Chords for Paul Simon and Herbie Hancock - from ‘Possibilities’ (2005)
Tempo:
144.85 bpm
Chords used:
Dm
D
A
E
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Am] [A]
[E] We were married on a rainy day.
The sky was [Dm] yellow and the grass was gray.
[A]
We signed the papers [Dm] and we drove away.
[Am] [B] I don't know [Bb] who,
[Dm] [A]
[Dm]
[A]
[Dm]
[D] [Am]
who, [G] who's got me now.
[C]
The [Db] concept of the record is that [Dm] it's a duet.
[Ab]
The [Gb] vocals only have half of what's going on and the other half is, the other half is her.
[F] I'm [A] much more excited.
[Bm]
[G] Paul mentioned maybe we could do it as a [C] duet.
I said to [B] Paul, what if we had [E] maybe two or three percussionists create [N] some kind of exotic rhythm track?
[B] Percussion certainly [Gb] could [E]
allow the spirit of a duet and not interfere with it.
What are you guys thinking [N] rhythmically?
Paul Simon came to the recording studio a day earlier than [G] he was scheduled.
Actually, I got to the studio, [Bb] he was already there helping to organize the [D] percussion section.
The sky [Db]
[D]
[C]
[A] [G]
was yellow [C] and the [G] grass was gray.
[Db] [D] He did [E] do Graceland [Dm] combining a rhythmic track that [Bm] had kind of North African, Middle Eastern
influence.
[D]
It kind of [C] triggered those memories in [D] his head.
Even though [A] Herbie says, look, I don't want to make a jazz record.
No.
[D] I think what he means is he doesn't [Am] want to make [B] a cliched jazz [Am] record.
[G] Sky was yellow.
[A]
Oh.
[D] [Em] The big surprise [E] was that he said to me, [D] hey Herbie, you think there's a way for you to
do my [Gm] tune in a minor key?
And I went, [Dm] hmm, yeah, I think so.
[Bb]
[Dm]
[Am] [Dm] Not only did Paul ask me if I could do this song in a minor key, but the other [Abm] suggestion
he made
[Ebm] [Dm] was to do the song and just [D] have one minor chord.
[Bbm] And I thought about it and I said, well, [Dm] there's a way to approach that.
[D] [Eb] [Bb]
[Bbm]
[Bb] [E] [D]
[C] [Bbm]
[Dm]
[D] [A]
[G] [E]
[C] [G]
[Db] [D]
[B] [E]
[A] [Bb] [Bm]
[Gb]
[Dm]
[E] [F] [Am]
[A] [A] [Dm]
[E] [Dm] [E]
[Am]
[Gb] [Am]
[Dm]
[D]
[N]
[E] We were married on a rainy day.
The sky was [Dm] yellow and the grass was gray.
[A]
We signed the papers [Dm] and we drove away.
[Am] [B] I don't know [Bb] who,
[Dm] [A]
[Dm]
[A]
[Dm]
[D] [Am]
who, [G] who's got me now.
[C]
The [Db] concept of the record is that [Dm] it's a duet.
[Ab]
The [Gb] vocals only have half of what's going on and the other half is, the other half is her.
[F] I'm [A] much more excited.
[Bm]
[G] Paul mentioned maybe we could do it as a [C] duet.
I said to [B] Paul, what if we had [E] maybe two or three percussionists create [N] some kind of exotic rhythm track?
[B] Percussion certainly [Gb] could [E]
allow the spirit of a duet and not interfere with it.
What are you guys thinking [N] rhythmically?
Paul Simon came to the recording studio a day earlier than [G] he was scheduled.
Actually, I got to the studio, [Bb] he was already there helping to organize the [D] percussion section.
The sky [Db]
[D]
[C]
[A] [G]
was yellow [C] and the [G] grass was gray.
[Db] [D] He did [E] do Graceland [Dm] combining a rhythmic track that [Bm] had kind of North African, Middle Eastern
influence.
[D]
It kind of [C] triggered those memories in [D] his head.
Even though [A] Herbie says, look, I don't want to make a jazz record.
No.
[D] I think what he means is he doesn't [Am] want to make [B] a cliched jazz [Am] record.
[G] Sky was yellow.
[A]
Oh.
[D] [Em] The big surprise [E] was that he said to me, [D] hey Herbie, you think there's a way for you to
do my [Gm] tune in a minor key?
And I went, [Dm] hmm, yeah, I think so.
[Bb]
[Dm]
[Am] [Dm] Not only did Paul ask me if I could do this song in a minor key, but the other [Abm] suggestion
he made
[Ebm] [Dm] was to do the song and just [D] have one minor chord.
[Bbm] And I thought about it and I said, well, [Dm] there's a way to approach that.
[D] [Eb] [Bb]
[Bbm]
[Bb] [E] [D]
[C] [Bbm]
[Dm]
[D] [A]
[G] [E]
[C] [G]
[Db] [D]
[B] [E]
[A] [Bb] [Bm]
[Gb]
[Dm]
[E] [F] [Am]
[A] [A] [Dm]
[E] [Dm] [E]
[Am]
[Gb] [Am]
[Dm]
[D]
[N]
Key:
Dm
D
A
E
Am
Dm
D
A
_ _ _ _ _ _ _ _
_ _ [Am] _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
[E] We were married on a rainy _ day.
_ _ The sky was [Dm] yellow and the grass was gray.
_ _ [A] _
We signed the papers [Dm] and we drove away.
[Am] _ [B] I don't know [Bb] who, _ _ _ _ _ _
[Dm] _ _ [A] _ _ _ _ _ _
[Dm] _ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ [Dm] _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ [Am]
who, _ _ _ _ [G] _ who's got me now.
[C] _ _ _ _
The [Db] _ _ _ concept of the record is that [Dm] it's _ _ a duet.
[Ab] _ _
_ _ The [Gb] vocals only have half _ of what's going on and the other half is, _ the other half is her.
_ _ _ [F] I'm [A] much more excited.
_ [Bm] _ _ _ _
_ _ _ _ [G] _ _ Paul mentioned maybe we could do it as a [C] duet.
I said to [B] Paul, what if we had [E] maybe two or three percussionists create [N] some kind of exotic rhythm track? _
[B] Percussion certainly [Gb] _ _ could _ [E]
allow the spirit of a duet and not interfere with it.
What are you guys thinking [N] rhythmically? _ _
_ _ _ _ _ _ _ _
_ _ Paul Simon came to the recording studio a day earlier than [G] he was scheduled.
Actually, I got to the studio, [Bb] he was already there helping to organize the [D] percussion section.
The _ _ _ _ _ _ _ _
_ _ _ _ _ sky [Db] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [C] _ _ _ _
_ [A] _ _ _ _ _ [G] _ _
_ was yellow [C] and the [G] grass was gray.
_ [Db] _ [D] He did [E] do Graceland [Dm] _ combining a rhythmic track that [Bm] had kind of North African, Middle Eastern
_ influence.
_ [D]
It kind of [C] triggered those memories in [D] his head.
Even _ _ _ though [A] _ Herbie says, look, I don't want to make a jazz record.
_ _ No. _
[D] I think what he means is he doesn't [Am] want to make [B] a cliched jazz [Am] record. _
_ [G] Sky was yellow.
_ _ [A] _
_ Oh.
[D] _ _ [Em] The big surprise [E] was that he said to me, [D] hey Herbie, you think there's a way for you to
do my [Gm] tune in a minor key?
And I went, _ _ [Dm] _ hmm, _ yeah, I think so.
_ [Bb] _ _ _ _
[Dm] _ _ _ _ _ _ _ _
_ _ [Am] _ _ [Dm] _ _ Not only did Paul ask me if I could do this song in a minor key, but the other [Abm] suggestion
he made _ _
[Ebm] [Dm] was to do the song and just [D] have one minor chord.
_ _ [Bbm] And I thought about it _ and I said, well, [Dm] there's a way to approach that. _ _ _ _ _ _ _
_ [D] _ _ [Eb] _ _ _ _ [Bb] _
_ _ _ _ [Bbm] _ _ _ _
[Bb] _ _ [E] _ _ _ _ [D] _ _
[C] _ _ _ _ _ _ [Bbm] _ _
_ _ _ [Dm] _ _ _ _ _
[D] _ _ _ _ _ [A] _ _ _
_ _ _ _ [G] _ _ _ [E] _
_ [C] _ _ _ _ [G] _ _ _
[Db] _ _ _ [D] _ _ _ _ _
_ _ _ _ [B] _ _ [E] _ _
_ _ [A] _ _ _ [Bb] _ _ [Bm] _
_ _ _ _ _ _ [Gb] _ _
[Dm] _ _ _ _ _ _ _ _
_ [E] _ _ _ [F] _ _ [Am] _ _
_ _ [A] _ _ [A] _ _ _ [Dm] _
_ [E] _ _ _ [Dm] _ _ _ [E] _
_ _ _ [Am] _ _ _ _ _
_ _ _ _ [Gb] _ _ _ [Am] _
_ _ _ _ _ _ [Dm] _ _
_ [D] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Am] _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
[E] We were married on a rainy _ day.
