You did?
Yeah.
Great.
Met him backstage somewhere with the Faces, [N]
way back in the 70s.
Yeah. _
I never knew anything about him, you know, except this record.
Never heard anything else from him.
He was telling me about his collaborations with Sam.
You know what was nice for, well, go on.
Yeah, cos Rod was always so into Sam, Sam and Otis.
_ _ But the nice thing I loved about that was, cos we'd do these songs
just cos we loved them so much and they got in our stage act,
and then that became our first record.
And of course all these guys saw these nice little royalty checks.
And they were going, hello.
Hello.
There's money in this.
If only we could get it off of the holding company.
Oh, yeah.
Don't go there.
Hence all the grudges, you know, Bo Diddley, Chuck Berry,
they never got paid.
No, I know.
I got some early Beatles, _ _ _ each member of the band got paid
ten shillings, _ seven pounds ten shillings for each session,
which were, _ _ please, please me, you did nine hours in three-hour sitting.
Rich pickings.
Yeah.
Come on, man.
It's the job for me.
Get paid like that.
Brilliant.
Yeah, so Arthur Alexander who wrote that last song, he did, _ _
_ yeah, yeah, yeah, if you ever _ _ _ change your mind.
About leaving me behind, yeah.
Leave me behind. _
Leave it, give it to me.
Give your soul to me.
Bring your speed, love it.
Bring it on home to me.
Bring it on home to me.
Yeah, he wrote that with Sam Cooke.
That's a quick one.
Yeah, he sang along.
And I met him once and he seemed quite a very polite
You did?
Yeah.
Great.
Met him backstage somewhere with the Faces, [N]
way back in the 70s.
Yeah. _
I never knew anything about him, you know, except this record.
Never heard anything else from him.
He was telling me about his collaborations with Sam.
You know what was nice for, well, go on.
Yeah, cos Rod was always so into Sam, Sam and Otis.
_ _ But the nice thing I loved about that was, cos we'd do these songs
just cos we loved them so much and they got in our stage act,
and then that became our first record.
And of course all these guys saw these nice little royalty checks.
And they were going, hello.
Hello.
There's money in this.
If only we could get it off of the holding company.
Oh, yeah.
Don't go there.
Hence all the grudges, you know, Bo Diddley, Chuck Berry,
they never got paid.
No, I know.
I got some early Beatles, _ _ _ each member of the band got paid
ten shillings, _ seven pounds ten shillings for each session,
which were, _ _ please, please me, you did nine hours in three-hour sitting.
Rich pickings.
Yeah.
Come on, man.
It's the job for me.
Get paid like that.
Brilliant.
Yeah, so Arthur Alexander who wrote that last song, he did, _ _
_ yeah, yeah, yeah, if you ever _ _ _ change your mind.
About leaving me behind, yeah.
Leave me behind. _
Leave it, give it to me.
Give your soul to me.
Bring your speed, love it.
Bring it on home to me.
Bring it on home to me.
Yeah, he wrote that with Sam Cooke.
That's a quick one.
Yeah, he sang along.
And I met him once and he seemed quite a very polite