Chords for Rock Guitar Aeolian Scale Lesson

Tempo:
169.3 bpm
Chords used:

Abm

Eb

Ab

F

Db

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Rock Guitar Aeolian Scale Lesson chords
Start Jamming...
[F]
[Ab] [Db]
[Gb]
[F]
Greetings my monkey [Ab] followers, it's Chappers back here for another [Eb] guitar adventure and
the art of learning stuff on the guitar.
Inspired [Cm] today by a guy called [F] Ben who came down from
up north [E]
for a lesson on [Db] some modal theory stuff.
He was a nice guy and we [Abm] were looking
at some long scales and I kind of thought, you know what, it would be good for us to
teach a long scale that I hadn't taught [E]
him to some of you because you might like this.
[Abm] Think of it as a transport network of [F] wind through the other scales that you may and
should know.
And the scale we're going to do is this, it's a three octave, it's a variety
of three octave minor of which there [Abm] are many and [Fm] it looks like this.
[Ab] Now [B] this is, without
getting [F] into too much theory because theory is boar, wait for it, [Ab] ing.
You could [G] use this
scale to [Abm] play any mode and any key, any time you [G] fancy
[Abm] and that's for another day.
Right
for now, we're going to say that the first note we're playing is the [Db] rooty tooty toot,
in this case C.
[Eb]
[Ab]
[Eb] So I'm saying E is my [Db] root, I'm starting on [G] the E.
So for the sake of
this video I'm going to say and state now that we're playing this as it's a minor scale,
like an [Db] Aeolian scale.
So for example we would be on the sixth degree of a major harmonised
scale of chords.
[F] Maybe an E, so for [Ebm] example.
[Eb]
[Gb]
[Ebm]
So [A] this is a really good scale, it's nice
and [Ab]
symmetrical, it covers a lot of ground and there are some interesting tricks you
can do with that in.
And anyway, that's enough of my yabbering, here is a close up clean
toned introduction of the scale.
So we'll [Eb] commence with our first fingers on the twelfth
fret [G] and we're just going to play this little pattern, [Abm] it goes one, [F] and then it goes second
finger, third finger.
So you get 12, 14, 15.
[Gb]
[Abm] This exact [Db] same pattern [Abm] reoccurs on the A
string.
That's nice and easy, yeah?
[Bm] We're then going to slide up a tone with the [Db] third
finger [Eb] and do exactly the same pattern again over the other [N] two octaves.
So we've got first
finger here on this, where are we, [Eb] 14.
And then again, [Abm] G string.
And slide a tone [Ab] again.
[G] Bring your first finger down, don't forget there's the [Eb] changing in the tuning because
of the B to G string thing.
So we're going to be now, we're going to be now on the seventeenth
fret B string.
Again on the E string, up a tone [Ab] with a slide, and then bend it to [Eb] reach
the next octave.
So you get this.
[Db]
[Ab]
I'm [Eb] sure that's going to peak on my camera mic but
I don't really care.
Awesome little scale, nice and symmetrical, it's begging [G] for some
pattern type action [Abm] and I like to do a pattern of six.
And what I do sometimes is if I get
a tricky [F] part, I just [G] miss it out.
So what you [Eb] can do is you can go one, two, three,
four, five, six.
Do that again with the volume up.
[Ab] [Abm] Like that.
And then you get the slide
but just forget that part, go to the next shape.
Forget the shape, forget the slide,
jump to the next shape.
So you get these three sections of those two little shapes [F] which I like
to call reverse minor for a reason I'm keeping to myself.
So you get, like that.
Good isn't it?
You can even go, and start there.
And start there.
[Abm] Start here.
Like that.
And it would sound something
[Eb] like engage overdrive and delay.
This, in a monkey style.
Which [Abm] is riftastic man.
[B] Ooh, I accidentally
activated my [Gb] sustaining act there.
[Db] [Eb]
[G]
That's one of the most fun things ever to do in the universe
that I've found.
So enjoy that [F] scale.
Feel free to place it in different keys,
modes, whatever you [Ab] will and have.
And enjoy three octave minor [Db] pattern scaling.
[Abm] Take it easy.
Ciao, bisaud.
Key:  
Abm
123111114
Eb
12341116
Ab
134211114
F
134211111
Db
12341114
Abm
123111114
Eb
12341116
Ab
134211114
Show All Diagrams
Chords
NotesBeta
Download PDF
Download Midi
Edit This Version
Hide Lyrics Hint
_ _ _ _ _ _ [F] _ _
_ _ [Ab] _ _ _ [Db] _ _ _
_ [Gb] _ _ _ _ _ _ _
_ [F] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Greetings my monkey [Ab] followers, it's Chappers back here for another [Eb] guitar adventure and
the art of learning _ stuff on the guitar.
_ _ Inspired [Cm] today by a guy called [F] Ben who came down from
up north _ [E] _
_ for a lesson on [Db] some modal theory stuff.
He was a nice guy and we [Abm] were looking
at some long scales and I kind of thought, you know what, it would be good for us to
teach _ _ a long scale that I hadn't taught [E]
him to some of you because you might like this.
[Abm] Think of it as a transport network of [F] wind _ through the other scales that you may and
should know.
_ And the scale we're going to do is this, it's a three octave, it's a variety
of three octave minor of which there [Abm] are many _ and [Fm] it looks like this. _
_ _ _ _ _ _ [Ab] Now _ _ [B] this _ is, without
getting [F] into too much theory because theory is boar, wait for it, [Ab] ing.
You could [G] use this
scale to [Abm] play any mode and any key, any time you [G] fancy _
[Abm] and that's for another day.
Right
for now, _ we're going to say that the first note we're playing is the [Db] rooty tooty toot,
in this case C.
[Eb] _
_ [Ab] _ _ _ _ _ _ _
_ _ _ [Eb] _ _ So I'm saying E is my [Db] root, I'm starting on [G] the E.
So for the sake of
this video I'm going to say and state now that we're playing this _ as it's a minor scale,
like an [Db] Aeolian scale.
So for example we would be on the sixth degree of a major _ harmonised
scale of chords.
_ _ [F] Maybe an E, so for [Ebm] example.
_ _ _ _ _ _ _ [Eb] _
_ _ _ [Gb] _ _ _ _ _
_ [Ebm] _ _ _ _ _ _ _
So [A] this is a really good scale, it's nice
and [Ab]
symmetrical, it covers a lot of ground and there are some interesting tricks you
can do with that in.
And _ anyway, that's enough of my yabbering, here is a close up clean
toned _ introduction of the scale.
So we'll [Eb] commence with our first fingers on the twelfth
fret [G] and we're just going to play this little pattern, [Abm] it goes one, _ _ _ [F] and then it goes second
finger, third finger.
So you get 12, 14, 15.
_ [Gb] _
_ _ _ _ _ [Abm] _ This exact [Db] same pattern [Abm] reoccurs on the A
string. _
_ _ _ That's nice and easy, yeah? _
_ _ _ [Bm] We're then going to slide up a tone with the [Db] third
finger _ _ _ _ [Eb] and do exactly the same pattern again over the other [N] two octaves.
So we've got first
finger here on this, _ where are we, [Eb] 14.
_ _ _ _ _ And then again, [Abm] G string.
_ _ _ And slide a tone [Ab] again. _ _ _ _ _
[G] Bring your first finger down, don't forget there's the [Eb] changing in the tuning because
of the B to G string thing.
So we're going to be now, we're going to be now on the seventeenth
fret B string. _ _ _ _ _
Again on the E string, _ _ _ _ up a tone [Ab] with a slide, and then bend it to [Eb] reach
the next octave. _
_ _ _ So you get this. _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Db] _ _ _ _
_ _ _ _ _ _ [Ab] _
I'm [Eb] sure that's going to peak on my camera mic but
I don't really care.
Awesome little scale, _ nice and symmetrical, it's begging [G] for some _ _
pattern type action [Abm] and I like to do a pattern of six.
And what I do sometimes is if I get
a tricky [F] part, I just [G] miss it out.
So what you [Eb] can do is you can go one, two, three,
four, five, six.
Do that again with the volume up.
[Ab] _ _ [Abm] _ Like that.
And then you get the slide
but just forget that part, go to the next shape.
_ _ Forget the shape, forget the slide,
jump to the next shape.
_ _ So you get these three sections of those two little shapes [F] which I like
to call reverse minor for a reason I'm keeping to myself.
So you get, _ _ like that. _ _ _ _ _ _
Good isn't it?
You can even go, and start there.
_ And start there. _
[Abm] Start here.
_ _ _ _ _ Like that.
And it would sound something
[Eb] like engage overdrive and delay.
This, _ in a monkey style.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Which [Abm] is _ riftastic man. _ _
[B] Ooh, I accidentally
activated my [Gb] sustaining act there. _
_ _ _ _ _ _ _ _
_ [Db] _ _ _ _ _ _ [Eb] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G]
That's one of the most fun things ever to do in the universe
that I've found.
_ _ So enjoy that [F] scale. _
Feel free to place it in different keys,
modes, whatever you [Ab] will and have.
_ And enjoy three octave minor [Db] pattern scaling. _
_ _ [Abm] Take it easy.
Ciao, bisaud.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _