Seconds Chords by Pulp
Tempo:
146.75 bpm
Chords used:
C
Am
Dm
F
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C]
[Dm]
[A] [Gm]
[C] [Gm] He used to live near [Dm] his brother, now she's in the [F] mountain.
[C] With him there on [D] the way, [G] he's second rather than shit.
[Dm]
It's different.
Because he [A] loves to watch the [G] road, he doesn't [Dm] turn.
He likes to show [Am] her around, and he kept [F] all [C] his things.
He always found things he never [G] wanted anyway.
She hates [Dm] his hair, it's typical.
[Am] He wears, and it seems out [C] second best.
It probably is the best that you [G] can get.
Oh yeah, there's so much to [F] me.
And she can't stand you [Am] to ask, and the hours turn into days.
[C]
And still it feels like [Em] more.
[F] It constantly [Dm] zips [Am] past, and ties into second [C] best.
And still it feels [Em] like more.
[F]
And nothing, [Dm] [Am] oh, can ever close [E] her [C] eyes, and hit the ground [Em] more.
[G]
But in the morning it's raining, [Dm]
gosh, you're always complaining.
Can't you [F#] think of something [Gm] else that's nearly [Dm] new?
Dark and basement [Am] playful too.
And if [F] you've plenty of eyes, you [C] could be anyway [G] you want yourself to be.
Oh yeah, [Dm] it's fine.
I know you want [Am] to love, so love.
But sometimes [F] [C] second best is all you're [G] gonna get.
Oh yeah, there's so much to [F] me.
And it's second terrible [Dm] to [Am] ask, and the hours turn into [C] days.
And still it feels [Em] like more.
[F] It constantly [Dm] zips past, [Am] and ties into second worst.
[C] And still it feels [Em] like more.
[F]
[Dm] Oh, [Am] I'm driving, there's [C] nothing [G] around [Em] here.
[Am]
She's [Em] on my legs, she [G] don't interest me.
[Am] Oh, it could one fall down.
And don't you know, it hasn't got to be something I've ever known.
It's like it lasts all night, and it gets to the second.
[F] And when second [Dm] terrible to [Am] ask, and the hours turn into days.
[C] And still it feels [Em] like more.
[F] It constantly [Dm] zips [Am] past, and ties into second [C] worst.
And still it feels like [Em] more.
[F]
[D] [Am]
[D] [C]
[G] [Em]
[F]
[Am] They got it on the front, [C] and they made it through [Em] to me.
[C]
[Dm]
[A] [Gm]
[C] [Gm] He used to live near [Dm] his brother, now she's in the [F] mountain.
[C] With him there on [D] the way, [G] he's second rather than shit.
[Dm]
It's different.
Because he [A] loves to watch the [G] road, he doesn't [Dm] turn.
He likes to show [Am] her around, and he kept [F] all [C] his things.
He always found things he never [G] wanted anyway.
She hates [Dm] his hair, it's typical.
[Am] He wears, and it seems out [C] second best.
It probably is the best that you [G] can get.
Oh yeah, there's so much to [F] me.
And she can't stand you [Am] to ask, and the hours turn into days.
[C]
And still it feels like [Em] more.
[F] It constantly [Dm] zips [Am] past, and ties into second [C] best.
And still it feels [Em] like more.
[F]
And nothing, [Dm] [Am] oh, can ever close [E] her [C] eyes, and hit the ground [Em] more.
[G]
But in the morning it's raining, [Dm]
gosh, you're always complaining.
Can't you [F#] think of something [Gm] else that's nearly [Dm] new?
Dark and basement [Am] playful too.
And if [F] you've plenty of eyes, you [C] could be anyway [G] you want yourself to be.
Oh yeah, [Dm] it's fine.
I know you want [Am] to love, so love.
But sometimes [F] [C] second best is all you're [G] gonna get.
Oh yeah, there's so much to [F] me.
And it's second terrible [Dm] to [Am] ask, and the hours turn into [C] days.
And still it feels [Em] like more.
[F] It constantly [Dm] zips past, [Am] and ties into second worst.
[C] And still it feels [Em] like more.
[F]
[Dm] Oh, [Am] I'm driving, there's [C] nothing [G] around [Em] here.
[Am]
She's [Em] on my legs, she [G] don't interest me.
[Am] Oh, it could one fall down.
And don't you know, it hasn't got to be something I've ever known.
It's like it lasts all night, and it gets to the second.
[F] And when second [Dm] terrible to [Am] ask, and the hours turn into days.
[C] And still it feels [Em] like more.
[F] It constantly [Dm] zips [Am] past, and ties into second [C] worst.
And still it feels like [Em] more.
[F]
[D] [Am]
[D] [C]
[G] [Em]
[F]
[Am] They got it on the front, [C] and they made it through [Em] to me.
[C]
Key:
C
Am
Dm
F
Em
C
Am
Dm
_ _ [C] _ _ _ _ _ _
_ _ [Dm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ _ _ [Gm] _ _
_ _ _ [C] _ _ _ [Gm] He used to live near [Dm] his brother, _ _ _ now she's in the [F] mountain. _ _ _ _ _
_ [C] With him there on [D] the way, [G] he's second rather than _ _ _ _ shit.
[Dm] _ _ _ _
_ _ _ _ It's different. _
_ Because he [A] loves to watch the [G] road, he doesn't [Dm] turn.
_ He likes to show [Am] her around, _ and he kept [F] all [C] his things.
He always found things he never [G] wanted _ _ anyway.
She hates [Dm] his hair, _ it's typical.
[Am] He wears, _ and it seems out [C] second best.
It probably is the best that you [G] can get.
Oh yeah, there's so much to [F] me. _ _ _
And she can't stand you [Am] to ask, and the hours turn into days.
[C] _
And still it feels like [Em] _ more. _
_ _ _ _ [F] _ _ It constantly [Dm] zips [Am] past, and ties into second _ [C] best.
And still it feels [Em] like _ more. _
_ _ _ _ [F] _ _ _
And nothing, _ [Dm] _ _ [Am] _ oh, can ever close [E] her [C] eyes, and hit the ground [Em] _ _ more. _
_ _ _ _ _ _ [G] _ _
But in the morning it's raining, _ [Dm] _ _
_ gosh, you're always complaining. _ _ _
_ _ Can't you [F#] think of something [Gm] else that's nearly [Dm] new? _ _ _
Dark and basement [Am] _ playful too.
And if [F] you've plenty of eyes, you [C] could be _ anyway [G] you want yourself to be.
Oh yeah, [Dm] it's fine. _ _
I know you want [Am] to love, so love.
But sometimes [F] [C] second best _ is all you're [G] gonna get.
Oh yeah, there's so much to [F] me.
_ And it's second terrible [Dm] to [Am] ask, and the hours turn into _ [C] days.
And still it feels [Em] like _ _ more.
_ _ _ _ [F] _ _ It constantly [Dm] zips past, [Am] and ties into second worst.
[C] _ And still it feels [Em] like more. _ _ _
_ _ _ [F] _ _ _ _ _
_ [Dm] Oh, _ _ [Am] _ I'm driving, _ there's [C] nothing _ _ _ [G] around _ [Em] _ _ here.
_ _ _ _ _ _ [Am] _ _
_ She's [Em] on my legs, she [G] don't interest me.
[Am] Oh, _ it could one fall down.
_ _ And don't you know, it hasn't got to be something _ I've ever known.
_ It's like it lasts all night, and it gets to the second.
_ [F] _ And when second [Dm] terrible to [Am] ask, and the hours turn into days.
[C] And still it feels [Em] like more. _ _
_ _ _ [F] _ _ It _ constantly [Dm] zips [Am] past, and ties into second [C] worst.
And still it feels like [Em] _ _ more. _
_ _ _ [F] _ _ _ _ _
_ [D] _ _ [Am] _ _ _ _ _
[D] _ _ _ [C] _ _ _ _ _
_ [G] _ _ [Em] _ _ _ _ _
_ _ [F] _ _ _ _ _ _
_ _ [Am] _ They got it on _ the front, [C] _ and they made it through [Em] to me. _ _ _ _ _
_ _ [C] _ _ _ _ _ _
_ _ [Dm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ _ _ [Gm] _ _
_ _ _ [C] _ _ _ [Gm] He used to live near [Dm] his brother, _ _ _ now she's in the [F] mountain. _ _ _ _ _
_ [C] With him there on [D] the way, [G] he's second rather than _ _ _ _ shit.
[Dm] _ _ _ _
_ _ _ _ It's different. _
_ Because he [A] loves to watch the [G] road, he doesn't [Dm] turn.
_ He likes to show [Am] her around, _ and he kept [F] all [C] his things.
He always found things he never [G] wanted _ _ anyway.
She hates [Dm] his hair, _ it's typical.
[Am] He wears, _ and it seems out [C] second best.
It probably is the best that you [G] can get.
Oh yeah, there's so much to [F] me. _ _ _
And she can't stand you [Am] to ask, and the hours turn into days.
[C] _
And still it feels like [Em] _ more. _
_ _ _ _ [F] _ _ It constantly [Dm] zips [Am] past, and ties into second _ [C] best.
And still it feels [Em] like _ more. _
_ _ _ _ [F] _ _ _
And nothing, _ [Dm] _ _ [Am] _ oh, can ever close [E] her [C] eyes, and hit the ground [Em] _ _ more. _
_ _ _ _ _ _ [G] _ _
But in the morning it's raining, _ [Dm] _ _
_ gosh, you're always complaining. _ _ _
_ _ Can't you [F#] think of something [Gm] else that's nearly [Dm] new? _ _ _
Dark and basement [Am] _ playful too.
And if [F] you've plenty of eyes, you [C] could be _ anyway [G] you want yourself to be.
Oh yeah, [Dm] it's fine. _ _
I know you want [Am] to love, so love.
But sometimes [F] [C] second best _ is all you're [G] gonna get.
Oh yeah, there's so much to [F] me.
_ And it's second terrible [Dm] to [Am] ask, and the hours turn into _ [C] days.
And still it feels [Em] like _ _ more.
_ _ _ _ [F] _ _ It constantly [Dm] zips past, [Am] and ties into second worst.
[C] _ And still it feels [Em] like more. _ _ _
_ _ _ [F] _ _ _ _ _
_ [Dm] Oh, _ _ [Am] _ I'm driving, _ there's [C] nothing _ _ _ [G] around _ [Em] _ _ here.
_ _ _ _ _ _ [Am] _ _
_ She's [Em] on my legs, she [G] don't interest me.
[Am] Oh, _ it could one fall down.
_ _ And don't you know, it hasn't got to be something _ I've ever known.
_ It's like it lasts all night, and it gets to the second.
_ [F] _ And when second [Dm] terrible to [Am] ask, and the hours turn into days.
[C] And still it feels [Em] like more. _ _
_ _ _ [F] _ _ It _ constantly [Dm] zips [Am] past, and ties into second [C] worst.
And still it feels like [Em] _ _ more. _
_ _ _ [F] _ _ _ _ _
_ [D] _ _ [Am] _ _ _ _ _
[D] _ _ _ [C] _ _ _ _ _
_ [G] _ _ [Em] _ _ _ _ _
_ _ [F] _ _ _ _ _ _
_ _ [Am] _ They got it on _ the front, [C] _ and they made it through [Em] to me. _ _ _ _ _
_ _ [C] _ _ _ _ _ _