Chords for Soul Coughing- Screenwriter's Blues
Tempo:
178.3 bpm
Chords used:
C#
G#m
B
D#
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#]
[G#m]
[C#]
[B] [C#]
Exits [G#m] to freeways twisted [C#] like knots on the [B] fingers,
[G#m] jewels [C#] cleaving skin between [G#m] [C#] breasts.
[B] [C#]
[B] [C#]
[G#m]
[C#] [G#m]
[C#] [G#m]
[C#] [G#m]
[C#] Your Cadillac [G#m] breathes 400 horses over blue [C#] lines.
[G#m]
[C#] [G#m] You aren't going to Reseda to make love to a model from Ohio whose real name you don't know.
[C#] [G#m] You spin [C#] like [G#m] the Cadillac [C#] was overturning down a cliff [G#m] on television.
[C#] [B] [D#]
And [B] the radio is on [C#] and the [B] radioman is speaking and the [C#] radioman says [B] women were a curse.
[C#]
So men [B] built Paramount [C#] Studios [B] and [G#]
men built [G#m] Columbia [C#] Studios [G#m] and
[C#] men [G#m] built Los Angeles.
[C#] It [B] is 5am [C#]
and you are listening to [G#m] Los Angeles.
It is [C#] 5am and you are listening to [G#m] Los Angeles.
[B] [C#]
[B] [C#]
And the [B] radioman says it is [C#] a beautiful night [B] out there and the radioman [C#] says rock and [B] roll lives.
[D#] And the radioman [B] says it is a beautiful night [D#] out there in Los Angeles.
[B] You lived [C#] in Los Angeles and [B] you are going to [D#] Reseda.
We are all [G#m] in some way or another going to Reseda someday to die.
[C#]
[B] And the radioman laughs [C#] because the [G#m] radioman fucks a model [C#] too.
[B] Gone [C#] Savage [B] for teenagers with automatic [C#] weapons and [B] boundless love.
[G#]
Gone [B] Savage for [D#] teenagers who are aesthetically [G#m] pleasing, in other words fly.
[C#]
[G#m] Los Angeles beckons the [C#] teenagers [G#m] to come to her on buses.
Los Angeles loves love.
It is 5am [C#]
and you are listening [G#m] to Los Angeles.
It is 5am and you are listening to Los Angeles.
[C#]
[G#m] [C#] [G#m] [D#]
[B] [C#]
[B] [C#] I am [B] going to Los Angeles to build a screenplay about lovers who murder each other.
I am going to [G#] Los Angeles to [B] see my own name on a screen five feet long and luminous.
[D#] As [B]
the radioman says it [D#] is 5am [B] and the sun has charred the other [D#] side of the world and [B] come back to us and [G#] painted the smoke over [B] our heads in imperial [C#]
violet.
[G#m] It is 5am
[C#] [G#m] and you are listening to Los Angeles.
[C#] [G#m] It is 5am and you are listening to Los Angeles.
[C#] [G#m]
You are [C#] listening.
[G#m] [C#]
[B] You are [C#] listening.
[B] [C#]
[G#m] You are listening.
[D#]
[B] [C#]
You are [G#m] listening.
[C#]
[G#m] [C#]
You are [G#m] listening.
[C#]
[B] [C#]
You are [G#m] listening.
You are listening.
You are listening.
[C#] You are [G#m] listening.
[C#]
You are [G#m] listening.
You are listening.
You are listening.
[B] You are listening.
[C#] You are listening.
[D#] You are listening.
You are [B] listening.
Los [C#]
[F] Angeles.
[E] [N]
[G#m]
[C#]
[B] [C#]
Exits [G#m] to freeways twisted [C#] like knots on the [B] fingers,
[G#m] jewels [C#] cleaving skin between [G#m] [C#] breasts.
[B] [C#]
[B] [C#]
[G#m]
[C#] [G#m]
[C#] [G#m]
[C#] [G#m]
[C#] Your Cadillac [G#m] breathes 400 horses over blue [C#] lines.
[G#m]
[C#] [G#m] You aren't going to Reseda to make love to a model from Ohio whose real name you don't know.
[C#] [G#m] You spin [C#] like [G#m] the Cadillac [C#] was overturning down a cliff [G#m] on television.
[C#] [B] [D#]
And [B] the radio is on [C#] and the [B] radioman is speaking and the [C#] radioman says [B] women were a curse.
[C#]
So men [B] built Paramount [C#] Studios [B] and [G#]
men built [G#m] Columbia [C#] Studios [G#m] and
[C#] men [G#m] built Los Angeles.
[C#] It [B] is 5am [C#]
and you are listening to [G#m] Los Angeles.
It is [C#] 5am and you are listening to [G#m] Los Angeles.
[B] [C#]
[B] [C#]
And the [B] radioman says it is [C#] a beautiful night [B] out there and the radioman [C#] says rock and [B] roll lives.
[D#] And the radioman [B] says it is a beautiful night [D#] out there in Los Angeles.
[B] You lived [C#] in Los Angeles and [B] you are going to [D#] Reseda.
We are all [G#m] in some way or another going to Reseda someday to die.
[C#]
[B] And the radioman laughs [C#] because the [G#m] radioman fucks a model [C#] too.
[B] Gone [C#] Savage [B] for teenagers with automatic [C#] weapons and [B] boundless love.
[G#]
Gone [B] Savage for [D#] teenagers who are aesthetically [G#m] pleasing, in other words fly.
[C#]
[G#m] Los Angeles beckons the [C#] teenagers [G#m] to come to her on buses.
Los Angeles loves love.
It is 5am [C#]
and you are listening [G#m] to Los Angeles.
It is 5am and you are listening to Los Angeles.
[C#]
[G#m] [C#] [G#m] [D#]
[B] [C#]
[B] [C#] I am [B] going to Los Angeles to build a screenplay about lovers who murder each other.
I am going to [G#] Los Angeles to [B] see my own name on a screen five feet long and luminous.
[D#] As [B]
the radioman says it [D#] is 5am [B] and the sun has charred the other [D#] side of the world and [B] come back to us and [G#] painted the smoke over [B] our heads in imperial [C#]
violet.
[G#m] It is 5am
[C#] [G#m] and you are listening to Los Angeles.
[C#] [G#m] It is 5am and you are listening to Los Angeles.
[C#] [G#m]
You are [C#] listening.
[G#m] [C#]
[B] You are [C#] listening.
[B] [C#]
[G#m] You are listening.
[D#]
[B] [C#]
You are [G#m] listening.
[C#]
[G#m] [C#]
You are [G#m] listening.
[C#]
[B] [C#]
You are [G#m] listening.
You are listening.
You are listening.
[C#] You are [G#m] listening.
[C#]
You are [G#m] listening.
You are listening.
You are listening.
[B] You are listening.
[C#] You are listening.
[D#] You are listening.
You are [B] listening.
Los [C#]
[F] Angeles.
[E] [N]
Key:
C#
G#m
B
D#
G#
C#
G#m
B
_ _ _ _ _ _ [C#] _ _
_ _ _ [G#m] _ _ _ _ _
_ _ _ _ _ _ [C#] _ _
_ _ [B] _ _ _ _ [C#] _ _
Exits [G#m] to freeways twisted [C#] like knots on the [B] fingers, _ _ _ _ _
_ _ [G#m] _ jewels [C#] cleaving skin between [G#m] _ _ _ _ [C#] breasts.
_ _ [B] _ _ _ _ [C#] _ _
_ _ [B] _ _ _ _ [C#] _ _
_ _ [G#m] _ _ _ _ _ _
[C#] _ _ [G#m] _ _ _ _ _ _
[C#] _ _ [G#m] _ _ _ _ _ _
[C#] _ _ [G#m] _ _ _ _ _
[C#] Your Cadillac [G#m] breathes 400 horses over blue [C#] lines.
[G#m] _ _ _ _ _ _
[C#] _ [G#m] You aren't going to Reseda to make love to a model from Ohio whose real name you don't know. _ _
_ _ _ _ _ _ _ _
[C#] _ [G#m] You spin _ _ _ [C#] like _ [G#m] the Cadillac [C#] was overturning down a cliff [G#m] on television. _ _
[C#] _ _ [B] _ _ _ [D#] _ _ _
And [B] the radio is on [C#] and the [B] radioman is speaking and the [C#] radioman says [B] women were a curse.
_ [C#] _
So men [B] built Paramount _ _ [C#] Studios _ _ [B] _ and _ [G#] _
men built [G#m] Columbia _ [C#] _ Studios _ _ [G#m] _ _ and _ _
[C#] men [G#m] built Los Angeles. _
[C#] It [B] is 5am [C#] _ _ _
and you are listening _ _ to [G#m] Los Angeles. _ _ _
_ _ _ _ _ _ _ _
It is _ [C#] 5am _ _ and you are listening _ _ to [G#m] Los Angeles. _ _ _
_ [B] _ _ _ _ _ [C#] _ _
_ _ [B] _ _ _ _ [C#] _ _
And the [B] radioman says it is [C#] a beautiful night [B] out there and the radioman [C#] says rock and [B] roll lives.
[D#] And the radioman [B] says it is a beautiful night [D#] out there in Los Angeles.
[B] _ You lived [C#] in Los Angeles and [B] you are going to [D#] Reseda.
We are all [G#m] in some way or another going to Reseda someday to die.
[C#] _ _
[B] And the radioman laughs [C#] because the [G#m] radioman fucks a model [C#] too.
_ [B] _ _ Gone _ [C#] Savage [B] for teenagers with automatic [C#] weapons and [B] _ boundless love.
[G#] _ _
Gone [B] Savage for [D#] teenagers who are aesthetically [G#m] pleasing, in other words fly.
[C#] _ _
_ _ [G#m] _ Los Angeles beckons the [C#] teenagers [G#m] to come to her on buses.
Los Angeles _ loves _ love.
It is 5am _ _ [C#]
and you are listening _ _ [G#m] to Los Angeles.
_ It _ _ _ _ _ _ _ _
is _ 5am _ _ _ and you are listening _ _ to Los _ Angeles. _ _
_ _ _ _ _ _ _ [C#] _
_ [G#m] _ _ [C#] _ _ [G#m] _ _ [D#] _
_ [B] _ _ _ _ [C#] _ _ _
_ [B] _ _ _ _ [C#] _ I am [B] going to Los Angeles _ to build a screenplay about lovers who murder each other. _ _ _ _ _ _
_ _ I am going to [G#] Los Angeles to [B] see my own name on a screen five feet _ long and luminous.
[D#] As _ _ [B] _ _ _ _ _
the radioman says it [D#] is 5am [B] and the sun has charred the other [D#] side of the world and [B] come back to us and [G#] painted the smoke over [B] our heads in imperial [C#] _
violet.
[G#m] It is _ 5am _ _
[C#] _ [G#m] and you are _ listening _ _ to Los Angeles. _ _
_ _ _ _ _ _ _ _
[C#] _ [G#m] It is _ 5am _ _ and you are listening _ _ _ to Los Angeles. _ _
[C#] _ _ [G#m] _ _ _ _ _ _
_ You are _ _ [C#] listening.
_ _ [G#m] _ _ _ _ [C#] _ _
_ [B] You are _ [C#] listening. _
_ _ [B] _ _ _ _ [C#] _ _
_ [G#m] You are listening.
[D#] _ _
_ _ [B] _ _ _ _ [C#] _
You are [G#m] _ listening.
_ [C#] _ _
_ _ [G#m] _ _ _ _ [C#] _
You are _ [G#m] _ listening.
_ [C#] _ _
_ _ [B] _ _ _ _ [C#] _
You are [G#m] listening. _ _ _ _
_ _ You are listening.
_ _ You are listening. _ _ _ _
[C#] You are [G#m] _ listening.
[C#] _ _
You are [G#m] listening. _ _ _ _ _
You are listening. _ _ _ _
_ _ _ You are listening.
_ _ [B] _ _ You _ are listening.
_ _ _ [C#] You are listening.
_ _ _ [D#] You are listening.
You are [B] listening. _ _ _ _
_ _ Los _ _ _ [C#] _
_ _ [F] Angeles.
_ _ [E] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ [G#m] _ _ _ _ _
_ _ _ _ _ _ [C#] _ _
_ _ [B] _ _ _ _ [C#] _ _
Exits [G#m] to freeways twisted [C#] like knots on the [B] fingers, _ _ _ _ _
_ _ [G#m] _ jewels [C#] cleaving skin between [G#m] _ _ _ _ [C#] breasts.
_ _ [B] _ _ _ _ [C#] _ _
_ _ [B] _ _ _ _ [C#] _ _
_ _ [G#m] _ _ _ _ _ _
[C#] _ _ [G#m] _ _ _ _ _ _
[C#] _ _ [G#m] _ _ _ _ _ _
[C#] _ _ [G#m] _ _ _ _ _
[C#] Your Cadillac [G#m] breathes 400 horses over blue [C#] lines.
[G#m] _ _ _ _ _ _
[C#] _ [G#m] You aren't going to Reseda to make love to a model from Ohio whose real name you don't know. _ _
_ _ _ _ _ _ _ _
[C#] _ [G#m] You spin _ _ _ [C#] like _ [G#m] the Cadillac [C#] was overturning down a cliff [G#m] on television. _ _
[C#] _ _ [B] _ _ _ [D#] _ _ _
And [B] the radio is on [C#] and the [B] radioman is speaking and the [C#] radioman says [B] women were a curse.
_ [C#] _
So men [B] built Paramount _ _ [C#] Studios _ _ [B] _ and _ [G#] _
men built [G#m] Columbia _ [C#] _ Studios _ _ [G#m] _ _ and _ _
[C#] men [G#m] built Los Angeles. _
[C#] It [B] is 5am [C#] _ _ _
and you are listening _ _ to [G#m] Los Angeles. _ _ _
_ _ _ _ _ _ _ _
It is _ [C#] 5am _ _ and you are listening _ _ to [G#m] Los Angeles. _ _ _
_ [B] _ _ _ _ _ [C#] _ _
_ _ [B] _ _ _ _ [C#] _ _
And the [B] radioman says it is [C#] a beautiful night [B] out there and the radioman [C#] says rock and [B] roll lives.
[D#] And the radioman [B] says it is a beautiful night [D#] out there in Los Angeles.
[B] _ You lived [C#] in Los Angeles and [B] you are going to [D#] Reseda.
We are all [G#m] in some way or another going to Reseda someday to die.
[C#] _ _
[B] And the radioman laughs [C#] because the [G#m] radioman fucks a model [C#] too.
_ [B] _ _ Gone _ [C#] Savage [B] for teenagers with automatic [C#] weapons and [B] _ boundless love.
[G#] _ _
Gone [B] Savage for [D#] teenagers who are aesthetically [G#m] pleasing, in other words fly.
[C#] _ _
_ _ [G#m] _ Los Angeles beckons the [C#] teenagers [G#m] to come to her on buses.
Los Angeles _ loves _ love.
It is 5am _ _ [C#]
and you are listening _ _ [G#m] to Los Angeles.
_ It _ _ _ _ _ _ _ _
is _ 5am _ _ _ and you are listening _ _ to Los _ Angeles. _ _
_ _ _ _ _ _ _ [C#] _
_ [G#m] _ _ [C#] _ _ [G#m] _ _ [D#] _
_ [B] _ _ _ _ [C#] _ _ _
_ [B] _ _ _ _ [C#] _ I am [B] going to Los Angeles _ to build a screenplay about lovers who murder each other. _ _ _ _ _ _
_ _ I am going to [G#] Los Angeles to [B] see my own name on a screen five feet _ long and luminous.
[D#] As _ _ [B] _ _ _ _ _
the radioman says it [D#] is 5am [B] and the sun has charred the other [D#] side of the world and [B] come back to us and [G#] painted the smoke over [B] our heads in imperial [C#] _
violet.
[G#m] It is _ 5am _ _
[C#] _ [G#m] and you are _ listening _ _ to Los Angeles. _ _
_ _ _ _ _ _ _ _
[C#] _ [G#m] It is _ 5am _ _ and you are listening _ _ _ to Los Angeles. _ _
[C#] _ _ [G#m] _ _ _ _ _ _
_ You are _ _ [C#] listening.
_ _ [G#m] _ _ _ _ [C#] _ _
_ [B] You are _ [C#] listening. _
_ _ [B] _ _ _ _ [C#] _ _
_ [G#m] You are listening.
[D#] _ _
_ _ [B] _ _ _ _ [C#] _
You are [G#m] _ listening.
_ [C#] _ _
_ _ [G#m] _ _ _ _ [C#] _
You are _ [G#m] _ listening.
_ [C#] _ _
_ _ [B] _ _ _ _ [C#] _
You are [G#m] listening. _ _ _ _
_ _ You are listening.
_ _ You are listening. _ _ _ _
[C#] You are [G#m] _ listening.
[C#] _ _
You are [G#m] listening. _ _ _ _ _
You are listening. _ _ _ _
_ _ _ You are listening.
_ _ [B] _ _ You _ are listening.
_ _ _ [C#] You are listening.
_ _ _ [D#] You are listening.
You are [B] listening. _ _ _ _
_ _ Los _ _ _ [C#] _
_ _ [F] Angeles.
_ _ [E] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _