Chords for REM performing Harbourcoat in Dublin in July 2007

Tempo:
96.65 bpm
Chords used:

E

A

Abm

Dbm

Ab

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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REM performing Harbourcoat in Dublin in July 2007 chords
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The first night, that [F] the old songs, I didn't feel the need to [G] rhyme every [Ab] line, which I've
somehow felt for the last, [Eb] I don't know, several records [Gb] or so.
And it was really difficult to realize [N] as a writer and a lyricist that the words don't
have to rhyme [Db] all the time.
If you find one good one [Eb] in the chorus and you [Ab] mean it, then all [Bb] the rest of it can just
be [Cm] my version of a narrative, which is usually [G] pretty straightforward, but even to myself,
often confusing.
So [Ab] this song was written about Lillian Hellman, who was an early hero of mine.
Peter dashed all of my romantic [Eb] ideas about her as a writer earlier this [Gm] afternoon by [Abm] telling me
[Eb] Okay, she was a great writer, [Bb] [E] but
Peter hates talking on the microphone.
I don't want a bad mouth, [Eb] Lillian Hellman.
I want a good one.
But she [Ab] said she can't defend [N] herself on that.
Anyway, I always loved the idea of her riding on the train from New York to Boston, and
they have to stop and she [Ab] gets out to smoke, because she's a smoker, from probably from
the cradle to the grave.
[Bb] You can tell it from looking at her face.
She was madly [G] in love with Dashiell Hammett, [Ab] and I somehow concocted this idea of her giving
him a blowjob with a mouth full of snow.
[Dm]
[Abm] That's not in the song, by the way.
This [N] came years later, but I just thought that was a very romantic thing between two women.
[B] [Ab] I'm so sorry if we're not.
We have family here.
[A]
[B] I'm [D] sorry, Mom.
You know what?
We [N] need to thank this to Adora, who I know is here, and to the younger members of our
family who are here.
If you don't know that word yet, you don't watch the same [Ab] TV shows I do.
[Bb] I don't actually have a TV on, though.
[E] [Bb] I'm actually blushing, [Eb] though.
Thank you, Peter.
But it doesn't show through [D] the stage makeup.
Thank [Eb] God.
[Gm] [E] Right.
Enough [Gm] about that.
This is vaguely somehow about Lillian Hellman.
[E]
[Abm] [A]
[E] [Abm] [A]
[E] [Dbm] I've been [E] feeling in the swamp, y [A]'all.
[B] [Dbm] I can't take it for [E] granted.
It's hard [A] to die.
[B] My [Dbm] lips is on the [E] wall.
It's too hot [A] now.
[D] My [Dbm] lips is wetter than your eye.
[E] It reeks of [A] weed, yeah.
[Ab]
[Gbm] [E] The statues are on my windows.
[A] [B]
[Dbm] I'm ready now, [E] yeah.
I'm sitting on the [A] down low.
[B] [Dbm] She got some [E] books and the middle's cut [A] out.
[B] [Dbm] She got enough [E] coins, and I'm calling [A] her down.
[D] [Abm] [Gbm]
[Abm] [Gbm] [Abm] [Gbm] Ooh, [E] ooh, ooh.
[Abm] Why?
[A]
[E] Can't go [A] outside without her.
[E]
Why?
[A] [E]
[Abm] Can't go outside [A] without her.
[Dbm] I've been crying in the [E] swamp.
[A]
[D] [Dbm] I can't take it [E] for granted.
It's hard to [A] die.
[Ab] [Dbm] My lips is on [E] the wall.
It's too hot [A] now.
[B] My [Dbm] lips is wetter than your [E] eye.
It reeks of [A] weed, yeah.
I'm on the [G] A-T-T.
[Abm] [Gb] [Abm] [Gbm] [Ab] [Gbm] Ooh, ooh, [E] ooh.
[Abm]
[A] Why?
[E] [Abm] Can't go [A] outside without her.
[E] Why?
[A]
[E] Can't go outside [A] without her.
[Bm]
[B] [Dbm] The statues [E] are hotter than [A] ghosts.
[Bm] [Dbm] I'm ready now, [E] yeah.
I'm calling [A] her down.
[Bm] When [Dbm] we're tips and bucks, and the [E] middle's cut [A] out.
[D] [Dbm] She got enough [E] coins, and I'm [A] calling her down.
[D] [Abm] [Gbm] [Abm]
[Gb] Ooh, [E]
[Abm] ooh, ooh. Why?
[A]
[E] [Abm] Can't go [A] outside without her.
[E] Why?
[Abm] [A]
[E] [Abm] Can't go outside [A] without her. Why?
[Gbm] [B]
Key:  
E
2311
A
1231
Abm
123111114
Dbm
13421114
Ab
134211114
E
2311
A
1231
Abm
123111114
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To learn R.E.M - (Live At The Olympia Dublin, Ireland / 2007) Harborcoat chords, grasp the musical fabric of the song with this sequence - B, Dbm, E, A, E, Abm, A and Dbm of chords. To build a solid grasp, start slowly at 48 BPM and then match the original tempo of 97 BPM. Considering your vocal pitch and chord choices, adjust the capo in accordance with the key: E Major.

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The first night, _ that [F] the old songs, I didn't feel the need to [G] rhyme every [Ab] line, which I've
somehow felt for the last, [Eb] I don't know, several records [Gb] or so.
And it was really difficult to realize [N] as a writer and a lyricist that the _ _ words don't
have to rhyme [Db] all the time.
If you find one good one [Eb] in the chorus and you [Ab] mean it, then all [Bb] the rest of it can just
be [Cm] my version of a narrative, which is usually [G] pretty straightforward, but even to myself,
often confusing.
So [Ab] this song was written about Lillian Hellman, who was an early hero of mine.
Peter dashed all of my romantic _ [Eb] ideas about her as a writer earlier this [Gm] afternoon by [Abm] telling me_
[Eb] Okay, she was a great writer, [Bb] _ _ _ [E] but_
Peter hates talking on the microphone.
I don't want a bad mouth, [Eb] Lillian Hellman.
I want a good one.
But she [Ab] said she can't defend [N] herself on that.
_ _ _ _ Anyway, I always loved the idea of her riding on the train from New York to Boston, and
they have to stop and she [Ab] gets out to smoke, because she's a smoker, from probably from
the cradle to the grave.
[Bb] You can tell it from looking at her face.
She was madly [G] in love with Dashiell Hammett, [Ab] and I somehow concocted this idea of her giving
him a blowjob with a mouth full of snow.
[Dm] _
_ _ [Abm] That's not in the song, by the way.
This [N] came years later, but I just thought that was a very romantic thing between two women. _ _
_ _ [B] _ [Ab] I'm so sorry if we're not.
We have family here.
_ _ [A] _ _ _ _
[B] I'm [D] sorry, Mom.
You know what?
We [N] need to thank _ _ _ _ _ _ _ _ _
_ this to Adora, who I know is here, and to the younger members of our
family who are here.
If you don't know that word yet, _ _ _ you don't watch the same [Ab] TV shows I do.
[Bb] I don't actually have a TV on, though.
[E] _ [Bb] I'm actually blushing, [Eb] though.
Thank you, Peter.
_ _ But it doesn't show through [D] the stage makeup.
Thank [Eb] God.
[Gm] _ _ [E] _ Right.
Enough [Gm] about that.
This is vaguely somehow about Lillian Hellman.
_ _ _ [E] _ _
_ _ [Abm] _ _ _ [A] _ _ _
[E] _ _ _ _ [Abm] _ _ [A] _ _
_ _ [E] _ [Dbm] I've been [E] feeling in the swamp, y [A]'all.
_ _ _ [B] [Dbm] I can't take it for [E] granted.
It's hard [A] to die.
_ [B] My [Dbm] lips is on the [E] wall.
It's too hot [A] now.
_ _ [D] My [Dbm] lips is wetter than your eye.
[E] It reeks of [A] weed, yeah. _
_ [Ab] _ _ _ _ _ _ _
_ [Gbm] _ _ _ _ [E] _ The statues are on my windows.
[A] _ _ _ [B] _
[Dbm] I'm ready now, [E] yeah.
I'm sitting on the [A] down low. _ _
[B] [Dbm] She got some [E] books and the middle's cut [A] out. _
_ _ [B] [Dbm] She got enough [E] coins, and I'm calling [A] her down.
_ [D] _ _ _ [Abm] _ [Gbm] _
[Abm] _ _ [Gbm] _ [Abm] _ [Gbm] _ Ooh, [E] ooh, ooh.
[Abm] Why?
_ [A] _ _
_ _ [E] _ _ Can't go [A] outside without her.
_ [E] _ _ _ _
Why?
[A] _ _ _ _ [E] _ _
[Abm] Can't go outside [A] without her. _ _
[Dbm] I've been crying in the [E] _ swamp.
[A] _ _ _
[D] _ [Dbm] I can't take it [E] for granted.
It's hard to [A] die.
_ _ [Ab] [Dbm] My lips is on [E] the wall.
It's too hot [A] now.
_ _ [B] My [Dbm] lips is wetter than your [E] eye.
It reeks of [A] weed, yeah.
I'm on the [G] A-T-T. _
[Abm] _ [Gb] _ [Abm] _ [Gbm] _ [Ab] _ _ [Gbm] Ooh, ooh, [E] ooh.
_ _ [Abm] _ _ _
[A] _ Why?
_ [E] _ _ [Abm] Can't go [A] outside without her.
_ [E] _ Why?
_ _ _ [A] _ _ _ _ _
[E] _ Can't go outside [A] without her.
_ [Bm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [B] _ _ [Dbm] The statues [E] are hotter than [A] ghosts.
_ _ _ [Bm] _ [Dbm] I'm ready now, [E] yeah.
I'm calling [A] her down.
_ _ [Bm] When [Dbm] we're tips and bucks, and the [E] middle's cut [A] out. _ _ _
[D] [Dbm] She got enough [E] coins, and I'm [A] calling her down.
_ _ [D] _ _ [Abm] _ [Gbm] _ [Abm] _ _
_ _ [Gb] Ooh, _ _ [E] _ _
[Abm] ooh, ooh. Why?
_ [A] _ _ _ _
_ [E] _ [Abm] Can't go [A] outside without her.
_ _ [E] Why?
_ [Abm] _ _ [A] _
_ _ _ _ [E] _ [Abm] Can't go outside [A] without her. Why?
_ _ _ _ [Gbm] _ _ [B] _ _ _ _ _ _ _ _

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