Chords for Sinead O'Connor-In this heart.

[G] _ _ _ I'm very pleased because we've got Sinead O'Connor with us, ladies and gentlemen.
Sinead O'Connor.
I'm _ _ _ _ _ _ _ _ very pleased that you're on the show.
And I have to ask you, what the first thing, sort of music, that you listened to that got
you interested in music was when you were a child in Ireland?
The very first thing I remember being influenced by was Bob Dylan's album Slow Train [D#] Coming.
I remember listening to a song called Gotta Serve Somebody.
It was the [Em] first thing that made me really want to be a [G] singer.
Now on your new record, Fire On Babylon, it owes quite a lot to reggae.
It's like a quite strong reggae influence.
What attracts you to reggae?
Are you a [Gm] reggae fan?
Yeah, very [D#] much so.
Bob Marley, obviously, would be a big influence of mine.
Particularly, I like the Rasta element.
I like the way they've observed for [G] years before we ever did that the Catholic Church
had basically been duping people for years and had misrepresented God quite severely,
actually.
I like the [D#] way, basically, the courage that the Rastas have had for years before [G] [Cm] even
the Irish got to it in [G] identifying the Catholic Church as being basically against God.
Now, we asked you to select some video.
_ _ What is the piece that you've selected for us?
I've selected Crazy Baldheads.
I like it because I hear a lot in Rastafarianism which reminds me of Ireland and I hear a lot
of Irishness in it.
The experience of [D#] the Irish people has [G] been very similar, obviously, to the experience
of the African people.
What I like about the song is that Bob [D#] Marley identifies correctly that the way in which
the Church gained control over all sorts of races of people was by taking over the educational
systems of the countries into which they went.
[G] So, that's basically what I like about the song, how he has the courage to come out and
say, here comes the con man [D#] coming with his [G] con plan.
So, that's why I like it.
I'll shut up now.
Let's have a look at it.
That's what I said.
Ladies and gentlemen, your [F#m] selection of Bob Marley.
There he is.
_ Here comes the con man, _ coming with his con plan.
_ He won't [Bm] take no bribe.
[F#m] We've got to [Bm] stay alive.
[F#m] We're about to chase those crazy.
[Bm] _ _ [F#m] Chase those [Bm] crazy.
_ [F#m] Chase those crazy [Bm] ballers.
_ [F#m]
Chase those crazy [Bm] punkers.
[F#m] Chase those [Bm] crazy ballers.
Right [F#m] out of town.
_ [G#] _ _ _ _
[G] Okay.
_ _ _ Now, you've done a lot of good to these people.
Yes.
And you've done a duet with, well, and you were on the David Letterman show the other
evening, dueting with Van Morrison, with the Cheathens behind him.
And you seem to be sort of howling with laughter.
Tell me about what was going on there.
He was or I was?
Well, both of you were.
I was laughing at him.
I couldn't believe how funny he was.
Also, it's quite weird because you meet somebody like Van Morrison, the thing that keeps going
through your mind is, my God, this man is really ordinary.
I was expecting him to be really unusual or something, but he wasn't.
So, I was kind of laughing at that, but he's just this ordinary guy and he was kind of pissed.
And he was flirting with me sort of as well, which I couldn't believe.
I found that hard to believe that Van Morrison's face was right in my face, like, you know,
and I was supposed to not kiss him or something.
It's not on screen.
I'd have kissed him.
No, I wouldn't.
Well, I would have, [E] except his girlfriend [G] was there.
Thank you very much for coming on and we'll look forward to a number from you, two numbers
from you in a moment.
So, ladies and gentlemen, Sinead O'Connor. _ _ _ _ _
_ _ _ Indeed, Sinead O'Connor.
We'll be hearing more of her later.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Dm] I long [G] _ _ _ _ [Dm] _ [G] _ _
_ _ to say _ to _ _ _ _ you, _ _ _ _ _ _ my love, _ _ _ I am waiting _ _ _ _ _ [Bm] _ _ _
for [G] _ _ _ _ me _ _ [C#] to [Dm] adore you.
My [G] heart, _ _ _ _ _ _
[E] [G] my love, _ _ _ _ _ _ _ _ _ _ _ _
this is my [Gm] _ _ [G] _ _
_ _ _ _ _ _ _ _
force _ _ _ _ _ _ of evil.
The _ hurting [D] _
of _ _ my [G] love _ _ _ _ _ [C#] _ _ _
_ _ _ _ [G] _ [C#] is _ _ [A#] all.
_ _ [C#] _ _ _
_ _ _ _ _ _ _
These tears [G#] will [C#] have cried, [A#] oh lonely _ _ [D] _ _ _
[F] my, _ _ _ [Bm] _ _ _ _
_ [C#] _ _ _ _ _ _
[G] I [C#] will have _ _ [F#] _ _ _
[C#] with me. _ _ _
In arms _ _ _ _ _
[G#m] _ _ [D] only _ [A#] for _
_ _ [G#] _ _ _ [D] _ _
my [C#] love, _ _ _ _ [Gm] _
_ [G#] my.
_ _ [C#] _ _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _