Chords for Social Distortion Funny Moments
Tempo:
101.85 bpm
Chords used:
Ab
Db
Eb
Bb
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D]
Describe your music with five different sounds.
[A] Baaaaaam!
Nyaaaaaaah!
[Dm] [A] [D] Weeeeeeeeeeeeee!
Don't let her out of home!
That's not true.
I know [A] for a fact he is an [Dm] excellent house painter.
[A] You know how I know that?
[Am] We [D] used to have a job together painting houses.
If you weren't a musician, you'd [Eb] be
A house [D] painter?
Easy.
Are [A] you
[D] Are you wild?
Beyond wild and untameable.
[N] Wandered out here for any of these shows before?
I have not.
Is this
I have not, but But you Yeah.
Did you go to the festival at all yesterday?
I did not.
No.
So have you been inside the grounds yet?
I have not.
Okay.
[Ab] Where am I?
Who am I?
What am I doing?
Right there, Disneyland.
Happiest place in [Eb] the fucking world.
The whole album is basically about inner conflicts.
And how we all have a little bit of trailer park in [E] us.
[Ab]
[B] [Db] [E] [Ab] [Bbm]
It's a [Eb] girl.
[Ab] [Db] It's a girl.
[E] [Ab] [B] It's a girl.
[Db] [Ab]
It's a [B] [Db]
girl.
[E] [Ab] [Ebm] [Abm] I love you, Dad.
I don't know, just the spirit of energy that you get.
Just cause the energy of the [G] music just builds and builds.
You just feel like going balls out, you [F] know?
[N] No, we've never been on the cover of fucking Rolling Stones magazine and we may never be.
So fuck them, but you know.
I tell you by the time I was in 7th grade I had Lou Reed Transformer.
So when most people are finding out where their genitals even are,
I was learning about transvestites and heroin and all that.
And you were what, 7th grade you said?
7th grade, yeah.
So that was your real teacher.
I wasn't partaking in any of that.
No, no, no, you were just learning about it.
[Abm] On tour, sometimes [C] I don't even pick up a guitar in my hotel.
I have one, [N] I just look at it.
Yeah, yeah, yeah.
There it is.
Not doing anything today.
What's it like to work with Mike Ness?
I've always wanted to know.
Is he a pretty easy, I don't want to say boss, but we'll call him band mate.
Is he a pretty easy band mate to get along with?
Yeah, it's pretty pleasant most of the time.
I mean I feel fortunate that I'm working with, for him in an era, in the era that I am.
I'm not so sure I would have wanted to maybe in the earlier 90's.
Right.
Late 80's.
Right, right, right.
But yeah, it's great.
It is, huh?
Why is that?
Tell the people.
The people should know that maybe perhaps Mike was a bit ornery back in the earlier times.
Ornery?
Yeah, ornery. Ornery.
Oh, I see.
I can't, I've never, you know, I've met you a few times and I remember you ever being ornery.
I had a good talk with Joey Keithley once who told me a couple stories about you about DOA going up and down the west coast
and you trying to raid their dressing room of its contents.
That was about it.
Them too?
DOA also?
Yeah, yeah.
There you go.
Every band that came through.
Yeah.
No, anyway, we don't, we won't, I can see that we don't.
[Bb] Overhead was very low in a van, you know, in a flea [Eb] bag motel.
[Bb] We [B] called up the front [F] desk and said, [G] are you still serving room service?
The [Ab] guy says, yeah, [Bb] you fucking smart [Bm] ass motherfucker, [Gm] come get it.
[Eb] [Abm]
Question, [Db] why do you go to garage sales so much?
Because I'm a junk collector.
[Abm] Really?
[E] Alright, let's hear you collect [Ab] junk.
What kind of junk have you gotten recently?
Give us one or two things that you've picked up.
Let me see.
I got a cigarette machine from the [Db] 50s in my house.
Can you hear me?
Yeah.
[Ab] [Bb]
[Abm] That's about it.
I'm going Sunday though.
Really?
Who's garage?
[Gb] I'm going to yours.
Mine?
Yours.
[Db] Yeah, we got some extra [Ab] TV dinners [Db] you can pick up [Eb] from me real cheap.
[Ab] Anyway.
Alright, enough of that, Mike.
Enough of that, Mike.
How about some of this one?
Yeah!
I know what ball and chain means to me, but I mean, to some people, it means something entirely different.
And they come up to me, hey, that song's about getting ball and chain, you know, but what?
Not really, but if it works for you, that's [N] cool.
[Eb] [Ab] The good news is I just saved [Eb] 50% [Bb] on my insurance.
[N] Oh, fuck, come on.
Off the ground.
Rick James, bitch!
I [B]
[F] got my ear bit off when I was [Ab] 17, and I kind of, I would like to redo that night.
I was inebriated when I ran into this arch enemy, and I broke his nose the first weekend,
but then he caught me [Db] two quaaludes and six [Ab] beers in.
This is [Gb] fashionable.
[Db]
[Ab] Right?
How many of your [Gb] friends have a half bit [Db] off ear?
[Bb]
[Gm] [Eb] [F]
[Bb]
[Gm] [Eb] [F]
[Bb]
[Gm] [Eb] [Bb]
[Gm] [A]
Hey, Johnny, how was the first day of practice?
[N]
[Abm] That's what I'm talking about, bitch.
[Db] [Gb] Hey, [B] this is Mike Ness from Social [Db] Distortion.
Signetium.
[Gb] Rostatinia.
[B] Polka.
[Db] [N]
Describe your music with five different sounds.
[A] Baaaaaam!
Nyaaaaaaah!
[Dm] [A] [D] Weeeeeeeeeeeeee!
Don't let her out of home!
That's not true.
I know [A] for a fact he is an [Dm] excellent house painter.
[A] You know how I know that?
[Am] We [D] used to have a job together painting houses.
If you weren't a musician, you'd [Eb] be
A house [D] painter?
Easy.
Are [A] you
[D] Are you wild?
Beyond wild and untameable.
[N] Wandered out here for any of these shows before?
I have not.
Is this
I have not, but But you Yeah.
Did you go to the festival at all yesterday?
I did not.
No.
So have you been inside the grounds yet?
I have not.
Okay.
[Ab] Where am I?
Who am I?
What am I doing?
Right there, Disneyland.
Happiest place in [Eb] the fucking world.
The whole album is basically about inner conflicts.
And how we all have a little bit of trailer park in [E] us.
[Ab]
[B] [Db] [E] [Ab] [Bbm]
It's a [Eb] girl.
[Ab] [Db] It's a girl.
[E] [Ab] [B] It's a girl.
[Db] [Ab]
It's a [B] [Db]
girl.
[E] [Ab] [Ebm] [Abm] I love you, Dad.
I don't know, just the spirit of energy that you get.
Just cause the energy of the [G] music just builds and builds.
You just feel like going balls out, you [F] know?
[N] No, we've never been on the cover of fucking Rolling Stones magazine and we may never be.
So fuck them, but you know.
I tell you by the time I was in 7th grade I had Lou Reed Transformer.
So when most people are finding out where their genitals even are,
I was learning about transvestites and heroin and all that.
And you were what, 7th grade you said?
7th grade, yeah.
So that was your real teacher.
I wasn't partaking in any of that.
No, no, no, you were just learning about it.
[Abm] On tour, sometimes [C] I don't even pick up a guitar in my hotel.
I have one, [N] I just look at it.
Yeah, yeah, yeah.
There it is.
Not doing anything today.
What's it like to work with Mike Ness?
I've always wanted to know.
Is he a pretty easy, I don't want to say boss, but we'll call him band mate.
Is he a pretty easy band mate to get along with?
Yeah, it's pretty pleasant most of the time.
I mean I feel fortunate that I'm working with, for him in an era, in the era that I am.
I'm not so sure I would have wanted to maybe in the earlier 90's.
Right.
Late 80's.
Right, right, right.
But yeah, it's great.
It is, huh?
Why is that?
Tell the people.
The people should know that maybe perhaps Mike was a bit ornery back in the earlier times.
Ornery?
Yeah, ornery. Ornery.
Oh, I see.
I can't, I've never, you know, I've met you a few times and I remember you ever being ornery.
I had a good talk with Joey Keithley once who told me a couple stories about you about DOA going up and down the west coast
and you trying to raid their dressing room of its contents.
That was about it.
Them too?
DOA also?
Yeah, yeah.
There you go.
Every band that came through.
Yeah.
No, anyway, we don't, we won't, I can see that we don't.
[Bb] Overhead was very low in a van, you know, in a flea [Eb] bag motel.
[Bb] We [B] called up the front [F] desk and said, [G] are you still serving room service?
The [Ab] guy says, yeah, [Bb] you fucking smart [Bm] ass motherfucker, [Gm] come get it.
[Eb] [Abm]
Question, [Db] why do you go to garage sales so much?
Because I'm a junk collector.
[Abm] Really?
[E] Alright, let's hear you collect [Ab] junk.
What kind of junk have you gotten recently?
Give us one or two things that you've picked up.
Let me see.
I got a cigarette machine from the [Db] 50s in my house.
Can you hear me?
Yeah.
[Ab] [Bb]
[Abm] That's about it.
I'm going Sunday though.
Really?
Who's garage?
[Gb] I'm going to yours.
Mine?
Yours.
[Db] Yeah, we got some extra [Ab] TV dinners [Db] you can pick up [Eb] from me real cheap.
[Ab] Anyway.
Alright, enough of that, Mike.
Enough of that, Mike.
How about some of this one?
Yeah!
I know what ball and chain means to me, but I mean, to some people, it means something entirely different.
And they come up to me, hey, that song's about getting ball and chain, you know, but what?
Not really, but if it works for you, that's [N] cool.
[Eb] [Ab] The good news is I just saved [Eb] 50% [Bb] on my insurance.
[N] Oh, fuck, come on.
Off the ground.
Rick James, bitch!
I [B]
[F] got my ear bit off when I was [Ab] 17, and I kind of, I would like to redo that night.
I was inebriated when I ran into this arch enemy, and I broke his nose the first weekend,
but then he caught me [Db] two quaaludes and six [Ab] beers in.
This is [Gb] fashionable.
[Db]
[Ab] Right?
How many of your [Gb] friends have a half bit [Db] off ear?
[Bb]
[Gm] [Eb] [F]
[Bb]
[Gm] [Eb] [F]
[Bb]
[Gm] [Eb] [Bb]
[Gm] [A]
Hey, Johnny, how was the first day of practice?
[N]
[Abm] That's what I'm talking about, bitch.
[Db] [Gb] Hey, [B] this is Mike Ness from Social [Db] Distortion.
Signetium.
[Gb] Rostatinia.
[B] Polka.
[Db] [N]
Key:
Ab
Db
Eb
Bb
B
Ab
Db
Eb
[D] _ _ _ _ _ _ _ _
_ Describe your music with five different sounds.
_ _ _ [A] _ Baaaaaam!
Nyaaaaaaah!
[Dm] _ _ _ [A] _ _ [D] Weeeeeeeeeeeeee!
_ Don't let her out of home! _ _
That's not true.
I know [A] for a fact he is an [Dm] excellent house painter.
[A] _ You know how I know that?
[Am] We [D] used to have a job together painting houses.
If you weren't a musician, you'd [Eb] _ be_
A house [D] painter?
Easy.
Are [A] you_ _ _ _
[D] Are you wild? _ _ _ _ _
Beyond wild and untameable.
_ [N] Wandered out here for any of these shows before?
_ _ I have not. _
Is this_
I have not, but_ But you_ Yeah.
Did you go to the festival at all yesterday?
I did not.
No.
So have you been inside the grounds yet?
I have not.
Okay.
[Ab] _ _ Where am I?
Who am I?
What am I doing?
Right there, Disneyland.
Happiest place in [Eb] the fucking world.
The whole album is basically about inner conflicts.
And how we all have a little bit of trailer park in [E] us.
_ [Ab] _ _ _ _ _ _ _
_ [B] _ _ [Db] _ [E] _ _ [Ab] _ [Bbm]
It's a [Eb] girl.
_ [Ab] _ _ [Db] It's a girl.
[E] _ _ [Ab] _ _ _ _ [B] It's _ a girl.
[Db] _ _ [Ab] _ _
It's a _ _ _ _ [B] _ [Db]
girl.
[E] _ [Ab] _ _ [Ebm] _ [Abm] I love you, Dad.
I don't know, just the spirit of energy that you get.
Just cause the energy of the [G] music just builds and builds.
You just feel like going balls out, you [F] know?
_ [N] No, we've never been on the cover of fucking Rolling Stones magazine and we may never be.
So fuck them, but you know.
I tell you by the time I was in 7th grade I had Lou Reed Transformer.
_ So when most people are finding out where their genitals even are,
I was learning about _ transvestites and heroin and all that.
And you were what, 7th grade you said?
7th grade, yeah.
So that was your real teacher.
I wasn't partaking in any of that.
No, no, no, you were just learning about it.
[Abm] On tour, sometimes [C] I don't even pick up a guitar in my hotel.
I have one, [N] I just look at it.
Yeah, yeah, yeah. _
_ There it is.
Not doing anything today. _
_ What's it like to work with Mike Ness?
I've always wanted to know.
Is he a pretty easy, I don't want to say boss, but we'll call him band mate.
Is he a pretty easy band mate to get along with?
Yeah, it's pretty pleasant most of the time.
I mean I feel fortunate that I'm working with, for him in an era, in the era that I am.
I'm not so sure I would have wanted to maybe in the _ earlier 90's.
Right.
_ Late 80's.
_ Right, right, right.
But yeah, it's great.
It is, huh?
Why is that? _
Tell the people.
The people should know that maybe perhaps Mike was a bit ornery back in the earlier times.
Ornery?
Yeah, ornery. Ornery.
Oh, I see.
I can't, I've never, you know, I've met you a few times and I remember you ever being ornery.
I had a good talk with Joey Keithley once who told me a couple stories about you about DOA going up and down the west coast
and you trying to raid their dressing room of its contents.
That was about it.
Them too?
DOA also?
Yeah, yeah.
There you go.
Every band that came through.
Yeah.
No, anyway, we don't, we won't, I can see that we don't.
[Bb] Overhead was very low in a van, you know, in a flea [Eb] bag motel.
[Bb] We [B] called up the front [F] desk and said, [G] are you still serving room service?
The [Ab] guy says, yeah, [Bb] you fucking smart [Bm] ass motherfucker, [Gm] come get it.
_ [Eb] _ [Abm]
Question, [Db] why do you go to garage sales so much?
Because I'm a junk collector.
[Abm] Really?
_ [E] Alright, let's hear you collect [Ab] junk.
_ _ What _ _ kind of junk have you gotten recently?
Give us one or two things that you've picked up.
Let me see.
I got a cigarette machine from the [Db] 50s in my house.
Can you hear me?
Yeah.
_ _ [Ab] _ _ _ [Bb] _
_ [Abm] That's about it.
I'm going Sunday though.
Really?
Who's garage?
[Gb] I'm going to yours.
Mine?
Yours.
[Db] _ Yeah, we got some extra [Ab] TV dinners [Db] you can pick up [Eb] from me real cheap.
[Ab] Anyway.
Alright, enough of that, Mike.
Enough of that, Mike.
How about some of this one?
Yeah!
_ I know what ball and chain means to me, but I mean, to some people, it means something entirely different.
And they come up to me, hey, that song's about getting ball and chain, you know, but what?
_ Not really, but if it works for you, that's [N] cool.
_ _ [Eb] [Ab] The good news is I just saved [Eb] 50% [Bb] on my insurance.
_ [N] Oh, fuck, come on.
Off the ground.
_ _ Rick James, bitch!
_ _ I [B] _ _ _
_ _ _ _ _ _ _
[F] got my ear bit off when I was [Ab] 17, and I kind of, I would like to redo that night.
I was inebriated when I ran into this arch enemy, and I broke his nose the first weekend,
but then he caught me [Db] two quaaludes and six [Ab] beers in.
This is [Gb] fashionable.
_ [Db] _
[Ab] Right?
How many of your [Gb] friends have a half bit [Db] off ear?
[Bb] _
_ [Gm] _ _ _ _ [Eb] _ _ [F] _
_ [Bb] _ _ _ _ _ _ _
_ [Gm] _ _ _ _ [Eb] _ _ [F] _
[Bb] _ _ _ _ _ _ _ _
_ [Gm] _ _ _ _ [Eb] _ [Bb] _ _
_ _ _ _ _ _ _ _
_ [Gm] _ _ _ [A] _ _ _ _
Hey, Johnny, how was the first day of practice?
[N] _ _ _ _
_ [Abm] _ _ _ That's what I'm talking about, bitch.
[Db] _ [Gb] Hey, [B] this is Mike Ness from Social [Db] Distortion. _
Signetium.
[Gb] _ Rostatinia.
[B] Polka.
[Db] _ _ _ _ _ _ _ _ [N] _
_ Describe your music with five different sounds.
_ _ _ [A] _ Baaaaaam!
Nyaaaaaaah!
[Dm] _ _ _ [A] _ _ [D] Weeeeeeeeeeeeee!
_ Don't let her out of home! _ _
That's not true.
I know [A] for a fact he is an [Dm] excellent house painter.
[A] _ You know how I know that?
[Am] We [D] used to have a job together painting houses.
If you weren't a musician, you'd [Eb] _ be_
A house [D] painter?
Easy.
Are [A] you_ _ _ _
[D] Are you wild? _ _ _ _ _
Beyond wild and untameable.
_ [N] Wandered out here for any of these shows before?
_ _ I have not. _
Is this_
I have not, but_ But you_ Yeah.
Did you go to the festival at all yesterday?
I did not.
No.
So have you been inside the grounds yet?
I have not.
Okay.
[Ab] _ _ Where am I?
Who am I?
What am I doing?
Right there, Disneyland.
Happiest place in [Eb] the fucking world.
The whole album is basically about inner conflicts.
And how we all have a little bit of trailer park in [E] us.
_ [Ab] _ _ _ _ _ _ _
_ [B] _ _ [Db] _ [E] _ _ [Ab] _ [Bbm]
It's a [Eb] girl.
_ [Ab] _ _ [Db] It's a girl.
[E] _ _ [Ab] _ _ _ _ [B] It's _ a girl.
[Db] _ _ [Ab] _ _
It's a _ _ _ _ [B] _ [Db]
girl.
[E] _ [Ab] _ _ [Ebm] _ [Abm] I love you, Dad.
I don't know, just the spirit of energy that you get.
Just cause the energy of the [G] music just builds and builds.
You just feel like going balls out, you [F] know?
_ [N] No, we've never been on the cover of fucking Rolling Stones magazine and we may never be.
So fuck them, but you know.
I tell you by the time I was in 7th grade I had Lou Reed Transformer.
_ So when most people are finding out where their genitals even are,
I was learning about _ transvestites and heroin and all that.
And you were what, 7th grade you said?
7th grade, yeah.
So that was your real teacher.
I wasn't partaking in any of that.
No, no, no, you were just learning about it.
[Abm] On tour, sometimes [C] I don't even pick up a guitar in my hotel.
I have one, [N] I just look at it.
Yeah, yeah, yeah. _
_ There it is.
Not doing anything today. _
_ What's it like to work with Mike Ness?
I've always wanted to know.
Is he a pretty easy, I don't want to say boss, but we'll call him band mate.
Is he a pretty easy band mate to get along with?
Yeah, it's pretty pleasant most of the time.
I mean I feel fortunate that I'm working with, for him in an era, in the era that I am.
I'm not so sure I would have wanted to maybe in the _ earlier 90's.
Right.
_ Late 80's.
_ Right, right, right.
But yeah, it's great.
It is, huh?
Why is that? _
Tell the people.
The people should know that maybe perhaps Mike was a bit ornery back in the earlier times.
Ornery?
Yeah, ornery. Ornery.
Oh, I see.
I can't, I've never, you know, I've met you a few times and I remember you ever being ornery.
I had a good talk with Joey Keithley once who told me a couple stories about you about DOA going up and down the west coast
and you trying to raid their dressing room of its contents.
That was about it.
Them too?
DOA also?
Yeah, yeah.
There you go.
Every band that came through.
Yeah.
No, anyway, we don't, we won't, I can see that we don't.
[Bb] Overhead was very low in a van, you know, in a flea [Eb] bag motel.
[Bb] We [B] called up the front [F] desk and said, [G] are you still serving room service?
The [Ab] guy says, yeah, [Bb] you fucking smart [Bm] ass motherfucker, [Gm] come get it.
_ [Eb] _ [Abm]
Question, [Db] why do you go to garage sales so much?
Because I'm a junk collector.
[Abm] Really?
_ [E] Alright, let's hear you collect [Ab] junk.
_ _ What _ _ kind of junk have you gotten recently?
Give us one or two things that you've picked up.
Let me see.
I got a cigarette machine from the [Db] 50s in my house.
Can you hear me?
Yeah.
_ _ [Ab] _ _ _ [Bb] _
_ [Abm] That's about it.
I'm going Sunday though.
Really?
Who's garage?
[Gb] I'm going to yours.
Mine?
Yours.
[Db] _ Yeah, we got some extra [Ab] TV dinners [Db] you can pick up [Eb] from me real cheap.
[Ab] Anyway.
Alright, enough of that, Mike.
Enough of that, Mike.
How about some of this one?
Yeah!
_ I know what ball and chain means to me, but I mean, to some people, it means something entirely different.
And they come up to me, hey, that song's about getting ball and chain, you know, but what?
_ Not really, but if it works for you, that's [N] cool.
_ _ [Eb] [Ab] The good news is I just saved [Eb] 50% [Bb] on my insurance.
_ [N] Oh, fuck, come on.
Off the ground.
_ _ Rick James, bitch!
_ _ I [B] _ _ _
_ _ _ _ _ _ _
[F] got my ear bit off when I was [Ab] 17, and I kind of, I would like to redo that night.
I was inebriated when I ran into this arch enemy, and I broke his nose the first weekend,
but then he caught me [Db] two quaaludes and six [Ab] beers in.
This is [Gb] fashionable.
_ [Db] _
[Ab] Right?
How many of your [Gb] friends have a half bit [Db] off ear?
[Bb] _
_ [Gm] _ _ _ _ [Eb] _ _ [F] _
_ [Bb] _ _ _ _ _ _ _
_ [Gm] _ _ _ _ [Eb] _ _ [F] _
[Bb] _ _ _ _ _ _ _ _
_ [Gm] _ _ _ _ [Eb] _ [Bb] _ _
_ _ _ _ _ _ _ _
_ [Gm] _ _ _ [A] _ _ _ _
Hey, Johnny, how was the first day of practice?
[N] _ _ _ _
_ [Abm] _ _ _ That's what I'm talking about, bitch.
[Db] _ [Gb] Hey, [B] this is Mike Ness from Social [Db] Distortion. _
Signetium.
[Gb] _ Rostatinia.
[B] Polka.
[Db] _ _ _ _ _ _ _ _ [N] _