Chords for Sounds: Donnie interviewing John McLaughlin and Paco De Lucia (1983)

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_ Duluth yeah and they're appearing I must get this one in real quick at the town
hall next Tuesday and also another one's been added next Friday night the 25th
okay so do get along in Sydney and you're going other states aren't you
[G] welcome to Sands by the way thank you you going to other states other states
yes we're going to Brisbane Melbourne right _ _
_ Perth Adelaide [F] Brisbane Brisbane Melbourne and back _ _ _ to [Gb] Perth no no back
to Sydney [A] _ so it's all [G] the way around Paco have you enjoyed [C] Australia so far
enjoy what [Gm] Australia _ [Gb] was _ [Eb] beautiful people the [Bb] nightlife the climate good
nightlife is beautiful Sydney [A] when did you first record [F] as a guitarist what age
best 12 years old _ [Gm] _
how would you [N] get into recording like that were you from a
family who yeah I started father I mean a _ brother yeah was singer and he's a
very nice [Gm] singer and _ we was two kids [Bb] that play guitar and sing [Gm] right
_ recorded _ 12 years old and I played the guitar with him he's singer and I
dancers and I in a dancing _ group right I came here with _ _ 515 years old really yeah _
Jose Greco oh yeah yeah _ _
[Db] thank [Fm] you no wonder you're enjoying yourself you've
been producing John if I can [Gm] ask you just some of the people you've been
doing and if there's any more on the way produce well not so much well myself _ the
_ one I did of the Katya and Mario Lebec two classical sisters I [F] produced _ _ was [C] a
record of rag times [D] and [Gm] will there be more of that yeah I will do [F] American in _ _ _
Paris of [G] the the original manuscript which George Gershwin wrote that _ [Bb] that
the girls have now [N] that will do next January _ that's very exciting [C] can I ask
you to play because I [Eb] can't wait we're waiting here the tree
_ _ [B] gentlemen buckle the Lucia John [Bm] McLaughlin _ [Db] I _ want to _ [Ab] meet up _
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thank you that was two and a half [C] minutes _ _
[B] of sheer brilliance thank
you very [G] very much thank you ever get like [C] on stage where you freak each [Abm] other
out you go to go somewhere and [Em] you don't follow or vice-versa frequently yes yeah
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trying to follow where the other ones going _ frightening no no it's a lot of
fun really Al is now in Australia which is good
Herbie Hancock _ yeah it's very [F] well he's doing some strange things now isn't he
he's moved [G] away from his well Herbie's got kind of two careers yeah he has a
thing because he loves this thing with the synthesizers and _ the drum machines
and the pop music and the vocoder and _ _ but he has [N] the side of the traditional
kind of jazz musician that is so I saw which I saw not long ago right where he
play was playing with Wynton Marsalis who's I don't know if you've heard of
Wynton Marsalis he's a new young star this young man is the best classical
trumpet player and the best jazz trumpet player that we have today a great [Gm] star
and Herbie's kind [D] of [Em] he's a kind of protege of [Gb] Herbie [Eb] and they so they have
a kind of traditional jazz group [Gm] with _ Tony [N] Williams Ron Carter yeah so he
mixes him up a bit and then he goes up and he does this is like the sizes and
he's got quarter and thing we'll have a look at one now I great rock it which is
the latest in the video for Herbie Hancock thank you John thank you Parker
thank you good luck and