Chords for Preston Thompson 000-14BA Dream Series, Brazilian/Adirondack
Tempo:
81.95 bpm
Chords used:
Em
E
G
A
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
[E] Hello, this is Paul Hummeler at Dream Guitars.
of you have probably heard about Preston Thompson Guitars.
music,
years ago, and he's
And pretty new to the market as far as custom instruments goes.
history of building and hanging around
put together a box that's a musical tool.
had several made now where we provide really beautiful
of you have probably heard about Preston Thompson Guitars.
music,
years ago, and he's
And pretty new to the market as far as custom instruments goes.
history of building and hanging around
put together a box that's a musical tool.
had several made now where we provide really beautiful
100% ➙ 82BPM
Em
E
G
A
F#
Em
E
G
_ _ [E] _ Hello, this is Paul Hummeler at Dream Guitars.
And by now, most of you have probably heard about Preston Thompson Guitars.
Making quite a [F#] big splash in the world of traditional music,
bluegrass music, people like Billy Strings playing his instruments.
And I met Preston a few years ago, and he's
just a wonderful guy with a long history in music and guitars. _
And pretty new to the market as far as custom instruments goes.
But he's got, again, a long history of building and hanging around
with great musicians, so he really knows tone and woods
and how to put together a box that's a musical tool.
And this is one of our, it's a Dream series.
This is, we've had several made now where we provide really beautiful
old Brazilian rosewood.
Maybe a quick peek here, but definitely make sure you look at the pictures.
So this is a stash that I've had for quite a while now.
Adirondack spruce tops are just a traditional pre-war combination
of tonewoods to give you all the power and energy you could possibly want.
What I hear in these guitars is that it's very traditional,
harkens back to pre-war Martins, but in some ways, very different
and maybe better, maybe more compelling to the ear.
There's more warmth, there's a little bit more low end,
not so much mid-range focus, and the trebles
are a little bit fatter and fuller sounding,
which I personally just like a lot.
So that's sort of what people are really gravitating
towards with Preston's instruments.
_ Of course, on the [G] top, we did an amazing sunburst.
His bursts are just gorgeous, just really stunning.
And I asked for a little bit darker [F] around the edges.
This one has a 42-style [D#] inlay on the fingerboard
and a beautiful torch on the slotted headstock, gold-etched Waverleys,
just best of the best, as you might expect from a Dream Series guitar.
So I'm really proud of this guitar, and it sounds every bit as good as it looks.
And here's [Em] the proof. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ [A] _
_ _ _ _ _ _ [Em] _ _
_ _ _ _ _ [B] _ _ _
[A] _ _ _ [E] _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ _ [Em] _ _
_ _ [F#m] _ _ [E] _ _ [G] _ [Em] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
And by now, most of you have probably heard about Preston Thompson Guitars.
Making quite a [F#] big splash in the world of traditional music,
bluegrass music, people like Billy Strings playing his instruments.
And I met Preston a few years ago, and he's
just a wonderful guy with a long history in music and guitars. _
And pretty new to the market as far as custom instruments goes.
But he's got, again, a long history of building and hanging around
with great musicians, so he really knows tone and woods
and how to put together a box that's a musical tool.
And this is one of our, it's a Dream series.
This is, we've had several made now where we provide really beautiful
old Brazilian rosewood.
Maybe a quick peek here, but definitely make sure you look at the pictures.
So this is a stash that I've had for quite a while now.
Adirondack spruce tops are just a traditional pre-war combination
of tonewoods to give you all the power and energy you could possibly want.
What I hear in these guitars is that it's very traditional,
harkens back to pre-war Martins, but in some ways, very different
and maybe better, maybe more compelling to the ear.
There's more warmth, there's a little bit more low end,
not so much mid-range focus, and the trebles
are a little bit fatter and fuller sounding,
which I personally just like a lot.
So that's sort of what people are really gravitating
towards with Preston's instruments.
_ Of course, on the [G] top, we did an amazing sunburst.
His bursts are just gorgeous, just really stunning.
And I asked for a little bit darker [F] around the edges.
This one has a 42-style [D#] inlay on the fingerboard
and a beautiful torch on the slotted headstock, gold-etched Waverleys,
just best of the best, as you might expect from a Dream Series guitar.
So I'm really proud of this guitar, and it sounds every bit as good as it looks.
And here's [Em] the proof. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ [A] _
_ _ _ _ _ _ [Em] _ _
_ _ _ _ _ [B] _ _ _
[A] _ _ _ [E] _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ _ [Em] _ _
_ _ [F#m] _ _ [E] _ _ [G] _ [Em] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _