Chords for Rival Sons new album exclusive 2014, Nashville studio tour

[E] _ _ _ [Gb] _ _ _ _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ Hey.
Hello.
Oh, hi.
_ Welcome.
[Am] I've been waiting for you, man.
_ _ [G] I'm going to invite you in now.
[E] Come on in.
First, come check it out.
[Abm] This is where we're tracking everything.
_ [N] _ _ _
So here you go.
This little tiny area is where we're being.
I'm standing here.
_ NASA Control Center.
_ David is here.
Michael sits back here.
Jay is usually in this booth over here.
_ And I'll take this moment to introduce [C] you to my good friend, David Bestie.
David, how are you?
How are you doing?
Our new [Bb] bass player and good friend and confidant.
David, how would you say the sessions are going so far?
This is your [F] first record with us.
It's an [Bb] interesting _ [G] process.
Tell us what you think.
I feel like a popular [D] reporter. _
1968 record.
_ _ _ [Dm] I think it's going well.
[Am] Just got in.
Thank you, [G] David.
Yeah.
How about you?
_ _ [E] I don't know.
Yeah, [D] you know, business as usual.
_ [G] It's my arsenal right here, [C] all right?
You're all my best [G] friends.
Hey, back to me.
Oh, wait.
David has something else [Bb] he's going to leave.
I don't really have [Gb] anything else to say.
I just [G] wanted some [D] screen time.
Can you give me a wink?
_ _ [Am] _ _ _ [Gm] _
The right eye, [Dm] too.
OK, come on in here.
All the guitar amps are kept for separation.
[G] Very special, [Bb] _ particular [F] weird stuff going on here.
[G] Most of it quite old and ridiculous.
Of course, I'll [Cm] trust you.
_ _ _ [G]
I'll now take you into this next room.
[D] _ _ _
_ _ _ _ _ This is Jay's room.
The [C] vocal room.
The piano room.
[G]
This is where Jay does his magic.
The vocals. _
_ _ Singing on this beauty [D] right here.
[Bb] _
_ [Cm] Come on in here.
This is our [Bb] control room. _
_ _ This is where we [C] hear everything.
We mix down and [Bb] do all the final work. _ _
_ Here's [C] our trusted engineer, Mr.
Betty.
_ [Bb] _ Doing a fantastic job, I'll say, as [C] well.
And our longtime trusted friend, [Bb] Comcot, and producer, David [Eb] Cobb.
David, how would you say the [F] _ record's going so far?
We've done this.
This is our fifth one, technically.
[Bb] I don't know, man.
I don't know about you guys.
[F] It's rough every time.
Who would want to be trapped in a room with these guys?
Every day you've got to wear your cool guy jacket to compete.
_ It's a tough competition around here, man.
_ [Dm] It's a pretty cool jacket.
I like that.
I like that.
Anyway, this is the control [Am] room.
We play all of our stuff [G] directly onto this. _
_ [D] And then this talks to this over here.
_ But everything is actually mixed down into these little boxes on the [C] side.
It's secret weapons.
We can't talk too much about [E] _ _ it.
Inside here we have a little in-bed lounge. _
The [G] vet center.
_ [B] _ _ [E] _
This is really not the best setting of [Eb] a room, but I'm going to keep it here.
_ _ _ [N] Me, _ _ _ where all the boxes are, and all the stuff people kindly wanted to send us.
[Fm] Thank you for that, everybody.
_ _ _ _ _ [Eb] _
_ This is where Dave and Becky parked his [D] car, and this is where I park mine.
Come _ _ _ _ _ _ _ on in here.
_ [Eb] This [Db] is our [Ab] little lounge here.
_ [E] We're kicking [Dm] back between takes and doing little writing [C] bits.
We've got Mr.
J.
Buchanan over here sitting at the Whirly.
Lounging.
J.
does a [N] bunch of writing in here.
I'll sit here.
_ _ This is Dave Best, by the way.
I'll sit here and share my old buddy right here. _
_ _ And, okay, so we hang out back here when we're not making music. _ _
[B] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ Once again, here's Mike Miley.
[N] This is where he plays.
This is where he tracks. _
How do you feel the recording is going?
Are you happy?
I think we're _ just laying down lots of songs. _ _
_ I guess prompt-moding a bunch of songs, song ideas, [Gbm] putting them all together.
Fighting, [Cm] wrestling, _ eating, drinking, [D] being married.
_ _ _ Not getting [G] much sleep, but enjoying the [D] cold weather of Nashville.
_ And playing with this guy, Dave Best on [N] bass. _
Which I think he already met already.
_ What about you, Scott?
How do you think it's going, man?
_ Yeah. _
_ _ _ It's [A] always a [Ab] frantic _ [E] situation in the studio [G] because everybody knows how we do it now
because we've had to talk about [N] it so much. _
We come into the [Em] studio with no material written, really.
[F] I have some bits and J.
has some [Em] bits.
We don't really share them.
And then we all come in here and we just kind of react immediately. _
_ That said, I think we've been here just about two weeks, like I said earlier.
_ _ We're at about [F] _
15 songs or something right now today.
[D] _
I think it's going good.
We're [E] having fun.
Spirits are high.
_ _ And [G] we're probably making a few good tunes.
[Ab] Really, the only reason why we're [N] doing this is because we love you guys.
We wouldn't let [F] anyone in the studio.
We don't let anybody in the studio.
It's just us and our [Am] producer.
_ _ _ [A] Not even our parents or friends or closest [Em] family get to come in here.
Not our pets.
[Ebm] Nothing, right?
[N]
What else?
Nothing gets to come in here.
I mean, if you brought a pet, I'd be into the pet.
We don't even bring food in here.
So the fact that you guys got that tour is just our way of showing you how much we love you
and how special you are to us.
On that note.
On that note.
Here we go.
On that note, we've got to get to work.
Yeah, we have to get to work now.
So bye.
I hope this gives you [E] some insight.
Enjoy. _
See you.
Good night.
I love you.
_ _ _ [Gb] _ _ _ _ _ [N] _ _ _ _