Chords for Sharon Jones & The Dap-Kings - How Do I Let A Good Man Down (Live in Sydney) | Moshcam

_ [C] _ [A] We still need to bring this_
[D] We got to bring it down.
[Dm] We got to bring [Am] it down.
[Dm] _ [G] We got to bring [D] the music down a little bit. _ _ _ _
_ And by bringing everything _ [Dm] down_
It sounds like a [D] little hollow_
A little [Am] hole_
[D] Na, na, na, na, na, na, na, na, na, na, na, na.
Mm, mm, mm, mm, mm, mm, mm.
Yeah, [G] uh, _ _
[A] _ uh, yeah yeah, ooh yeah.
[Dm] Ooh, [G] uh, uh, [Dm] uh, uh.
[E] _ _ [G] You [Dm] know what I'mma do?
_ I know [D] my man, bring it down, bring it down.
Oh, you're heavy.
_ _ Not that low.
Bring it back up, bring it back up, bring it back up.
[Dm] _ Now just bring it down a little bit.
_ _ _ Right there.
_ [Gm] _
[Am] Now y'all, [Dm] _ _ [E] _ I got on my Tina Turner [B] dress.
_ _ [Dm] _ _ _
_ _ [B] _ [Dm] When I put this dress on, [A] I feel like Stretton, y'all. _ _ _ _
And I'm gonna get [Am] my Stretton right [Dm] now.
_ [D] _ _
Now I feel like them women up there.
_ [Am] Doot, doot, doot, [Dm] doot, doot, [G] doot, doot.
[Dm] All right, _ [G] that's it.
[Dm] Let me strip.
Give me some strip.
_ [A] _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ _ _ [C] Let me [B] strip my hair.
[D] Okay.
Nice to meet you, we've been getting along.
So [A] close now.
_ _ _ [B] _ [Dm] _
You never hurt me.
[G] Oh, you're not the one [Dm] that I'm being wrong.
[D] You're _ _ _ [G] _ _
_ [Am] _ _ _ [G] _ _ _ [Am] _
_ _ [E] _ a good man, darling. _
[Am] _ _ _ _ _ [D] Oh, _
_ _ [Dm] yeah.
_ Oh, listen here.
_ _ _ _ [D] _ _
_ _ [A] _ _ No. _ _
_ _ _ _ _ I'm talking to myself.
[D] Yeah.
Now you make [G] me happy, but you give me [Am] this real.
You [G] give me comfort, but you [Am] give me chills.
You're [Dm] a good man, darling.
[Am] _
_ _ _ _ _ _ [C] You're a good man, darling.
[Dm] _ _ You're a good [C] man, darling.
[Dm] _
You're a good man, darling.
_ You're [Am] a good man, darling.
[D] We _ _ _ _ _
_ _ [Dm] _ _ _ _ _ [Am] _
_ [A] _ _ [Dm] _ _ [D] _ _ _
_ _ _ _ _ got to get this [Am] sound right.
[D] _ _ [G] _ [Dm] _ _ [Am] _ [D] _ _
_ [Dm] _ _ [A] [Dm] You got to believe me.
[D]
I didn't need to [Am] find [Dm] nobody else.
[D] _ _ [A]
You know I don't want to hurt you,
[G] [D] but I got to go through [Dm] myself.
_ [G] _ [C] Yeah.
You make [G] me happy, but you [A] give me this real.
You [G] give me comfort, but you give [Am] me chills.
_ [Dm] I'm a good man, darling. _
[Am] _ _ _ _ _ _ _ [Dm] _
_ _ [A] _ _ _ [Dm] _ _ _
_ _ _ [A] _ _ _ _ _
[C] _ _ _ I'm a good man, darling. _
_ _ _ [D] I'm a good man, darling.
I'm a good man, darling.
_ All right.
_ _ _ _ _ _ _ _
_ [N] _ Oh _ _ _ my God.
All right.
This is too bassy.
I'm hearing too much bottoms.
I need to hear me on the stage.
I'm sorry, y'all.
Forgive me, but we got to get this right.
[F#] Got to get this right right now.
[G] Come on.
_ This is like the third song.
I'm into the set now.
Come on.
[F] _ [G] _ Yeah. _
_ _ Y'all try to play a little softer here, too.
Y'all try to keep it down on the stage.
Maybe that'll help the sound, man, if we just keep it,
you know?
You know what I'm saying? _
All right, now.
_ _ _ I need to hear that.
_ _ [F] That's all right.
I need to hear a little, you know, I need to hear some little,
a little mids.
I need to hear something in there and a little [G] reverb in there and just
make sure I'm on the stage.
You know why he's getting [C#] that together, [G] y'all?
Y'all prepare yourself right now.
I need some background singers.
I'm going to talk and I'm going to keep going and I'm going to give you
the thumbs up when everything is sounding right.
Now, instead [C] of getting, you know, trying to pull some background singers
on the stage, _ [G]
I need to hear a little bit more [C] of my highs.
I need to hear a [Gm] little bit more nasal in my vocals.
I'm hearing too much [F] bottom.
That's the problem.
I need [G] to hear, you know, _ a little bit more mids or something in here.
Just not too, bring the volume.
That's it, work it now.
Come on, y'all.
Get me, you know, let's do this now. _
It's still a little too deep.
It's too dry.
It's dry.
That's what it is.
Come on. _
Wet it up for me now. _ _ _ _ _
_ _ _ _ _ You know, give me a little bit of, you know, wavering.
Come on now, I'm going to [F] work with y'all now.
The smile is still on my face.
I'm still [D#] smiling.
Come on, we're going to get this going [G] now.
Now, listen, while they're getting this together and while I'm going to be
working with this, and I'm going to try not to have to talk about the sound
anymore, but I still have to because it still sounds a little deep to me.
I'm trying to get that little mid nasal thing in there.
So, y'all work with me.
Now, listen, all y'all got to do, [C] my background singers,
[G] very simple, when I point at everybody in the house,
all y'all have to say it.
Woo-hoo, that's all y'all got to say.
That's all you got to say.
When I point.
Now, let's get some attitude.
We need attitude.
I really need some attitude right now. _