Chords for Seth Rudetsky Deconstructs Patti LuPone's AMAZING voice
Tempo:
141.15 bpm
Chords used:
F#
B
A#
C
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
Tricked ya both of us.
Okay people gypsies opening up tomorrow.
So in honor of that, I'm gonna salute to Patti LuPone today
First we're gonna hear I love how like she kind of can flip into head voice and yet be so powerful
It's such a trick.
She goes she was um, somebody help me come through.
I'll always be there as frightened as you
But it's not weak like that.
I say it's right.
She just puts all these head tones in suddenly as frightened as you you'll hear
Okay, I can't do it, but she's belting and then in head voice, but there's almost no difference in power here.
Listen to this
[F#]
[B] [G#m] [E]
[D#m] You hear that?
That was head.
That was [B]
head.
[E] [D#m] That was head.
I'm obsessed.
Then she goes B.
I love her [N] signature
Is it adding an extra syllable or just over emphasizing the last consonant?
You decide.
She goes being alive
B.
I'm obsessed with that live.
Is it because she went to Juilliard and she's like phenomenal diction training or
She's just trying to elongate her singing as long as possible and add an extra syllable.
Being alive
And then by the way
The last B is phenomenal placement on an E flat on the mask with vibrato
And then of course it is an extra just right at the very end being alive
Okay, here listen
[F#]
[E] [F#]
Do [B]
[F#m] [B]
[F] we hear how she straight tones and goes to vibrato, [B] you know, that's my favorite straight tones to vibrato
So one more time straight to vibrato.
Listen to her.
[D#] She's right [E] on the vibrato.
[F#]
[B]
[F#m]
To be here.
[B] Now I'm [G] obsessed with.
Then you know she has an amazing album called Padadipone Live.
Now I got to play piano
I was Andrew Lippa's sub [N] on Broadway.
So I got to play the show once on Broadway, but she cut this number
Which I'm obsessed with.
This is called Come to the Supermarket and O.P. King
She did not do the song on Broadway when I played it and then we did it on tour
I actually got to tour with her.
We went through like Palm Springs and one of the crazy places
Anyway, the point is she never did the song again.
She only did on the original CD
Anyways, well come to the supermarket and O.P. King.
Listen to the phenomenal phenomenal E
She, alright two things you have to listen to.
It's the placement on the E plus she does her signature scoop
She goes, it's supposed to go come on down to the supermarket, but she goes supermarket
It's two notes
Supermarket, I'm obsessed with that.
Okay, so hold on.
Let me just find it cut and it's an E and the placement is phenomenal
Supermarket, here we go
[C]
[B] [A#]
[A] [F#] Come on a [G#] donkey honey, [G] you can [C] park it
Here she goes, ready?
Come [B] on [A#] to the supermarket
[A] [C] Come on that is such phenomenal placement.
I gotta rewind it again supermarket with the vibrato.
Oh my god
Come on a donkey honey, [B] you can [C] park [E] [C] it
[B] Come on [Gm] to the supermarket
[F#m] [Dm]
Come [N] on to the supermarket
Come on to the supermarket
This is where she's actually on an F now
Twice she goes supermarket and then she goes P.
King
It's F F E flat D flat then she straight tones pulse pulse then vibrato
Okay here let's listen to it.
Okay, let me find out where it [C] is.
It's at I'm sorry.
I gotta set this
I need an assistant stage manager.
Okay, here we go
[B] [A#] Up [A#m]
[C] [C#]
[C] [D#] [G#] [A#] [F#]
[D#m]
[A#m] [A#] to [F#] you
Up to you
Up [Cm] to you
[F#] Up to [A] you
[F#]
[D#m] [C#] Up to you
[F#] Come [C#]
on
Come [F#] [C#] [F#]
[B] [G#m]
[N]
[B] [A#] [F#] on
Come [C#] [C] [D#] [A#] [A#m] [G#] [C#] on
[C] [D#] [A#] [G#] [A#] Come on
[F#]
[D#m]
[A#m] [A#] [F#]
[G#] [F#] [A] [F#]
Come [C#] on Come on Come on
[F#] [C#] [F#m] [C#] [F#] Come on
[B] [F]
[A#] [F]
Come on Come [N] on Come on Come on
Okay people gypsies opening up tomorrow.
So in honor of that, I'm gonna salute to Patti LuPone today
First we're gonna hear I love how like she kind of can flip into head voice and yet be so powerful
It's such a trick.
She goes she was um, somebody help me come through.
I'll always be there as frightened as you
But it's not weak like that.
I say it's right.
She just puts all these head tones in suddenly as frightened as you you'll hear
Okay, I can't do it, but she's belting and then in head voice, but there's almost no difference in power here.
Listen to this
[F#]
[B] [G#m] [E]
[D#m] You hear that?
That was head.
That was [B]
head.
[E] [D#m] That was head.
I'm obsessed.
Then she goes B.
I love her [N] signature
Is it adding an extra syllable or just over emphasizing the last consonant?
You decide.
She goes being alive
B.
I'm obsessed with that live.
Is it because she went to Juilliard and she's like phenomenal diction training or
She's just trying to elongate her singing as long as possible and add an extra syllable.
Being alive
And then by the way
The last B is phenomenal placement on an E flat on the mask with vibrato
And then of course it is an extra just right at the very end being alive
Okay, here listen
[F#]
[E] [F#]
Do [B]
[F#m] [B]
[F] we hear how she straight tones and goes to vibrato, [B] you know, that's my favorite straight tones to vibrato
So one more time straight to vibrato.
Listen to her.
[D#] She's right [E] on the vibrato.
[F#]
[B]
[F#m]
To be here.
[B] Now I'm [G] obsessed with.
Then you know she has an amazing album called Padadipone Live.
Now I got to play piano
I was Andrew Lippa's sub [N] on Broadway.
So I got to play the show once on Broadway, but she cut this number
Which I'm obsessed with.
This is called Come to the Supermarket and O.P. King
She did not do the song on Broadway when I played it and then we did it on tour
I actually got to tour with her.
We went through like Palm Springs and one of the crazy places
Anyway, the point is she never did the song again.
She only did on the original CD
Anyways, well come to the supermarket and O.P. King.
Listen to the phenomenal phenomenal E
She, alright two things you have to listen to.
It's the placement on the E plus she does her signature scoop
She goes, it's supposed to go come on down to the supermarket, but she goes supermarket
It's two notes
Supermarket, I'm obsessed with that.
Okay, so hold on.
Let me just find it cut and it's an E and the placement is phenomenal
Supermarket, here we go
[C]
[B] [A#]
[A] [F#] Come on a [G#] donkey honey, [G] you can [C] park it
Here she goes, ready?
Come [B] on [A#] to the supermarket
[A] [C] Come on that is such phenomenal placement.
I gotta rewind it again supermarket with the vibrato.
Oh my god
Come on a donkey honey, [B] you can [C] park [E] [C] it
[B] Come on [Gm] to the supermarket
[F#m] [Dm]
Come [N] on to the supermarket
Come on to the supermarket
This is where she's actually on an F now
Twice she goes supermarket and then she goes P.
King
It's F F E flat D flat then she straight tones pulse pulse then vibrato
Okay here let's listen to it.
Okay, let me find out where it [C] is.
It's at I'm sorry.
I gotta set this
I need an assistant stage manager.
Okay, here we go
[B] [A#] Up [A#m]
[C] [C#]
[C] [D#] [G#] [A#] [F#]
[D#m]
[A#m] [A#] to [F#] you
Up to you
Up [Cm] to you
[F#] Up to [A] you
[F#]
[D#m] [C#] Up to you
[F#] Come [C#]
on
Come [F#] [C#] [F#]
[B] [G#m]
[N]
[B] [A#] [F#] on
Come [C#] [C] [D#] [A#] [A#m] [G#] [C#] on
[C] [D#] [A#] [G#] [A#] Come on
[F#]
[D#m]
[A#m] [A#] [F#]
[G#] [F#] [A] [F#]
Come [C#] on Come on Come on
[F#] [C#] [F#m] [C#] [F#] Come on
[B] [F]
[A#] [F]
Come on Come [N] on Come on Come on
Key:
F#
B
A#
C
C#
F#
B
A#
_ _ Tricked ya both of us.
Okay people gypsies opening up tomorrow.
So in honor of that, I'm gonna salute to Patti LuPone today
First we're gonna hear I love how like she kind of can flip into head voice and yet be so powerful
It's such a trick.
She goes she was um, somebody help me come through.
I'll always be there as frightened as you
_ But it's not weak like that.
I say it's right.
She just puts all these head tones in suddenly as frightened as you you'll hear
Okay, I can't do it, but she's belting and then in head voice, but there's almost no difference in power here.
Listen to this
_ [F#] _ _
[B] _ _ _ _ [G#m] _ _ _ [E] _
_ _ _ _ [D#m] _ You hear that?
That was head.
That was _ [B] _ _
head.
_ [E] _ [D#m] _ _ That was head.
I'm obsessed.
Then she goes B.
I love her [N] signature
_ Is it adding an extra syllable or just over emphasizing the last consonant?
You decide.
She goes being _ alive
_ B.
I'm obsessed with that live.
Is it because she went to Juilliard and she's like phenomenal diction training or
She's just trying to elongate her singing as long as possible and add an extra syllable.
Being alive _
And then by the way
The last B is phenomenal placement on an E flat on the mask with vibrato
And then of course it is an extra just right at the very end being alive
_ Okay, here listen
_ _ [F#] _ _ _ _
_ _ _ [E] _ _ _ [F#] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Do _ _ [B] _ _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ _ [B] _
_ _ [F] _ _ _ we hear how she straight tones and goes to vibrato, [B] you know, that's my favorite straight tones to vibrato
So one more time straight to vibrato.
Listen to her. _ _ _ _ _ _
_ [D#] She's right [E] on the vibrato.
_ _ [F#] _
_ _ _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
_ _ _ _ _ [F#m] _ _ _
To be here.
_ _ [B] _ Now I'm [G] obsessed with.
Then you know she has an amazing album called Padadipone _ Live.
Now I got to play piano
I was Andrew Lippa's sub [N] on Broadway.
So I got to play the show once on Broadway, but she cut this number
Which I'm obsessed with.
This is called Come to the Supermarket and O.P. King
She did not do the song on Broadway when I played it and then we did it on tour
I actually got to tour with her.
We went through like Palm Springs and one of the crazy places
Anyway, the point is she never did the song again.
She only did on the original CD
Anyways, well come to the supermarket and O.P. King.
Listen to the phenomenal phenomenal E
She, alright two things you have to listen to.
It's the placement on the E plus she does her signature scoop
She goes, it's supposed to go come on down to the supermarket, but she goes _ supermarket
It's two notes _
Supermarket, I'm obsessed with that.
Okay, so hold on.
Let me just find it cut and it's an E and the placement is phenomenal _
Supermarket, here we go
_ [C] _ _
_ _ [B] _ _ _ [A#] _ _ _
[A] _ _ _ [F#] _ Come on a [G#] donkey honey, [G] _ you can [C] park it
Here she goes, ready?
_ Come [B] on [A#] to the _ supermarket
[A] _ _ _ [C] Come on that is such phenomenal placement.
I gotta rewind it again supermarket with the vibrato.
Oh my god
Come on a donkey honey, [B] _ you can [C] park _ [E] [C] it
_ _ _ [B] Come on [Gm] to the _ supermarket
[F#m] _ _ [Dm]
Come _ [N] _ _ _ _ on to _ the supermarket
Come on to the supermarket
_ This is where she's actually on an F now
_ Twice she goes supermarket and then she goes P.
King
It's F F E flat D flat then she straight tones pulse pulse then vibrato
Okay here let's listen to it.
Okay, let me find out where it [C] is.
It's at I'm sorry.
I gotta set this
I need an assistant stage manager.
Okay, here we _ go
[B] [A#] Up [A#m] _ _
_ _ [C] _ _ _ _ [C#] _ _
[C] _ [D#] _ _ [G#] _ [A#] _ _ _ [F#] _
_ _ [D#m] _ _ _ _ _ _
[A#m] _ _ _ _ [A#] _ _ to [F#] you
Up to you
Up [Cm] to you
[F#] Up to [A] you
[F#] _ _
_ _ _ _ _ _ _ _
[D#m] _ _ [C#] Up to you
[F#] Come [C#]
on
Come [F#] _ _ [C#] _ _ [F#] _ _ _
_ _ _ _ _ [B] _ [G#m] _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [B] _ [A#] _ [F#] on
Come _ [C#] _ [C] _ [D#] _ [A#] _ [A#m] _ _ _ _ [G#] _ _ [C#] on _ _
[C] _ [D#] _ [A#] _ [G#] _ [A#] Come on
_ [F#] _
_ _ [D#m] _ _ _ _ _ _
[A#m] _ _ _ _ [A#] _ _ [F#] _ _
_ [G#] _ _ [F#] _ [A] _ _ [F#] _ _
_ _ _ _ _ _ _ _
_ Come [C#] on Come on Come on
_ [F#] _ [C#] _ [F#m] _ _ _ [C#] _ _ [F#] _ Come on
_ _ _ _ [B] _ _ [F] _ _
_ _ _ _ [A#] _ _ [F] _ _
_ _ _ Come on Come [N] on Come on Come on
Okay people gypsies opening up tomorrow.
So in honor of that, I'm gonna salute to Patti LuPone today
First we're gonna hear I love how like she kind of can flip into head voice and yet be so powerful
It's such a trick.
She goes she was um, somebody help me come through.
I'll always be there as frightened as you
_ But it's not weak like that.
I say it's right.
She just puts all these head tones in suddenly as frightened as you you'll hear
Okay, I can't do it, but she's belting and then in head voice, but there's almost no difference in power here.
Listen to this
_ [F#] _ _
[B] _ _ _ _ [G#m] _ _ _ [E] _
_ _ _ _ [D#m] _ You hear that?
That was head.
That was _ [B] _ _
head.
_ [E] _ [D#m] _ _ That was head.
I'm obsessed.
Then she goes B.
I love her [N] signature
_ Is it adding an extra syllable or just over emphasizing the last consonant?
You decide.
She goes being _ alive
_ B.
I'm obsessed with that live.
Is it because she went to Juilliard and she's like phenomenal diction training or
She's just trying to elongate her singing as long as possible and add an extra syllable.
Being alive _
And then by the way
The last B is phenomenal placement on an E flat on the mask with vibrato
And then of course it is an extra just right at the very end being alive
_ Okay, here listen
_ _ [F#] _ _ _ _
_ _ _ [E] _ _ _ [F#] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Do _ _ [B] _ _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ _ [B] _
_ _ [F] _ _ _ we hear how she straight tones and goes to vibrato, [B] you know, that's my favorite straight tones to vibrato
So one more time straight to vibrato.
Listen to her. _ _ _ _ _ _
_ [D#] She's right [E] on the vibrato.
_ _ [F#] _
_ _ _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
_ _ _ _ _ [F#m] _ _ _
To be here.
_ _ [B] _ Now I'm [G] obsessed with.
Then you know she has an amazing album called Padadipone _ Live.
Now I got to play piano
I was Andrew Lippa's sub [N] on Broadway.
So I got to play the show once on Broadway, but she cut this number
Which I'm obsessed with.
This is called Come to the Supermarket and O.P. King
She did not do the song on Broadway when I played it and then we did it on tour
I actually got to tour with her.
We went through like Palm Springs and one of the crazy places
Anyway, the point is she never did the song again.
She only did on the original CD
Anyways, well come to the supermarket and O.P. King.
Listen to the phenomenal phenomenal E
She, alright two things you have to listen to.
It's the placement on the E plus she does her signature scoop
She goes, it's supposed to go come on down to the supermarket, but she goes _ supermarket
It's two notes _
Supermarket, I'm obsessed with that.
Okay, so hold on.
Let me just find it cut and it's an E and the placement is phenomenal _
Supermarket, here we go
_ [C] _ _
_ _ [B] _ _ _ [A#] _ _ _
[A] _ _ _ [F#] _ Come on a [G#] donkey honey, [G] _ you can [C] park it
Here she goes, ready?
_ Come [B] on [A#] to the _ supermarket
[A] _ _ _ [C] Come on that is such phenomenal placement.
I gotta rewind it again supermarket with the vibrato.
Oh my god
Come on a donkey honey, [B] _ you can [C] park _ [E] [C] it
_ _ _ [B] Come on [Gm] to the _ supermarket
[F#m] _ _ [Dm]
Come _ [N] _ _ _ _ on to _ the supermarket
Come on to the supermarket
_ This is where she's actually on an F now
_ Twice she goes supermarket and then she goes P.
King
It's F F E flat D flat then she straight tones pulse pulse then vibrato
Okay here let's listen to it.
Okay, let me find out where it [C] is.
It's at I'm sorry.
I gotta set this
I need an assistant stage manager.
Okay, here we _ go
[B] [A#] Up [A#m] _ _
_ _ [C] _ _ _ _ [C#] _ _
[C] _ [D#] _ _ [G#] _ [A#] _ _ _ [F#] _
_ _ [D#m] _ _ _ _ _ _
[A#m] _ _ _ _ [A#] _ _ to [F#] you
Up to you
Up [Cm] to you
[F#] Up to [A] you
[F#] _ _
_ _ _ _ _ _ _ _
[D#m] _ _ [C#] Up to you
[F#] Come [C#]
on
Come [F#] _ _ [C#] _ _ [F#] _ _ _
_ _ _ _ _ [B] _ [G#m] _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [B] _ [A#] _ [F#] on
Come _ [C#] _ [C] _ [D#] _ [A#] _ [A#m] _ _ _ _ [G#] _ _ [C#] on _ _
[C] _ [D#] _ [A#] _ [G#] _ [A#] Come on
_ [F#] _
_ _ [D#m] _ _ _ _ _ _
[A#m] _ _ _ _ [A#] _ _ [F#] _ _
_ [G#] _ _ [F#] _ [A] _ _ [F#] _ _
_ _ _ _ _ _ _ _
_ Come [C#] on Come on Come on
_ [F#] _ [C#] _ [F#m] _ _ _ [C#] _ _ [F#] _ Come on
_ _ _ _ [B] _ _ [F] _ _
_ _ _ _ [A#] _ _ [F] _ _
_ _ _ Come on Come [N] on Come on Come on