Montego Slay Chords by People Under The Stairs

_ _ _ [F#] _ _ Once again, _ yes, yes, [Fm] I _ _ _ _ interrupted the people.
[N] _ _ Once again, _ [C#] _ _ _ _ _
we _ [F#] tackle rhymes like your life plays time.
We trying to get it up.
We got to fill [C#] up.
Before it's all gone, the song remains on.
Until the beat stops, never mind.
No need to [F#] remind.
You know who we be.
Yo, with the cap of the G's, putting the B's in hip hop.
Saying hi to the [C#] hoes who wear only indie clothes.
Here's looking at you, watching you, watching me, the incredible [F#] MC.
Chicks call me Mikey.
Why's that?
Cause I like it.
They stare when I'm digging it and know they want to [G#] try.
They like the way I rap.
[C#] They like the way I chill.
Couple hours in a conversation, show them how [A#m] I thrill.
I'm a one minute man.
I look at them, split it, empty it out, fill it in.
Mic the blank and [C#] I'm out.
Big Mike, that's right.
Give them something they can feel.
Yo, I'm the top ranked G.
I'm the one that's on the floor.
Making it big.
It's all about the feel and the style.
I walk the [A#m] streets of L.A. and feel comfortable.
Me and the homie make music and it's coming with [C#] bullets.
The next time you gotta rhyme man's plays and hop throw it away.
The people in London to save the day.
[F#] Sometimes it ain't time, sometimes it can't be.
It's time we kick back and let your conscience be [C#] free.
The music is playing loud and we [Fm] never have to leave.
We never gotta leave.
We never gotta [F#] leave.
I agree.
Yeah.
I ain't going [A#m] nowhere.
Yes, yes.
What you gonna do?
We're just [C#] going to be grinding out right now.
_ [F#] And we're waiting for my son to come.
And let you come.
[C#] That's right.
We're coming for it.
It's coming down hard.
We're coming for [F#] it.
Yes, yes.
I agree.
I agree.
You must [C#] of all, _ that's some damn talk.
This is some damn shit.
[A#m] Beautiful brown skin, lady, your moves something.
Montego Bay style.
Smile from the [G#] Caribbean isle.
No frontin' while we pumpin' the [C#] beat.
Audio vibes, they jumpin' like I'm out of the seat
with the [F#] complete vibe.
Scooters and 45s, the palm trees, red stripe,
nice to [G#] calm breeze.
The type to relax.
He's [C#] back to conceive, wax, and contact the origin of [F#] habitat.
Two cats making it fat.
It's like that with the rap, similar to a pitter-patter
of a [Fm] cat walking a roof to make it back to [C#] the truth.
I did crates for the late greats.
This is the black [F#] plates to booming the eights on the floor.
Taking it one more.
Leaving my mark [A#] like a [C#] dogma on the wood floor.
It's good for the soul, like dinner with your mom.
People under the stairs, they do on the drop bomb.
Snares laid [A#m] back like armchairs at the beach.
I'm out of reach, so play my CD and let it [G#] teach the recipe.
Half beat, [C#] crack a half, leave a T,
walk a fresh breath, control like [F#] Bernaca.
Sometimes it ain't time.
Sometimes it can be.
This time we give you back and the conscious be [C#] free.
The music is playing loud and we [Fm] never have to leave.
We never got to leave.
We never got to [F#] leave.
And come on.
Never got to leave.
[C#] Stay right here. _ _ _
Got to sit here [F#] to a song. _
In here to wrap up [C#] the track.
_ _ Wrap up the track.
Wrap up [F#] the track.
Yes, yes, to the people under the stairs.
[C#] Yes. _ _
I know.
I know.
[F#] _ _
Yes, you know it's good.
_ [Fm] _ Right here, Mark. _
_ It's just.
_ [F#] _ _ _ _
_ _ _ [Fm] _ _ _ _ _
_ _ _ [F#] _ _ _ _ _
_ _ [G#] _ _ _ _ [N] _ _
_ _ _ _ Oh.
Oh, look.
_ Whoa.
Oh, that's a good [F] one.
That's [D#] angry.
They had a fire today in East LA.
110 got burned.
The governor said it's quite OK.
They're all [C] on a musical note.