Chords for Piano Left Hand Bass - A Lesson and Tutorial
Tempo:
115.65 bpm
Chords used:
C
F
Am
Ab
Cm
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
Welcome back to another video lesson and in this lesson we're going to talk about the importance of choosing your left hand bass
And I'm going to demonstrate this by playing a short
I'm gonna call it piece or song but just a short progression and in this progression which is going to be in the [Dm] key of C
[C] C of major
I'm going to play only one or maybe two notes in my right hand
And these notes are going to be either the root which is C
And I'll probably double it and I might add in some points the fifth which is G
Now [N] in my left hand, I'm going to change
the bass as I play and
On the top part of the screen.
I'm going to write out the implied harmony and by implied harmony
I mean the sort of chord that a
particular
Combination of notes makes you think of as a listener now implied because
These chords would not have all of the notes
making up the chord
Only some of the notes but because of the progression in [C] the way in which the bass is played
This the listener sort of fills out the missing details
So let's first play the progression and then then discuss it a bit
[E] [F]
[C]
[Am]
[C]
[F]
[Am]
[Ab] [F]
[C] [Cm]
[Ab] [F]
[C] [Ab] [Cm]
[F] [C]
[Ab]
So
You see just by
Changing the bass in my left hand.
I could really get a large variety of
Once again, I won't call them chords, but implied chords in this song
And you could see their names on the top part of the screen
so
All in all your choice of bass and left hand is extremely important [C] when you build up your song or harmonic progression
And it's something you always need to keep in mind
Let me give you another example.
Let's take a simple C major chord in the right hand.
So I'm playing a
G a C and an E
Now if I play a bass of C in my left hand, I just get a C major chord
now if I change this bass to say a
[A] What [Am]
[C]
I get is really an a minor seventh chord [Am] because look at the notes I'm playing I have an a
[C] I'm gonna take this C down an octave and this [E] E down an octave
[Am]
and I get this a minor seventh chord a
C E and G
[F] Now I can play a bass of F and [C]
this would make it in
F
Major 7 sus 2 chord [F] because if I take this F up here
[C] I really get the notes of an F sus 2 major 7 or F major 7 sus 2 chord.
They're the same thing
F G C and E
[Bb] if I play
[Cm]
This once again a C in my right hand [C] and a B flat in my left [Bb] hand
I get a C dominant 7th chord because once again look at what I'm playing
I'm gonna take this B flat up here [C] this C flat
Down here and this E down here.
So I'm playing the notes C E [Gm] G and B flat
Which make up the C dominant [C] 7th chord?
[Ab] So you get all of these different variations simply by changing the bass you play in your left hand.
That's the idea
I wanted to lay out.
I hope this helps some of you rethink their playing and chord voicing and
I will see you next
And I'm going to demonstrate this by playing a short
I'm gonna call it piece or song but just a short progression and in this progression which is going to be in the [Dm] key of C
[C] C of major
I'm going to play only one or maybe two notes in my right hand
And these notes are going to be either the root which is C
And I'll probably double it and I might add in some points the fifth which is G
Now [N] in my left hand, I'm going to change
the bass as I play and
On the top part of the screen.
I'm going to write out the implied harmony and by implied harmony
I mean the sort of chord that a
particular
Combination of notes makes you think of as a listener now implied because
These chords would not have all of the notes
making up the chord
Only some of the notes but because of the progression in [C] the way in which the bass is played
This the listener sort of fills out the missing details
So let's first play the progression and then then discuss it a bit
[E] [F]
[C]
[Am]
[C]
[F]
[Am]
[Ab] [F]
[C] [Cm]
[Ab] [F]
[C] [Ab] [Cm]
[F] [C]
[Ab]
So
You see just by
Changing the bass in my left hand.
I could really get a large variety of
Once again, I won't call them chords, but implied chords in this song
And you could see their names on the top part of the screen
so
All in all your choice of bass and left hand is extremely important [C] when you build up your song or harmonic progression
And it's something you always need to keep in mind
Let me give you another example.
Let's take a simple C major chord in the right hand.
So I'm playing a
G a C and an E
Now if I play a bass of C in my left hand, I just get a C major chord
now if I change this bass to say a
[A] What [Am]
[C]
I get is really an a minor seventh chord [Am] because look at the notes I'm playing I have an a
[C] I'm gonna take this C down an octave and this [E] E down an octave
[Am]
and I get this a minor seventh chord a
C E and G
[F] Now I can play a bass of F and [C]
this would make it in
F
Major 7 sus 2 chord [F] because if I take this F up here
[C] I really get the notes of an F sus 2 major 7 or F major 7 sus 2 chord.
They're the same thing
F G C and E
[Bb] if I play
[Cm]
This once again a C in my right hand [C] and a B flat in my left [Bb] hand
I get a C dominant 7th chord because once again look at what I'm playing
I'm gonna take this B flat up here [C] this C flat
Down here and this E down here.
So I'm playing the notes C E [Gm] G and B flat
Which make up the C dominant [C] 7th chord?
[Ab] So you get all of these different variations simply by changing the bass you play in your left hand.
That's the idea
I wanted to lay out.
I hope this helps some of you rethink their playing and chord voicing and
I will see you next
Key:
C
F
Am
Ab
Cm
C
F
Am
_ _ _ _ _ _ _
Welcome back to another video lesson and in this lesson we're going to talk about the importance of choosing your left hand bass _
And I'm going to demonstrate this by playing a short
I'm gonna call it piece or song but just a short progression and in this progression which is going to be in the [Dm] key of C
[C] C of major
_ I'm going to play only one or maybe two notes in my right hand
And these notes are going to be either the root which is C
And I'll probably double it and I might add in some points the fifth which is G
Now _ _ _ _ _ _ _ [N] in my left hand, I'm going to change
the bass as I play and _
_ On the top part of the screen.
I'm going to write out the implied harmony and by implied harmony
I mean the sort of chord that a
particular
Combination of notes makes you think of as a listener now implied because
_ These chords would not have all of the notes
making up the chord
_ _ Only some of the notes but because of the progression in [C] the way in which the bass is played
_ _ This the listener sort of fills out the missing details
_ _ _ So let's first play the progression and then then discuss it a bit _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ [F] _
_ _ _ _ _ [C] _ _ _
_ _ _ _ [Am] _ _ _ _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F] _ _
_ _ _ _ [Am] _ _ _ _
_ _ [Ab] _ _ _ _ _ [F] _
_ [C] _ _ _ _ _ _ [Cm] _
_ _ [Ab] _ _ _ _ [F] _ _
_ [C] _ _ _ [Ab] _ _ _ [Cm] _
_ _ _ [F] _ _ _ [C] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Ab] _
So
You see just by
Changing the bass in my left hand.
I could really get a large variety of
Once again, I won't call them chords, but implied chords in this song
_ And you could see their names on the top part of the screen
_ so _
All in all your choice of bass and left hand is extremely important [C] when you build up your song or harmonic progression
And it's something you always need to keep in mind
_ _ Let me give you another example.
Let's take a simple C major chord in the right hand.
So I'm playing a
_ G a C and an E
_ Now if I play a bass of C in _ _ _ _ _ _ _
my left hand, _ _ _ _ I just get a C major chord
_ now if I change this bass to say a
[A] What _ [Am] _ _
_ _ _ _ _ _ _ [C] _
_ _ _ I get is really an a minor seventh chord [Am] because look at the notes I'm playing I have an a
[C] I'm gonna take this C down an octave and this [E] E down an octave
[Am] _ _
and I get this a minor seventh chord a _
C E and G
_ [F] Now I can play a bass of F and [C] _ _ _
_ _ _ _ _ this would make it in
_ F
_ Major 7 sus 2 chord _ [F] because if I take this F up here
[C] I really get the notes of an F sus 2 major 7 or F major 7 sus 2 chord.
They're the same thing
F G C and E _ _ _
_ _ _ [Bb] _ if I play
[Cm] _
_ _ This once again a C in my right hand [C] and a B flat in my left [Bb] hand
I get a C dominant 7th chord because once again look at what I'm playing
_ I'm gonna take this B flat up here _ [C] this C flat
Down here and this E down here.
So I'm playing the notes C E [Gm] G and B flat
Which make up the C dominant [C] 7th chord? _ _ _ _ _ _
[Ab] So you get all of these different variations simply by changing the bass you play in your left hand. _ _ _ _
That's the idea
I wanted to lay out.
I hope this helps some of you rethink their playing and chord voicing and
I will see you next
Welcome back to another video lesson and in this lesson we're going to talk about the importance of choosing your left hand bass _
And I'm going to demonstrate this by playing a short
I'm gonna call it piece or song but just a short progression and in this progression which is going to be in the [Dm] key of C
[C] C of major
_ I'm going to play only one or maybe two notes in my right hand
And these notes are going to be either the root which is C
And I'll probably double it and I might add in some points the fifth which is G
Now _ _ _ _ _ _ _ [N] in my left hand, I'm going to change
the bass as I play and _
_ On the top part of the screen.
I'm going to write out the implied harmony and by implied harmony
I mean the sort of chord that a
particular
Combination of notes makes you think of as a listener now implied because
_ These chords would not have all of the notes
making up the chord
_ _ Only some of the notes but because of the progression in [C] the way in which the bass is played
_ _ This the listener sort of fills out the missing details
_ _ _ So let's first play the progression and then then discuss it a bit _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ [F] _
_ _ _ _ _ [C] _ _ _
_ _ _ _ [Am] _ _ _ _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F] _ _
_ _ _ _ [Am] _ _ _ _
_ _ [Ab] _ _ _ _ _ [F] _
_ [C] _ _ _ _ _ _ [Cm] _
_ _ [Ab] _ _ _ _ [F] _ _
_ [C] _ _ _ [Ab] _ _ _ [Cm] _
_ _ _ [F] _ _ _ [C] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Ab] _
So
You see just by
Changing the bass in my left hand.
I could really get a large variety of
Once again, I won't call them chords, but implied chords in this song
_ And you could see their names on the top part of the screen
_ so _
All in all your choice of bass and left hand is extremely important [C] when you build up your song or harmonic progression
And it's something you always need to keep in mind
_ _ Let me give you another example.
Let's take a simple C major chord in the right hand.
So I'm playing a
_ G a C and an E
_ Now if I play a bass of C in _ _ _ _ _ _ _
my left hand, _ _ _ _ I just get a C major chord
_ now if I change this bass to say a
[A] What _ [Am] _ _
_ _ _ _ _ _ _ [C] _
_ _ _ I get is really an a minor seventh chord [Am] because look at the notes I'm playing I have an a
[C] I'm gonna take this C down an octave and this [E] E down an octave
[Am] _ _
and I get this a minor seventh chord a _
C E and G
_ [F] Now I can play a bass of F and [C] _ _ _
_ _ _ _ _ this would make it in
_ F
_ Major 7 sus 2 chord _ [F] because if I take this F up here
[C] I really get the notes of an F sus 2 major 7 or F major 7 sus 2 chord.
They're the same thing
F G C and E _ _ _
_ _ _ [Bb] _ if I play
[Cm] _
_ _ This once again a C in my right hand [C] and a B flat in my left [Bb] hand
I get a C dominant 7th chord because once again look at what I'm playing
_ I'm gonna take this B flat up here _ [C] this C flat
Down here and this E down here.
So I'm playing the notes C E [Gm] G and B flat
Which make up the C dominant [C] 7th chord? _ _ _ _ _ _
[Ab] So you get all of these different variations simply by changing the bass you play in your left hand. _ _ _ _
That's the idea
I wanted to lay out.
I hope this helps some of you rethink their playing and chord voicing and
I will see you next