_ _ The sky was [Dm] yellow and the grass was gray.
_ _ [A] _
We signed the papers [Dm] and we drove away.
[Am] _ [B] I don't know [Bb] who, _ _ _ _ _ _
[Dm] _ _ [A] _ _ _ _ _ _
[Dm] _ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ [Dm] _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ [Am]
who, _ _ _ _ [G] _ who's got me now.
[C] _ _ _ _
The [Db] _ _ _ concept of the record is that [Dm] it's _ _ a duet.
[Ab] _ _
_ _ The [Gb] vocals only have half _ of what's going on and the other half is, _ the other half is her.
_ _ _ [F] I'm [A] much more excited.
_ [Bm] _ _ _ _
_ _ _ _ [G] _ _ Paul mentioned maybe we could do it as a [C] duet.
I said to [B] Paul, what if we had [E] maybe two or three percussionists create [N] some kind of exotic rhythm track? _
[B] Percussion certainly [Gb] _ _ could _ [E]
allow the spirit of a duet and not interfere with it.
What are you guys thinking [N] rhythmically? _ _
_ _ _ _ _ _ _ _
_ _ Paul Simon came to the recording studio a day earlier than [G] he was scheduled.
Actually, I got to the studio, [Bb] he was already there helping to organize the [D] percussion section.
The _ _ _ _ _ _ _ _
_ _ _ _ _ sky [Db] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [C] _ _ _ _
_ [A] _ _ _ _ _ [G] _ _
_ was yellow [C] and the [G] grass was gray.
_ [Db] _ [D] He did [E] do Graceland [Dm] _ combining a rhythmic track that [Bm] had kind of North African, Middle Eastern
_ influence.
_ [D]
It kind of [C] triggered those memories in [D] his head.
Even _ _ _ though [A] _ Herbie says, look, I don't want to make a jazz record.
_ _ No. _
[D] I think what he means is he doesn't [Am] want to make [B] a cliched jazz [Am] record. _
_ [G] Sky was yellow.
_ _ [A] _
_ Oh.
[D] _ _ [Em] The big surprise [E] was that he said to me, [D] hey Herbie, you think there's a way for you to
do my [Gm] tune in a minor key?
And I went, _ _ [Dm] _ hmm, _ yeah, I think so.
_ [Bb] _ _ _ _
[Dm] _ _ _ _ _ _ _ _
_ _ [Am] _ _ [Dm] _ _ Not only did Paul ask me if I could do this song in a minor key, but the other [Abm] suggestion
he made _ _
[Ebm] [Dm] was to do the song and just [D] have one minor chord.
_ _ [Bbm] And I thought about it _ and I said, well, [Dm] there's a way to approach that. _ _ _ _ _ _ _
_ [D] _ _ [Eb] _ _ _ _ [Bb] _
_ _ _ _ [Bbm] _ _ _ _
[Bb] _ _ [E] _ _ _ _ [D] _ _
[C] _ _ _ _ _ _ [Bbm] _ _
_ _ _ [Dm] _ _ _ _ _
[D] _ _ _ _ _ [A] _ _ _
_ _ _ _ [G] _ _ _ [E] _
_ [C] _ _ _ _ [G] _ _ _
[Db] _ _ _ [D] _ _ _ _ _
_ _ _ _ [B] _ _ [E] _ _
_ _ [A] _ _ _ [Bb] _ _ [Bm] _
_ _ _ _ _ _ [Gb] _ _
[Dm] _ _ _ _ _ _ _ _
_ [E] _ _ _ [F] _ _ [Am] _ _
_ _ [A] _ _ [A] _ _ _ [Dm] _
_ [E] _ _ _ [Dm] _ _ _ [E] _
_ _ _ [Am] _ _ _ _ _
_ _ _ _ [Gb] _ _ _ [Am] _
_ _ _ _ _ _ [Dm] _ _
_ [D] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _