Count The Ways Chords by Slum Village
Tempo:
114.1 bpm
Chords used:
E
G#m
C#
F#m
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E] Yeah, there [C#]
we [G#m] go.
I'm gonna take that [F#m] off right there.
Yeah.
[E]
[F#] And I can tie it right there.
But I'm gonna cut that part since [F#m] it's a tutorial.
[E] Yeah.
So many ways to touch [C#] you.
I've been thinking of [G#] you.
But I've only got the ways to [F#m] call you.
You're the one I want, girl. [E] Oh, Ida.
So many ways to [F#] touch you.
I've [G#] been thinking of [G#m] you.
But I've only got the ways to call you.
[B] You're [E] the one I want, girl.
You're the one I [G#] want, girl.
You're the one I want, girl.
You're the one I want, [D#m] girl.
You're the one I want, girl.
[B] You're the one I want, [A] girl.
It [E] goes day one.
I would take her on a [F] short vacation.
Some place to chill, [G#] probably some place warm.
Don't pack nothing but bathing [A] suits and shorts, huh?
And that's for real, girl.
And [E] then step two, when you land off the plane up [C#] in Malibu,
limo chauffeur service [G#] awaits you.
Champagne opening [A] the sunroof too.
Black leather interior [G#m] trimmed in pot of blue.
We roll out, then we shift [C#] you.
Step three, hotel accommodations [G#m] is lovely.
There's no wait.
They [F#m] hand us the room key.
Top floor, you know [E] the penthouse suite.
It's plush dotted, six [F#] rooms for two weeks.
It's three beds, two baths, [G#] one jacuzzi.
You got a wardrobe sitting in [A] your dressing room.
Step four, you're ready to draw.
That's when L-Step [E] finna set up step four.
There's many ways to [C#] touch her.
I've been thinking [F#] of you.
Let me count the ways to fuck you.
[F#m] You're the one I want, girl.
[G#m] There's many [F] ways to touch her.
I've been [D#m] thinking of you.
[G#m]
Let me count the ways to fuck you.
[C#] You're the one I want, [G#m] girl.
[E]
Girl.
[C#] Girl.
[G#] Girl.
Girl.
[F#m]
Girl.
Girl.
[E] Yeah, there's lingerie in the [F#] blindfold with handcuffs.
Chardonnay for the wine-throwing camera.
So we can play back [F#m] this moment in a DVD.
And my Mercedes-Benz [E] truck through the three TVs.
The water's running for your [C#] bath.
Now we in step five.
Giving you headwind for life, being [G#m] baptized.
Dry you off and let you get [F#m] inside your negligee.
Pour some wine like the [E] gro and let a record play.
Dwell AG track [D#m] ten, that's my favorite age.
You blaze with me, we laughing.
[G#m] And on our way to six, stick my tongue in your ear.
[A] Set the mood right.
Hit the balcony and grind [E] you in the moonlight.
You horny off a gentle breeze before [C#] we off a six.
Dab some wine on your nipples [G#] and lick it off you.
Now we enter at seven [F#m] and you just can't wait.
[A] It's like you enter in heaven's [E] gates when we make eight.
There's many ways to [C#] touch her.
I've been thinking of [F#] you.
[G#m] Let me count the ways to fuck [D#] you.
You're the one I [E] want, girl.
There's many ways to [C#] touch her.
I've been thinking of you.
[D#m] Let [B] me count the ways to fuck you.
[F#m] You're the one I want, girl.
[E]
Girl.
[F#]
Girl.
Girl.
Girl.
[A] [E] Now we in eight, reaching the climb out.
[C#] You're feeling so relaxed.
Take you to another [G#m] place, lay you on your back.
Your body's trembling, girl, [F#m] you're feeling so right.
Repeated actions turning moonlight [E] to daylight.
We watched the sun [F#] rise and it's step nine.
Breakfast in bed with cherries and some [G#m] chilled wine.
With the windows cracked [A] open, feel a slight wind.
I take my time as I [E] ease into step ten.
Yeah, believe when my only [C#] reason's for this hunt.
Is pleasing, sticking my keys in [G#] your ignition.
You're screaming, eleven [F#m] seeming like big fun.
You're even, we both [E] skiing and just come.
You're screaming and I'm [F#] seeming.
We get done, we leaving.
The next [G#] evening, events come.
You're fiending, we hit the suite and [A] you can get some.
We leading at twelve and [E] bring it back to just one.
There's many ways to [C#] touch her.
I've been thinking of you.
I've been thinking of [G#] you.
Let me cut the ways to pluck you.
[G#m] You're the one I want, girl.
There's many ways to [F] touch her.
I've been [D#m] thinking of you.
Let me cut the ways to pluck you, [F#m] girl.
You're the one I want, girl.
[B] There's many ways [F] to touch her.
I've been thinking [G#m] of you.
Let me cut the ways to [E] pluck you.
You're the one I want, girl.
[A#m]
[G#m] [A]
[N]
we [G#m] go.
I'm gonna take that [F#m] off right there.
Yeah.
[E]
[F#] And I can tie it right there.
But I'm gonna cut that part since [F#m] it's a tutorial.
[E] Yeah.
So many ways to touch [C#] you.
I've been thinking of [G#] you.
But I've only got the ways to [F#m] call you.
You're the one I want, girl. [E] Oh, Ida.
So many ways to [F#] touch you.
I've [G#] been thinking of [G#m] you.
But I've only got the ways to call you.
[B] You're [E] the one I want, girl.
You're the one I [G#] want, girl.
You're the one I want, girl.
You're the one I want, [D#m] girl.
You're the one I want, girl.
[B] You're the one I want, [A] girl.
It [E] goes day one.
I would take her on a [F] short vacation.
Some place to chill, [G#] probably some place warm.
Don't pack nothing but bathing [A] suits and shorts, huh?
And that's for real, girl.
And [E] then step two, when you land off the plane up [C#] in Malibu,
limo chauffeur service [G#] awaits you.
Champagne opening [A] the sunroof too.
Black leather interior [G#m] trimmed in pot of blue.
We roll out, then we shift [C#] you.
Step three, hotel accommodations [G#m] is lovely.
There's no wait.
They [F#m] hand us the room key.
Top floor, you know [E] the penthouse suite.
It's plush dotted, six [F#] rooms for two weeks.
It's three beds, two baths, [G#] one jacuzzi.
You got a wardrobe sitting in [A] your dressing room.
Step four, you're ready to draw.
That's when L-Step [E] finna set up step four.
There's many ways to [C#] touch her.
I've been thinking [F#] of you.
Let me count the ways to fuck you.
[F#m] You're the one I want, girl.
[G#m] There's many [F] ways to touch her.
I've been [D#m] thinking of you.
[G#m]
Let me count the ways to fuck you.
[C#] You're the one I want, [G#m] girl.
[E]
Girl.
[C#] Girl.
[G#] Girl.
Girl.
[F#m]
Girl.
Girl.
[E] Yeah, there's lingerie in the [F#] blindfold with handcuffs.
Chardonnay for the wine-throwing camera.
So we can play back [F#m] this moment in a DVD.
And my Mercedes-Benz [E] truck through the three TVs.
The water's running for your [C#] bath.
Now we in step five.
Giving you headwind for life, being [G#m] baptized.
Dry you off and let you get [F#m] inside your negligee.
Pour some wine like the [E] gro and let a record play.
Dwell AG track [D#m] ten, that's my favorite age.
You blaze with me, we laughing.
[G#m] And on our way to six, stick my tongue in your ear.
[A] Set the mood right.
Hit the balcony and grind [E] you in the moonlight.
You horny off a gentle breeze before [C#] we off a six.
Dab some wine on your nipples [G#] and lick it off you.
Now we enter at seven [F#m] and you just can't wait.
[A] It's like you enter in heaven's [E] gates when we make eight.
There's many ways to [C#] touch her.
I've been thinking of [F#] you.
[G#m] Let me count the ways to fuck [D#] you.
You're the one I [E] want, girl.
There's many ways to [C#] touch her.
I've been thinking of you.
[D#m] Let [B] me count the ways to fuck you.
[F#m] You're the one I want, girl.
[E]
Girl.
[F#]
Girl.
Girl.
Girl.
[A] [E] Now we in eight, reaching the climb out.
[C#] You're feeling so relaxed.
Take you to another [G#m] place, lay you on your back.
Your body's trembling, girl, [F#m] you're feeling so right.
Repeated actions turning moonlight [E] to daylight.
We watched the sun [F#] rise and it's step nine.
Breakfast in bed with cherries and some [G#m] chilled wine.
With the windows cracked [A] open, feel a slight wind.
I take my time as I [E] ease into step ten.
Yeah, believe when my only [C#] reason's for this hunt.
Is pleasing, sticking my keys in [G#] your ignition.
You're screaming, eleven [F#m] seeming like big fun.
You're even, we both [E] skiing and just come.
You're screaming and I'm [F#] seeming.
We get done, we leaving.
The next [G#] evening, events come.
You're fiending, we hit the suite and [A] you can get some.
We leading at twelve and [E] bring it back to just one.
There's many ways to [C#] touch her.
I've been thinking of you.
I've been thinking of [G#] you.
Let me cut the ways to pluck you.
[G#m] You're the one I want, girl.
There's many ways to [F] touch her.
I've been [D#m] thinking of you.
Let me cut the ways to pluck you, [F#m] girl.
You're the one I want, girl.
[B] There's many ways [F] to touch her.
I've been thinking [G#m] of you.
Let me cut the ways to [E] pluck you.
You're the one I want, girl.
[A#m]
[G#m] [A]
[N]
Key:
E
G#m
C#
F#m
G#
E
G#m
C#
[E] _ _ Yeah, there [C#] _
_ _ we [G#m] go. _
_ I'm gonna take that [F#m] off right there. _
Yeah.
[E] _ _ _ _
[F#] And I can tie it right there. _
_ But I'm gonna cut that part since [F#m] it's a tutorial.
_ [E] Yeah.
So many ways to touch [C#] you.
I've been thinking of [G#] you.
But I've only got the ways to [F#m] call you.
You're the one I want, girl. [E] Oh, Ida.
So many ways to [F#] touch you.
I've [G#] been thinking of [G#m] you.
But I've only got the ways to call you.
[B] You're [E] the one I want, girl. _
_ You're the one I [G#] want, girl.
You're the one I want, girl.
You're the one I want, [D#m] girl.
You're the one I want, girl.
[B] You're the one I want, [A] girl.
It [E] goes day one.
I would take her on a [F] short vacation.
Some place to chill, [G#] probably some place warm.
Don't pack nothing but bathing [A] suits and shorts, huh?
And that's for real, girl.
And [E] then step two, when you land off the plane up [C#] in Malibu,
limo chauffeur service [G#] awaits you.
Champagne opening [A] the sunroof too.
Black leather interior [G#m] trimmed in pot of blue.
We roll out, then we shift [C#] you.
Step three, hotel accommodations [G#m] is lovely.
There's no wait.
They [F#m] hand us the room key.
Top floor, you know [E] the penthouse suite.
It's plush dotted, six [F#] rooms for two weeks.
It's three beds, two baths, [G#] one jacuzzi.
You got a wardrobe sitting in [A] your dressing room.
Step four, you're ready to draw.
That's when L-Step [E] finna set up step four.
There's many ways to [C#] touch her.
I've been thinking [F#] of you.
Let me count the ways to fuck you.
[F#m] You're the one I want, girl.
[G#m] _ There's many [F] ways to touch her.
I've been [D#m] thinking of you.
[G#m]
Let me count the ways to fuck you.
[C#] You're the one I want, [G#m] girl.
_ _ [E] _
Girl.
[C#] _ _ Girl.
[G#] Girl.
Girl.
_ _ _ [F#m] _ _
Girl.
Girl.
[E] Yeah, there's lingerie in the [F#] blindfold with handcuffs.
Chardonnay for the wine-throwing camera.
So we can play back [F#m] this moment in a DVD.
And my Mercedes-Benz [E] truck through the three TVs.
The water's running for your [C#] bath.
Now we in step five.
Giving you headwind for life, being [G#m] baptized.
Dry you off and let you get [F#m] inside your negligee.
Pour some wine like the [E] gro and let a record play.
Dwell AG track [D#m] ten, that's my favorite age.
You blaze with me, we laughing.
[G#m] And on our way to six, stick my tongue in your ear.
[A] Set the mood right.
Hit the balcony and grind [E] you in the moonlight.
You horny off a gentle breeze before [C#] we off a six.
Dab some wine on your nipples [G#] and lick it off you.
Now we enter at seven [F#m] and you just can't wait.
[A] It's like you enter in heaven's [E] gates when we make eight.
There's many ways to [C#] touch her.
I've been thinking of [F#] you.
[G#m] Let me count the ways to fuck [D#] you.
You're the one I [E] want, girl.
_ There's many ways to [C#] touch her.
I've been thinking of you.
[D#m] Let [B] me count the ways to fuck you.
[F#m] You're the one I want, girl.
_ [E] _
_ Girl.
[F#] _ _ _
Girl. _ _ _
Girl.
Girl.
_ [A] _ [E] Now we in eight, reaching the climb out.
[C#] You're feeling so relaxed.
Take you to another [G#m] place, lay you on your back.
Your body's trembling, girl, [F#m] you're feeling so right.
Repeated actions turning moonlight [E] to daylight.
We watched the sun [F#] rise and it's step nine.
Breakfast in bed with cherries and some [G#m] chilled wine.
With the windows cracked [A] open, feel a slight wind.
I take my time as I [E] ease into step ten.
Yeah, believe when my only [C#] reason's for this hunt.
Is pleasing, sticking my keys in [G#] your ignition.
You're screaming, eleven [F#m] seeming like big fun.
You're even, we both [E] skiing and just come.
You're screaming and I'm [F#] seeming.
We get done, we leaving.
The next [G#] evening, events come.
You're fiending, we hit the suite and [A] you can get some.
We leading at twelve and [E] bring it back to just one.
There's many ways to [C#] touch her.
I've been thinking of you.
I've been thinking of [G#] you.
Let me cut the ways to pluck you.
[G#m] You're the one I want, girl.
_ There's many ways to [F] touch her. _
I've been [D#m] thinking of you.
Let me cut the ways to pluck you, [F#m] girl.
You're the one I want, girl.
[B] _ There's many ways [F] to touch her.
I've been thinking [G#m] of you.
Let me cut the ways to [E] pluck you.
You're the one I want, girl. _ _ _ _
_ [A#m] _ _ _ _ _
[G#m] _ _ _ _ [A] _ _
_ _ _ _ [N] _ _
_ _ we [G#m] go. _
_ I'm gonna take that [F#m] off right there. _
Yeah.
[E] _ _ _ _
[F#] And I can tie it right there. _
_ But I'm gonna cut that part since [F#m] it's a tutorial.
_ [E] Yeah.
So many ways to touch [C#] you.
I've been thinking of [G#] you.
But I've only got the ways to [F#m] call you.
You're the one I want, girl. [E] Oh, Ida.
So many ways to [F#] touch you.
I've [G#] been thinking of [G#m] you.
But I've only got the ways to call you.
[B] You're [E] the one I want, girl. _
_ You're the one I [G#] want, girl.
You're the one I want, girl.
You're the one I want, [D#m] girl.
You're the one I want, girl.
[B] You're the one I want, [A] girl.
It [E] goes day one.
I would take her on a [F] short vacation.
Some place to chill, [G#] probably some place warm.
Don't pack nothing but bathing [A] suits and shorts, huh?
And that's for real, girl.
And [E] then step two, when you land off the plane up [C#] in Malibu,
limo chauffeur service [G#] awaits you.
Champagne opening [A] the sunroof too.
Black leather interior [G#m] trimmed in pot of blue.
We roll out, then we shift [C#] you.
Step three, hotel accommodations [G#m] is lovely.
There's no wait.
They [F#m] hand us the room key.
Top floor, you know [E] the penthouse suite.
It's plush dotted, six [F#] rooms for two weeks.
It's three beds, two baths, [G#] one jacuzzi.
You got a wardrobe sitting in [A] your dressing room.
Step four, you're ready to draw.
That's when L-Step [E] finna set up step four.
There's many ways to [C#] touch her.
I've been thinking [F#] of you.
Let me count the ways to fuck you.
[F#m] You're the one I want, girl.
[G#m] _ There's many [F] ways to touch her.
I've been [D#m] thinking of you.
[G#m]
Let me count the ways to fuck you.
[C#] You're the one I want, [G#m] girl.
_ _ [E] _
Girl.
[C#] _ _ Girl.
[G#] Girl.
Girl.
_ _ _ [F#m] _ _
Girl.
Girl.
[E] Yeah, there's lingerie in the [F#] blindfold with handcuffs.
Chardonnay for the wine-throwing camera.
So we can play back [F#m] this moment in a DVD.
And my Mercedes-Benz [E] truck through the three TVs.
The water's running for your [C#] bath.
Now we in step five.
Giving you headwind for life, being [G#m] baptized.
Dry you off and let you get [F#m] inside your negligee.
Pour some wine like the [E] gro and let a record play.
Dwell AG track [D#m] ten, that's my favorite age.
You blaze with me, we laughing.
[G#m] And on our way to six, stick my tongue in your ear.
[A] Set the mood right.
Hit the balcony and grind [E] you in the moonlight.
You horny off a gentle breeze before [C#] we off a six.
Dab some wine on your nipples [G#] and lick it off you.
Now we enter at seven [F#m] and you just can't wait.
[A] It's like you enter in heaven's [E] gates when we make eight.
There's many ways to [C#] touch her.
I've been thinking of [F#] you.
[G#m] Let me count the ways to fuck [D#] you.
You're the one I [E] want, girl.
_ There's many ways to [C#] touch her.
I've been thinking of you.
[D#m] Let [B] me count the ways to fuck you.
[F#m] You're the one I want, girl.
_ [E] _
_ Girl.
[F#] _ _ _
Girl. _ _ _
Girl.
Girl.
_ [A] _ [E] Now we in eight, reaching the climb out.
[C#] You're feeling so relaxed.
Take you to another [G#m] place, lay you on your back.
Your body's trembling, girl, [F#m] you're feeling so right.
Repeated actions turning moonlight [E] to daylight.
We watched the sun [F#] rise and it's step nine.
Breakfast in bed with cherries and some [G#m] chilled wine.
With the windows cracked [A] open, feel a slight wind.
I take my time as I [E] ease into step ten.
Yeah, believe when my only [C#] reason's for this hunt.
Is pleasing, sticking my keys in [G#] your ignition.
You're screaming, eleven [F#m] seeming like big fun.
You're even, we both [E] skiing and just come.
You're screaming and I'm [F#] seeming.
We get done, we leaving.
The next [G#] evening, events come.
You're fiending, we hit the suite and [A] you can get some.
We leading at twelve and [E] bring it back to just one.
There's many ways to [C#] touch her.
I've been thinking of you.
I've been thinking of [G#] you.
Let me cut the ways to pluck you.
[G#m] You're the one I want, girl.
_ There's many ways to [F] touch her. _
I've been [D#m] thinking of you.
Let me cut the ways to pluck you, [F#m] girl.
You're the one I want, girl.
[B] _ There's many ways [F] to touch her.
I've been thinking [G#m] of you.
Let me cut the ways to [E] pluck you.
You're the one I want, girl. _ _ _ _
_ [A#m] _ _ _ _ _
[G#m] _ _ _ _ [A] _ _
_ _ _ _ [N] _ _