Chords for Perché Frank Gambale non usa più le valvole (sub ITA)
Tempo:
92.5 bpm
Chords used:
G
C
A
E
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
Well, you know, valve versus, you know, solid state.
[A] that's one of these arguments like light strings and heavy strings, you know.
It's preference.
[G] solid state because it's not the solid state of 10 years ago.
state of 20 years ago.
equipment, devices, more and more powerful,
bigger screen, but smaller computers, more powerful.
The technology moves and it [C] is moving very rapidly.
[A] that's one of these arguments like light strings and heavy strings, you know.
It's preference.
[G] solid state because it's not the solid state of 10 years ago.
state of 20 years ago.
equipment, devices, more and more powerful,
bigger screen, but smaller computers, more powerful.
The technology moves and it [C] is moving very rapidly.
100% ➙ 93BPM
G
C
A
E
Em
G
C
A
_ _ _ _ _ _ Well, you know, valve versus, you know, solid state.
[A] Again, [A] that's one of these arguments like light strings and heavy strings, you know.
[C] _ _
It's preference.
It's my preference.
I prefer _ [G] solid state because _ _ it's not the solid state of 10 years ago.
It's not the solid state of 20 years ago.
[C] You've seen how electronics and digital equipment, devices, more and more powerful,
more [G] smaller or bigger screen, but smaller computers, more powerful.
The technology moves and it [C] is moving very rapidly.
It sort of doubles every year.
So for me, the sampling rates of digital amplifiers now is brilliant.
It's just like digital recording.
I could never go back to tape.
I mean, I've lived through the whole evolution or most of the evolution of home recording.
I remember the first four-track cassette player, then reel to reel, and then, you know,
I've recorded albums on vinyl, I've done, you know, [C] cassettes, the whole history to digital.
And when digital first arrived, it was harsh.
It didn't sound that great [E] because the sampling rates were not [A] great.
So it didn't [G] sound_
I can't stand mosquitoes, sorry.
_ _ _ The sampling [C] rate wasn't good, so the [G] sound wasn't good.
And so guitar [C] players went, oh, digital sucks, I'm just going [G] to stick with my tubes, it's warm, it's this, it's that.
But to me, that's [Cm] closed-minded because [G] it's like saying, I'll still use a dial-up telephone.
You know, sure, it works, it's great, but how many people [G] are using dial-up [D] telephones now?
Nobody, right?
[G] You have to move with it, otherwise you [Em] get left behind, I think.
And, you know, guitar [C] is one of the only worlds [G] left that still hangs on to tubes, valves. _ _ _
[Em] And, as I said, I like to be innovative.
I like to be on this [A] edge, not back here.
[E] I want to see what's going on now.
I want to stay with that.
And so, [A] yeah, of course, tube amps sound great.
Absolutely.
They weigh a ton, they're so heavy, you [C] know, the [E] tubes change, you know, they're delicate, they're expensive to change. _
There's a lot of minuses also with the tube [C] technology.
[A] It's okay if you're in a studio where it sits and it doesn't move, but [E] if you're traveling, I mean, for me, I have hundreds of sounds in my [C] multi-amp.
I can store it on an SD card, I can show up anywhere in the world with an SD card, [Em] plug it into a multi-amp FG, and I've got all my sounds, it's all [D] set.
It's got effects built [A] in, it's, you know, [G] multiple _ _ amplifier selections.
[G] _ [E] It's incredible.
[G] It's small, it's compact, _ and [Em] it sounds amazing.
The [E] sampling rate is amazing.
People [G] love my sound now.
They go, this is the best sound I've had.
And I hear that comment all the time, [E] and I go, well, you know, there's [A] no tubes.
People think it's tubes.
[G] So when people
[A] Again, [A] that's one of these arguments like light strings and heavy strings, you know.
[C] _ _
It's preference.
It's my preference.
I prefer _ [G] solid state because _ _ it's not the solid state of 10 years ago.
It's not the solid state of 20 years ago.
[C] You've seen how electronics and digital equipment, devices, more and more powerful,
more [G] smaller or bigger screen, but smaller computers, more powerful.
The technology moves and it [C] is moving very rapidly.
It sort of doubles every year.
So for me, the sampling rates of digital amplifiers now is brilliant.
It's just like digital recording.
I could never go back to tape.
I mean, I've lived through the whole evolution or most of the evolution of home recording.
I remember the first four-track cassette player, then reel to reel, and then, you know,
I've recorded albums on vinyl, I've done, you know, [C] cassettes, the whole history to digital.
And when digital first arrived, it was harsh.
It didn't sound that great [E] because the sampling rates were not [A] great.
So it didn't [G] sound_
I can't stand mosquitoes, sorry.
_ _ _ The sampling [C] rate wasn't good, so the [G] sound wasn't good.
And so guitar [C] players went, oh, digital sucks, I'm just going [G] to stick with my tubes, it's warm, it's this, it's that.
But to me, that's [Cm] closed-minded because [G] it's like saying, I'll still use a dial-up telephone.
You know, sure, it works, it's great, but how many people [G] are using dial-up [D] telephones now?
Nobody, right?
[G] You have to move with it, otherwise you [Em] get left behind, I think.
And, you know, guitar [C] is one of the only worlds [G] left that still hangs on to tubes, valves. _ _ _
[Em] And, as I said, I like to be innovative.
I like to be on this [A] edge, not back here.
[E] I want to see what's going on now.
I want to stay with that.
And so, [A] yeah, of course, tube amps sound great.
Absolutely.
They weigh a ton, they're so heavy, you [C] know, the [E] tubes change, you know, they're delicate, they're expensive to change. _
There's a lot of minuses also with the tube [C] technology.
[A] It's okay if you're in a studio where it sits and it doesn't move, but [E] if you're traveling, I mean, for me, I have hundreds of sounds in my [C] multi-amp.
I can store it on an SD card, I can show up anywhere in the world with an SD card, [Em] plug it into a multi-amp FG, and I've got all my sounds, it's all [D] set.
It's got effects built [A] in, it's, you know, [G] multiple _ _ amplifier selections.
[G] _ [E] It's incredible.
[G] It's small, it's compact, _ and [Em] it sounds amazing.
The [E] sampling rate is amazing.
People [G] love my sound now.
They go, this is the best sound I've had.
And I hear that comment all the time, [E] and I go, well, you know, there's [A] no tubes.
People think it's tubes.
[G] So when people
