Chords for Pink Floyd - Brain Damage/Studio Discussion
Tempo:
68.875 bpm
Chords used:
Ab
Eb
Bb
F
Gb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] You altered your tone controls today.
[G] Nope
I don't think so
[Eb] Why what's different?
What
Didn't sound as toffee
Well, it must have been as toffee.
Okay, if the only thing it could have possibly did is less toffee.
I need more toffee
[Ab] [Eb]
[Ab] [Eb]
[F] [Bb]
[Eb]
[Ab] [Eb]
[Ab] [Eb]
[F] Games
[Ab] [Bb]
[Eb] [D]
[Bb] Same for Les Brayden.
[Ab] No, no, Steve, you're jolly good at your job and there's no [Bb] way you could ever produce [N] a record.
So it's silly of you to try.
No, rubbish.
I don't think that's true.
I mean, if you take a crappy enough group, and they've only got 12 songs
That's not what we're talking about, Steve.
Well, you're talking about producing works of art, I mean, or whatever, [D] or big clib records.
I mean, that's only about [Eb] 0.01.% of the market. There's plenty of other crap going on. No, we're not. We're not talking [Ab] about that at all. We're talking [Fm] about a record [Eb] producer as somebody who is in charge [Ab] of a recording session. And in order to be in charge of a recording session, you need to have a kind of minimum Well, not minimum, you need to have a fairly extensive knowledge of what the equipment's about, and what music is about, and what [F] rock and roll's about. But Steve knows what rock and roll's about. He's got no idea what the equipment's about. And he's got very little idea, in [Eb] terms of kind of [A] technicalities, what the music's about. But plenty [N] He knows what he likes. Plenty of people have produced records on that basis. It's a very [Eb] successful record. [Ab] [Bb] Oh. In [Db] the finished article, the only thing that is [Ab] important is whether it moves you or not. There's nothing else as important as I can't get over the sibilance of the vocals on Skewered by Time. [Bb] I never play that record. You're obviously in the wrong business. Oh, well, [Db] that was a bad cut. That's got nothing to do with the production of the [Ab] album. That was a bad cut. [Cm] And if you listen to the second string [N] of pressings, you'll find that that sibilance isn't there. Well, if you can still hear sibilance on the second string of pressings, you've got an extremely overactive imagination, because there isn't any. We have some pretty good arguments from time to time, yes. Yep, we're pretty durable. We do have inviting. But you mean [Gb] without actually exploding? [E] [Abm] [Bb] We share the same sense of humour to [Dbm] some extent. We lust after [Gb] money to some extent. And [E] we [Gb] have a lot of interest in what [A] we're doing together. [Abm] We can still combine our interests. I think [A] that's really when the thing breaks down. [Gb] It's when maybe just one person finds that what [Ab] he's doing doesn't interest him, or [A] he feels that he could do something better by himself. [G] [Abm] [E] We did have some very difficult times, [Gb] like a few years ago. We seem to have managed to avoid the things that really get people too touchy these days. [Ab] You mentioned lust for money. It's been one of the main drives. Only jovially. Naturally. For less. Money-minded people would be hard to [Eb] find. [Bbm] [Ab] [N] Feedback job. Don't worry about that. Christ. Where would rock and roll be without feedback? [F] The only way to keep [Bb] There's no more in my head But it's [Eb] of me All [F] [Ab] the other [Bb] kids Are under it We're in [Bbm] Our show Can [Ab] we run back into our pit a bit? Yeah, you can if you like. Just turn it down a bit. I mean, I didn't really make a specific mistake, but Turn it down? Yeah, my guitars do that. Do you want to hear the other one? [F] No. No? [F] To the floor [Bb] This the day The paperboy [Eb] brings more [F] [Ab] I'm [Bb] [Db] [Ab]
[Bb] [Db] still on the dark [Ab] side of the bed The [Fm] [Bb] [Eb] lunatic is in [Ab] my head The [Eb] lunatic is in [Ab] my head [Eb] He wears the blade [F] He'll make the change [Bb] [Eb]
[G] Nope
I don't think so
[Eb] Why what's different?
What
Didn't sound as toffee
Well, it must have been as toffee.
Okay, if the only thing it could have possibly did is less toffee.
I need more toffee
[Ab] [Eb]
[Ab] [Eb]
[F] [Bb]
[Eb]
[Ab] [Eb]
[Ab] [Eb]
[F] Games
[Ab] [Bb]
[Eb] [D]
[Bb] Same for Les Brayden.
[Ab] No, no, Steve, you're jolly good at your job and there's no [Bb] way you could ever produce [N] a record.
So it's silly of you to try.
No, rubbish.
I don't think that's true.
I mean, if you take a crappy enough group, and they've only got 12 songs
That's not what we're talking about, Steve.
Well, you're talking about producing works of art, I mean, or whatever, [D] or big clib records.
I mean, that's only about [Eb] 0.01.% of the market. There's plenty of other crap going on. No, we're not. We're not talking [Ab] about that at all. We're talking [Fm] about a record [Eb] producer as somebody who is in charge [Ab] of a recording session. And in order to be in charge of a recording session, you need to have a kind of minimum Well, not minimum, you need to have a fairly extensive knowledge of what the equipment's about, and what music is about, and what [F] rock and roll's about. But Steve knows what rock and roll's about. He's got no idea what the equipment's about. And he's got very little idea, in [Eb] terms of kind of [A] technicalities, what the music's about. But plenty [N] He knows what he likes. Plenty of people have produced records on that basis. It's a very [Eb] successful record. [Ab] [Bb] Oh. In [Db] the finished article, the only thing that is [Ab] important is whether it moves you or not. There's nothing else as important as I can't get over the sibilance of the vocals on Skewered by Time. [Bb] I never play that record. You're obviously in the wrong business. Oh, well, [Db] that was a bad cut. That's got nothing to do with the production of the [Ab] album. That was a bad cut. [Cm] And if you listen to the second string [N] of pressings, you'll find that that sibilance isn't there. Well, if you can still hear sibilance on the second string of pressings, you've got an extremely overactive imagination, because there isn't any. We have some pretty good arguments from time to time, yes. Yep, we're pretty durable. We do have inviting. But you mean [Gb] without actually exploding? [E] [Abm] [Bb] We share the same sense of humour to [Dbm] some extent. We lust after [Gb] money to some extent. And [E] we [Gb] have a lot of interest in what [A] we're doing together. [Abm] We can still combine our interests. I think [A] that's really when the thing breaks down. [Gb] It's when maybe just one person finds that what [Ab] he's doing doesn't interest him, or [A] he feels that he could do something better by himself. [G] [Abm] [E] We did have some very difficult times, [Gb] like a few years ago. We seem to have managed to avoid the things that really get people too touchy these days. [Ab] You mentioned lust for money. It's been one of the main drives. Only jovially. Naturally. For less. Money-minded people would be hard to [Eb] find. [Bbm] [Ab] [N] Feedback job. Don't worry about that. Christ. Where would rock and roll be without feedback? [F] The only way to keep [Bb] There's no more in my head But it's [Eb] of me All [F] [Ab] the other [Bb] kids Are under it We're in [Bbm] Our show Can [Ab] we run back into our pit a bit? Yeah, you can if you like. Just turn it down a bit. I mean, I didn't really make a specific mistake, but Turn it down? Yeah, my guitars do that. Do you want to hear the other one? [F] No. No? [F] To the floor [Bb] This the day The paperboy [Eb] brings more [F] [Ab] I'm [Bb] [Db] [Ab]
[Bb] [Db] still on the dark [Ab] side of the bed The [Fm] [Bb] [Eb] lunatic is in [Ab] my head The [Eb] lunatic is in [Ab] my head [Eb] He wears the blade [F] He'll make the change [Bb] [Eb]
Key:
Ab
Eb
Bb
F
Gb
Ab
Eb
Bb
[B] You altered your tone controls today.
[G] Nope
I don't think so
[Eb] Why what's different?
_ _ What
Didn't sound as toffee
Well, it must have been as toffee.
Okay, if the only thing it could have possibly did is less toffee.
I need more toffee _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Ab] _ _ _ [Eb] _ _ _
_ _ [Ab] _ _ _ _ [Eb] _ _
_ _ [F] _ _ _ _ [Bb] _ _
_ _ [Eb] _ _ _ _ _ _
_ _ [Ab] _ _ _ _ [Eb] _ _
_ _ [Ab] _ _ _ _ [Eb] _ _
_ _ [F] _ Games
_ [Ab] _ [Bb] _
_ [Eb] _ _ _ _ _ [D] _
[Bb] Same for Les Brayden.
