Chords for Pomplamoose & KT Tunstall Behind the Scenes | U2 Cover Still haven’t found what I’m looking for
Tempo:
106.1 bpm
Chords used:
C#
B
E
F#
A#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
No, [B] still [G#] haven't [E] found [C#] what I'm looking for
Oh my god!
We [E] got it!
Let's go [F#] home!
Good morning
[D#] How are you feeling about [A#]
the collab with KT?
Are you ready?
I'm a little nervous
[B] I'm generally not [B]
starstruck
But [F] I always am a [E] little bit [F] with artists and creators that I grew up watching [F#] or listening to
I remember when KT's first couple songs got on the radio
They were like the biggest songs on the planet
[D] Suddenly I see, [F#]
I see
[Gm] Why would [C] it mean so much [E] to me?
[C] [G#] Wow, what a cool space!
Give me a cool hug!
[D]
Great to see everyone
Oh [G] frick bro, you have your [E] own room?
Yeah, I'm being [Gm] quarantined
You're being
Are you sick?
No, I'm not
[C] A [F] little, little bit more
[A]
[C#] [F#] [A#]
[C#m] [C#] [B]
[C#] I have [C#m] a
Oh my god
[N] I [G#m] have [C#] a To feel
[B] Only to [C#m] be with [A#m] you
The way it came together is Natalie [C#] wrote this awesome [C] bassline
It's very different than the [Fm] original bassline
Which is this kind of boom, boom, boom, boom, [G#] boom, boom
You know what I'm kind of hearing?
Like, almost like a zero-seven vibe
Ride the whole time
Cool
We went to the same kind of drumbeat
We wound up with this kind of steady ride throughout the whole thing
Kind of simmering through the entire song
And we arrived at an arrangement that was kind of a zero-seven sort of feeling
I lie awake
[D#] Up on the ground
Quiet
[C]
Reflective Soft vocals
[D#] It's music that you could like wake up to in the [C#] morning
Yeah, and that's the [B] first part
And then it goes to me
[C#] Oh okay, commercial
Hi
[C#]
I [A#] tried my best [E] not to nerd out
And not to fanboy too much
[A#m] Hi everyone! [D] Hey!
So good to meet you
Thank you so much for having us
We definitely had like the awkward
It was like a little awkward at first
We were wearing masks and [A#] we were trying to like read each other
I'm done, okay
Ryman!
I haven't played around with this
Oh I'm in [F] here
She's [D] awesome, she was so [G#] cool and so nice
And [C#] humble and like down to earth
[N]
Hello, hello, hello
Chickity chick chick
I'm not looking forward to it at all
This is not going to be very fun
KT seems like a total drag
I heard she called you a little bitch
She did, she did
She walked in and she was like, what's up, little bitch
And then I just
And then she spat on me
I love [G] collabing with people who can re-sing
[E] [Cm] It makes everything [G] easier
When they can [F] take [G#] the reins And uh
[E] Which she will do
When I heard her voice over the earphones
I just fanboyed because it was so [F#] crazy to hear her voice over the earphones
I have cried
[D#m] Oh my god
What [D#] happened?
You started singing, that's what happened
[D#m] Oh my god [C#] Fucking epic
Let's play music, come on
It's [C#m] been six months [A#] of
Basically [B] no live [E] music
And no recording
And so [C#] to be in [B] a wicked
Recording studio with amazing [F#] players [D#m] Coco [G#] Solveig
[F#] Only [C#] to be here with you
Oh my [A#m] god
I have a [C#m] [G#m] record [B] on [C#] a scale
This city was
[B] This city [F#] was
When she started [G#] singing
It [C#] changed how we approached it a little bit
We took that kind of 07 vibe
[E] But then added these like [A#] gritty
[F#] Rock and roll vibes
And then added these like gritty
Rock vocals on top of it
[C#] And that contrast I think made it [B] really interesting Fuck yes
That's so [F#] sick
I think we got it
[A#] Yeah let's go, we got it
Let's go home
It's a real [B] generosity with a [Dm] band
To allow someone to just come in
And take up their own space
Especially with three vocals
Yeah let's go straight in with the vocal
On the breakdown
And Ben can we try going four [G] to the floor straight away
She was like giving feedback
She'd be like [A#] let's come down for this verse
Or like maybe we shouldn't explode too [C#] much there
I felt like I knew what was on her mind
So she was super [B] easy to work with
And then you come in on the bleed into one repeat
[C#]
[A#] [C#] You've got
An amazing intro
Which you're just kind [A#] of, it's fading up
And you're like [B] what's going on, what's going on
And then you're in
And [A#] then you just get punched in the gut
With this [C#] incredible melody
[B] But still
Haven't [E] found
What I'm looking [C#] for
[C#]
[F#] I'm all about rhythm
[E] My music is [B] so [F#] dictated by rhythm and drumming
But it was [C#] really great
For my vocal
With what Pomp and Circumstance had done
[C#] That we could retain that blues
Element to the song
[G#] Even maybe we could just try
Like drums and vocal Yeah Yeah
That's wicked
[C#m]
And
[A#] then KT comes in with that
Soaring fucking gritty ass
Ripped up [A#] vocal on top
[B] Bleed into one
[B] Yes I'm still [C#] running
[A#m] And then like
The last chorus didn't need to explode
She called it capping it
I like the way she [G#] referred to that
I don't feel like it needs to go like pompous
It doesn't need to go enormous
Yeah I agree
It's just more about groove
Sometimes with Pomp and Circumstance
It takes [A#]
you know four or five takes
This one took three takes
I feel good about that one
Let's do one more and that's it
We got it now so this one's for fun
As opposed to the other ones
Those ones were [F#] work Fucking nightmare
Let's have a fun one
[C#] I think we spent an hour on it
It [B] always really amazes me actually
When you're in the studio
You [C#] know something is right or [E] you know it's wrong
I [C#] don't know what that is
[D] That's something I can't really explain
[C#] But the confidence in the decisions
[G#] That's what makes you the artist that you are
[C#m] [F#]
Doing this track with Pomplamoose
Was [E] a really great example
Of just a very impulsive Gut driven
Fun
Couple of hours Of creating
[D#]
So if you haven't seen
The music video that we were actually recording
There's a link in the doobly-doo Down below
Huge thank you to KT
For coming to the studio and playing with us
And hanging with us
It was [B] so awesome
Really appreciate you taking the time to do that
And [D#] yeah that's it
See you later Bye everybody
Oh my god!
We [E] got it!
Let's go [F#] home!
Good morning
[D#] How are you feeling about [A#]
the collab with KT?
Are you ready?
I'm a little nervous
[B] I'm generally not [B]
starstruck
But [F] I always am a [E] little bit [F] with artists and creators that I grew up watching [F#] or listening to
I remember when KT's first couple songs got on the radio
They were like the biggest songs on the planet
[D] Suddenly I see, [F#]
I see
[Gm] Why would [C] it mean so much [E] to me?
[C] [G#] Wow, what a cool space!
Give me a cool hug!
[D]
Great to see everyone
Oh [G] frick bro, you have your [E] own room?
Yeah, I'm being [Gm] quarantined
You're being
Are you sick?
No, I'm not
[C] A [F] little, little bit more
[A]
[C#] [F#] [A#]
[C#m] [C#] [B]
[C#] I have [C#m] a
Oh my god
[N] I [G#m] have [C#] a To feel
[B] Only to [C#m] be with [A#m] you
The way it came together is Natalie [C#] wrote this awesome [C] bassline
It's very different than the [Fm] original bassline
Which is this kind of boom, boom, boom, boom, [G#] boom, boom
You know what I'm kind of hearing?
Like, almost like a zero-seven vibe
Ride the whole time
Cool
We went to the same kind of drumbeat
We wound up with this kind of steady ride throughout the whole thing
Kind of simmering through the entire song
And we arrived at an arrangement that was kind of a zero-seven sort of feeling
I lie awake
[D#] Up on the ground
Quiet
[C]
Reflective Soft vocals
[D#] It's music that you could like wake up to in the [C#] morning
Yeah, and that's the [B] first part
And then it goes to me
[C#] Oh okay, commercial
Hi
[C#]
I [A#] tried my best [E] not to nerd out
And not to fanboy too much
[A#m] Hi everyone! [D] Hey!
So good to meet you
Thank you so much for having us
We definitely had like the awkward
It was like a little awkward at first
We were wearing masks and [A#] we were trying to like read each other
I'm done, okay
Ryman!
I haven't played around with this
Oh I'm in [F] here
She's [D] awesome, she was so [G#] cool and so nice
And [C#] humble and like down to earth
[N]
Hello, hello, hello
Chickity chick chick
I'm not looking forward to it at all
This is not going to be very fun
KT seems like a total drag
I heard she called you a little bitch
She did, she did
She walked in and she was like, what's up, little bitch
And then I just
And then she spat on me
I love [G] collabing with people who can re-sing
[E] [Cm] It makes everything [G] easier
When they can [F] take [G#] the reins And uh
[E] Which she will do
When I heard her voice over the earphones
I just fanboyed because it was so [F#] crazy to hear her voice over the earphones
I have cried
[D#m] Oh my god
What [D#] happened?
You started singing, that's what happened
[D#m] Oh my god [C#] Fucking epic
Let's play music, come on
It's [C#m] been six months [A#] of
Basically [B] no live [E] music
And no recording
And so [C#] to be in [B] a wicked
Recording studio with amazing [F#] players [D#m] Coco [G#] Solveig
[F#] Only [C#] to be here with you
Oh my [A#m] god
I have a [C#m] [G#m] record [B] on [C#] a scale
This city was
[B] This city [F#] was
When she started [G#] singing
It [C#] changed how we approached it a little bit
We took that kind of 07 vibe
[E] But then added these like [A#] gritty
[F#] Rock and roll vibes
And then added these like gritty
Rock vocals on top of it
[C#] And that contrast I think made it [B] really interesting Fuck yes
That's so [F#] sick
I think we got it
[A#] Yeah let's go, we got it
Let's go home
It's a real [B] generosity with a [Dm] band
To allow someone to just come in
And take up their own space
Especially with three vocals
Yeah let's go straight in with the vocal
On the breakdown
And Ben can we try going four [G] to the floor straight away
She was like giving feedback
She'd be like [A#] let's come down for this verse
Or like maybe we shouldn't explode too [C#] much there
I felt like I knew what was on her mind
So she was super [B] easy to work with
And then you come in on the bleed into one repeat
[C#]
[A#] [C#] You've got
An amazing intro
Which you're just kind [A#] of, it's fading up
And you're like [B] what's going on, what's going on
And then you're in
And [A#] then you just get punched in the gut
With this [C#] incredible melody
[B] But still
Haven't [E] found
What I'm looking [C#] for
[C#]
[F#] I'm all about rhythm
[E] My music is [B] so [F#] dictated by rhythm and drumming
But it was [C#] really great
For my vocal
With what Pomp and Circumstance had done
[C#] That we could retain that blues
Element to the song
[G#] Even maybe we could just try
Like drums and vocal Yeah Yeah
That's wicked
[C#m]
And
[A#] then KT comes in with that
Soaring fucking gritty ass
Ripped up [A#] vocal on top
[B] Bleed into one
[B] Yes I'm still [C#] running
[A#m] And then like
The last chorus didn't need to explode
She called it capping it
I like the way she [G#] referred to that
I don't feel like it needs to go like pompous
It doesn't need to go enormous
Yeah I agree
It's just more about groove
Sometimes with Pomp and Circumstance
It takes [A#]
you know four or five takes
This one took three takes
I feel good about that one
Let's do one more and that's it
We got it now so this one's for fun
As opposed to the other ones
Those ones were [F#] work Fucking nightmare
Let's have a fun one
[C#] I think we spent an hour on it
It [B] always really amazes me actually
When you're in the studio
You [C#] know something is right or [E] you know it's wrong
I [C#] don't know what that is
[D] That's something I can't really explain
[C#] But the confidence in the decisions
[G#] That's what makes you the artist that you are
[C#m] [F#]
Doing this track with Pomplamoose
Was [E] a really great example
Of just a very impulsive Gut driven
Fun
Couple of hours Of creating
[D#]
So if you haven't seen
The music video that we were actually recording
There's a link in the doobly-doo Down below
Huge thank you to KT
For coming to the studio and playing with us
And hanging with us
It was [B] so awesome
Really appreciate you taking the time to do that
And [D#] yeah that's it
See you later Bye everybody
Key:
C#
B
E
F#
A#
C#
B
E
No, [B] still _ [G#] haven't [E] found [C#] what I'm looking for
Oh my _ god!
We [E] got it!
Let's go [F#] home! _ _ _
_ Good morning
[D#] How are you feeling about [A#]
the collab with KT?
Are you ready?
I'm a little nervous
_ [B] I'm generally not [B] _
starstruck
_ But [F] I always am a [E] little bit _ [F] with artists and creators that I grew up watching [F#] or listening to
I remember when KT's first couple songs got on the radio
They were like the biggest songs on the planet
[D] Suddenly I see, [F#]
I see
[Gm] Why would [C] it mean so much [E] to me?
[C] _ [G#] Wow, what a cool space!
Give me a cool hug!
[D]
Great to see everyone
Oh [G] frick bro, you have your [E] own room?
Yeah, I'm being [Gm] quarantined
You're being_
Are you sick?
No, I'm not
_ _ [C] A [F] little, little bit more
[A] _ _
[C#] _ _ _ _ [F#] _ _ _ [A#] _
_ [C#m] _ _ _ [C#] _ _ _ [B] _
_ [C#] I have [C#m] a_
Oh my god _
_ [N] I [G#m] have [C#] a_ To feel
[B] Only to [C#m] be with [A#m] you
The way it came together is Natalie [C#] wrote this awesome [C] bassline
It's very different than the [Fm] original bassline
Which is this kind of boom, boom, boom, boom, [G#] boom, boom
You know what I'm kind of hearing? _
_ _ Like, almost like a zero-seven vibe
Ride the whole time
Cool
_ We went to the same kind of drumbeat
We wound up with this kind of steady ride throughout the whole thing
Kind of simmering through the entire song
And we arrived at an arrangement that was kind of a zero-seven sort of feeling
I lie _ awake
_ [D#] Up on the ground
Quiet
[C] _
_ Reflective Soft vocals
[D#] _ It's music that you could like wake up to in the [C#] morning
_ Yeah, and that's the [B] first part
And then it goes to me
_ [C#] _ Oh okay, commercial
_ Hi
[C#] _ _
I [A#] tried my best [E] not to nerd out
And not to fanboy too much _
_ [A#m] Hi everyone! [D] Hey! _ _
So good to meet you
Thank you so much for having us
We definitely had like the awkward
It was like a little awkward at first
We were wearing masks and [A#] we were trying to like read each other
I'm done, okay
Ryman! _
I haven't played around with this
Oh I'm in [F] here
She's [D] awesome, she was so [G#] cool and so nice
And [C#] humble and like down to earth
[N]
Hello, hello, hello
Chickity chick chick
I'm not looking forward to it at all
This is not going to be very fun
KT seems like a total drag
I heard she called you a little bitch
She did, she did
She walked in and she was like, what's up, little bitch
And then I just
And then she spat on me _ _
_ I love [G] collabing with people who can re-sing
[E] _ [Cm] It makes everything [G] easier
When they can [F] take [G#] the reins And uh
[E] Which she will do
When I heard her voice over the earphones
I just fanboyed because it was so [F#] crazy to hear her voice over the earphones
I have cried
[D#m] Oh my god
_ What [D#] happened?
You started singing, that's what happened
[D#m] Oh my god [C#] Fucking epic
Let's play music, come on
It's [C#m] been six months [A#] of
Basically [B] no live [E] music
And no recording
And so [C#] to be in [B] a wicked
Recording studio with amazing [F#] players [D#m] Coco [G#] Solveig
[F#] Only [C#] to be here with you
Oh my [A#m] god
I have a _ _ [C#m] _ [G#m] record [B] on [C#] a scale
This city was _
[B] This city [F#] was
When she started [G#] singing
It [C#] changed how we approached it a little bit
We took that kind of 07 vibe
[E] But then added these like [A#] gritty
[F#] Rock and roll vibes
And then added these like gritty
Rock vocals on top of it
[C#] And that contrast I think made it [B] really interesting Fuck yes
That's so [F#] sick
I think we got it
[A#] Yeah let's go, we got it
Let's go home
It's a real [B] generosity with a [Dm] band
To allow someone to just come in
And take up their own space
Especially with three vocals
Yeah let's go straight in with the vocal
On the breakdown
And Ben can we try going four [G] to the floor straight away
She was like giving feedback
She'd be like [A#] let's come down for this verse
Or like maybe we shouldn't explode too [C#] much there
I felt like I knew what was on her mind
So she was super [B] easy to work with
And then you come in on the bleed into one repeat
[C#] _
_ _ [A#] _ [C#] You've got
An amazing intro
Which you're just kind [A#] of, it's fading up
And you're like [B] what's going on, what's going on
And then you're in
And [A#] then you just get punched in the gut
With this [C#] incredible _ melody
[B] But still
_ Haven't [E] found
What I'm looking [C#] for
_ [C#] _
[F#] I'm all about rhythm
[E] My music is [B] so [F#] dictated by rhythm and drumming
But it was [C#] really great
For my vocal
With what Pomp and Circumstance had done
[C#] That we could retain that blues
Element to the song
[G#] Even maybe we could just try
Like drums and vocal Yeah Yeah
That's wicked
[C#m] _
And _ _ _ _ _ _ _
_ _ [A#] then KT comes in with that
Soaring fucking gritty ass
Ripped up [A#] vocal on top
[B] Bleed into one
_ [B] Yes I'm still [C#] running
_ _ [A#m] And then like
The last chorus didn't need to explode
She called it capping it
I like the way she [G#] referred to that
I don't feel like it needs to go like pompous
It doesn't need to go enormous
Yeah I agree
It's just more about groove
Sometimes with Pomp and Circumstance
It takes _ [A#]
you know four or five takes
This one took three takes
I feel good about that one
Let's do one more and that's it
We got it now so this one's for fun
As opposed to the other ones
Those ones were [F#] work Fucking nightmare
Let's have a fun one
[C#] I think we spent an hour on it
It [B] always really amazes me actually
When you're in the studio
You [C#] know something is right or [E] you know it's wrong
I [C#] don't know what that is
[D] That's something I can't really explain
[C#] But the _ confidence in the decisions
[G#] That's what makes you the artist that you are
[C#m] _ _ _ _ _ [F#] _ _
_ _ _ _ Doing this track with Pomplamoose
Was [E] a really great example
Of just a very impulsive Gut driven
Fun
_ Couple of hours Of creating
_ _ _ _ _ _ [D#] _
_ _ So if you haven't seen
The music video that we were actually recording
There's a link in the doobly-doo Down below
_ _ Huge thank you to KT
For coming to the studio and playing with us
And hanging with us
It was [B] so awesome
Really appreciate you taking the time to do that
And [D#] yeah that's it
See you later Bye everybody _
Oh my _ god!
We [E] got it!
Let's go [F#] home! _ _ _
_ Good morning
[D#] How are you feeling about [A#]
the collab with KT?
Are you ready?
I'm a little nervous
_ [B] I'm generally not [B] _
starstruck
_ But [F] I always am a [E] little bit _ [F] with artists and creators that I grew up watching [F#] or listening to
I remember when KT's first couple songs got on the radio
They were like the biggest songs on the planet
[D] Suddenly I see, [F#]
I see
[Gm] Why would [C] it mean so much [E] to me?
[C] _ [G#] Wow, what a cool space!
Give me a cool hug!
[D]
Great to see everyone
Oh [G] frick bro, you have your [E] own room?
Yeah, I'm being [Gm] quarantined
You're being_
Are you sick?
No, I'm not
_ _ [C] A [F] little, little bit more
[A] _ _
[C#] _ _ _ _ [F#] _ _ _ [A#] _
_ [C#m] _ _ _ [C#] _ _ _ [B] _
_ [C#] I have [C#m] a_
Oh my god _
_ [N] I [G#m] have [C#] a_ To feel
[B] Only to [C#m] be with [A#m] you
The way it came together is Natalie [C#] wrote this awesome [C] bassline
It's very different than the [Fm] original bassline
Which is this kind of boom, boom, boom, boom, [G#] boom, boom
You know what I'm kind of hearing? _
_ _ Like, almost like a zero-seven vibe
Ride the whole time
Cool
_ We went to the same kind of drumbeat
We wound up with this kind of steady ride throughout the whole thing
Kind of simmering through the entire song
And we arrived at an arrangement that was kind of a zero-seven sort of feeling
I lie _ awake
_ [D#] Up on the ground
Quiet
[C] _
_ Reflective Soft vocals
[D#] _ It's music that you could like wake up to in the [C#] morning
_ Yeah, and that's the [B] first part
And then it goes to me
_ [C#] _ Oh okay, commercial
_ Hi
[C#] _ _
I [A#] tried my best [E] not to nerd out
And not to fanboy too much _
_ [A#m] Hi everyone! [D] Hey! _ _
So good to meet you
Thank you so much for having us
We definitely had like the awkward
It was like a little awkward at first
We were wearing masks and [A#] we were trying to like read each other
I'm done, okay
Ryman! _
I haven't played around with this
Oh I'm in [F] here
She's [D] awesome, she was so [G#] cool and so nice
And [C#] humble and like down to earth
[N]
Hello, hello, hello
Chickity chick chick
I'm not looking forward to it at all
This is not going to be very fun
KT seems like a total drag
I heard she called you a little bitch
She did, she did
She walked in and she was like, what's up, little bitch
And then I just
And then she spat on me _ _
_ I love [G] collabing with people who can re-sing
[E] _ [Cm] It makes everything [G] easier
When they can [F] take [G#] the reins And uh
[E] Which she will do
When I heard her voice over the earphones
I just fanboyed because it was so [F#] crazy to hear her voice over the earphones
I have cried
[D#m] Oh my god
_ What [D#] happened?
You started singing, that's what happened
[D#m] Oh my god [C#] Fucking epic
Let's play music, come on
It's [C#m] been six months [A#] of
Basically [B] no live [E] music
And no recording
And so [C#] to be in [B] a wicked
Recording studio with amazing [F#] players [D#m] Coco [G#] Solveig
[F#] Only [C#] to be here with you
Oh my [A#m] god
I have a _ _ [C#m] _ [G#m] record [B] on [C#] a scale
This city was _
[B] This city [F#] was
When she started [G#] singing
It [C#] changed how we approached it a little bit
We took that kind of 07 vibe
[E] But then added these like [A#] gritty
[F#] Rock and roll vibes
And then added these like gritty
Rock vocals on top of it
[C#] And that contrast I think made it [B] really interesting Fuck yes
That's so [F#] sick
I think we got it
[A#] Yeah let's go, we got it
Let's go home
It's a real [B] generosity with a [Dm] band
To allow someone to just come in
And take up their own space
Especially with three vocals
Yeah let's go straight in with the vocal
On the breakdown
And Ben can we try going four [G] to the floor straight away
She was like giving feedback
She'd be like [A#] let's come down for this verse
Or like maybe we shouldn't explode too [C#] much there
I felt like I knew what was on her mind
So she was super [B] easy to work with
And then you come in on the bleed into one repeat
[C#] _
_ _ [A#] _ [C#] You've got
An amazing intro
Which you're just kind [A#] of, it's fading up
And you're like [B] what's going on, what's going on
And then you're in
And [A#] then you just get punched in the gut
With this [C#] incredible _ melody
[B] But still
_ Haven't [E] found
What I'm looking [C#] for
_ [C#] _
[F#] I'm all about rhythm
[E] My music is [B] so [F#] dictated by rhythm and drumming
But it was [C#] really great
For my vocal
With what Pomp and Circumstance had done
[C#] That we could retain that blues
Element to the song
[G#] Even maybe we could just try
Like drums and vocal Yeah Yeah
That's wicked
[C#m] _
And _ _ _ _ _ _ _
_ _ [A#] then KT comes in with that
Soaring fucking gritty ass
Ripped up [A#] vocal on top
[B] Bleed into one
_ [B] Yes I'm still [C#] running
_ _ [A#m] And then like
The last chorus didn't need to explode
She called it capping it
I like the way she [G#] referred to that
I don't feel like it needs to go like pompous
It doesn't need to go enormous
Yeah I agree
It's just more about groove
Sometimes with Pomp and Circumstance
It takes _ [A#]
you know four or five takes
This one took three takes
I feel good about that one
Let's do one more and that's it
We got it now so this one's for fun
As opposed to the other ones
Those ones were [F#] work Fucking nightmare
Let's have a fun one
[C#] I think we spent an hour on it
It [B] always really amazes me actually
When you're in the studio
You [C#] know something is right or [E] you know it's wrong
I [C#] don't know what that is
[D] That's something I can't really explain
[C#] But the _ confidence in the decisions
[G#] That's what makes you the artist that you are
[C#m] _ _ _ _ _ [F#] _ _
_ _ _ _ Doing this track with Pomplamoose
Was [E] a really great example
Of just a very impulsive Gut driven
Fun
_ Couple of hours Of creating
_ _ _ _ _ _ [D#] _
_ _ So if you haven't seen
The music video that we were actually recording
There's a link in the doobly-doo Down below
_ _ Huge thank you to KT
For coming to the studio and playing with us
And hanging with us
It was [B] so awesome
Really appreciate you taking the time to do that
And [D#] yeah that's it
See you later Bye everybody _