Chords for Ray, Goodman and Brown- special lady(1979)

_ _ _ _ [Bm] I'm [B] an old style girl.
_ _ _ You gotta be a special lady.
_ _ [A#] Cause you got [E] me sitting on top of the world.
[Bm] Sitting on top [B] of the world.
[A] _
Somehow I knew [C#m] _ it would be [A] you.
To change my gray [Bm] skies to [E] blue.
_ [A]
And it was strange [C#m] when you called my [A] name.
Ever since that day I [Bm] haven't been the [E] same.
[C#m] Before I walked [F#m] you my Sunday [Bm] morning shine.
But [C#m] all of a [F#m] sudden you're stuck [Bm] in behind.
_ _ [C#m]
I'm back with the weasel [Bm] in my mind.
_ [A]
You're a [C#m] special lady.
[Bm] _ _ [D] _ [A] And a very [C#m] exciting girl.
You're [Bm] so exciting.
[E] _ [A] You gotta be [C#m] a special lady.
[Bm] _ _ [D] Cause you got [F] me sitting on top of the world.
[E] Sitting on top of the world.
[A] _
I was like a sold [C#m] _ out key.
_ [A]
Then you came and gave my [Bm] soul an [D] LV.
_ [A] _
And still _ [C#m] I'm full of _ [A] blue.
I've always lost [Bm] but now I'm home with you.
[C#m]
Before I walked [F#m] you my Sunday [Bm] morning shine.
But all [C#m] of a sudden [F#m] you're stuck [Bm] in behind.
_ _ [C#m]
I'm [A] back with the weasel in my [Bm] mind.
You're a _ _ [A]
special [C#m] lady.
[Bm] _ _ [D] _ [A] And a very [C#m] exciting _ [Bm] girl.
[D] _ _ [A]
You're a [C#m] special lady.
[Bm] _ _ [E] Cause you [F] got me sitting on top of the world.
_ [B] Sitting on top of the _ [A] _
_ [C#m] _ _ [Bm] _ _ [E] _ [A] world.
_ [C#m] _ _ [Bm] _ _ [E] _ _ [A] _
_ [C#m] _ _ [Bm] _ _ [E] _ _ [F]
Sitting on _ _ [E] _ top of the world.
[C#m]
Before I [F#m] walked you my Sunday [Bm] morning shine.
[C#m] But all of a [F#m] sudden you're stuck in [Bm] behind.
_ _ [C#m]
I'm back [A] with the weasel [Bm] in my mind.
_ [A] _
[C#m] You're a special lady.
[A] _ _ [D] _ [A] And a very [C#m] exciting girl.
[B] _ _ [D] _ _ [A]
You're a special [C#m] lady.
[Bm] _ _ [D] Cause you [F] got me sitting on top of the world.
[E] Sitting on top of the world.
[A] _
_ [C#m] _ _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Dm] We decided to use our own identity, you know, our own names.
I kind of like that.
Harry Ray and Billy Brown.
I think that sort of personalizes it a little bit.
Let me ask that question again.
How do you [G] stay together when so many groups come and go so fast?
[F#] You've been at it a while.
Love.
Really?
Love.
Is it understanding?
Who is the most irritable in this [D] group?
Who has the shortest fuse?
The temperature goes_
It's between Harry and myself.
Al is the one that keeps the level hit all the time.
That's why [N] he is in the middle.
He keeps you like this from killing each other.
Right, true.
Do you have a democratic society here?
Do you vote on issues?
Everything.
Everything.
_ _ _ We decide everything and then come to a head.
And I usually say, well, that's it.
You're the chairman of the board.
Like it or not, that's it.
_ Do you travel a lot?
About 40 weeks out of the year.
That's got to kill you.
Do you have a home or do you own a suitcase?
We do have a home, but right now it's a suitcase.
That's what it is.
But it's a pleasure when you work together the way we do.
But I mean, that's got to tear you loose and student.
It's kind of hectic, but [F#] we're home like weekdays.
Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday we're gone.
Well, you see it on occasion.
The background, you're the guy who's left out in the cold.
They have a ministerial sort of background.
Gospel and all of this.
[G#] _ Yeah.
You didn't have any.
I mean, you weren't in a [N] gospel choir.
You didn't have a dad who was a minister.
How did you fall in with these two good guys?
You just hung around the street corners.
It was a mistake.
The street corners of Long Branch, New Jersey, Grand Court.
How did you get together?
We called him sinning.
Whatever