Chords for Power Chord Mechanics - Blackened Alterations
Tempo:
70.175 bpm
Chords used:
E
A
F
G
D#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
In riff 6 we're utilizing the E5, augmented E5 and then up to that flat 7 on the 5th fret, 5th string.
And this is similar to riff 5 only that there's a little bit more variety here and there's also a different sort of idea towards the end which I'll show you in a tick.
[G] Modulating into [A] A.
[E] Back to E.
[N] Now in the second half of the riff there's a rhythmic concept at work very similar to some parts of melodic additions that we were utilizing and it works like this.
So it's that triplet sort of rhythm.
that rhythm.
[A]
And this is similar to riff 5 only that there's a little bit more variety here and there's also a different sort of idea towards the end which I'll show you in a tick.
[G] Modulating into [A] A.
[E] Back to E.
[N] Now in the second half of the riff there's a rhythmic concept at work very similar to some parts of melodic additions that we were utilizing and it works like this.
So it's that triplet sort of rhythm.
that rhythm.
[A]
100% ➙ 70BPM
E
A
F
G
D#
E
A
F
_ _ _ _ _ In riff 6 we're utilizing the E5, augmented E5 and then up to that flat 7 on the 5th fret, 5th string.
And this is similar to riff 5 only that there's a little bit more variety here and there's also a different sort of idea towards the end which I'll show you in a tick.
So this is what happens for the first half of the [E] riff. _ _ _
_ _ _ _ _ [G] Modulating into [A] A.
_ _ [E] Back to E.
_ [E] _ _
_ [N] Now in the second half of the riff there's a rhythmic concept at work very similar to some parts of melodic additions that we were utilizing and it works like this.
So we start on [E] E5. _
So it's that triplet sort of rhythm.
_ And what we do with this is we use these alterations with that rhythm. _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ [D#] _ _ _ [F] _ _ [E] _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
_ [E] _ _ _ _ _ _ [F#] _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ [C] _ [E] _
[A] _ [F] _ [A] _ [F] _ [F] _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] And that's it. _
_ _ [E] _ _ _ _ _ _
And this is similar to riff 5 only that there's a little bit more variety here and there's also a different sort of idea towards the end which I'll show you in a tick.
So this is what happens for the first half of the [E] riff. _ _ _
_ _ _ _ _ [G] Modulating into [A] A.
_ _ [E] Back to E.
_ [E] _ _
_ [N] Now in the second half of the riff there's a rhythmic concept at work very similar to some parts of melodic additions that we were utilizing and it works like this.
So we start on [E] E5. _
So it's that triplet sort of rhythm.
_ And what we do with this is we use these alterations with that rhythm. _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ [D#] _ _ _ [F] _ _ [E] _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
_ [E] _ _ _ _ _ _ [F#] _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ [C] _ [E] _
[A] _ [F] _ [A] _ [F] _ [F] _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] And that's it. _
_ _ [E] _ _ _ _ _ _
