Chords for Round Midnight - Barry Greene Video Lesson Preview
Tempo:
139.15 bpm
Chords used:
Gb
C
Bb
Ebm
Eb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Gb]
[Db]
[A]
[C] [Ab]
[G]
[Bb] [Gb]
[Abm]
[Bb] [F] [Bm] [Gb]
[D]
[Eb] [Bb]
[Gb] [C]
[Ebm] [Abm]
[C] [D]
[C] [Bm]
[E] [Bbm] [Db] [B]
[Ebm] [E]
[Ebm] [F] [Eb]
[Bb] [Eb]
[Ab]
[Gb] [C]
[Bb] [Db]
[E] [Bb] [G]
[C] [Gb]
[Db] [Eb]
[C] [Abm]
[G] [Gb] [Ebm] [F] [Gb]
[C] [F]
[F] [Abm] [Eb]
[Ebm]
[Gbm] [Eb] [Bb]
[Ebm]
[Eb]
[B] [Gb] [Eb] [Db] [Gb]
[Ebm] [B]
[Eb] [Gb] [E] [Abm]
[Gb] [Eb] [Bb]
[Gb] [Bb]
[Ab] [E] [Dm]
[Gb] [Ab]
[B] [E] [Bbm]
[Ab] [Abm]
[B] [Ebm]
[Db]
[C] [Abm]
[Ab] [Cm]
[Bb] [Ebm]
[B] [C]
[Gb] [Gbm]
[Bm]
[Eb] [F]
[Gb] [Eb] [Gb]
[B] [C] [Ab]
[D] [C] [Bb] [Gm]
[D] [Ebm]
[Bb] [Gb]
[C] [B] [Abm]
[C]
[C] stuff.
Most people play a [Fm] 2-5 and it kind of is, but really the sound is, he's got C in [G] the bass,
it's a C minor 7 flat 5 [Ebm] chord.
[C]
And I think one of the reasons he may be doing that is because that
leads so perfectly to the 2-5 section that comes up [G] now, the chromatic 2 [C]-5s that start on B.
[B]
[C] Such [G] a perfect resolution [C] to that.
[D] [B] [E]
[Bbm] [Bbm]
All right, the melody takes place of [Gb] this.
[E] [Db]
Sometimes I'll color the [G] chords with,
[Gb] especially the [E] last one.
[Bb] [Gb]
[Bb]
[G] So here's the [Eb] whole thing.
[Bb]
[Db] [Cm]
[Bbm] [Gb] [E]
[Dm] [Gm] You could do it like [Ebm] this,
[D] [Gb] which [C] sounds great.
[Gb] Another thing you can [B] do to keep it,
[Db] pardon me, from sounding so [Ebm] static [Gb]
is on the D string, [Ebm] move that note up a [Bb] whole step,
and you kind of get a B flat 7 sound.
You do get a B flat 7 [Ebm] sound.
[Bb] [Gb]
You know, it's so simple,
but it gives it more of a sophisticated sound rather than [D] B.
[C]
[Bb] [Ebm] [Bb]
[C] And if you want to build off that,
you [Ab] can.
So you have E flat [Ebm] minor.
[B] [Gb]
[F] So what I'm [Ab] playing here is
[Gb] [Db]
[Db]
[A]
[C] [Ab]
[G]
[Bb] [Gb]
[Abm]
[Bb] [F] [Bm] [Gb]
[D]
[Eb] [Bb]
[Gb] [C]
[Ebm] [Abm]
[C] [D]
[C] [Bm]
[E] [Bbm] [Db] [B]
[Ebm] [E]
[Ebm] [F] [Eb]
[Bb] [Eb]
[Ab]
[Gb] [C]
[Bb] [Db]
[E] [Bb] [G]
[C] [Gb]
[Db] [Eb]
[C] [Abm]
[G] [Gb] [Ebm] [F] [Gb]
[C] [F]
[F] [Abm] [Eb]
[Ebm]
[Gbm] [Eb] [Bb]
[Ebm]
[Eb]
[B] [Gb] [Eb] [Db] [Gb]
[Ebm] [B]
[Eb] [Gb] [E] [Abm]
[Gb] [Eb] [Bb]
[Gb] [Bb]
[Ab] [E] [Dm]
[Gb] [Ab]
[B] [E] [Bbm]
[Ab] [Abm]
[B] [Ebm]
[Db]
[C] [Abm]
[Ab] [Cm]
[Bb] [Ebm]
[B] [C]
[Gb] [Gbm]
[Bm]
[Eb] [F]
[Gb] [Eb] [Gb]
[B] [C] [Ab]
[D] [C] [Bb] [Gm]
[D] [Ebm]
[Bb] [Gb]
[C] [B] [Abm]
[C]
[C] stuff.
Most people play a [Fm] 2-5 and it kind of is, but really the sound is, he's got C in [G] the bass,
it's a C minor 7 flat 5 [Ebm] chord.
[C]
And I think one of the reasons he may be doing that is because that
leads so perfectly to the 2-5 section that comes up [G] now, the chromatic 2 [C]-5s that start on B.
[B]
[C] Such [G] a perfect resolution [C] to that.
[D] [B] [E]
[Bbm] [Bbm]
All right, the melody takes place of [Gb] this.
[E] [Db]
Sometimes I'll color the [G] chords with,
[Gb] especially the [E] last one.
[Bb] [Gb]
[Bb]
[G] So here's the [Eb] whole thing.
[Bb]
[Db] [Cm]
[Bbm] [Gb] [E]
[Dm] [Gm] You could do it like [Ebm] this,
[D] [Gb] which [C] sounds great.
[Gb] Another thing you can [B] do to keep it,
[Db] pardon me, from sounding so [Ebm] static [Gb]
is on the D string, [Ebm] move that note up a [Bb] whole step,
and you kind of get a B flat 7 sound.
You do get a B flat 7 [Ebm] sound.
[Bb] [Gb]
You know, it's so simple,
but it gives it more of a sophisticated sound rather than [D] B.
[C]
[Bb] [Ebm] [Bb]
[C] And if you want to build off that,
you [Ab] can.
So you have E flat [Ebm] minor.
[B] [Gb]
[F] So what I'm [Ab] playing here is
[Gb] [Db]
Key:
Gb
C
Bb
Ebm
Eb
Gb
C
Bb
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Gb] _ _
_ _ [Db] _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ [C] _ _ _ _ [Ab] _
_ _ _ _ [G] _ _ _ _
_ _ _ _ [Bb] _ _ _ [Gb] _
_ _ _ _ [Abm] _ _ _ _
[Bb] _ [F] _ _ _ [Bm] _ _ _ [Gb] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Eb] _ _ [Bb] _ _
_ [Gb] _ _ _ _ [C] _ _ _
_ [Ebm] _ _ _ [Abm] _ _ _ _
[C] _ _ _ _ _ [D] _ _ _
[C] _ _ _ _ [Bm] _ _ _ _
[E] _ _ [Bbm] _ _ [Db] _ _ _ [B] _
_ _ _ _ _ _ _ _
_ [Ebm] _ _ _ _ [E] _ _ _
_ [Ebm] _ _ _ [F] _ _ [Eb] _ _
_ _ [Bb] _ _ _ [Eb] _ _ _
_ [Ab] _ _ _ _ _ _ _
_ _ _ _ [Gb] _ _ _ [C] _
_ _ [Bb] _ _ [Db] _ _ _ _
[E] _ _ _ _ [Bb] _ _ _ [G] _
_ _ _ _ [C] _ _ [Gb] _ _
_ _ _ [Db] _ _ [Eb] _ _ _
_ [C] _ _ [Abm] _ _ _ _ _
[G] _ [Gb] _ _ [Ebm] _ _ [F] _ _ [Gb] _
_ _ _ _ _ [C] _ _ [F] _
_ _ _ [F] _ _ [Abm] _ _ [Eb] _
_ _ _ _ _ _ [Ebm] _ _
_ [Gbm] _ _ [Eb] _ _ [Bb] _ _ _
_ _ _ _ _ _ [Ebm] _ _
_ _ _ [Eb] _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ [Gb] _ _ [Eb] _ _ [Db] _ _ [Gb] _
_ [Ebm] _ _ _ [B] _ _ _ _
[Eb] _ [Gb] _ _ _ [E] _ _ _ [Abm] _
_ _ _ _ _ _ _ _
[Gb] _ _ _ _ _ [Eb] _ _ [Bb] _
_ [Gb] _ _ _ [Bb] _ _ _ _
[Ab] _ _ _ _ [E] _ _ _ [Dm] _
_ _ _ _ [Gb] _ _ [Ab] _ _
_ [B] _ _ [E] _ _ _ [Bbm] _ _
_ _ [Ab] _ _ [Abm] _ _ _ _
_ [B] _ _ _ _ [Ebm] _ _ _
_ _ _ _ [Db] _ _ _ _
[C] _ _ _ _ _ [Abm] _ _ _
_ [Ab] _ _ _ [Cm] _ _ _ _
_ _ _ [Bb] _ _ [Ebm] _ _ _
_ _ _ _ [B] _ _ [C] _ _
_ _ _ _ [Gb] _ _ _ [Gbm] _
_ _ _ _ _ _ _ _
_ _ _ _ [Bm] _ _ _ _
_ _ _ _ [Eb] _ _ [F] _ _
[Gb] _ _ _ _ _ [Eb] _ _ [Gb] _
_ [B] _ _ _ [C] _ _ [Ab] _ _
_ [D] _ _ [C] _ _ [Bb] _ _ [Gm] _
_ [D] _ _ _ _ _ [Ebm] _ _
_ [Bb] _ _ [Gb] _ _ _ _ _
[C] _ _ _ _ [B] _ _ [Abm] _ _
[C] _ _ _ _ _ _ _ _
_ [C] _ _ _ _ _ stuff.
Most people play a [Fm] 2-5 and it kind of is, but really the sound is, he's got C in [G] the bass,
it's a C minor 7 flat 5 [Ebm] chord.
_ _ [C] _ _ _ _ _
_ And I think one of the reasons he may be doing that is because that
leads so perfectly to the 2-5 section that comes up [G] now, the chromatic 2 [C]-5s that start on B.
[B] _ _
[C] Such [G] a perfect resolution [C] to that. _ _ _
_ [D] _ _ [B] _ _ [E] _ _ _
[Bbm] _ _ _ _ [Bbm] _ _ _ _
All right, the melody takes place of [Gb] this. _ _ _
_ _ _ _ _ [E] _ _ [Db] _
_ Sometimes I'll color the [G] chords with, _
[Gb] _ especially the [E] last one.
_ [Bb] _ _ [Gb] _
_ _ _ _ _ [Bb] _ _ _
_ [G] So here's the [Eb] whole thing.
[Bb] _ _ _
_ [Db] _ _ _ [Cm] _ _ _ _
_ [Bbm] _ _ [Gb] _ _ [E] _ _ _
_ [Dm] _ _ [Gm] You could do it like [Ebm] this, _
[D] _ [Gb] which [C] _ sounds great. _
_ [Gb] _ _ _ Another thing you can [B] do to keep it,
[Db] pardon me, from sounding so [Ebm] static _ [Gb] _
_ _ _ _ is on the D string, _ _ [Ebm] _ move that note up a [Bb] whole step,
_ and you kind of get a B flat 7 sound.
You do get a B flat 7 [Ebm] sound.
_ [Bb] _ _ [Gb] _
_ You know, it's so simple,
but it gives it more _ of a sophisticated sound rather than [D] B.
_ [C] _
_ _ [Bb] _ _ [Ebm] _ _ [Bb] _ _
[C] _ _ And if you want to build off that,
you [Ab] can.
So you have E flat [Ebm] minor.
_ [B] _ _ [Gb] _ _
[F] _ _ _ So what I'm [Ab] playing here is_ _ _ _ _ _ _ _
_ _ _ [Gb] _ _ _ _ [Db] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Gb] _ _
_ _ [Db] _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ [C] _ _ _ _ [Ab] _
_ _ _ _ [G] _ _ _ _
_ _ _ _ [Bb] _ _ _ [Gb] _
_ _ _ _ [Abm] _ _ _ _
[Bb] _ [F] _ _ _ [Bm] _ _ _ [Gb] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Eb] _ _ [Bb] _ _
_ [Gb] _ _ _ _ [C] _ _ _
_ [Ebm] _ _ _ [Abm] _ _ _ _
[C] _ _ _ _ _ [D] _ _ _
[C] _ _ _ _ [Bm] _ _ _ _
[E] _ _ [Bbm] _ _ [Db] _ _ _ [B] _
_ _ _ _ _ _ _ _
_ [Ebm] _ _ _ _ [E] _ _ _
_ [Ebm] _ _ _ [F] _ _ [Eb] _ _
_ _ [Bb] _ _ _ [Eb] _ _ _
_ [Ab] _ _ _ _ _ _ _
_ _ _ _ [Gb] _ _ _ [C] _
_ _ [Bb] _ _ [Db] _ _ _ _
[E] _ _ _ _ [Bb] _ _ _ [G] _
_ _ _ _ [C] _ _ [Gb] _ _
_ _ _ [Db] _ _ [Eb] _ _ _
_ [C] _ _ [Abm] _ _ _ _ _
[G] _ [Gb] _ _ [Ebm] _ _ [F] _ _ [Gb] _
_ _ _ _ _ [C] _ _ [F] _
_ _ _ [F] _ _ [Abm] _ _ [Eb] _
_ _ _ _ _ _ [Ebm] _ _
_ [Gbm] _ _ [Eb] _ _ [Bb] _ _ _
_ _ _ _ _ _ [Ebm] _ _
_ _ _ [Eb] _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ [Gb] _ _ [Eb] _ _ [Db] _ _ [Gb] _
_ [Ebm] _ _ _ [B] _ _ _ _
[Eb] _ [Gb] _ _ _ [E] _ _ _ [Abm] _
_ _ _ _ _ _ _ _
[Gb] _ _ _ _ _ [Eb] _ _ [Bb] _
_ [Gb] _ _ _ [Bb] _ _ _ _
[Ab] _ _ _ _ [E] _ _ _ [Dm] _
_ _ _ _ [Gb] _ _ [Ab] _ _
_ [B] _ _ [E] _ _ _ [Bbm] _ _
_ _ [Ab] _ _ [Abm] _ _ _ _
_ [B] _ _ _ _ [Ebm] _ _ _
_ _ _ _ [Db] _ _ _ _
[C] _ _ _ _ _ [Abm] _ _ _
_ [Ab] _ _ _ [Cm] _ _ _ _
_ _ _ [Bb] _ _ [Ebm] _ _ _
_ _ _ _ [B] _ _ [C] _ _
_ _ _ _ [Gb] _ _ _ [Gbm] _
_ _ _ _ _ _ _ _
_ _ _ _ [Bm] _ _ _ _
_ _ _ _ [Eb] _ _ [F] _ _
[Gb] _ _ _ _ _ [Eb] _ _ [Gb] _
_ [B] _ _ _ [C] _ _ [Ab] _ _
_ [D] _ _ [C] _ _ [Bb] _ _ [Gm] _
_ [D] _ _ _ _ _ [Ebm] _ _
_ [Bb] _ _ [Gb] _ _ _ _ _
[C] _ _ _ _ [B] _ _ [Abm] _ _
[C] _ _ _ _ _ _ _ _
_ [C] _ _ _ _ _ stuff.
Most people play a [Fm] 2-5 and it kind of is, but really the sound is, he's got C in [G] the bass,
it's a C minor 7 flat 5 [Ebm] chord.
_ _ [C] _ _ _ _ _
_ And I think one of the reasons he may be doing that is because that
leads so perfectly to the 2-5 section that comes up [G] now, the chromatic 2 [C]-5s that start on B.
[B] _ _
[C] Such [G] a perfect resolution [C] to that. _ _ _
_ [D] _ _ [B] _ _ [E] _ _ _
[Bbm] _ _ _ _ [Bbm] _ _ _ _
All right, the melody takes place of [Gb] this. _ _ _
_ _ _ _ _ [E] _ _ [Db] _
_ Sometimes I'll color the [G] chords with, _
[Gb] _ especially the [E] last one.
_ [Bb] _ _ [Gb] _
_ _ _ _ _ [Bb] _ _ _
_ [G] So here's the [Eb] whole thing.
[Bb] _ _ _
_ [Db] _ _ _ [Cm] _ _ _ _
_ [Bbm] _ _ [Gb] _ _ [E] _ _ _
_ [Dm] _ _ [Gm] You could do it like [Ebm] this, _
[D] _ [Gb] which [C] _ sounds great. _
_ [Gb] _ _ _ Another thing you can [B] do to keep it,
[Db] pardon me, from sounding so [Ebm] static _ [Gb] _
_ _ _ _ is on the D string, _ _ [Ebm] _ move that note up a [Bb] whole step,
_ and you kind of get a B flat 7 sound.
You do get a B flat 7 [Ebm] sound.
_ [Bb] _ _ [Gb] _
_ You know, it's so simple,
but it gives it more _ of a sophisticated sound rather than [D] B.
_ [C] _
_ _ [Bb] _ _ [Ebm] _ _ [Bb] _ _
[C] _ _ And if you want to build off that,
you [Ab] can.
So you have E flat [Ebm] minor.
_ [B] _ _ [Gb] _ _
[F] _ _ _ So what I'm [Ab] playing here is_ _ _ _ _ _ _ _
_ _ _ [Gb] _ _ _ _ [Db] _
_ _ _ _ _ _ _ _