Chords for Rufus Wainwright - The Making Of Out Of The Game - Strings
Tempo:
131.5 bpm
Chords used:
A
G
C
B
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Dm] [Am] I don't know, I'm [G] in 14th.
[A] [C]
[G] This is humming.
It's like da da da [A#] da.
[C] [G] [B]
Yeah, [D] that's right, yeah.
[C#] [E]
[A]
[D]
[A]
[B] [C] [A]
Sorry, that's a da da [B] [Cm] da [N] da.
It might be longer.
And even, and there should be one going down.
It's a da da da da da.
Should that one be shorter or should they start with
That should be shorter, the last one, but aggressive.
So then you have
Short and aggressive, that's the way I like it.
49, the tremolos.
I think we need some shape to that.
I think there's got to be a steady rise of intensity.
So maybe start at, you know, mezzo forte
and even go all the way up to double forte.
But you still want the attack.
Yeah, still have the attack.
Yeah, da da da da.
You know, there's got to be
[A] [C]
[G] This is humming.
It's like da da da [A#] da.
[C] [G] [B]
Yeah, [D] that's right, yeah.
[C#] [E]
[A]
[D]
[A]
[B] [C] [A]
Sorry, that's a da da [B] [Cm] da [N] da.
It might be longer.
And even, and there should be one going down.
It's a da da da da da.
Should that one be shorter or should they start with
That should be shorter, the last one, but aggressive.
So then you have
Short and aggressive, that's the way I like it.
49, the tremolos.
I think we need some shape to that.
I think there's got to be a steady rise of intensity.
So maybe start at, you know, mezzo forte
and even go all the way up to double forte.
But you still want the attack.
Yeah, still have the attack.
Yeah, da da da da.
You know, there's got to be
Key:
A
G
C
B
D
A
G
C
[Dm] _ _ _ _ _ [Am] I don't know, I'm [G] in 14th. _ _ _ _ _ _
_ _ _ _ [A] _ [C] _ _ _
[G] _ _ This is humming.
It's like da da da [A#] _ da.
[C] _ [G] _ _ [B]
Yeah, [D] that's right, yeah.
_ _ [C#] _ _ [E] _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ [B] _ [C] _ _ _ [A] _
Sorry, that's a da da [B] [Cm] da [N] da.
It might be longer.
And even, and there should be one going down.
It's a da da da da da. _
Should that one be shorter or should they start with_
That should be shorter, the last one, but _ aggressive.
So then you have_
Short and aggressive, that's the way I like it.
_ _ _ 49, the tremolos.
I think we need some shape to that.
I think there's got to be a steady rise of intensity.
So maybe start at, you know, mezzo forte
and even go all the way up to double forte.
But you still want the attack.
Yeah, still have the attack.
Yeah, da _ _ da _ da da.
You know, there's got to be_
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
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_ _ _ _ [A] _ [C] _ _ _
[G] _ _ This is humming.
It's like da da da [A#] _ da.
[C] _ [G] _ _ [B]
Yeah, [D] that's right, yeah.
_ _ [C#] _ _ [E] _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ [B] _ [C] _ _ _ [A] _
Sorry, that's a da da [B] [Cm] da [N] da.
It might be longer.
And even, and there should be one going down.
It's a da da da da da. _
Should that one be shorter or should they start with_
That should be shorter, the last one, but _ aggressive.
So then you have_
Short and aggressive, that's the way I like it.
_ _ _ 49, the tremolos.
I think we need some shape to that.
I think there's got to be a steady rise of intensity.
So maybe start at, you know, mezzo forte
and even go all the way up to double forte.
But you still want the attack.
Yeah, still have the attack.
Yeah, da _ _ da _ da da.
You know, there's got to be_
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_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
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