Chords for Scott Storch - Playing the piano 2012 ᴴᴰ
Tempo:
94.2 bpm
Chords used:
E
Ab
B
Eb
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [Em]
[B] I'm about to play a little bit of Crazy Lickin' Pop.
I'm about to play a little bit.
[B]
[E] You know what I'm saying?
Like I said, sitting here with the legendary Scott [Ab] Storch.
You know, here at the crib.
[E]
[Eb] [Abm]
I didn't even [Eb] know that one.
[Ab]
[E] [Eb]
Get off my fucking neck, bitch.
I didn't even [Ab] know that one.
I played a lot of this [D] guy's records, man.
To be here [Ab] with him right now.
To be able to be right here with him, seeing him banging these ivories is a blessing.
You know what I mean?
I remember in 99, I'll never forget it, 1999, Kevin Black from Interscope Records sent me Chronic 2001.
And had us play the whole album.
It was a Saturday night.
I'll never forget, okay, me up [Eb] in the Bay Area.
I was on that station for 10 years.
And we had premiered that whole album.
This is back when radio was organic.
You remember those days.
Right?
You remember those days.
My first [F] record I ever got was School of D.
[Ab] So, you know, I'll never forget.
You guys better [Ab] do some homework on this guy, man.
For real.
Things forget [A] real fast, man.
[Db] I did about 16 years worth [C] of hits.
A lot.
And people are still [B] playing those hits.
It's not possible for me [Ab] to fall off.
And people are still playing those hits.
I'm ready to get back in it again.
And people [Abm] are still performing those [D] hits.
This guy's legendary.
This guy's music is timeless, man.
Like I said, in [C] 99, man, there was one song I was like, [Am] whoa.
Yeah.
[Gb] [Em] [Am]
[E] [Em] [Am]
[B] [E] What's some of the favorite songs that you can actually say you [F] produced?
Like, and you still enjoy hearing to [Ab] this day?
[Gm] [Ab] Woo!
[Fm] [E] [Eb]
What up, B?
[Fm] [Eb] What up, B?
Some of y'all are like, what is that?
Ain't no [B] Shazam in this, ladies and gentlemen.
[E] That's my [Am] shit right there.
[E] [Am]
That's my bro right there.
X, what up?
[C]
[D]
[Bb] A little bit, a little higher.
[Bm]
[B] [Gb] Aw, [B] man.
You got
[Em] [E] it.
You got it, baby.
Woo!
[G] I love that [Ab] Egyptian stuff.
[E]
[Em] Shout out to my brother, Molly Ma, Franny Ma, my brother.
Cribo [G] with Scott Starch.
We doing it big.
And our best hero in the key, Molly Ma, man.
That's straight [E] compound.
Some of the best records [C] that I think I've ever put out, [N] or tried to put out.
Like, were the ones that didn't make it, but like, [Bb] I call them greatest [E] misses.
The greatest misses.
Like, there's singles out there that I've never done.
Shit that has gotten leaked.
Shit that wasn't a single.
Like, [N] I've had records that were slated to possibly be a single, and then they get leaked.
[B] One of them was one of my favorite compositions in music that I ever made.
And what's that?
[A] I'll Hurt You, with Busta Rhymes and Benny Hill.
Yes.
Oh, B.
[Dm]
[Am] Oh.
[G] And when you come up with these melodies, man, what do you [E] come up with them?
I mean, like.
I just mess around and throw shit against the wall.
[B] Cause that's [Eb] what real musicians do, [E] though.
You know, like, real musicians, [Bbm] like, no matter who it is.
It can be, you know, [Ab] a person like Stevie Wonder, or Prince, or Scott Starch, or even [Db] Drake.
It's like, [C] great musicians will always find a way to make something sound [Eb] right and organic.
What was an example of [Bm] that?
Where you just molded [A] them and made a hit with them.
Well, I took an artist [G] that was brought to me by the Mark Pitts of the Tina Davis, Chris Brown.
And I told him the day I met him.
[N] I know he remembered this, so I sat in front of him this [G] morning.
And I said, look, I'm gonna give you the number one song today.
He never had this in the album, not yet.
He wanted to see the number [A] one record.
Just like, no chance, cause he was mad cool.
He didn't change shit.
He's still [E] mad cool.
[C] So we left.
We put the record out.
And, what's the number one [B] song, that record that day?
Run It.
[D] What were some of your influences when you grew up?
[Dm] Like, who's your favorite?
[E] It's good music, period.
