Chords for Peter Gabriel at PeaceOneDay 2008 Albert Hall
Tempo:
117.4 bpm
Chords used:
B
C#
F#
C
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
[F#] You [A#] know, you see [N] the winners of this world saying,
were a [C#] couple of voices.
[A] innocent, and [A#m] another voice, [N]
cynical.
86, spent quite a long time working on a [E] peace show in Japan
[G#] And there seemed to be [F] fighting amongst these groups,
with how the money [B] was [C] spent
of realizing and affecting people's lives.
were a [C#] couple of voices.
[A] innocent, and [A#m] another voice, [N]
cynical.
86, spent quite a long time working on a [E] peace show in Japan
[G#] And there seemed to be [F] fighting amongst these groups,
with how the money [B] was [C] spent
of realizing and affecting people's lives.
100% ➙ 117BPM
B
C#
F#
C
G#
B
C#
F#
[F#] _ You [A#] know, you see [N] the winners of this world saying,
world peace, and there _ were a [C#] couple of voices.
One voice, _ [A] innocent, and [A#m] another voice, [N]
cynical.
_ _ _ And I'd, in 86, _ spent quite a long time working on a [E] peace show in Japan
[C] called Harukunai, where we would raise the money.
[G#] And there seemed to be [F] fighting amongst these groups,
and I wasn't very satisfied with _ _ how the money [B] was [C] spent
in terms of realizing and affecting people's lives.
So when I first heard of the Peace One Day Project,
_ I [N] have to confess, _ I was cynical. _ _
_ _ [Dm] Was anyone else a little cynical?
Maybe [C] you'd like to raise your hand if there's [F] any other cynics.
I want [D] to keep you company. _
[N] _ _ _ _ And I'm very [G#] pleased and delighted to say [E] that Harukunai, very [N] well.
_ _ What has happened through Jeremy's extraordinary campaign
_ _ [Cm] is really [Bm] exciting, [C#] moving, and [F]
when you see the Taliban twice _ signing on
for peace, _ [D#] signing [C] on for hostilities for one day,
so that all these kids can get immunized,
[F] _
[Em] I'm reminded of what [Cm] Tutu always says, which is,
there is a [D] basic goodness in all of our [C] hearts, a generosity, _
[Fm] and if you can [B] shudder that voice, _ [E] there's plenty [N] of opportunity
_ _ for the other one.
_ This is called, _ _ this _ _ _ _ _ _ _ _ _ is called That Voice.
Be
_ _ _ _ _ _ _ _
_ _ [D#] _ [B] _ _ _ _ [F#] _
[C#] _ _ _ [D#] _ [B] _ _ [F#] _ _
_ _ _ [D#] _ _ [B] _ _ [F#] _
_ _ _ [C#] _ _ _ _ _
[F#] _ [B] _ _ [C#] _ _ _ _ _
[A#m] _ [B] _ _ [C#] _ _ _ _ [A#m] _
[B] _ clear, [C#] but each time I try, it's the [B] voice I [C#] hear.
_ _ [A#] We hear [B] that voice [C#] again.
_ _ _ [F#] _
_ _ _ [C] _ I'm listening to [G#] the conversation,
_ [C] just like Jody [G#] in my head.
_ [C] _ It's coloring [G#] _
everything, _ [Fm] [C] all written, all [G#]
said.
_ _ [C] _ Still I [G#] hear the sharp tone [C] talking, _ _ [G#] talking tangled words.
[Cm] _ I can sense [G#] the [Fm] danger, _ listen to the will.
_ _ [C#] _ _ [F#] _ [B] _ [C#] _
_ [D#m] _ _ _ _ _ [B] _ [C#] _
_ [D#m] _ _ _ _ [B] _ _ [C#] _
_ [D#] _ _ [D#m] _ _ [B] _ [C#] I want to be with you and [F#] I want [B] to be real,
[C#] but each time I try, it's [F#] the [B] voice I [C#] hear.
_ _ _ [F#] _ _ [B] That voice [C#] again.
_ _ _ [F#] _ [B] _ _ [C#] _ _
_ _ [F#] _ _ [B] _ [C#] I can't help but listen, [F#] but I don't [B] want to [C#] hear. _
_ _ [F#] [B] Hear that voice [C#] again.
_ _ _ _ _ _ [C] _
I'm hearing [G#] right and wrong so clearly.
[C] _
There [G#] must be more than this.
_ [C] _
It's only an [G#] _ uncertainty [Fm] _
making up.
_ [G#] _ _ _ _ [C] _
I hear [G#] it through the rattle of a [C] streetcar.
Hear it through [G#] the things you said.
[C]
I can get [G#] so scared.
_ _ [Fm] _
[G#] Listen to the wind. _ _ _
[F#] _ [B] _ _ [C#] _ _ [D#m] _ _ _
_ [B] _ _ [C#] _ [D#] _ _ _ _
[D#m] _ [B] _ _ [C#] _ [D#m] _ _ _ _
_ [B] _ _ [C#] You're close and I [F#] want [B] you near.
[C#] I can't help but listen, [F#] but I [B] don't want to hear.
[C#] _ _ _ _ [F#]
[B] Hear that voice [C#] again.
_ _ _ [F#] _
_ [B] _ _ _ What [C#] I [F#] carry in my [B] heart brings her [F#] so close, oh so [B] far along.
_ [F#] Only love [C#] can make _ _ _
[A#m] _ _ [B] _ [C#] _ _ _ _ _
[F#] _ [B] _ _ [C#] _ you close, I [A#m]
want you [B] near.
[C#] I can't help but listen, [A#m] but I don't [B] want to hear.
[C#] _ _ _ _ [D#m]
Hear [B] that voice [C#] again. _ _ _
_ _ _ [F#] _ _ What I carry in [B] my heart [F#] brings her so close, oh so [D#m] far along.
[F#] Only love can [C#] make love. _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
world peace, and there _ were a [C#] couple of voices.
One voice, _ [A] innocent, and [A#m] another voice, [N]
cynical.
_ _ _ And I'd, in 86, _ spent quite a long time working on a [E] peace show in Japan
[C] called Harukunai, where we would raise the money.
[G#] And there seemed to be [F] fighting amongst these groups,
and I wasn't very satisfied with _ _ how the money [B] was [C] spent
in terms of realizing and affecting people's lives.
So when I first heard of the Peace One Day Project,
_ I [N] have to confess, _ I was cynical. _ _
_ _ [Dm] Was anyone else a little cynical?
Maybe [C] you'd like to raise your hand if there's [F] any other cynics.
I want [D] to keep you company. _
[N] _ _ _ _ And I'm very [G#] pleased and delighted to say [E] that Harukunai, very [N] well.
_ _ What has happened through Jeremy's extraordinary campaign
_ _ [Cm] is really [Bm] exciting, [C#] moving, and [F]
when you see the Taliban twice _ signing on
for peace, _ [D#] signing [C] on for hostilities for one day,
so that all these kids can get immunized,
[F] _
[Em] I'm reminded of what [Cm] Tutu always says, which is,
there is a [D] basic goodness in all of our [C] hearts, a generosity, _
[Fm] and if you can [B] shudder that voice, _ [E] there's plenty [N] of opportunity
_ _ for the other one.
_ This is called, _ _ this _ _ _ _ _ _ _ _ _ is called That Voice.
Be
_ _ _ _ _ _ _ _
_ _ [D#] _ [B] _ _ _ _ [F#] _
[C#] _ _ _ [D#] _ [B] _ _ [F#] _ _
_ _ _ [D#] _ _ [B] _ _ [F#] _
_ _ _ [C#] _ _ _ _ _
[F#] _ [B] _ _ [C#] _ _ _ _ _
[A#m] _ [B] _ _ [C#] _ _ _ _ [A#m] _
[B] _ clear, [C#] but each time I try, it's the [B] voice I [C#] hear.
_ _ [A#] We hear [B] that voice [C#] again.
_ _ _ [F#] _
_ _ _ [C] _ I'm listening to [G#] the conversation,
_ [C] just like Jody [G#] in my head.
_ [C] _ It's coloring [G#] _
everything, _ [Fm] [C] all written, all [G#]
said.
_ _ [C] _ Still I [G#] hear the sharp tone [C] talking, _ _ [G#] talking tangled words.
[Cm] _ I can sense [G#] the [Fm] danger, _ listen to the will.
_ _ [C#] _ _ [F#] _ [B] _ [C#] _
_ [D#m] _ _ _ _ _ [B] _ [C#] _
_ [D#m] _ _ _ _ [B] _ _ [C#] _
_ [D#] _ _ [D#m] _ _ [B] _ [C#] I want to be with you and [F#] I want [B] to be real,
[C#] but each time I try, it's [F#] the [B] voice I [C#] hear.
_ _ _ [F#] _ _ [B] That voice [C#] again.
_ _ _ [F#] _ [B] _ _ [C#] _ _
_ _ [F#] _ _ [B] _ [C#] I can't help but listen, [F#] but I don't [B] want to [C#] hear. _
_ _ [F#] [B] Hear that voice [C#] again.
_ _ _ _ _ _ [C] _
I'm hearing [G#] right and wrong so clearly.
[C] _
There [G#] must be more than this.
_ [C] _
It's only an [G#] _ uncertainty [Fm] _
making up.
_ [G#] _ _ _ _ [C] _
I hear [G#] it through the rattle of a [C] streetcar.
Hear it through [G#] the things you said.
[C]
I can get [G#] so scared.
_ _ [Fm] _
[G#] Listen to the wind. _ _ _
[F#] _ [B] _ _ [C#] _ _ [D#m] _ _ _
_ [B] _ _ [C#] _ [D#] _ _ _ _
[D#m] _ [B] _ _ [C#] _ [D#m] _ _ _ _
_ [B] _ _ [C#] You're close and I [F#] want [B] you near.
[C#] I can't help but listen, [F#] but I [B] don't want to hear.
[C#] _ _ _ _ [F#]
[B] Hear that voice [C#] again.
_ _ _ [F#] _
_ [B] _ _ _ What [C#] I [F#] carry in my [B] heart brings her [F#] so close, oh so [B] far along.
_ [F#] Only love [C#] can make _ _ _
[A#m] _ _ [B] _ [C#] _ _ _ _ _
[F#] _ [B] _ _ [C#] _ you close, I [A#m]
want you [B] near.
[C#] I can't help but listen, [A#m] but I don't [B] want to hear.
[C#] _ _ _ _ [D#m]
Hear [B] that voice [C#] again. _ _ _
_ _ _ [F#] _ _ What I carry in [B] my heart [F#] brings her so close, oh so [D#m] far along.
[F#] Only love can [C#] make love. _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _