Chords for Rick Springfield - The Making Of: Let Me In (Official / New / 2016)
Tempo:
93.75 bpm
Chords used:
F
Bb
C
G
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] [Dm]
[F] [C] [F]
[C] [Gm] [Bb] [Dm]
Let [F] Me In is a remake of a, not an older song, I mean I did the demo for the last album,
[Bb] Song for the End of the World, and I actually [F] put it on one version of that, the demo version
[Gm] of Let Me In.
[Bb] I put that demo on, but I knew it wasn't ready.
And I always liked the song [F] and it was worthy of a remake, as far as I'm concerned.
I wrote Let Me In at [Bb] my mom's house in Australia, the old girl's homestead.
[Gm] The last song I wrote there was [Bb] Speak to the Sky, actually, in 1970.
How old is this?
[C]
[G] So I hadn't written a song, but I do [Dm] get into a certain mental state [G] when I'm there.
[F] I wrote [C] part of my autobiography late, late at night when I [Gm] was at my mom's house.
I wrote part [Dm] of my novel on Magnetism and Vibration when I was [F] there.
And I get into this headspace of kind of like the 18-year-old carefree guy, you know, who
[Bb] you know, liberally supported by his parents, doesn't bathe, goes out gigging until 3 in
the [Gm] morning, occasionally [Bb] sneaks girls in through the side door while the very supportive
parents are fast asleep [F] in the mess of the bedroom.
So there's that kind of [G] carefree [Bb] space that kind of disappears after you actually start
working [Gm]
and have kids, especially.
So I [Bb] have my travel guitar with me and I'm wandering around my mom's [F] backyard [C] and the
song forms [Gm] as I'm
and it's about, you know, [Bb] my relationship, my primary relationship with [F] my wife.
And [C] we're going through tough times [F] at [C] this time, it's really, really [Gm] difficult shit.
And [Dm] so this song just kind of came out and [Bb]
[F] I wrote it there and then did a quick demo
when I came home and [Bb] stuck it on [F] one of the many thousands of versions of [Dm] Songs for the
End of the World, because [Bb] every platform [F] needs extra content, right?
I mean, they're not [Dm] happy with just five [Bb] songs aside for your [F] album.
And yes, [C] I'm going to keep calling him Albu [G] until I drop dead.
[D]
So I came [Am] home and did the demo, but I knew it [Em] wasn't the finished thing.
[C] And I really liked the [G] song and so [D] we re-recorded it better, I think, [Am] for this album.
[Em] [C]
[G] [D]
[Am] [Em] [C]
[G] [D]
Give [Am] in until [Em] you let [C]
[F] [C] [F]
[C] [Gm] [Bb] [Dm]
Let [F] Me In is a remake of a, not an older song, I mean I did the demo for the last album,
[Bb] Song for the End of the World, and I actually [F] put it on one version of that, the demo version
[Gm] of Let Me In.
[Bb] I put that demo on, but I knew it wasn't ready.
And I always liked the song [F] and it was worthy of a remake, as far as I'm concerned.
I wrote Let Me In at [Bb] my mom's house in Australia, the old girl's homestead.
[Gm] The last song I wrote there was [Bb] Speak to the Sky, actually, in 1970.
How old is this?
[C]
[G] So I hadn't written a song, but I do [Dm] get into a certain mental state [G] when I'm there.
[F] I wrote [C] part of my autobiography late, late at night when I [Gm] was at my mom's house.
I wrote part [Dm] of my novel on Magnetism and Vibration when I was [F] there.
And I get into this headspace of kind of like the 18-year-old carefree guy, you know, who
[Bb] you know, liberally supported by his parents, doesn't bathe, goes out gigging until 3 in
the [Gm] morning, occasionally [Bb] sneaks girls in through the side door while the very supportive
parents are fast asleep [F] in the mess of the bedroom.
So there's that kind of [G] carefree [Bb] space that kind of disappears after you actually start
working [Gm]
and have kids, especially.
So I [Bb] have my travel guitar with me and I'm wandering around my mom's [F] backyard [C] and the
song forms [Gm] as I'm
and it's about, you know, [Bb] my relationship, my primary relationship with [F] my wife.
And [C] we're going through tough times [F] at [C] this time, it's really, really [Gm] difficult shit.
And [Dm] so this song just kind of came out and [Bb]
[F] I wrote it there and then did a quick demo
when I came home and [Bb] stuck it on [F] one of the many thousands of versions of [Dm] Songs for the
End of the World, because [Bb] every platform [F] needs extra content, right?
I mean, they're not [Dm] happy with just five [Bb] songs aside for your [F] album.
And yes, [C] I'm going to keep calling him Albu [G] until I drop dead.
[D]
So I came [Am] home and did the demo, but I knew it [Em] wasn't the finished thing.
[C] And I really liked the [G] song and so [D] we re-recorded it better, I think, [Am] for this album.
[Em] [C]
[G] [D]
[Am] [Em] [C]
[G] [D]
Give [Am] in until [Em] you let [C]
Key:
F
Bb
C
G
Gm
F
Bb
C
_ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ [Dm] _ _
_ [F] _ _ _ [C] _ _ [F] _ _
[C] _ _ [Gm] _ _ [Bb] _ _ [Dm] _
Let [F] Me In is _ a remake of a, not an older song, I mean I did the demo for the last album,
[Bb] Song for the End of the World, and I actually [F] put it on one version of that, the demo version
[Gm] of Let Me In.
