Chords for Robyn Hitchcock & the Venus 3 "What You Is" | indieATL session
Tempo:
111.6 bpm
Chords used:
E
A
F#
F
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Em]
[E]
You might have been a villain with a capital V.
You might have had [A] a plane to catch and left your [E] family.
[D] It doesn't matter what you was, it's what [F#] you is and what [F] you is is what [E] you are.
You might have been a midwife trying to help somebody.
You might have [A] been a cardinal with an A to [E] Z of skin.
[B] Open up your window, honey, let [E] me in.
You might have been Columbia releasing Orange 45.
How does it feel?
You might [D] have been [A] an emperor's bee and a fairy [E] queen bee hive.
It [G] doesn't matter what you was, [F#] it's what you is and [F] what you is is [E] what you are.
Well, [A] you've got to come from somewhere, [B] but you don't have to go back there [A] anymore.
[E] You might have been the police knock, knock, knocking at your door.
You might have [A] been a nice young man on a nice [E] young floor.
It [G] doesn't matter what you was, it's [F#] what you is and [F] what you is is [E] what you are.
One more, yeah.
It [G] doesn't matter what you was, it's what [F#] you is and what you is [E] is what you are.
[F#]
You might be looking innocent, deep inside you know.
You might be [A] feeling guilty, just a little not [E] a lot.
It [G] doesn't matter what you was, it's what you is and what you [F] is [E] is what you are.
Yeah!
Bill Raeflin.
[E]
You might have been a villain with a capital V.
You might have had [A] a plane to catch and left your [E] family.
[D] It doesn't matter what you was, it's what [F#] you is and what [F] you is is what [E] you are.
You might have been a midwife trying to help somebody.
You might have [A] been a cardinal with an A to [E] Z of skin.
[B] Open up your window, honey, let [E] me in.
You might have been Columbia releasing Orange 45.
How does it feel?
You might [D] have been [A] an emperor's bee and a fairy [E] queen bee hive.
It [G] doesn't matter what you was, [F#] it's what you is and [F] what you is is [E] what you are.
Well, [A] you've got to come from somewhere, [B] but you don't have to go back there [A] anymore.
[E] You might have been the police knock, knock, knocking at your door.
You might have [A] been a nice young man on a nice [E] young floor.
It [G] doesn't matter what you was, it's [F#] what you is and [F] what you is is [E] what you are.
One more, yeah.
It [G] doesn't matter what you was, it's what [F#] you is and what you is [E] is what you are.
[F#]
You might be looking innocent, deep inside you know.
You might be [A] feeling guilty, just a little not [E] a lot.
It [G] doesn't matter what you was, it's what you is and what you [F] is [E] is what you are.
Yeah!
Bill Raeflin.
Key:
E
A
F#
F
G
E
A
F#
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ You might have been a villain _ with a capital V.
_ _ _ You might have had [A] a plane to catch _ and left your [E] family.
_ _ _ _ _ [D] It doesn't matter what you was, it's what [F#] you is and what [F] you is is what [E] you are.
_ _ _ You might have been a midwife _ trying to help somebody.
_ _ _ _ You might have [A] been a cardinal _ _ with an A to [E] Z of skin. _ _ _ _ _
[B] Open up your window, honey, let [E] me in.
_ _ _ _ You might have been Columbia _ _ releasing Orange 45.
How does it feel?
You might [D] have been [A] an emperor's bee and a fairy [E] queen bee hive.
_ _ _ It [G] doesn't matter what you was, [F#] it's what you is and [F] what you is is [E] what you are.
_ _ _ Well, [A] you've got to come from somewhere, [B] but you don't have to go back there [A] anymore. _ _ _ _ _ _ _
[E] _ _ _ _ _ You might have been the police _ knock, knock, knocking at your door.
_ _ _ You might have [A] been a nice young man on a nice [E] young floor.
_ _ _ _ It [G] doesn't matter what you was, it's [F#] what you is and [F] what you is is [E] what you are.
_ One more, yeah.
It [G] doesn't matter what you was, it's what [F#] you is and what you is [E] is what you are.
_ _ _ _ [F#] _ _
_ _ _ _ _ You might be looking innocent, _ _ deep inside you know.
_ _ _ _ You might be [A] feeling guilty, _ _ just a little not [E] a lot.
_ _ _ _ It [G] doesn't matter what you was, it's what you is and what you [F] is [E] is what you are.
_ _ _ _ Yeah!
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Bill Raeflin. _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ You might have been a villain _ with a capital V.
_ _ _ You might have had [A] a plane to catch _ and left your [E] family.
_ _ _ _ _ [D] It doesn't matter what you was, it's what [F#] you is and what [F] you is is what [E] you are.
_ _ _ You might have been a midwife _ trying to help somebody.
_ _ _ _ You might have [A] been a cardinal _ _ with an A to [E] Z of skin. _ _ _ _ _
[B] Open up your window, honey, let [E] me in.
_ _ _ _ You might have been Columbia _ _ releasing Orange 45.
How does it feel?
You might [D] have been [A] an emperor's bee and a fairy [E] queen bee hive.
_ _ _ It [G] doesn't matter what you was, [F#] it's what you is and [F] what you is is [E] what you are.
_ _ _ Well, [A] you've got to come from somewhere, [B] but you don't have to go back there [A] anymore. _ _ _ _ _ _ _
[E] _ _ _ _ _ You might have been the police _ knock, knock, knocking at your door.
_ _ _ You might have [A] been a nice young man on a nice [E] young floor.
_ _ _ _ It [G] doesn't matter what you was, it's [F#] what you is and [F] what you is is [E] what you are.
_ One more, yeah.
It [G] doesn't matter what you was, it's what [F#] you is and what you is [E] is what you are.
_ _ _ _ [F#] _ _
_ _ _ _ _ You might be looking innocent, _ _ deep inside you know.
_ _ _ _ You might be [A] feeling guilty, _ _ just a little not [E] a lot.
_ _ _ _ It [G] doesn't matter what you was, it's what you is and what you [F] is [E] is what you are.
_ _ _ _ Yeah!
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Bill Raeflin. _ _ _ _