[A] [G]
That's what it is, man.
[D] Yeah, like, when [Ab] I think of good music, I think of like, shit [Gb] like, you know, Guns N' Roses, and Frank [Ab] Sinatra, and Sade.
You know what I'm saying?
I mean, the [Abm] list goes on.
But, like, [D] Bob Marley.
[Ab] Yeah, the Beatles.
[G] Oh, the Beatles, man.
Great music.
[Ab] Like, Earth, Wind & Fire.
[A]
[Am] [A]
[E] [F]
[C] [C]
Come on, Bob.
[D] He likes to play [Cm] the piano.
[Gm]
[C] Yeah, okay.
No.
[Eb] [F] [Abm] [Db]
[Gb] [Db]
[D] [Gb] [B] [D]
[B] I'm about to play a little bit of Crazy Lickin' Pop.
I'm about to play a little bit.
[B]
[E] You know what I'm saying?
Like I said, sitting here with the legendary Scott [Ab] Storch.
You know, here at the crib.
[E]
[Eb] [Abm]
I didn't even [Eb] know that one.
[Ab]
[E] [Eb]
Get off my fucking neck, bitch.
I didn't even [Ab] know that one.
I played a lot of this [D] guy's records, man.
To be here [Ab] with him right now.
To be able to be right here with him, seeing him banging these ivories is a blessing.
You know what I mean?
I remember in 99, I'll never forget it, 1999, Kevin Black from Interscope Records sent me Chronic 2001.
And had us play the whole album.
It was a Saturday night.
I'll never forget, okay, me up [Eb] in the Bay Area.
I was on that station for 10 years.
And we had premiered that whole album.
This is back when radio was organic.
You remember those days.
Right?
You remember those days.
My first [F] record I ever got was School of D.
[Ab] So, you know, I'll never forget.
You guys better [Ab] do some homework on this guy, man.
For real.
Things forget [A] real fast, man.
[Db] I did about 16 years worth [C] of hits.
A lot.
And people are still [B] playing those hits.
It's not possible for me [Ab] to fall off.
And people are still playing those hits.
I'm ready to get back in it again.
And people [Abm] are still performing those [D] hits.
This guy's legendary.
This guy's music is timeless, man.
Like I said, in [C] 99, man, there was one song I was like, [Am] whoa.
Yeah.
[Gb] [Em] [Am]
[E] [Em] [Am]
[B] [E] What's some of the favorite songs that you can actually say you [F] produced?
Like, and you still enjoy hearing to [Ab] this day?
[Gm] [Ab] Woo!
[Fm] [E] [Eb]
What up, B?
[Fm] [Eb] What up, B?
Some of y'all are like, what is that?
Ain't no [B] Shazam in this, ladies and gentlemen.
[E] That's my [Am] shit right there.
[E] [Am]
That's my bro right there.
X, what up?
[C]
[D]
[Bb] A little bit, a little higher.
[Bm]
[B] [Gb] Aw, [B] man.
You got
[Em] [E] it.
You got it, baby.
Woo!
[G] I love that [Ab] Egyptian stuff.
[E]
[Em] Shout out to my brother, Molly Ma, Franny Ma, my brother.
Cribo [G] with Scott Starch.
We doing it big.
And our best hero in the key, Molly Ma, man.
That's straight [E] compound.
Some of the best records [C] that I think I've ever put out, [N] or tried to put out.
Like, were the ones that didn't make it, but like, [Bb] I call them greatest [E] misses.
The greatest misses.
Like, there's singles out there that I've never done.
Shit that has gotten leaked.
Shit that wasn't a single.
Like, [N] I've had records that were slated to possibly be a single, and then they get leaked.
[B] One of them was one of my favorite compositions in music that I ever made.
And what's that?
[A] I'll Hurt You, with Busta Rhymes and Benny Hill.
Yes.
Oh, B.
[Dm]
[Am] Oh.
[G] And when you come up with these melodies, man, what do you [E] come up with them?
I mean, like.
I just mess around and throw shit against the wall.
[B] Cause that's [Eb] what real musicians do, [E] though.
You know, like, real musicians, [Bbm] like, no matter who it is.
It can be, you know, [Ab] a person like Stevie Wonder, or Prince, or Scott Starch, or even [Db] Drake.
It's like, [C] great musicians will always find a way to make something sound [Eb] right and organic.
What was an example of [Bm] that?
Where you just molded [A] them and made a hit with them.
Well, I took an artist [G] that was brought to me by the Mark Pitts of the Tina Davis, Chris Brown.
And I told him the day I met him.
[N] I know he remembered this, so I sat in front of him this [G] morning.
And I said, look, I'm gonna give you the number one song today.
He never had this in the album, not yet.
He wanted to see the number [A] one record.
Just like, no chance, cause he was mad cool.
He didn't change shit.
He's still [E] mad cool.
[C] So we left.
We put the record out.
And, what's the number one [B] song, that record that day?
Run It.
[D] What were some of your influences when you grew up?
[Dm] Like, who's your favorite?
[E] It's good music, period.
[A] [G]
That's what it is, man.
[D] Yeah, like, when [Ab] I think of good music, I think of like, shit [Gb] like, you know, Guns N' Roses, and Frank [Ab] Sinatra, and Sade.
You know what I'm saying?
I mean, the [Abm] list goes on.
But, like, [D] Bob Marley.
[Ab] Yeah, the Beatles.
[G] Oh, the Beatles, man.
Great music.
[Ab] Like, Earth, Wind & Fire.
[A]
[Am] [A]
[E] [F]
[C] [C]
Come on, Bob.
[D] He likes to play [Cm] the piano.
[Gm]
[C] Yeah, okay.
No.
[Eb] [F] [Abm] [Db]
[Gb] [Db]
[D] [Gb] [B] [D]
Key:
E
Ab
B
Eb
D
E
Ab
B
_ _ [B] _ _ _ [Em] _ _ _
_ _ _ _ [B] I'm about to play a little bit of Crazy Lickin' Pop.
I'm about to play a little bit.
_ _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ You know what I'm saying?
Like I said, sitting here with the legendary Scott [Ab] Storch.
You know, here at the crib.
[E] _ _
_ _ [Eb] _ _ _ [Abm] _ _
I didn't even [Eb] know that one.
_ _ _ _ [Ab] _ _
_ [E] _ _ [Eb] _ _ _ _ _
_ Get off my fucking neck, bitch.
I didn't even [Ab] know that one.
I played a lot of this [D] guy's records, man.
To be here [Ab] with him right now.
To be able to be right here with him, seeing him banging these ivories is a blessing.
You know what I mean?
I remember in 99, I'll never forget it, 1999, Kevin Black from Interscope Records sent me Chronic 2001.
And had us play the whole album.
It was a Saturday night.
I'll never forget, okay, me up [Eb] in the Bay Area.
I was on that station for 10 years.
And we had premiered that whole album.
This is back when radio was organic.
You remember those days.
Right?
You remember those days.
_ My first [F] record I ever got was School of D.
[Ab] So, you know, I'll never forget.
You guys better [Ab] do some homework on this guy, man.
For real.
Things forget [A] real fast, man.
[Db] I did about 16 years worth [C] of hits.
A lot.
And people are still [B] playing those hits.
It's not possible for me [Ab] to fall off.
And people are still playing those hits.
I'm ready to get back in it again.
And people [Abm] are still performing those [D] hits.
This guy's legendary.
This guy's music is timeless, man.
Like I said, in [C] 99, man, there was one song I was like, [Am] whoa.
Yeah. _
_ [Gb] _ _ [Em] _ _ _ [Am] _ _
_ _ [E] _ [Em] _ _ _ [Am] _ _
_ [B] _ _ [E] _ What's some of the favorite songs that you can actually say you [F] produced?
Like, and you still enjoy hearing to [Ab] this day? _
_ _ [Gm] _ _ _ [Ab] Woo! _
_ _ [Fm] _ _ [E] _ _ [Eb] _
What up, B?
_ [Fm] _ _ [Eb] What up, _ B?
Some of y'all are like, what is that?
_ Ain't no [B] Shazam in this, ladies and gentlemen.
[E] _ _ _ That's my [Am] shit right there.
_ _ [E] _ [Am] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ That's my bro right there.
X, what up?
_ _ [C] _ _ _
_ _ [D] _ _ _ _ _ _
[Bb] _ A little bit, a little higher. _ _ _
_ _ _ _ _ _ [Bm] _ _
_ [B] _ _ [Gb] Aw, [B] man.
You got _ _
_ _ [Em] _ _ _ [E] it.
You got it, baby.
Woo!
_ _ _ [G] I love that [Ab] Egyptian stuff.
_ _ [E] _ _ _ _ _ _
_ [Em] Shout out to my brother, Molly Ma, Franny Ma, my brother.
Cribo [G] with Scott Starch.
We doing it big.
And our best hero in the key, Molly Ma, man.
That's straight [E] compound.
Some of the best records [C] that I think I've ever put out, [N] or tried to put out.
Like, were the ones that didn't make it, but like, [Bb] I call them greatest [E] misses.
The greatest misses.
Like, there's singles out there that I've never done.
Shit that has gotten leaked.
Shit that wasn't a single.
Like, [N] I've had records that were slated to possibly be a single, and then they get leaked.
_ [B] One of them was one of my favorite compositions in music that I ever made.
And what's that?
[A] _ _ I'll Hurt You, with Busta Rhymes and Benny Hill.
Yes.
Oh, B.
[Dm] _
_ _ [Am] _ _ _ Oh. _
_ [G] And when you come up with these melodies, man, what do you [E] come up with them?
I mean, like.
I just mess around and throw shit against the wall.
[B] Cause that's [Eb] what real musicians do, [E] though.
You know, like, real musicians, [Bbm] like, no matter who it is.
It can be, you know, [Ab] a person like Stevie Wonder, or Prince, or Scott Starch, or even [Db] Drake.
It's like, [C] great musicians will always find a way to make something sound [Eb] right and organic.
What was an example of [Bm] that?
Where you just molded [A] them and made a hit with them.
Well, I took _ an artist [G] that was brought to me by the Mark Pitts of the Tina Davis, Chris Brown.
And I told him the day I met him. _ _ _
[N] I know he remembered this, so I sat in front of him this [G] morning.
And I said, look, I'm gonna give you the number one song today.
He never had this in the album, not yet.
He wanted to see the number [A] one record.
Just like, no chance, cause he was mad cool.
He didn't change shit.
He's still [E] mad cool.
_ [C] So we left.
We put the record out.
And, what's the number one [B] song, that record that day?
Run It.
[D] What were some of your influences when you grew up?
[Dm] Like, who's your favorite? _
_ [E] It's good music, period.
[A] _ _ _ [G]
That's what it is, man.
[D] Yeah, like, when [Ab] I think of good music, I think of like, shit [Gb] like, you know, Guns N' Roses, and Frank [Ab] Sinatra, and Sade.
You know what I'm saying?
I mean, the [Abm] list goes on.
But, like, [D] Bob Marley.
[Ab] Yeah, the Beatles.
[G] Oh, the Beatles, man.
Great music.
[Ab] Like, Earth, Wind & Fire.
_ _ [A] _
_ _ [Am] _ _ _ _ [A] _ _
_ [E] _ _ _ _ _ [F] _ _
_ [C] _ _ _ _ [C] _ _
Come on, Bob.
[D] He likes to play [Cm] the piano.
_ [Gm] _
_ [C] Yeah, okay.
No.
_ [Eb] _ _ _ _ _ [F] _ _ [Abm] _ _ [Db] _
_ _ _ [Gb] _ _ _ [Db] _ _
_ [D] _ _ [Gb] _ _ [B] _ _ [D] _
_ _ _ _ [B] I'm about to play a little bit of Crazy Lickin' Pop.
I'm about to play a little bit.
_ _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ You know what I'm saying?
Like I said, sitting here with the legendary Scott [Ab] Storch.
You know, here at the crib.
[E] _ _
_ _ [Eb] _ _ _ [Abm] _ _
I didn't even [Eb] know that one.
_ _ _ _ [Ab] _ _
_ [E] _ _ [Eb] _ _ _ _ _
_ Get off my fucking neck, bitch.
I didn't even [Ab] know that one.
I played a lot of this [D] guy's records, man.
To be here [Ab] with him right now.
To be able to be right here with him, seeing him banging these ivories is a blessing.
You know what I mean?
I remember in 99, I'll never forget it, 1999, Kevin Black from Interscope Records sent me Chronic 2001.
And had us play the whole album.
It was a Saturday night.
I'll never forget, okay, me up [Eb] in the Bay Area.
I was on that station for 10 years.
And we had premiered that whole album.
This is back when radio was organic.
You remember those days.
Right?
You remember those days.
_ My first [F] record I ever got was School of D.
[Ab] So, you know, I'll never forget.
You guys better [Ab] do some homework on this guy, man.
For real.
Things forget [A] real fast, man.
[Db] I did about 16 years worth [C] of hits.
A lot.
And people are still [B] playing those hits.
It's not possible for me [Ab] to fall off.
And people are still playing those hits.
I'm ready to get back in it again.
And people [Abm] are still performing those [D] hits.
This guy's legendary.
This guy's music is timeless, man.
Like I said, in [C] 99, man, there was one song I was like, [Am] whoa.
Yeah. _
_ [Gb] _ _ [Em] _ _ _ [Am] _ _
_ _ [E] _ [Em] _ _ _ [Am] _ _
_ [B] _ _ [E] _ What's some of the favorite songs that you can actually say you [F] produced?
Like, and you still enjoy hearing to [Ab] this day? _
_ _ [Gm] _ _ _ [Ab] Woo! _
_ _ [Fm] _ _ [E] _ _ [Eb] _
What up, B?
_ [Fm] _ _ [Eb] What up, _ B?
Some of y'all are like, what is that?
_ Ain't no [B] Shazam in this, ladies and gentlemen.
[E] _ _ _ That's my [Am] shit right there.
_ _ [E] _ [Am] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ That's my bro right there.
X, what up?
_ _ [C] _ _ _
_ _ [D] _ _ _ _ _ _
[Bb] _ A little bit, a little higher. _ _ _
_ _ _ _ _ _ [Bm] _ _
_ [B] _ _ [Gb] Aw, [B] man.
You got _ _
_ _ [Em] _ _ _ [E] it.
You got it, baby.
Woo!
_ _ _ [G] I love that [Ab] Egyptian stuff.
_ _ [E] _ _ _ _ _ _
_ [Em] Shout out to my brother, Molly Ma, Franny Ma, my brother.
Cribo [G] with Scott Starch.
We doing it big.
And our best hero in the key, Molly Ma, man.
That's straight [E] compound.
Some of the best records [C] that I think I've ever put out, [N] or tried to put out.
Like, were the ones that didn't make it, but like, [Bb] I call them greatest [E] misses.
The greatest misses.
Like, there's singles out there that I've never done.
Shit that has gotten leaked.
Shit that wasn't a single.
Like, [N] I've had records that were slated to possibly be a single, and then they get leaked.
_ [B] One of them was one of my favorite compositions in music that I ever made.
And what's that?
[A] _ _ I'll Hurt You, with Busta Rhymes and Benny Hill.
Yes.
Oh, B.
[Dm] _
_ _ [Am] _ _ _ Oh. _
_ [G] And when you come up with these melodies, man, what do you [E] come up with them?
I mean, like.
I just mess around and throw shit against the wall.
[B] Cause that's [Eb] what real musicians do, [E] though.
You know, like, real musicians, [Bbm] like, no matter who it is.
It can be, you know, [Ab] a person like Stevie Wonder, or Prince, or Scott Starch, or even [Db] Drake.
It's like, [C] great musicians will always find a way to make something sound [Eb] right and organic.
What was an example of [Bm] that?
Where you just molded [A] them and made a hit with them.
Well, I took _ an artist [G] that was brought to me by the Mark Pitts of the Tina Davis, Chris Brown.
And I told him the day I met him. _ _ _
[N] I know he remembered this, so I sat in front of him this [G] morning.
And I said, look, I'm gonna give you the number one song today.
He never had this in the album, not yet.
He wanted to see the number [A] one record.
Just like, no chance, cause he was mad cool.
He didn't change shit.
He's still [E] mad cool.
_ [C] So we left.
We put the record out.
And, what's the number one [B] song, that record that day?
Run It.
[D] What were some of your influences when you grew up?
[Dm] Like, who's your favorite? _
_ [E] It's good music, period.
[A] _ _ _ [G]
That's what it is, man.
[D] Yeah, like, when [Ab] I think of good music, I think of like, shit [Gb] like, you know, Guns N' Roses, and Frank [Ab] Sinatra, and Sade.
You know what I'm saying?
I mean, the [Abm] list goes on.
But, like, [D] Bob Marley.
[Ab] Yeah, the Beatles.
[G] Oh, the Beatles, man.
Great music.
[Ab] Like, Earth, Wind & Fire.
_ _ [A] _
_ _ [Am] _ _ _ _ [A] _ _
_ [E] _ _ _ _ _ [F] _ _
_ [C] _ _ _ _ [C] _ _
Come on, Bob.
[D] He likes to play [Cm] the piano.
_ [Gm] _
_ [C] Yeah, okay.
No.
_ [Eb] _ _ _ _ _ [F] _ _ [Abm] _ _ [Db] _
_ _ _ [Gb] _ _ _ [Db] _ _
_ [D] _ _ [Gb] _ _ [B] _ _ [D] _