Chords for RAY PRICE, GEORGE JONES - NVN -1986
Tempo:
124 bpm
Chords used:
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Three, about 1973, 72.
Is that the album, the one album of the year?
Uh, yeah, for the Good Times album.
The CMA album of the year.
Right.
It was in the charts almost four years.
The album was in the charts for four years?
Yeah.
Just couldn't get rid of it?
Ha ha!
I can't believe it.
I'm one of them gooders.
Well, a lot of people don't know about that.
You know, I started with a string sound in Danny Boy.
That was 200 weeks, Ray.
Well, yeah, that's right.
What's wrong with that?
Nothing.
Ha ha ha!
But Danny Boy was before for the Good Times, wasn't he?
Right, and it created a real big turmoil for me.
A lot of people said I quit country music.
It wasn't true at all.
All I was trying to say was, for years I watched,
and you was one of them.
What?
Ha ha ha!
No, I didn't say that.
No, you've always been with me.
I, uh
But anyway, what I was trying to say
George might have said that, but I didn't say that.
But anyway
Did you say that, George?
No, I don't say that much.
For years, I watched all the big pop stars
come over to the country field, rob our greatest songs,
go back and record them with a big sound,
sell millions of records,
and the country boy would sell 100,000.
So I figured what's good enough for them
is good enough for me.
So I recorded that, you know?
And at the time, I didn't know that a country boy
wasn't supposed to be good enough to do that.
Well, you're right.
Tony Bennett came over and did some Hank Williams songs.
Guy Mitchell came over and did one of mine, two of mine.
You know, it's great, but that wasn't where it was,
and we had to go through the back door in the clubs in Las Vegas.
We don't do that no more.
Ha ha ha!
What are you laughing about, George?
I don't know.
Ray, I think
I know what you're doing, Ralph Emery.
What?
Ha!
I know what he's doing.
He's trying to get us in a five-yard.
That's what he does.
He got it.
We talked about it out there.
I said, watch him, watch him.
I'm going to tell you, he's an evil old man now.
Ha ha ha!
You know, George used to get mad at me
because he thought I was too modern as a disc jockey.
You didn't
Well, that goes way back years ago.
I know.
That's when you hadn't learned anything yourself in the business.
Ha ha ha!
George
We were all pretty rusty.
George didn't like it.
You didn't like the strings at first, right?
Well, at first, yes.
They were
He was always
He was used to them, though.
Oh, I know that.
Sounds good with them.
What's wrong with a country boy with strings?
You know, listen.
The Germans call it the Vox, okay?
And the Italian people calls it the violin.
And the French call it the fiddle.
So now you tell me about it.
It's the same instrument, okay?
It's just according to how you use it, Ray.
That's it.
You know, there's a lot of different ways to use a lot of different things.
I'll go along with that.
Ha ha ha!
What do you think of country music?
I think it's the greatest music in the world.
I do, too.
Well, all right.
We're all agreed on that.
Is that the album, the one album of the year?
Uh, yeah, for the Good Times album.
The CMA album of the year.
Right.
It was in the charts almost four years.
The album was in the charts for four years?
Yeah.
Just couldn't get rid of it?
Ha ha!
I can't believe it.
I'm one of them gooders.
Well, a lot of people don't know about that.
You know, I started with a string sound in Danny Boy.
That was 200 weeks, Ray.
Well, yeah, that's right.
What's wrong with that?
Nothing.
Ha ha ha!
But Danny Boy was before for the Good Times, wasn't he?
Right, and it created a real big turmoil for me.
A lot of people said I quit country music.
It wasn't true at all.
All I was trying to say was, for years I watched,
and you was one of them.
What?
Ha ha ha!
No, I didn't say that.
No, you've always been with me.
I, uh
But anyway, what I was trying to say
George might have said that, but I didn't say that.
But anyway
Did you say that, George?
No, I don't say that much.
For years, I watched all the big pop stars
come over to the country field, rob our greatest songs,
go back and record them with a big sound,
sell millions of records,
and the country boy would sell 100,000.
So I figured what's good enough for them
is good enough for me.
So I recorded that, you know?
And at the time, I didn't know that a country boy
wasn't supposed to be good enough to do that.
Well, you're right.
Tony Bennett came over and did some Hank Williams songs.
Guy Mitchell came over and did one of mine, two of mine.
You know, it's great, but that wasn't where it was,
and we had to go through the back door in the clubs in Las Vegas.
We don't do that no more.
Ha ha ha!
What are you laughing about, George?
I don't know.
Ray, I think
I know what you're doing, Ralph Emery.
What?
Ha!
I know what he's doing.
He's trying to get us in a five-yard.
That's what he does.
He got it.
We talked about it out there.
I said, watch him, watch him.
I'm going to tell you, he's an evil old man now.
Ha ha ha!
You know, George used to get mad at me
because he thought I was too modern as a disc jockey.
You didn't
Well, that goes way back years ago.
I know.
That's when you hadn't learned anything yourself in the business.
Ha ha ha!
George
We were all pretty rusty.
George didn't like it.
You didn't like the strings at first, right?
Well, at first, yes.
They were
He was always
He was used to them, though.
Oh, I know that.
Sounds good with them.
What's wrong with a country boy with strings?
You know, listen.
The Germans call it the Vox, okay?
And the Italian people calls it the violin.
And the French call it the fiddle.
So now you tell me about it.
It's the same instrument, okay?
It's just according to how you use it, Ray.
That's it.
You know, there's a lot of different ways to use a lot of different things.
I'll go along with that.
Ha ha ha!
What do you think of country music?
I think it's the greatest music in the world.
I do, too.
Well, all right.
We're all agreed on that.
Key:
G
G
G
G
G
G
G
G
_ Three, about 1973, _ 72.
_ _ Is that the album, the one album of the year? _
Uh, yeah, for the Good Times album.
The CMA album of the year.
Right.
It was in the charts almost four years.
The album was in the charts for four years?
Yeah.
_ Just couldn't get rid of it?
Ha ha!
I can't believe it.
I'm one of them gooders.
Well, _ _ a lot of people don't know about that.
You know, I started with a string sound in Danny Boy.
That was 200 weeks, Ray.
Well, yeah, that's right.
What's wrong with that?
Nothing.
Ha ha ha!
_ But Danny Boy was before for the Good Times, wasn't he?
Right, and it created a real big turmoil for me.
A lot of people said I quit country music.
It wasn't true at all.
All I was trying to say was, for years I watched,
and you was one of them.
What?
Ha ha ha!
No, I didn't say that.
No, you've always been with me.
I, uh_
But anyway, what I was trying to say_
George might have said that, but I didn't say that.
_ But anyway_
Did you say that, George?
No, I don't say that much.
For years, I watched all the big pop stars
come over to the country field, rob our greatest songs,
go back and record them with a big sound,
sell millions of records,
and the country boy would sell 100,000.
_ So I figured what's good enough for them
is good enough for me.
So I recorded that, you know? _ _ _
And at the time, I didn't know that a country boy
wasn't supposed to be good enough to do that.
Well, you're right.
Tony Bennett came over and did some Hank Williams songs.
Guy Mitchell came over and did one of mine, two of mine.
You know, it's great, _ but that wasn't where it was,
and we had to go through the back door in the clubs in Las Vegas.
We don't do that no more.
Ha ha ha!
What are you laughing about, George? _ _ _ _ _
_ I don't know. _ _ _ _ _
_ Ray, I think_
I know what you're doing, Ralph Emery.
What?
Ha!
I know what he's doing.
He's trying to get us in a five-yard.
That's what he does.
He got it.
_ We talked about it out there.
I said, watch him, watch him.
I'm going to tell you, he's an evil old man now.
Ha ha ha!
_ _ You know, George used to _ get mad at me
because he thought I was too modern as a disc jockey.
_ You didn't_
Well, that goes way back years ago.
I know.
_ That's when you hadn't learned anything yourself in the business.
Ha ha ha! _ _ _
George_
We were all pretty rusty.
George didn't like it.
You didn't like the strings at first, right?
Well, at first, yes.
They were_
He was always_
He was used to them, though.
Oh, I know that.
Sounds good with them.
What's wrong with a country boy with strings? _
You know, listen.
_ The Germans call it the Vox, okay?
_ And the Italian people calls it the violin.
_ And the French call it the fiddle.
_ So now you tell me about it. _
It's the same instrument, _ okay?
It's just according to how you use it, Ray.
That's it.
You know, there's a lot of different ways to use a lot of different things.
I'll go along with that.
Ha ha ha! _
_ _ What do you think of country music?
I think it's the greatest music in the world.
I do, too.
Well, all right.
We're all agreed on that.
_ _ Is that the album, the one album of the year? _
Uh, yeah, for the Good Times album.
The CMA album of the year.
Right.
It was in the charts almost four years.
The album was in the charts for four years?
Yeah.
_ Just couldn't get rid of it?
Ha ha!
I can't believe it.
I'm one of them gooders.
Well, _ _ a lot of people don't know about that.
You know, I started with a string sound in Danny Boy.
That was 200 weeks, Ray.
Well, yeah, that's right.
What's wrong with that?
Nothing.
Ha ha ha!
_ But Danny Boy was before for the Good Times, wasn't he?
Right, and it created a real big turmoil for me.
A lot of people said I quit country music.
It wasn't true at all.
All I was trying to say was, for years I watched,
and you was one of them.
What?
Ha ha ha!
No, I didn't say that.
No, you've always been with me.
I, uh_
But anyway, what I was trying to say_
George might have said that, but I didn't say that.
_ But anyway_
Did you say that, George?
No, I don't say that much.
For years, I watched all the big pop stars
come over to the country field, rob our greatest songs,
go back and record them with a big sound,
sell millions of records,
and the country boy would sell 100,000.
_ So I figured what's good enough for them
is good enough for me.
So I recorded that, you know? _ _ _
And at the time, I didn't know that a country boy
wasn't supposed to be good enough to do that.
Well, you're right.
Tony Bennett came over and did some Hank Williams songs.
Guy Mitchell came over and did one of mine, two of mine.
You know, it's great, _ but that wasn't where it was,
and we had to go through the back door in the clubs in Las Vegas.
We don't do that no more.
Ha ha ha!
What are you laughing about, George? _ _ _ _ _
_ I don't know. _ _ _ _ _
_ Ray, I think_
I know what you're doing, Ralph Emery.
What?
Ha!
I know what he's doing.
He's trying to get us in a five-yard.
That's what he does.
He got it.
_ We talked about it out there.
I said, watch him, watch him.
I'm going to tell you, he's an evil old man now.
Ha ha ha!
_ _ You know, George used to _ get mad at me
because he thought I was too modern as a disc jockey.
_ You didn't_
Well, that goes way back years ago.
I know.
_ That's when you hadn't learned anything yourself in the business.
Ha ha ha! _ _ _
George_
We were all pretty rusty.
George didn't like it.
You didn't like the strings at first, right?
Well, at first, yes.
They were_
He was always_
He was used to them, though.
Oh, I know that.
Sounds good with them.
What's wrong with a country boy with strings? _
You know, listen.
_ The Germans call it the Vox, okay?
_ And the Italian people calls it the violin.
_ And the French call it the fiddle.
_ So now you tell me about it. _
It's the same instrument, _ okay?
It's just according to how you use it, Ray.
That's it.
You know, there's a lot of different ways to use a lot of different things.
I'll go along with that.
Ha ha ha! _
_ _ What do you think of country music?
I think it's the greatest music in the world.
I do, too.
Well, all right.
We're all agreed on that.