Chords for Rupert Holmes at Rockers On Broadway talks about & plays Escape (The Piña Colada Song) 10-15-12
Tempo:
73.675 bpm
Chords used:
F
C
E
G
Dm
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
control room to hear how it sounded and it was really sloppy.
bad take,
than that.
From apparently having so much fun doing that first take or some fun he had on the way to
different bridges.
the album.
I found 16 bars of that first take that
And I duped those 16 bars onto another machine and we edited
bad take,
than that.
From apparently having so much fun doing that first take or some fun he had on the way to
different bridges.
the album.
I found 16 bars of that first take that
And I duped those 16 bars onto another machine and we edited
100% ➙ 74BPM
F
C
E
G
Dm
F
C
E
control room to hear how it sounded and it was really sloppy.
It was a very bad take,
sounded terrible.
And I turned to the musicians I was working with and I said, yeah, I know
[F] we can do better than that.
And I looked and the drummer was unconscious.
[N] _ _ I'm not kidding.
From apparently having so much fun doing that first take or some fun he had on the way to
the studio that day.
And I was stuck with this track.
It went all over the place.
It
changed keys.
It had different bridges.
And I had nothing.
And I had to come up with a
tune that would be a kind of up-tempo tune for the album.
So I did something that's very
common nowadays but was like unheard of back then.
I found 16 bars of that first take that
were tight, that felt good.
And I duped those 16 bars onto another machine and we edited
those 16 bars together until we had four minutes of the same bloody 16 bars. _
_ _ And then I thought
I'm going to have to write a new song to fit this existing practice.
[Em] And [N] I knew it would
have to be a story song because the song itself was the same 16 bars over and over again.
So I finally wrote a [C] lyric.
I wrote about 15 attempts at it.
[F] I went with, that's the
law of the jungle.
[D] In [C] the school of the street.
[B] And I warmed up [Ab] for Billy Joel.
And [Ebm] so finally
I wrote a song and it [N] went, did you like Humphrey Bogart and getting caught in the rain?
And
on the way to the session to do the vocal, I thought, I _ live always. _
Just [F] kidding, bitch.
It's [Eb] 77777.
[D] I _
_ _ _ [F] _ was about to sing the [G] scratch vocal, the reference vocal on the tune.
[B] And
I thought, you know, I've done so many [F] movie references of, do you like Humphrey Bogart?
That's not good.
The people [N] in the song, they want an escape.
They want an escape.
When
you go on vacation to the islands, you never order a Budweiser.
You order a drink with
a _ parasol and a flag of all nations.
And if it's blue, that's really good.
And I thought,
what are [F] the escape drinks?
Mai Tai, [N] Daiquiri, Pina Colada.
Do you like Humphrey Bogart?
Do you like Pina Colada?
So I did that.
I said that phrase.
[D] And my record label came
to me and said, Rupert, you know, you [N] called the song escape, but the world is calling
it the Pina Colada song.
So could we just call it escape parenthesis the Pina Colada
[Ebm] song?
I said, compromise [B] my artistic [N] integrity.
_ So here's the Pina Colada song for you. _ _ _
_ _ _ And
by the way, this is my band and we've never played this before.
Are we doing it in C?
[D] The [Cm] last time I sang [Eb] in C was when [F] I recorded it 33 years ago.
I think some introductions
are [N] in order here.
Hi.
_ Okay, _ so we're going to try and wing this for you.
Okay, one.
_ [Bb] _ [F] _
_ _ _ _ [C] _ [Dm] _ [E] _ [F] _
_ _ _ [C] _ _ [C] I was [F] caught in a bucket.
We'd been [C] together too long.
_ [E] Like a [F] brown-eyed recording [Dm] of
a [C] favorite song.
[C] [E] So Washington [F] A and S, we met.
[F] I read the [C] paper, but I [C] [E] didn't know
[F] who you were talking to.
[F] It was a [C] letter I read.
[F] _ [C] [E] You like [F] Pina Colada?
[Dm] You can't [C] follow
me.
_ [E] [F] I'm the yoga.
[Dm] In the [C] house.
_ _ [E] _ [F] _
[G] [F] In the [C] tombs of the [F] cave.
[C] _ [F] All that you've ever thought
of.
[Gm] To [C] me, I'm just a small.
_ [F] _
_ _ _ [C] _ _ _ _ _
_ [Dm] _ _ [C] _ [F] _ [Cm] I'm a little picky [F] about my music.
[G] [F] I know that [C] sounds
kind [F] of big.
[C] But [E] me and my [F] old lady.
[G] _ [F] All the [C] music's ain't [F] old, don't [C] lose it.
[Em] So I wrote
[F] to the blue-belly.
Got a personal [C] hat.
_ [E] Though I'm [F] nobody's [G] poet, [F] I thought it wasn't [C] half
bad.
[F] Yes, I'm a Pina Colada.
[G] _ [F] Get drunk [C] with me.
[F] _ [C] [E] I'm a [F] Washington [G] fool.
[F] _ _ [C] [F] Hey, [C] I [E] got you
to [F] join the party.
[G] _ [F] Let's blow [C] this linty.
I don't want [F] to go to the party.
_ [Dm] Two [C] girls
went on a date.
_ [F] _
_ _ [Gm] _ [C] _ _ _ _ _
[G] _ [F] _ _ [C] _ _ [F] So I went with high hopes.
And [G] she walked into the [C] place.
I was [F] smiling
at [G] the curve [C] of her face.
It [Gm] was my own [F] lovely lady.
_ [A] She said, [C] how's you?
_ And I laughed [F] for
a moment.
_ _ [G] _ [C] _ _ She's pretty.
[F] _
[G] _ [F] Get [C] drunk with me.
[E] And [F] feel the ocean.
[G] And the [C] taste of champagne.
[E] If you let [F] me love you tonight.
[F] _ [D] _ [C] _ I'm [Gm] a little [F] drunk.
If you want to [Dm] come with [C] me.
Now this
is our last chorus.
[E] _ [F] _
_ [C] _ [Dm] _ [C] So if you feel like it, we can go home.
We'll [E] stop here and have [F] some
hand claps here.
_ _ [C] _ _ [C] Yes, I'm a [F] Pina Colada.
[F] Get drunk with me.
[C] And _ [F] feel the ocean.
And [Gm] the
[C] taste of champagne.
[C] _ [E] _ [F] _
_ And [C] _ _ [C] [E] I'm a [F] Washington fool.
_ _ _ _ [C] _ _ _ _ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ [N] _
_ _ _ _ _ _ _ _
It was a very bad take,
sounded terrible.
And I turned to the musicians I was working with and I said, yeah, I know
[F] we can do better than that.
And I looked and the drummer was unconscious.
[N] _ _ I'm not kidding.
From apparently having so much fun doing that first take or some fun he had on the way to
the studio that day.
And I was stuck with this track.
It went all over the place.
It
changed keys.
It had different bridges.
And I had nothing.
And I had to come up with a
tune that would be a kind of up-tempo tune for the album.
So I did something that's very
common nowadays but was like unheard of back then.
I found 16 bars of that first take that
were tight, that felt good.
And I duped those 16 bars onto another machine and we edited
those 16 bars together until we had four minutes of the same bloody 16 bars. _
_ _ And then I thought
I'm going to have to write a new song to fit this existing practice.
[Em] And [N] I knew it would
have to be a story song because the song itself was the same 16 bars over and over again.
So I finally wrote a [C] lyric.
I wrote about 15 attempts at it.
[F] I went with, that's the
law of the jungle.
[D] In [C] the school of the street.
[B] And I warmed up [Ab] for Billy Joel.
And [Ebm] so finally
I wrote a song and it [N] went, did you like Humphrey Bogart and getting caught in the rain?
And
on the way to the session to do the vocal, I thought, I _ live always. _
Just [F] kidding, bitch.
It's [Eb] 77777.
[D] I _
_ _ _ [F] _ was about to sing the [G] scratch vocal, the reference vocal on the tune.
[B] And
I thought, you know, I've done so many [F] movie references of, do you like Humphrey Bogart?
That's not good.
The people [N] in the song, they want an escape.
They want an escape.
When
you go on vacation to the islands, you never order a Budweiser.
You order a drink with
a _ parasol and a flag of all nations.
And if it's blue, that's really good.
And I thought,
what are [F] the escape drinks?
Mai Tai, [N] Daiquiri, Pina Colada.
Do you like Humphrey Bogart?
Do you like Pina Colada?
So I did that.
I said that phrase.
[D] And my record label came
to me and said, Rupert, you know, you [N] called the song escape, but the world is calling
it the Pina Colada song.
So could we just call it escape parenthesis the Pina Colada
[Ebm] song?
I said, compromise [B] my artistic [N] integrity.
_ So here's the Pina Colada song for you. _ _ _
_ _ _ And
by the way, this is my band and we've never played this before.
Are we doing it in C?
[D] The [Cm] last time I sang [Eb] in C was when [F] I recorded it 33 years ago.
I think some introductions
are [N] in order here.
Hi.
_ Okay, _ so we're going to try and wing this for you.
Okay, one.
_ [Bb] _ [F] _
_ _ _ _ [C] _ [Dm] _ [E] _ [F] _
_ _ _ [C] _ _ [C] I was [F] caught in a bucket.
We'd been [C] together too long.
_ [E] Like a [F] brown-eyed recording [Dm] of
a [C] favorite song.
[C] [E] So Washington [F] A and S, we met.
[F] I read the [C] paper, but I [C] [E] didn't know
[F] who you were talking to.
[F] It was a [C] letter I read.
[F] _ [C] [E] You like [F] Pina Colada?
[Dm] You can't [C] follow
me.
_ [E] [F] I'm the yoga.
[Dm] In the [C] house.
_ _ [E] _ [F] _
[G] [F] In the [C] tombs of the [F] cave.
[C] _ [F] All that you've ever thought
of.
[Gm] To [C] me, I'm just a small.
_ [F] _
_ _ _ [C] _ _ _ _ _
_ [Dm] _ _ [C] _ [F] _ [Cm] I'm a little picky [F] about my music.
[G] [F] I know that [C] sounds
kind [F] of big.
[C] But [E] me and my [F] old lady.
[G] _ [F] All the [C] music's ain't [F] old, don't [C] lose it.
[Em] So I wrote
[F] to the blue-belly.
Got a personal [C] hat.
_ [E] Though I'm [F] nobody's [G] poet, [F] I thought it wasn't [C] half
bad.
[F] Yes, I'm a Pina Colada.
[G] _ [F] Get drunk [C] with me.
[F] _ [C] [E] I'm a [F] Washington [G] fool.
[F] _ _ [C] [F] Hey, [C] I [E] got you
to [F] join the party.
[G] _ [F] Let's blow [C] this linty.
I don't want [F] to go to the party.
_ [Dm] Two [C] girls
went on a date.
_ [F] _
_ _ [Gm] _ [C] _ _ _ _ _
[G] _ [F] _ _ [C] _ _ [F] So I went with high hopes.
And [G] she walked into the [C] place.
I was [F] smiling
at [G] the curve [C] of her face.
It [Gm] was my own [F] lovely lady.
_ [A] She said, [C] how's you?
_ And I laughed [F] for
a moment.
_ _ [G] _ [C] _ _ She's pretty.
[F] _
[G] _ [F] Get [C] drunk with me.
[E] And [F] feel the ocean.
[G] And the [C] taste of champagne.
[E] If you let [F] me love you tonight.
[F] _ [D] _ [C] _ I'm [Gm] a little [F] drunk.
If you want to [Dm] come with [C] me.
Now this
is our last chorus.
[E] _ [F] _
_ [C] _ [Dm] _ [C] So if you feel like it, we can go home.
We'll [E] stop here and have [F] some
hand claps here.
_ _ [C] _ _ [C] Yes, I'm a [F] Pina Colada.
[F] Get drunk with me.
[C] And _ [F] feel the ocean.
And [Gm] the
[C] taste of champagne.
[C] _ [E] _ [F] _
_ And [C] _ _ [C] [E] I'm a [F] Washington fool.
_ _ _ _ [C] _ _ _ _ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ [N] _
_ _ _ _ _ _ _ _