_ [Bb] I put that demo on, but I knew it wasn't ready.
And I always liked the song [F] and it was worthy of a remake, as far as I'm concerned.
I wrote Let Me In at [Bb] my mom's house in Australia, the old girl's homestead. _
[Gm] _ The last song I wrote there was [Bb] Speak to the Sky, actually, in 1970.
How old is this?
[C] _ _ _
_ [G] So I hadn't written a song, but I do [Dm] get into a certain mental state [G] when I'm there.
[F] I wrote _ [C] part of my autobiography late, late at night when I [Gm] was at my mom's house.
I wrote part [Dm] of my novel on Magnetism and Vibration when I was [F] there.
And I get into this headspace of kind of like the 18-year-old carefree guy, you know, who
[Bb] you know, liberally supported by his parents, doesn't bathe, goes out gigging until 3 in
the [Gm] morning, occasionally [Bb] sneaks girls in through the side door while the very supportive
parents are fast asleep [F] in the mess of the bedroom.
_ So there's that kind of [G] carefree [Bb] space that kind of disappears after you actually start
working [Gm]
and have kids, especially.
_ So I [Bb] have my travel guitar with me and I'm wandering around my mom's [F] backyard [C] and the
song forms [Gm] as I'm_
and it's about, you know, [Bb] my relationship, my primary relationship with [F] my wife.
And [C] we're going through tough times [F] at [C] this time, it's really, really [Gm] difficult shit.
And [Dm] so this song just kind of came out and [Bb] _
[F] I wrote it there and then did a quick demo
when I came home and [Bb] stuck it on [F] one of the many thousands of versions of [Dm] Songs for the
End of the World, because [Bb] every platform [F] needs extra content, right?
I mean, they're not [Dm] happy with just five [Bb] songs aside for your [F] album.
And yes, [C] I'm going to keep calling him Albu [G] until I drop dead.
[D]
So I came [Am] home and did the demo, but I knew it [Em] wasn't the finished thing.
[C] And I really liked the [G] song and so [D] we re-recorded it better, I think, [Am] for this album.
_ _ _ [Em] _ _ [C] _
_ [G] _ _ [D] _ _ _ _ _
_ [Am] _ _ _ _ [Em] _ _ [C] _
_ [G] _ _ [D] _ _ _ _
Give [Am] in until [Em] you let [C]
_ [G] _ _ _ _ _ [Dm] _ _
_ [F] _ _ _ [C] _ _ [F] _ _
[C] _ _ [Gm] _ _ [Bb] _ _ [Dm] _
Let [F] Me In is _ a remake of a, not an older song, I mean I did the demo for the last album,
[Bb] Song for the End of the World, and I actually [F] put it on one version of that, the demo version
[Gm] of Let Me In.
_ [Bb] I put that demo on, but I knew it wasn't ready.
And I always liked the song [F] and it was worthy of a remake, as far as I'm concerned.
I wrote Let Me In at [Bb] my mom's house in Australia, the old girl's homestead. _
[Gm] _ The last song I wrote there was [Bb] Speak to the Sky, actually, in 1970.
How old is this?
[C] _ _ _
_ [G] So I hadn't written a song, but I do [Dm] get into a certain mental state [G] when I'm there.
[F] I wrote _ [C] part of my autobiography late, late at night when I [Gm] was at my mom's house.
I wrote part [Dm] of my novel on Magnetism and Vibration when I was [F] there.
And I get into this headspace of kind of like the 18-year-old carefree guy, you know, who
[Bb] you know, liberally supported by his parents, doesn't bathe, goes out gigging until 3 in
the [Gm] morning, occasionally [Bb] sneaks girls in through the side door while the very supportive
parents are fast asleep [F] in the mess of the bedroom.
_ So there's that kind of [G] carefree [Bb] space that kind of disappears after you actually start
working [Gm]
and have kids, especially.
_ So I [Bb] have my travel guitar with me and I'm wandering around my mom's [F] backyard [C] and the
song forms [Gm] as I'm_
and it's about, you know, [Bb] my relationship, my primary relationship with [F] my wife.
And [C] we're going through tough times [F] at [C] this time, it's really, really [Gm] difficult shit.
And [Dm] so this song just kind of came out and [Bb] _
[F] I wrote it there and then did a quick demo
when I came home and [Bb] stuck it on [F] one of the many thousands of versions of [Dm] Songs for the
End of the World, because [Bb] every platform [F] needs extra content, right?
I mean, they're not [Dm] happy with just five [Bb] songs aside for your [F] album.
And yes, [C] I'm going to keep calling him Albu [G] until I drop dead.
[D]
So I came [Am] home and did the demo, but I knew it [Em] wasn't the finished thing.
[C] And I really liked the [G] song and so [D] we re-recorded it better, I think, [Am] for this album.
_ _ _ [Em] _ _ [C] _
_ [G] _ _ [D] _ _ _ _ _
_ [Am] _ _ _ _ [Em] _ _ [C] _
_ [G] _ _ [D] _ _ _ _
Give [Am] in until [Em] you let [C]