Chords for Shame – Bands Buy Records Episode 10
Tempo:
92.85 bpm
Chords used:
D
C
A
G
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hello there, my name is Charlie.
Guten Morgen, I'm Josh, we're from the band Shame.
We're here at Plato Records in Groningen.
We're here playing at EuroSonic Festival.
We're gonna do bands buy records for loud and quiet.
We got some money, so we're [D] gonna buy something.
Delicious.
[Bm]
[D]
[C] [D]
[C]
[G] [C] [G]
[C] You feel alone?
Well, times are good.
Do you [D] feel replaced?
Feel like [A] there's nothing at all.
He [F#] looks like the most beautiful [E] man
I've ever seen in my [D] life.
[C] Jesus Christ.
[G] That is sex appeal right there.
Yeah, definitely.
You [D] really here? Yeah.
[C] It's like [D] recording.
I'm just saying.
Sometimes when I'm feeling lonely,
[C] I like to put on One Step [D] Beyond
and kind of just [A] dance in my room.
[D] [C]
[D]
[C] I love Bruce [Em] Springsteen so [B] much.
Very much.
He's everything you want from America.
Like, he's every [C] right bit of it.
[D] [A] It's what my 16 year old self would be getting right now.
When I joined the band, all I listened to [D] was like Nas
and Wu-Tang and shit.
And [A] then I was a rocker kid when I was small.
[F#m] When I was in primary school,
all I wanted was a [Am] guitar and stuff.
But you know, I changed and now [D] I'm back.
The dude.
[C#] This [A] is the direction shame is going in.
[D]
Dr.
[G] Funkenstein, children of production.
[D] I've been watching you [G] move your sexy body.
[D] Funkin' for fun.
This might have to be where we spend
every penny we've been given on.
I bring you clothes.
Tons of passport mark.
Not some for me.
I'll buy it to [C] burn it.
The well-received catfish in the bottle, man.
[D]
And I hope that you'll hear me.
And I hope that you'll hear me.
[G] And I hope that you'll [D] hear me.
Okay, let's see what we got.
[C#] All right, good nubbin.
[D] All right, so I got Warsaw.
I've never, I wanted to get the first BP,
[G] but I found this.
It's got [D] some bonus tracks
I don't think I've ever heard before.
[C#] I'm looking forward to it.
It's got one minute, 44 [A] seconds on one.
[D#] I think Warsaw is my [Dm] favorite song by Joy [C#] Division.
Overall, [E] there's like a lot of good shit on that.
That early stuff.
[F#] Yeah, I think they're one of the bands,
like favorite [D#] bands in general.
I'm interested to hear [D] the production on this as well,
[F#] because it might not have been done by Martin Hanna,
but [Am] yeah, that's what I got.
Yeah.
And then John.
We got, so I think we're planning on swapping our vinyls
every week and kind of sharing both of them.
I got Headhunters by Herbie Hancock.
That was the [A] final decision.
We were tempted by the 3D [Am] holograms of Parliament,
but we gave in to the music, I think, in the end.
It was a bit too much for us.
[A] We got this album, I don't remember how many tracks.
It's like four or five tracks on this [A] album.
They're all like 10 minutes long,
and they're like the best fucking [G] jazz funk
sort of things [A] you'll hear.
Like the most interesting [F] version
of Watermelon Man you'll ever hear
in the opening track Chameleon.
That [A] was, when I was [Am] younger,
that was like my introduction to [D] funk.
We went a euro over the budget, being [Bm] greedy.
But I got this Teddy [G] Pendergast single.
In the wedding wearers, when I get back [D] to my girlfriends,
hold me [C] in love.
Two one.
[B] So, play some sweet Teddy Pendergast,
[Em] listen to his beautiful vocals.
What do I know about Teddy Pendergast?
I know he was paralyzed from the [A] waist down.
I knew that his [G#] first gig after that was Live Aid.
I know that.
[C] Yeah,
[D] that's some [C] seriously emotional [G] footage.
Yeah, no greater man has ever.
It's like, [D] [C] the waterworks start [D] coming through.
No greater man has looked this.
[G] No man has.
I'm [D] loving this [A] beautiful, this sexy,
[D] [C] ferocious, [D] entitled, beauty of a man.
But yeah, [C] that's what we got.
So thank you, Loud and Quiet.
We got some love, we got some funk,
and we got [D] some Warsaw, so.
I think it's kind of everything you wanna [F#] get
out of a record shop, really.
[C] War, love, [D] and deception.
Yeah.
Is the general message we try [Cm] to portray
from [D] these albums.
[F#] We're called Shame, we've been banned by records.
We'd like to thank Loud and Quiet.
[A] We've been here at U of S, on a carnigan.
We've had [B] the best time of our [C#] lives,
and we hope to see you [A] here next year.
[D]
Guten Morgen, I'm Josh, we're from the band Shame.
We're here at Plato Records in Groningen.
We're here playing at EuroSonic Festival.
We're gonna do bands buy records for loud and quiet.
We got some money, so we're [D] gonna buy something.
Delicious.
[Bm]
[D]
[C] [D]
[C]
[G] [C] [G]
[C] You feel alone?
Well, times are good.
Do you [D] feel replaced?
Feel like [A] there's nothing at all.
He [F#] looks like the most beautiful [E] man
I've ever seen in my [D] life.
[C] Jesus Christ.
[G] That is sex appeal right there.
Yeah, definitely.
You [D] really here? Yeah.
[C] It's like [D] recording.
I'm just saying.
Sometimes when I'm feeling lonely,
[C] I like to put on One Step [D] Beyond
and kind of just [A] dance in my room.
[D] [C]
[D]
[C] I love Bruce [Em] Springsteen so [B] much.
Very much.
He's everything you want from America.
Like, he's every [C] right bit of it.
[D] [A] It's what my 16 year old self would be getting right now.
When I joined the band, all I listened to [D] was like Nas
and Wu-Tang and shit.
And [A] then I was a rocker kid when I was small.
[F#m] When I was in primary school,
all I wanted was a [Am] guitar and stuff.
But you know, I changed and now [D] I'm back.
The dude.
[C#] This [A] is the direction shame is going in.
[D]
Dr.
[G] Funkenstein, children of production.
[D] I've been watching you [G] move your sexy body.
[D] Funkin' for fun.
This might have to be where we spend
every penny we've been given on.
I bring you clothes.
Tons of passport mark.
Not some for me.
I'll buy it to [C] burn it.
The well-received catfish in the bottle, man.
[D]
And I hope that you'll hear me.
And I hope that you'll hear me.
[G] And I hope that you'll [D] hear me.
Okay, let's see what we got.
[C#] All right, good nubbin.
[D] All right, so I got Warsaw.
I've never, I wanted to get the first BP,
[G] but I found this.
It's got [D] some bonus tracks
I don't think I've ever heard before.
[C#] I'm looking forward to it.
It's got one minute, 44 [A] seconds on one.
[D#] I think Warsaw is my [Dm] favorite song by Joy [C#] Division.
Overall, [E] there's like a lot of good shit on that.
That early stuff.
[F#] Yeah, I think they're one of the bands,
like favorite [D#] bands in general.
I'm interested to hear [D] the production on this as well,
[F#] because it might not have been done by Martin Hanna,
but [Am] yeah, that's what I got.
Yeah.
And then John.
We got, so I think we're planning on swapping our vinyls
every week and kind of sharing both of them.
I got Headhunters by Herbie Hancock.
That was the [A] final decision.
We were tempted by the 3D [Am] holograms of Parliament,
but we gave in to the music, I think, in the end.
It was a bit too much for us.
[A] We got this album, I don't remember how many tracks.
It's like four or five tracks on this [A] album.
They're all like 10 minutes long,
and they're like the best fucking [G] jazz funk
sort of things [A] you'll hear.
Like the most interesting [F] version
of Watermelon Man you'll ever hear
in the opening track Chameleon.
That [A] was, when I was [Am] younger,
that was like my introduction to [D] funk.
We went a euro over the budget, being [Bm] greedy.
But I got this Teddy [G] Pendergast single.
In the wedding wearers, when I get back [D] to my girlfriends,
hold me [C] in love.
Two one.
[B] So, play some sweet Teddy Pendergast,
[Em] listen to his beautiful vocals.
What do I know about Teddy Pendergast?
I know he was paralyzed from the [A] waist down.
I knew that his [G#] first gig after that was Live Aid.
I know that.
[C] Yeah,
[D] that's some [C] seriously emotional [G] footage.
Yeah, no greater man has ever.
It's like, [D] [C] the waterworks start [D] coming through.
No greater man has looked this.
[G] No man has.
I'm [D] loving this [A] beautiful, this sexy,
[D] [C] ferocious, [D] entitled, beauty of a man.
But yeah, [C] that's what we got.
So thank you, Loud and Quiet.
We got some love, we got some funk,
and we got [D] some Warsaw, so.
I think it's kind of everything you wanna [F#] get
out of a record shop, really.
[C] War, love, [D] and deception.
Yeah.
Is the general message we try [Cm] to portray
from [D] these albums.
[F#] We're called Shame, we've been banned by records.
We'd like to thank Loud and Quiet.
[A] We've been here at U of S, on a carnigan.
We've had [B] the best time of our [C#] lives,
and we hope to see you [A] here next year.
[D]
Key:
D
C
A
G
F#
D
C
A
Hello there, my name is Charlie.
Guten Morgen, I'm Josh, we're from the band Shame.
We're here at Plato Records in Groningen.
We're here playing at EuroSonic Festival.
We're gonna do bands buy records for loud and quiet.
We got some money, so we're [D] gonna buy something.
Delicious. _ _
_ _ _ [Bm] _ _ _
[D] _ _ _ _ _ _
_ _ [C] _ _ [D] _ _
[C] _ _ _ _ _ _
[G] _ _ [C] _ _ [G] _ _
[C] You feel alone?
Well, times are good.
Do you [D] feel replaced?
Feel like [A] there's nothing at all.
He [F#] looks like the most beautiful [E] man
I've ever seen in my [D] life.
_ [C] Jesus Christ.
[G] That is sex appeal right there.
Yeah, definitely.
You [D] really here? Yeah.
[C] It's like [D] recording.
I'm just saying.
Sometimes when I'm feeling lonely,
[C] I like to put on One Step [D] Beyond
and kind of just [A] dance in my room.
[D] _ _ [C] _ _
[D] _ _ _ _ _ _
[C] _ I love Bruce [Em] Springsteen so [B] much.
Very much.
He's everything you want from America.
Like, he's every [C] right bit of it.
[D] _ _ _ [A] It's what my 16 year old self would be getting right now.
When I joined the band, all I listened to [D] was like Nas
and Wu-Tang and shit.
And [A] then I was a rocker kid when I was small.
[F#m] When I was in primary school,
all I wanted was a [Am] guitar and stuff.
But you know, I changed and now [D] I'm back.
The dude. _ _
[C#] _ _ This [A] is the direction shame is going in.
_ [D] _ _ _
Dr.
_ [G] Funkenstein, children of production.
[D] I've been watching you [G] move your sexy body.
[D] Funkin' for fun.
This might have to be where we spend
every penny we've been given on.
I bring you clothes. _
Tons of passport mark.
_ Not some for me.
_ I'll buy it to [C] burn it.
The well-received catfish in the bottle, man.
_ [D] _
_ _ _ _ And I hope that you'll hear me.
And I hope that you'll hear me.
[G] And I hope that you'll [D] hear me.
Okay, let's see what we got.
[C#] All right, good nubbin.
[D] All right, so I got Warsaw.
_ I've never, I wanted to get the first BP,
[G] but I found this.
It's got [D] some bonus tracks
I don't think I've ever heard before.
[C#] I'm looking forward to it.
It's got one minute, 44 [A] seconds on one.
[D#] I think Warsaw is my [Dm] favorite song by Joy [C#] Division.
Overall, [E] there's like a lot of good shit on that.
That early stuff.
[F#] Yeah, I think they're one of the bands,
like favorite [D#] bands in general.
I'm interested to hear [D] the production on this as well,
[F#] because it might not have been done by Martin Hanna,
but _ _ [Am] yeah, that's what I got.
Yeah.
And then John.
We got, so I think we're planning on swapping our vinyls
every week and kind of sharing both of them.
I got _ _ Headhunters by Herbie Hancock.
That was the [A] final decision.
We were tempted by the 3D [Am] holograms of Parliament,
but we gave in to the music, I think, in the end.
It was a bit too much for us.
[A] We got this album, I don't remember how many tracks.
It's like four or five tracks on this [A] album.
They're all like 10 minutes long,
and they're like the best fucking [G] jazz funk
sort of things [A] you'll hear.
Like the most interesting _ [F] version
of Watermelon Man you'll ever hear
in the opening track Chameleon.
That [A] was, when I was [Am] younger,
that was like my introduction to [D] funk.
We went a euro over the budget, being [Bm] greedy.
But I got this Teddy [G] Pendergast single.
In the wedding wearers, when I get back [D] to my girlfriends,
hold me [C] in love.
Two one.
[B] So, play some sweet Teddy Pendergast,
[Em] listen to his beautiful vocals.
What do I know about Teddy Pendergast?
I know he was paralyzed from the [A] waist down.
I knew that his [G#] first gig after that was Live Aid.
I know that.
[C] Yeah, _
[D] that's some [C] seriously emotional [G] footage.
Yeah, no greater man has ever.
It's like, [D] _ [C] the waterworks start [D] coming through.
No greater man has looked this. _
[G] No man has.
I'm [D] loving this [A] beautiful, this sexy,
[D] _ _ [C] ferocious, [D] entitled, beauty of a man.
But yeah, [C] that's what we got.
So thank you, Loud and Quiet.
We got some love, we got some funk,
and we got [D] some Warsaw, so.
I think it's kind of everything you wanna [F#] get
out of a record shop, really.
[C] War, love, [D] and deception.
Yeah.
Is the general message we try [Cm] to portray
from [D] these albums.
[F#] We're called Shame, we've been banned by records.
We'd like to thank Loud and Quiet.
[A] We've been here at U of S, on a carnigan.
We've had [B] the best time of our [C#] lives,
and we hope to see you [A] here next year.
_ _ [D] _ _
Guten Morgen, I'm Josh, we're from the band Shame.
We're here at Plato Records in Groningen.
We're here playing at EuroSonic Festival.
We're gonna do bands buy records for loud and quiet.
We got some money, so we're [D] gonna buy something.
Delicious. _ _
_ _ _ [Bm] _ _ _
[D] _ _ _ _ _ _
_ _ [C] _ _ [D] _ _
[C] _ _ _ _ _ _
[G] _ _ [C] _ _ [G] _ _
[C] You feel alone?
Well, times are good.
Do you [D] feel replaced?
Feel like [A] there's nothing at all.
He [F#] looks like the most beautiful [E] man
I've ever seen in my [D] life.
_ [C] Jesus Christ.
[G] That is sex appeal right there.
Yeah, definitely.
You [D] really here? Yeah.
[C] It's like [D] recording.
I'm just saying.
Sometimes when I'm feeling lonely,
[C] I like to put on One Step [D] Beyond
and kind of just [A] dance in my room.
[D] _ _ [C] _ _
[D] _ _ _ _ _ _
[C] _ I love Bruce [Em] Springsteen so [B] much.
Very much.
He's everything you want from America.
Like, he's every [C] right bit of it.
[D] _ _ _ [A] It's what my 16 year old self would be getting right now.
When I joined the band, all I listened to [D] was like Nas
and Wu-Tang and shit.
And [A] then I was a rocker kid when I was small.
[F#m] When I was in primary school,
all I wanted was a [Am] guitar and stuff.
But you know, I changed and now [D] I'm back.
The dude. _ _
[C#] _ _ This [A] is the direction shame is going in.
_ [D] _ _ _
Dr.
_ [G] Funkenstein, children of production.
[D] I've been watching you [G] move your sexy body.
[D] Funkin' for fun.
This might have to be where we spend
every penny we've been given on.
I bring you clothes. _
Tons of passport mark.
_ Not some for me.
_ I'll buy it to [C] burn it.
The well-received catfish in the bottle, man.
_ [D] _
_ _ _ _ And I hope that you'll hear me.
And I hope that you'll hear me.
[G] And I hope that you'll [D] hear me.
Okay, let's see what we got.
[C#] All right, good nubbin.
[D] All right, so I got Warsaw.
_ I've never, I wanted to get the first BP,
[G] but I found this.
It's got [D] some bonus tracks
I don't think I've ever heard before.
[C#] I'm looking forward to it.
It's got one minute, 44 [A] seconds on one.
[D#] I think Warsaw is my [Dm] favorite song by Joy [C#] Division.
Overall, [E] there's like a lot of good shit on that.
That early stuff.
[F#] Yeah, I think they're one of the bands,
like favorite [D#] bands in general.
I'm interested to hear [D] the production on this as well,
[F#] because it might not have been done by Martin Hanna,
but _ _ [Am] yeah, that's what I got.
Yeah.
And then John.
We got, so I think we're planning on swapping our vinyls
every week and kind of sharing both of them.
I got _ _ Headhunters by Herbie Hancock.
That was the [A] final decision.
We were tempted by the 3D [Am] holograms of Parliament,
but we gave in to the music, I think, in the end.
It was a bit too much for us.
[A] We got this album, I don't remember how many tracks.
It's like four or five tracks on this [A] album.
They're all like 10 minutes long,
and they're like the best fucking [G] jazz funk
sort of things [A] you'll hear.
Like the most interesting _ [F] version
of Watermelon Man you'll ever hear
in the opening track Chameleon.
That [A] was, when I was [Am] younger,
that was like my introduction to [D] funk.
We went a euro over the budget, being [Bm] greedy.
But I got this Teddy [G] Pendergast single.
In the wedding wearers, when I get back [D] to my girlfriends,
hold me [C] in love.
Two one.
[B] So, play some sweet Teddy Pendergast,
[Em] listen to his beautiful vocals.
What do I know about Teddy Pendergast?
I know he was paralyzed from the [A] waist down.
I knew that his [G#] first gig after that was Live Aid.
I know that.
[C] Yeah, _
[D] that's some [C] seriously emotional [G] footage.
Yeah, no greater man has ever.
It's like, [D] _ [C] the waterworks start [D] coming through.
No greater man has looked this. _
[G] No man has.
I'm [D] loving this [A] beautiful, this sexy,
[D] _ _ [C] ferocious, [D] entitled, beauty of a man.
But yeah, [C] that's what we got.
So thank you, Loud and Quiet.
We got some love, we got some funk,
and we got [D] some Warsaw, so.
I think it's kind of everything you wanna [F#] get
out of a record shop, really.
[C] War, love, [D] and deception.
Yeah.
Is the general message we try [Cm] to portray
from [D] these albums.
[F#] We're called Shame, we've been banned by records.
We'd like to thank Loud and Quiet.
[A] We've been here at U of S, on a carnigan.
We've had [B] the best time of our [C#] lives,
and we hope to see you [A] here next year.
_ _ [D] _ _