[Ab] No, no, Steve, you're jolly good at your job and there's no [Bb] way you could ever produce [N] a record.
So it's silly of you to try.
No, rubbish.
I don't think that's true.
I mean, if you take a crappy enough group, and they've only got 12 songs_
That's not what we're talking about, Steve.
Well, you're talking about producing works of art, I mean, or whatever, [D] or big clib records.
I mean, that's only about [Eb] 0.01.% of the market. There's plenty of other crap going on. No, we're not. We're not talking [Ab] about that at all. We're talking [Fm] about a record [Eb] producer as somebody who is in charge [Ab] of a recording session. And in order to be in charge of a recording session, you need to have a kind of minimum_ Well, not minimum, you need to have a fairly extensive knowledge of what the equipment's about, and what music is about, and what [F] rock and roll's about. But Steve knows what rock and roll's about. He's got no idea what the equipment's about. And he's got very little idea, in [Eb] terms of kind of [A] technicalities, what the music's about. But plenty_ [N] He knows what he likes. Plenty of people have produced records on that basis. It's a very [Eb] successful record. _ _ _ _ _ _ _ [Ab] _ _ _ [Bb] Oh. In _ _ [Db] the finished article, the only thing that is [Ab] important is whether it moves you or not. There's nothing else as important as_ I can't get over the sibilance of the vocals on Skewered by Time. [Bb] I never play that record. You're obviously in the wrong business. Oh, well, [Db] that was a bad cut. That's got nothing to do with the production of the [Ab] album. That was a bad cut. [Cm] And if you listen to the second string [N] of pressings, you'll find that that sibilance isn't there. Well, if you can still hear sibilance on the second string of pressings, you've got an extremely overactive imagination, because there isn't any. We have some pretty good arguments from time to time, yes. _ _ _ Yep, we're pretty durable. We do have inviting. _ But you mean [Gb] without actually exploding? _ _ [E] _ _ [Abm] _ [Bb] We share the same sense of humour to [Dbm] some extent. We lust after [Gb] money to some extent. And [E] we [Gb] have a lot of interest in what [A] we're doing together. [Abm] We can still combine our interests. I think [A] that's really when the thing breaks down. [Gb] It's when maybe just one person finds that what [Ab] he's doing doesn't interest him, or [A] he feels that he could do something better by himself. [G] _ [Abm] _ [E] _ _ _ _ _ We did have some very difficult times, [Gb] like a few years ago. We seem to have managed to avoid the things that really get people too touchy these days. _ [Ab] _ _ You _ mentioned lust for money. It's been one of the main drives. Only jovially. Naturally. For less. Money-minded people would be hard to [Eb] find. _ _ _ [Bbm] _ _ [Ab] _ _ [N] Feedback job. Don't worry about that. _ _ _ Christ. Where would rock and roll be without feedback? [F] The only way to keep [Bb] There's no more in my head But it's [Eb] of me All _ _ _ [F] _ [Ab] _ the other [Bb] kids Are under it We're in [Bbm] _ _ Our show Can [Ab] we run back into our pit a bit? Yeah, you can if you like. Just turn it down a bit. I mean, I didn't really make a specific mistake, but_ Turn it down? Yeah, my guitars do that. Do you want to hear the other one? [F] No. No? _ [F] _ To the floor [Bb] This the day The paperboy [Eb] brings more _ _ _ _ _ [F] _ [Ab] I'm _ _ [Bb] _ _ _ _ [Db] _ _ [Ab] _ _ _ _ _ _ _
_ _ [Bb] _ _ _ _ [Db] still on the dark [Ab] side of the bed The _ [Fm] _ _ [Bb] _ _ [Eb] _ lunatic is in [Ab] my head The _ [Eb] _ lunatic is in [Ab] my head _ _ [Eb] He wears the blade [F] He'll make the change [Bb] _ _ _ _ [Eb] _ _
[G] Nope
I don't think so
[Eb] Why what's different?
_ _ What
Didn't sound as toffee
Well, it must have been as toffee.
Okay, if the only thing it could have possibly did is less toffee.
I need more toffee _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Ab] _ _ _ [Eb] _ _ _
_ _ [Ab] _ _ _ _ [Eb] _ _
_ _ [F] _ _ _ _ [Bb] _ _
_ _ [Eb] _ _ _ _ _ _
_ _ [Ab] _ _ _ _ [Eb] _ _
_ _ [Ab] _ _ _ _ [Eb] _ _
_ _ [F] _ Games
_ [Ab] _ [Bb] _
_ [Eb] _ _ _ _ _ [D] _
[Bb] Same for Les Brayden.
[Ab] No, no, Steve, you're jolly good at your job and there's no [Bb] way you could ever produce [N] a record.
So it's silly of you to try.
No, rubbish.
I don't think that's true.
I mean, if you take a crappy enough group, and they've only got 12 songs_
That's not what we're talking about, Steve.
Well, you're talking about producing works of art, I mean, or whatever, [D] or big clib records.
I mean, that's only about [Eb] 0.01.% of the market. There's plenty of other crap going on. No, we're not. We're not talking [Ab] about that at all. We're talking [Fm] about a record [Eb] producer as somebody who is in charge [Ab] of a recording session. And in order to be in charge of a recording session, you need to have a kind of minimum_ Well, not minimum, you need to have a fairly extensive knowledge of what the equipment's about, and what music is about, and what [F] rock and roll's about. But Steve knows what rock and roll's about. He's got no idea what the equipment's about. And he's got very little idea, in [Eb] terms of kind of [A] technicalities, what the music's about. But plenty_ [N] He knows what he likes. Plenty of people have produced records on that basis. It's a very [Eb] successful record. _ _ _ _ _ _ _ [Ab] _ _ _ [Bb] Oh. In _ _ [Db] the finished article, the only thing that is [Ab] important is whether it moves you or not. There's nothing else as important as_ I can't get over the sibilance of the vocals on Skewered by Time. [Bb] I never play that record. You're obviously in the wrong business. Oh, well, [Db] that was a bad cut. That's got nothing to do with the production of the [Ab] album. That was a bad cut. [Cm] And if you listen to the second string [N] of pressings, you'll find that that sibilance isn't there. Well, if you can still hear sibilance on the second string of pressings, you've got an extremely overactive imagination, because there isn't any. We have some pretty good arguments from time to time, yes. _ _ _ Yep, we're pretty durable. We do have inviting. _ But you mean [Gb] without actually exploding? _ _ [E] _ _ [Abm] _ [Bb] We share the same sense of humour to [Dbm] some extent. We lust after [Gb] money to some extent. And [E] we [Gb] have a lot of interest in what [A] we're doing together. [Abm] We can still combine our interests. I think [A] that's really when the thing breaks down. [Gb] It's when maybe just one person finds that what [Ab] he's doing doesn't interest him, or [A] he feels that he could do something better by himself. [G] _ [Abm] _ [E] _ _ _ _ _ We did have some very difficult times, [Gb] like a few years ago. We seem to have managed to avoid the things that really get people too touchy these days. _ [Ab] _ _ You _ mentioned lust for money. It's been one of the main drives. Only jovially. Naturally. For less. Money-minded people would be hard to [Eb] find. _ _ _ [Bbm] _ _ [Ab] _ _ [N] Feedback job. Don't worry about that. _ _ _ Christ. Where would rock and roll be without feedback? [F] The only way to keep [Bb] There's no more in my head But it's [Eb] of me All _ _ _ [F] _ [Ab] _ the other [Bb] kids Are under it We're in [Bbm] _ _ Our show Can [Ab] we run back into our pit a bit? Yeah, you can if you like. Just turn it down a bit. I mean, I didn't really make a specific mistake, but_ Turn it down? Yeah, my guitars do that. Do you want to hear the other one? [F] No. No? _ [F] _ To the floor [Bb] This the day The paperboy [Eb] brings more _ _ _ _ _ [F] _ [Ab] I'm _ _ [Bb] _ _ _ _ [Db] _ _ [Ab] _ _ _ _ _ _ _
_ _ [Bb] _ _ _ _ [Db] still on the dark [Ab] side of the bed The _ [Fm] _ _ [Bb] _ _ [Eb] _ lunatic is in [Ab] my head The _ [Eb] _ lunatic is in [Ab] my head _ _ [Eb] He wears the blade [F] He'll make the change [Bb] _ _ _ _ [Eb] _ _