Count The Ways Chords by Slum Village

Tempo:
114.1 bpm
Chords used:

E

G#m

C#

F#m

G#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Slum Village - Count the Ways chords
Start Jamming...
[E] Yeah, there [C#]
we [G#m] go.
I'm gonna take that [F#m] off right there.
Yeah.
[E]
[F#] And I can tie it right there.
But I'm gonna cut that part since [F#m] it's a tutorial.
[E] Yeah.
So many ways to touch [C#] you.
I've been thinking of [G#] you.
But I've only got the ways to [F#m] call you.
You're the one I want, girl. [E] Oh, Ida.
So many ways to [F#] touch you.
I've [G#] been thinking of [G#m] you.
But I've only got the ways to call you.
[B] You're [E] the one I want, girl.
You're the one I [G#] want, girl.
You're the one I want, girl.
You're the one I want, [D#m] girl.
You're the one I want, girl.
[B] You're the one I want, [A] girl.
It [E] goes day one.
I would take her on a [F] short vacation.
Some place to chill, [G#] probably some place warm.
Don't pack nothing but bathing [A] suits and shorts, huh?
And that's for real, girl.
And [E] then step two, when you land off the plane up [C#] in Malibu,
limo chauffeur service [G#] awaits you.
Champagne opening [A] the sunroof too.
Black leather interior [G#m] trimmed in pot of blue.
We roll out, then we shift [C#] you.
Step three, hotel accommodations [G#m] is lovely.
There's no wait.
They [F#m] hand us the room key.
Top floor, you know [E] the penthouse suite.
It's plush dotted, six [F#] rooms for two weeks.
It's three beds, two baths, [G#] one jacuzzi.
You got a wardrobe sitting in [A] your dressing room.
Step four, you're ready to draw.
That's when L-Step [E] finna set up step four.
There's many ways to [C#] touch her.
I've been thinking [F#] of you.
Let me count the ways to fuck you.
[F#m] You're the one I want, girl.
[G#m] There's many [F] ways to touch her.
I've been [D#m] thinking of you.
[G#m]
Let me count the ways to fuck you.
[C#] You're the one I want, [G#m] girl.
[E]
Girl.
[C#] Girl.
[G#] Girl.
Girl.
[F#m]
Girl.
Girl.
[E] Yeah, there's lingerie in the [F#] blindfold with handcuffs.
Chardonnay for the wine-throwing camera.
So we can play back [F#m] this moment in a DVD.
And my Mercedes-Benz [E] truck through the three TVs.
The water's running for your [C#] bath.
Now we in step five.
Giving you headwind for life, being [G#m] baptized.
Dry you off and let you get [F#m] inside your negligee.
Pour some wine like the [E] gro and let a record play.
Dwell AG track [D#m] ten, that's my favorite age.
You blaze with me, we laughing.
[G#m] And on our way to six, stick my tongue in your ear.
[A] Set the mood right.
Hit the balcony and grind [E] you in the moonlight.
You horny off a gentle breeze before [C#] we off a six.
Dab some wine on your nipples [G#] and lick it off you.
Now we enter at seven [F#m] and you just can't wait.
[A] It's like you enter in heaven's [E] gates when we make eight.
There's many ways to [C#] touch her.
I've been thinking of [F#] you.
[G#m] Let me count the ways to fuck [D#] you.
You're the one I [E] want, girl.
There's many ways to [C#] touch her.
I've been thinking of you.
[D#m] Let [B] me count the ways to fuck you.
[F#m] You're the one I want, girl.
[E]
Girl.
[F#]
Girl.
Girl.
Girl.
[A] [E] Now we in eight, reaching the climb out.
[C#] You're feeling so relaxed.
Take you to another [G#m] place, lay you on your back.
Your body's trembling, girl, [F#m] you're feeling so right.
Repeated actions turning moonlight [E] to daylight.
We watched the sun [F#] rise and it's step nine.
Breakfast in bed with cherries and some [G#m] chilled wine.
With the windows cracked [A] open, feel a slight wind.
I take my time as I [E] ease into step ten.
Yeah, believe when my only [C#] reason's for this hunt.
Is pleasing, sticking my keys in [G#] your ignition.
You're screaming, eleven [F#m] seeming like big fun.
You're even, we both [E] skiing and just come.
You're screaming and I'm [F#] seeming.
We get done, we leaving.
The next [G#] evening, events come.
You're fiending, we hit the suite and [A] you can get some.
We leading at twelve and [E] bring it back to just one.
There's many ways to [C#] touch her.
I've been thinking of you.
I've been thinking of [G#] you.
Let me cut the ways to pluck you.
[G#m] You're the one I want, girl.
There's many ways to [F] touch her.
I've been [D#m] thinking of you.
Let me cut the ways to pluck you, [F#m] girl.
You're the one I want, girl.
[B] There's many ways [F] to touch her.
I've been thinking [G#m] of you.
Let me cut the ways to [E] pluck you.
You're the one I want, girl.
[A#m]
[G#m] [A]
[N]
Key:  
E
2311
G#m
123111114
C#
12341114
F#m
123111112
G#
134211114
E
2311
G#m
123111114
C#
12341114
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Chords
NotesBeta

To jam and learn Slum Village - Count The Ways chords, your primary focus should be mastering these chords sequence: F#, F#m, E, C#, G#, F#m, E, C#, G# and A. A strategic approach would be to train at 57 BPM initially, and then accelerate to the song's tempo of 114. Adjust the capo based on your vocal range and chord preference, keeping the song's key of D Minor in mind.

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[E] _ _ Yeah, there [C#] _
_ _ we [G#m] go. _
_ I'm gonna take that [F#m] off right there. _
Yeah.
[E] _ _ _ _
[F#] And I can tie it right there. _
_ But I'm gonna cut that part since [F#m] it's a tutorial.
_ [E] Yeah.
So many ways to touch [C#] you.
I've been thinking of [G#] you.
But I've only got the ways to [F#m] call you.
You're the one I want, girl. [E] Oh, Ida.
So many ways to [F#] touch you.
I've [G#] been thinking of [G#m] you.
But I've only got the ways to call you.
[B] You're [E] the one I want, girl. _
_ You're the one I [G#] want, girl.
You're the one I want, girl.
You're the one I want, [D#m] girl.
You're the one I want, girl.
[B] You're the one I want, [A] girl.
It [E] goes day one.
I would take her on a [F] short vacation.
Some place to chill, [G#] probably some place warm.
Don't pack nothing but bathing [A] suits and shorts, huh?
And that's for real, girl.
And [E] then step two, when you land off the plane up [C#] in Malibu,
limo chauffeur service [G#] awaits you.
Champagne opening [A] the sunroof too.
Black leather interior [G#m] trimmed in pot of blue.
We roll out, then we shift [C#] you.
Step three, hotel accommodations [G#m] is lovely.
There's no wait.
They [F#m] hand us the room key.
Top floor, you know [E] the penthouse suite.
It's plush dotted, six [F#] rooms for two weeks.
It's three beds, two baths, [G#] one jacuzzi.
You got a wardrobe sitting in [A] your dressing room.
Step four, you're ready to draw.
That's when L-Step [E] finna set up step four.
There's many ways to [C#] touch her.
I've been thinking [F#] of you.
Let me count the ways to fuck you.
[F#m] You're the one I want, girl.
[G#m] _ There's many [F] ways to touch her.
I've been [D#m] thinking of you.
[G#m]
Let me count the ways to fuck you.
[C#] You're the one I want, [G#m] girl.
_ _ [E] _
Girl.
[C#] _ _ Girl.
[G#] Girl.
Girl.
_ _ _ [F#m] _ _
Girl.
Girl.
[E] Yeah, there's lingerie in the [F#] blindfold with handcuffs.
Chardonnay for the wine-throwing camera.
So we can play back [F#m] this moment in a DVD.
And my Mercedes-Benz [E] truck through the three TVs.
The water's running for your [C#] bath.
Now we in step five.
Giving you headwind for life, being [G#m] baptized.
Dry you off and let you get [F#m] inside your negligee.
Pour some wine like the [E] gro and let a record play.
Dwell AG track [D#m] ten, that's my favorite age.
You blaze with me, we laughing.
[G#m] And on our way to six, stick my tongue in your ear.
[A] Set the mood right.
Hit the balcony and grind [E] you in the moonlight.
You horny off a gentle breeze before [C#] we off a six.
Dab some wine on your nipples [G#] and lick it off you.
Now we enter at seven [F#m] and you just can't wait.
[A] It's like you enter in heaven's [E] gates when we make eight.
There's many ways to [C#] touch her.
I've been thinking of [F#] you.
[G#m] Let me count the ways to fuck [D#] you.
You're the one I [E] want, girl.
_ There's many ways to [C#] touch her.
I've been thinking of you.
[D#m] Let [B] me count the ways to fuck you.
[F#m] You're the one I want, girl.
_ [E] _
_ Girl.
[F#] _ _ _
Girl. _ _ _
Girl.
Girl.
_ [A] _ [E] Now we in eight, reaching the climb out.
[C#] You're feeling so relaxed.
Take you to another [G#m] place, lay you on your back.
Your body's trembling, girl, [F#m] you're feeling so right.
Repeated actions turning moonlight [E] to daylight.
We watched the sun [F#] rise and it's step nine.
Breakfast in bed with cherries and some [G#m] chilled wine.
With the windows cracked [A] open, feel a slight wind.
I take my time as I [E] ease into step ten.
Yeah, believe when my only [C#] reason's for this hunt.
Is pleasing, sticking my keys in [G#] your ignition.
You're screaming, eleven [F#m] seeming like big fun.
You're even, we both [E] skiing and just come.
You're screaming and I'm [F#] seeming.
We get done, we leaving.
The next [G#] evening, events come.
You're fiending, we hit the suite and [A] you can get some.
We leading at twelve and [E] bring it back to just one.
There's many ways to [C#] touch her.
I've been thinking of you.
I've been thinking of [G#] you.
Let me cut the ways to pluck you.
[G#m] You're the one I want, girl.
_ There's many ways to [F] touch her. _
I've been [D#m] thinking of you.
Let me cut the ways to pluck you, [F#m] girl.
You're the one I want, girl.
[B] _ There's many ways [F] to touch her.
I've been thinking [G#m] of you.
Let me cut the ways to [E] pluck you.
You're the one I want, girl. _ _ _ _
_ [A#m] _ _ _ _ _
[G#m] _ _ _ _ [A] _ _
_ _ _ _ [N] _ _

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