Chords for Red Molly - Are You Lonesome Tonight
Tempo:
103.75 bpm
Chords used:
E
B
G#m
A
C#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
[D] [N]
So ladies and gentlemen, from the [G] hotbed of folk, country and bluegrass [Gm] music known as
Jersey City, New [E] Jersey, Abby Gardner.
[N]
[D#]
What is it?
Hole in the Tunnel.
Make her write.
You may [G#] laugh, but it is a hotbed because just up the street from Abby Gardner lives
[Dm] the lady in the center ring on the banjo and the guitar and the bass this evening, Laurie McAllister.
[B] [Gm]
Finally, [N] the commuter of the band from down south, well, [E] down south of Manhattan [G] anyway.
[N] Actually, it's not even south anymore.
It's east.
East, right.
It moved.
Brooklyn, New York.
[G#]
[N] Caroline Sullivan.
All
[E] [G]
right, well we're always looking for great songs to sing.
This is a pretty old one.
This is one that Elvis made famous.
[E]
[G#m] [C#m] Are
[E] [D#]
[E]
[G#m] [D#] [E] you lonesome [G#m] tonight?
[C#m] Do you miss me tonight?
Are [E] you sorry [C#] we [F#m] drifted apart?
[C#] How [F#m]
does a [B] memory stray to that bright summer day when I kissed you and I called you [E] sweetheart?
Do the chairs in your parlor seem [A] empty and bare?
Do [F#] you [B] gaze [F#] at your doorstep [B] and make sure I'll be there?
Let [E] your heart feel [G#m] the pain.
[F#] Shall I come back again?
Tell me, [A] dear, [B]
I'm lonesome [E] tonight.
[G#m]
[C#] [E]
[G#m] [C#m]
[G#m] [C#m] [E]
[C#] [C#m] [F#m]
[C#] [Bm] [F#m]
[B]
Do the
[E]
[D#] [E] chairs in your parlor seem [A] empty and bare?
Do [F#] you gaze at your doorstep [B] and make sure I'll be there?
[E] Let your heart [G#m] feel the pain.
[F#] Shall I come [C#m] back [F#] again?
Tell me, [A]
[B] dear, I'm lonesome [E]
tonight.
Tell [A] me, dear, [B] are you lonesome tonight?
[E]
[D#] [E] [N]
[D] [N]
So ladies and gentlemen, from the [G] hotbed of folk, country and bluegrass [Gm] music known as
Jersey City, New [E] Jersey, Abby Gardner.
[N]
[D#]
What is it?
Hole in the Tunnel.
Make her write.
You may [G#] laugh, but it is a hotbed because just up the street from Abby Gardner lives
[Dm] the lady in the center ring on the banjo and the guitar and the bass this evening, Laurie McAllister.
[B] [Gm]
Finally, [N] the commuter of the band from down south, well, [E] down south of Manhattan [G] anyway.
[N] Actually, it's not even south anymore.
It's east.
East, right.
It moved.
Brooklyn, New York.
[G#]
[N] Caroline Sullivan.
All
[E] [G]
right, well we're always looking for great songs to sing.
This is a pretty old one.
This is one that Elvis made famous.
[E]
[G#m] [C#m] Are
[E] [D#]
[E]
[G#m] [D#] [E] you lonesome [G#m] tonight?
[C#m] Do you miss me tonight?
Are [E] you sorry [C#] we [F#m] drifted apart?
[C#] How [F#m]
does a [B] memory stray to that bright summer day when I kissed you and I called you [E] sweetheart?
Do the chairs in your parlor seem [A] empty and bare?
Do [F#] you [B] gaze [F#] at your doorstep [B] and make sure I'll be there?
Let [E] your heart feel [G#m] the pain.
[F#] Shall I come back again?
Tell me, [A] dear, [B]
I'm lonesome [E] tonight.
[G#m]
[C#] [E]
[G#m] [C#m]
[G#m] [C#m] [E]
[C#] [C#m] [F#m]
[C#] [Bm] [F#m]
[B]
Do the
[E]
[D#] [E] chairs in your parlor seem [A] empty and bare?
Do [F#] you gaze at your doorstep [B] and make sure I'll be there?
[E] Let your heart [G#m] feel the pain.
[F#] Shall I come [C#m] back [F#] again?
Tell me, [A]
[B] dear, I'm lonesome [E]
tonight.
Tell [A] me, dear, [B] are you lonesome tonight?
[E]
[D#] [E] [N]
Key:
E
B
G#m
A
C#m
E
B
G#m
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ [N] _
_ _ _ _ _ So ladies and gentlemen, from the [G] hotbed of folk, country and bluegrass [Gm] music known as
Jersey City, New [E] Jersey, _ Abby Gardner.
_ [N] _
_ _ _ _ _ _ [D#] _ _
What is it?
Hole in the Tunnel.
_ _ Make her write.
_ You may [G#] laugh, but it is a hotbed because just up the street from Abby Gardner lives
[Dm] the lady in the center ring on the banjo and the guitar and the bass this evening, Laurie McAllister. _ _ _ _
_ _ _ [B] _ _ _ [Gm] _
Finally, [N] the commuter of the band _ _ from down south, well, [E] down south of Manhattan [G] anyway. _
_ [N] Actually, it's not even south anymore.
It's east.
East, right.
_ It moved.
Brooklyn, New York.
_ [G#] _
[N] Caroline Sullivan.
_ _ All _ _
_ [E] _ _ _ _ _ [G] _ _
_ _ _ _ right, well we're always looking for great songs to sing.
This is a pretty old one.
This is one that Elvis made famous. _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [G#m] _ _ _ _ [C#m] Are _
_ _ _ _ _ [E] _ [D#] _ _
[E] _ _ _ _ _ _ _ _
_ [G#m] _ _ _ [D#] _ [E] you lonesome _ _ [G#m] tonight?
_ [C#m] Do you miss me tonight?
_ Are [E] you sorry [C#] we _ _ [F#m] drifted _ _ apart?
[C#] _ How [F#m]
does a _ [B] memory _ stray to that bright summer day when I kissed you and I called you _ [E] _ sweetheart? _ _ _ _
Do the chairs in your parlor seem [A] empty and bare?
Do [F#] you _ [B] gaze [F#] at your doorstep [B] and make sure I'll be there?
Let [E] your _ heart feel [G#m] the pain.
_ [F#] Shall I come _ back again?
Tell me, [A] _ _ dear, [B]
I'm lonesome [E] tonight.
_ _ [G#m] _
_ _ [C#] _ [E] _ _ _ _ _
[G#m] _ _ _ _ _ [C#m] _ _ _
_ _ _ [G#m] _ [C#m] _ _ [E] _ _
_ [C#] _ _ _ _ [C#m] _ _ [F#m] _
_ _ [C#] _ _ _ [Bm] _ [F#m] _ _
_ [B] _ _ _ _ _ _ _
Do _ _ _ the _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ [D#] [E] chairs in your parlor seem [A] empty and bare?
Do [F#] you _ gaze at your doorstep [B] and make sure I'll be there?
_ [E] Let your heart [G#m] feel the pain.
[F#] Shall I come [C#m] back [F#] again?
Tell me, [A] _
_ [B] dear, I'm lonesome _ [E]
tonight.
_ _ _ _ Tell [A] me, _ _ dear, [B] are you _ _ _ lonesome _ tonight?
_ _ _ _ [E] _ _ _ _
_ [D#] _ _ [E] _ _ _ _ [N] _
_ _ _ _ _ [D] _ _ [N] _
_ _ _ _ _ So ladies and gentlemen, from the [G] hotbed of folk, country and bluegrass [Gm] music known as
Jersey City, New [E] Jersey, _ Abby Gardner.
_ [N] _
_ _ _ _ _ _ [D#] _ _
What is it?
Hole in the Tunnel.
_ _ Make her write.
_ You may [G#] laugh, but it is a hotbed because just up the street from Abby Gardner lives
[Dm] the lady in the center ring on the banjo and the guitar and the bass this evening, Laurie McAllister. _ _ _ _
_ _ _ [B] _ _ _ [Gm] _
Finally, [N] the commuter of the band _ _ from down south, well, [E] down south of Manhattan [G] anyway. _
_ [N] Actually, it's not even south anymore.
It's east.
East, right.
_ It moved.
Brooklyn, New York.
_ [G#] _
[N] Caroline Sullivan.
_ _ All _ _
_ [E] _ _ _ _ _ [G] _ _
_ _ _ _ right, well we're always looking for great songs to sing.
This is a pretty old one.
This is one that Elvis made famous. _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [G#m] _ _ _ _ [C#m] Are _
_ _ _ _ _ [E] _ [D#] _ _
[E] _ _ _ _ _ _ _ _
_ [G#m] _ _ _ [D#] _ [E] you lonesome _ _ [G#m] tonight?
_ [C#m] Do you miss me tonight?
_ Are [E] you sorry [C#] we _ _ [F#m] drifted _ _ apart?
[C#] _ How [F#m]
does a _ [B] memory _ stray to that bright summer day when I kissed you and I called you _ [E] _ sweetheart? _ _ _ _
Do the chairs in your parlor seem [A] empty and bare?
Do [F#] you _ [B] gaze [F#] at your doorstep [B] and make sure I'll be there?
Let [E] your _ heart feel [G#m] the pain.
_ [F#] Shall I come _ back again?
Tell me, [A] _ _ dear, [B]
I'm lonesome [E] tonight.
_ _ [G#m] _
_ _ [C#] _ [E] _ _ _ _ _
[G#m] _ _ _ _ _ [C#m] _ _ _
_ _ _ [G#m] _ [C#m] _ _ [E] _ _
_ [C#] _ _ _ _ [C#m] _ _ [F#m] _
_ _ [C#] _ _ _ [Bm] _ [F#m] _ _
_ [B] _ _ _ _ _ _ _
Do _ _ _ the _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ [D#] [E] chairs in your parlor seem [A] empty and bare?
Do [F#] you _ gaze at your doorstep [B] and make sure I'll be there?
_ [E] Let your heart [G#m] feel the pain.
[F#] Shall I come [C#m] back [F#] again?
Tell me, [A] _
_ [B] dear, I'm lonesome _ [E]
tonight.
_ _ _ _ Tell [A] me, _ _ dear, [B] are you _ _ _ lonesome _ tonight?
_ _ _ _ [E] _ _ _ _
_ [D#] _ _ [E] _ _ _ _ [N] _