Chords for Russell Neville in Master Class with John Williams (Part 2)

[C] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Dm] _ _ _ [A] _ _ _ _ _
_ _ [Dm] _ _ _ [E] _ _ _
[Dm] _ _ [E] _ _ _ [D] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[C] _ _ [A] _ [Eb] _ _ _ [D] _ _
Yeah.
That's the only thing I'd like to mention [E] about that actually, and plus the chords in the middle.
What are the chords?
Dun [C] dun dun dee dee dun [N] dun, you know, teddy bear's picnic in the middle.
_ _ It [Gm] is, isn't it?
[F] Teddy bear's picnic, isn't it?
[C] _ [Dm] No, _ [Bm] before the return of the _ dun [Em] dee da dee dee dun, da da, dun dee da dee dee dun.
[Am] _ _ _ _ [Bb] _ [C] Yeah, just before that.
[N] _ _ Go with this sort of thing like that.
_ Try.
It's good, isn't it?
Like flamenco [D] guitar, I would say.
_ [G] _ [Gm] _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ [Gm] _ _ _ _ _ _ _
_ I don't know if [Bb] it's the original one, I can't find it there, but I think it [Gm] sounds better
than the second inversion. _
You got it?
_ _ _ _ [A] _ _
_ [Gm] _ _ _ _ _ _ _
_ [A] _ _ _ _ [Gm] _ _ _
_ [A] _ _ _ Make [Gm] what?
_ _ [A] _ _ [Gm] _ _ [A] You know what I mean, the harmony in [Gm] the bass is better than this.
_ Do you remember that?
_ [A] _ _ [Gm] I think it's better.
[A] _ _ For the arpeggio form, [D] you _ _ _ _ _ _ _
_ [A] _ _ _ [D] _ _ _ _
[A] _ _ _ _ _ _ can actually, I don't know, at the end it's not exactly what's
there, but the shape is the same.
And [D] the important thing is you've got _ [A] _ _ _ _ [D] _ _
_ [A] _ _ _ [D] the coolness, [C] _
[Dbm] _ [D] _ _ _ [A] _ _ _ [D] _
_ [A] _ _ _ [D] but if you, _
[A] _ _ _ [D] _ _ [A] _ _ _
[D] _ _ you can sort of get
it, but _ [A] _
_ _ [D] _ I think this is a much prettier sound.
_ _ [A] _ _ _ [D] _ _ _
[A] _ _ [D] _ _ [G] _ _ _ [D] _
_ [A] _ _ That's difficult.
[D] What have you got to, lighter.
And when you get to here, _ _
[G] _ _ _ _ _ you have to come back, if you're doing, you know if you're
doing _ one, two, thumb, [Gb] one, [D] two, thumb, one, two, [G] thumb.
_ _ [A] _ _
_ _ _ _ _ [D] _ _ _
_ [A] _ When you get [D] to here, _ _
[G] _ _ [D] _ _ [G] _ _ _
the problem can be with one, two, thumb, _ then you've got a thumb bass
note, so you've got, _ _ _
[A] _ [G] _ _ _ _ [A] _ _
which is a [Dm] problem, isn't [G] it?
So what do you do on the last one?
You go one, two, [D] thumb, one, two, [G] thumb, one, two, [D] one. _
_ [A] _ _ [G] _ [D] _ _ [G] _ _
[D] _ _ _ See, so you've got the first finger [G] on the last note, _ _ [A] _
_ [G] then your thumb doesn't have to
hop back again.
That's the reason why I didn't do that.
That's the reason, all of us, until I suddenly figured that was really easy, [D] you know.
_ [G] _
_ [D] _ _ [A] I sort of [D] compromised, I go thumb, two, one. _
Right.
M-I.
_ [G] _ _ [A] Well that's easy [G] then, yeah, but it's also _ _ [A] one, _ _ _ two, thumb, one, two, thumb, one, two,
one, and then the [Ab] thumb. _ _ _ _
_ _ [G] I think we should have someone else play something, but I think [N] that's, _ that was the only bit,
I mean the rest were a lot of different things, but they sounded quite colourful to me, unless
there were any problems, but I don't think there are, don't you think?
Yeah, it's got awful, which I hate, I feel my fingers don't like doing that. _ _
Right, dun-da-dun-dun-dun.
Yeah, it is, it's a bit crammed up.
_ _ _ _ I thought of actually taking the whole lot of that down an octave, but I don't know if
it'll be as_
Oh, it's lovely up the top there.
Oh, yeah.
_ _ _ I think you've got to sweat it out. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _