Chords for Steve Earle Plays (and teaches) Sparkle and Shine
Tempo:
85.025 bpm
Chords used:
Gm
F
Dm
C
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
[Gbm]
[A] [E]
Sunset in my mirror, pedal on the floor.
I'm in New York City and I won't be back no more.
[B] Won't be back [A] no more, boss.
Won't see me around.
[E] Goodbye, guitar town.
[F]
My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, everyone knows she's mine.
She blesses all that she sees, a toss of her hair and a kiss in the breeze.
But she don't love no one but me and I can't believe she's mine.
[Gm]
[Dm] Shimmering she moves, [Gm] sunlight all around her.
Even [D] when she's [Gm] blue, silver [C] clouds surround [F] her.
My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, [G] everyone knows she's fine.
[Bb] [F] [Bb] [F]
[G] [F]
My baby swings down the street with big tall high heel shoes on her feet.
Walks by, my heart's gets a beat and I [C] stumble in [F] like a fool.
She give me something so sweet that I can't sleep, y'all, I can't eat.
Sparks fly whenever we meet and I'm breathless cause she's so cool.
[Gm] [Dm] Anywhere she [Gm] goes, I [E] can only [C] follow.
[Gm] She be [Dm] there I know, [Gm] I [C] awake tomorrow.
[F] My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, [Am] everyone knows she's fine.
[C]
Everyone knows [F] she's mine.
I think the thing that makes this is all the little hammer-ons and then of course going to the minor during the bridge when you go to the minor chords.
That's the, you know, I was [Gb] probably heard all of that whole samba craze stuff, the pop music that was affected by that.
In the 60s at the same time I was listening to all this folk stuff and jazz, the jazz that I listen to.
But that's, you know, that's kind of, it sort of changes gears there.
It kind of comes to, it's almost, it does have [B] a clave to it.
Well the Beatles did that kind of thing too.
Oh absolutely, that's why, yeah.
[Dm] It's like I, I don't, [B] it was amazing how, my theory's always been they got a hold of,
they were fascinated with chords.
You know, because I remember, I got off, I learned to play by getting a Mel Bay chord book and listening to Beatles and Stuntz records and trying to figure out,
and I didn't even get close sometimes.
Sometimes I just didn't have the wherewithal and it was years later when, you know,
I had friends that were professional musicians that were, had much stronger music theory than I did before I learned.
My wife is, you know, can read music and I read a little bit of treble clef from having played trumpet for like two years in middle school and that was it.
Yeah, could I just see that bridge again where it goes to that?
[Gm]
[D] [Dm] [Gm] Yeah, that nice.
Now that's, that's the way I write.
That's the melody and it comes through almost basically out of,
[Dm] [Gm] [A] and I'm actually breaking [Bbm] the thumb pick, the thumb, the alternating thumb thing to make that work.
But it's almost one thing I learned from one of the [Gb] best solo performers I ever saw was Steve Goodman.
And of course he was a really great guitar player.
He knew exactly what he was playing, but he, he taught me that from [Ab] watching him,
that once you'd established that groove, even if you don't have a band backing you up, that you can, you can walk away from it sometimes.
And people will keep the beat for you for a [Bb] while.
You have to get back to it and keep it going again.
But that's [F] kind of what happens there.
[F]
[Gm] [Dm]
[Bb] [Gm] [Dm]
[Gm] [G] And when I, what I play when I'm singing, you know, I can't ever guarantee it's going to be anywhere near, you know, even that [Gm] precise.
[Dm] Shimmering she moves, [Gm] sunlight all [C] around [Gm] her.
[Dm] I don't have to play [Bm] at all because I'm singing part of it. Right.
As long as I get, you know, the beginning of the phrase and the end of the phrase, then it all holds together.
Yeah.
[Gbm]
[A] [E]
Sunset in my mirror, pedal on the floor.
I'm in New York City and I won't be back no more.
[B] Won't be back [A] no more, boss.
Won't see me around.
[E] Goodbye, guitar town.
[F]
My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, everyone knows she's mine.
She blesses all that she sees, a toss of her hair and a kiss in the breeze.
But she don't love no one but me and I can't believe she's mine.
[Gm]
[Dm] Shimmering she moves, [Gm] sunlight all around her.
Even [D] when she's [Gm] blue, silver [C] clouds surround [F] her.
My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, [G] everyone knows she's fine.
[Bb] [F] [Bb] [F]
[G] [F]
My baby swings down the street with big tall high heel shoes on her feet.
Walks by, my heart's gets a beat and I [C] stumble in [F] like a fool.
She give me something so sweet that I can't sleep, y'all, I can't eat.
Sparks fly whenever we meet and I'm breathless cause she's so cool.
[Gm] [Dm] Anywhere she [Gm] goes, I [E] can only [C] follow.
[Gm] She be [Dm] there I know, [Gm] I [C] awake tomorrow.
[F] My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, [Am] everyone knows she's fine.
[C]
Everyone knows [F] she's mine.
I think the thing that makes this is all the little hammer-ons and then of course going to the minor during the bridge when you go to the minor chords.
That's the, you know, I was [Gb] probably heard all of that whole samba craze stuff, the pop music that was affected by that.
In the 60s at the same time I was listening to all this folk stuff and jazz, the jazz that I listen to.
But that's, you know, that's kind of, it sort of changes gears there.
It kind of comes to, it's almost, it does have [B] a clave to it.
Well the Beatles did that kind of thing too.
Oh absolutely, that's why, yeah.
[Dm] It's like I, I don't, [B] it was amazing how, my theory's always been they got a hold of,
they were fascinated with chords.
You know, because I remember, I got off, I learned to play by getting a Mel Bay chord book and listening to Beatles and Stuntz records and trying to figure out,
and I didn't even get close sometimes.
Sometimes I just didn't have the wherewithal and it was years later when, you know,
I had friends that were professional musicians that were, had much stronger music theory than I did before I learned.
My wife is, you know, can read music and I read a little bit of treble clef from having played trumpet for like two years in middle school and that was it.
Yeah, could I just see that bridge again where it goes to that?
[Gm]
[D] [Dm] [Gm] Yeah, that nice.
Now that's, that's the way I write.
That's the melody and it comes through almost basically out of,
[Dm] [Gm] [A] and I'm actually breaking [Bbm] the thumb pick, the thumb, the alternating thumb thing to make that work.
But it's almost one thing I learned from one of the [Gb] best solo performers I ever saw was Steve Goodman.
And of course he was a really great guitar player.
He knew exactly what he was playing, but he, he taught me that from [Ab] watching him,
that once you'd established that groove, even if you don't have a band backing you up, that you can, you can walk away from it sometimes.
And people will keep the beat for you for a [Bb] while.
You have to get back to it and keep it going again.
But that's [F] kind of what happens there.
[F]
[Gm] [Dm]
[Bb] [Gm] [Dm]
[Gm] [G] And when I, what I play when I'm singing, you know, I can't ever guarantee it's going to be anywhere near, you know, even that [Gm] precise.
[Dm] Shimmering she moves, [Gm] sunlight all [C] around [Gm] her.
[Dm] I don't have to play [Bm] at all because I'm singing part of it. Right.
As long as I get, you know, the beginning of the phrase and the end of the phrase, then it all holds together.
Yeah.
Key:
Gm
F
Dm
C
A
Gm
F
Dm
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ _ _ [Gbm] _ _ _ _
[A] _ _ _ [E] _ _ _ _ _
_ _ Sunset in my mirror, pedal on the floor.
I'm in New York City and I won't be back no more.
[B] Won't be back [A] no more, boss.
Won't see me around.
[E] Goodbye, guitar town.
_ _ _ _ [F] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, everyone knows she's mine.
_ She blesses all that she sees, a toss of her hair and a kiss in the breeze.
But she don't love no one but me and I can't believe she's mine.
_ [Gm] _
[Dm] Shimmering she moves, [Gm] _ sunlight all around her.
Even [D] when she's [Gm] blue, silver [C] clouds surround [F] her.
My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, [G] everyone knows she's fine. _
[Bb] _ [F] _ _ [Bb] _ [F] _ _ _ _
_ [G] _ _ _ _ _ _ [F] _
_ _ My baby swings down the street with big tall high heel shoes on her feet.
Walks by, my heart's gets a beat and I [C] stumble in [F] like a fool. _
She give me something so sweet that I can't sleep, y'all, I can't eat.
_ Sparks fly whenever we meet and I'm breathless cause she's so cool.
[Gm] _ _ [Dm] Anywhere she [Gm] goes, I [E] can only [C] follow.
[Gm] She be [Dm] there I know, [Gm] I [C] awake tomorrow.
[F] My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, [Am] everyone knows she's fine.
_ _ _ [C]
Everyone knows [F] she's mine. _ _ _ _
_ _ I think the thing that makes this is all the little hammer-ons and then of course going to the minor _ during the bridge when you go to the minor chords.
That's the, you know, I was [Gb] probably heard all of that whole samba craze stuff, the pop music that was affected by that.
In the 60s at the same time I was listening to all this folk stuff and jazz, the jazz that I listen to.
But that's, you know, that's kind of, it sort of changes gears there.
It kind of comes to, it's almost, it does have [B] a clave to it.
Well the Beatles did that kind of thing too.
Oh absolutely, that's why, yeah.
[Dm] _ It's like I, I don't, [B] _ it was amazing how, my theory's always been they got a hold of,
they were fascinated with chords.
You know, because I remember, I got off, I learned to play by getting a Mel Bay chord book and listening to Beatles and Stuntz records and trying to figure out,
and I didn't even get close sometimes.
Sometimes I just didn't have the wherewithal and it was years later when, you know,
I had friends that were professional musicians that were, had much stronger music theory than I did before I learned.
My wife is, you know, can read music and I read a little bit of treble clef from having played trumpet for like two years in middle school and that was it. _
Yeah, could I just see that bridge again where it goes to that?
[Gm] _ _
[D] _ [Dm] _ [Gm] Yeah, that nice.
_ Now that's, that's the way I write.
That's the melody and it comes through almost basically out of, _
[Dm] _ _ _ [Gm] _ _ [A] and I'm actually breaking [Bbm] the thumb pick, the thumb, the alternating thumb thing to make that work.
But it's almost one thing I learned from one of the [Gb] best solo performers I ever saw was Steve Goodman.
And of course he was a really great guitar player.
He knew exactly what he was playing, but he, he taught me that from [Ab] watching him, _
that once you'd established that groove, even if you don't have a band backing you up, that you can, you can walk away from it sometimes.
And people will keep the beat for you for a [Bb] while.
You have to get back to it and keep it going again.
But that's [F] kind of what happens there.
_ _ [F] _
_ [Gm] _ _ [Dm] _ _ _ _ _
[Bb] _ _ _ [Gm] _ _ _ [Dm] _ _
[Gm] _ _ [G] And when I, what I play when I'm singing, you know, I can't ever guarantee it's going to be anywhere near, you know, even that [Gm] precise. _ _
[Dm] Shimmering she moves, [Gm] sunlight all [C] around [Gm] her.
_ _ _ [Dm] _ I don't have to play [Bm] at all because I'm singing part of it. Right.
As long as I get, you know, the beginning of the phrase and the end of the phrase, then it all holds together.
Yeah. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ _ _ [Gbm] _ _ _ _
[A] _ _ _ [E] _ _ _ _ _
_ _ Sunset in my mirror, pedal on the floor.
I'm in New York City and I won't be back no more.
[B] Won't be back [A] no more, boss.
Won't see me around.
[E] Goodbye, guitar town.
_ _ _ _ [F] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, everyone knows she's mine.
_ She blesses all that she sees, a toss of her hair and a kiss in the breeze.
But she don't love no one but me and I can't believe she's mine.
_ [Gm] _
[Dm] Shimmering she moves, [Gm] _ sunlight all around her.
Even [D] when she's [Gm] blue, silver [C] clouds surround [F] her.
My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, [G] everyone knows she's fine. _
[Bb] _ [F] _ _ [Bb] _ [F] _ _ _ _
_ [G] _ _ _ _ _ _ [F] _
_ _ My baby swings down the street with big tall high heel shoes on her feet.
Walks by, my heart's gets a beat and I [C] stumble in [F] like a fool. _
She give me something so sweet that I can't sleep, y'all, I can't eat.
_ Sparks fly whenever we meet and I'm breathless cause she's so cool.
[Gm] _ _ [Dm] Anywhere she [Gm] goes, I [E] can only [C] follow.
[Gm] She be [Dm] there I know, [Gm] I [C] awake tomorrow.
[F] My baby's sparkle and shine, sparkle and shine, sparkle and shine.
My baby's sparkle and shine, [Am] everyone knows she's fine.
_ _ _ [C]
Everyone knows [F] she's mine. _ _ _ _
_ _ I think the thing that makes this is all the little hammer-ons and then of course going to the minor _ during the bridge when you go to the minor chords.
That's the, you know, I was [Gb] probably heard all of that whole samba craze stuff, the pop music that was affected by that.
In the 60s at the same time I was listening to all this folk stuff and jazz, the jazz that I listen to.
But that's, you know, that's kind of, it sort of changes gears there.
It kind of comes to, it's almost, it does have [B] a clave to it.
Well the Beatles did that kind of thing too.
Oh absolutely, that's why, yeah.
[Dm] _ It's like I, I don't, [B] _ it was amazing how, my theory's always been they got a hold of,
they were fascinated with chords.
You know, because I remember, I got off, I learned to play by getting a Mel Bay chord book and listening to Beatles and Stuntz records and trying to figure out,
and I didn't even get close sometimes.
Sometimes I just didn't have the wherewithal and it was years later when, you know,
I had friends that were professional musicians that were, had much stronger music theory than I did before I learned.
My wife is, you know, can read music and I read a little bit of treble clef from having played trumpet for like two years in middle school and that was it. _
Yeah, could I just see that bridge again where it goes to that?
[Gm] _ _
[D] _ [Dm] _ [Gm] Yeah, that nice.
_ Now that's, that's the way I write.
That's the melody and it comes through almost basically out of, _
[Dm] _ _ _ [Gm] _ _ [A] and I'm actually breaking [Bbm] the thumb pick, the thumb, the alternating thumb thing to make that work.
But it's almost one thing I learned from one of the [Gb] best solo performers I ever saw was Steve Goodman.
And of course he was a really great guitar player.
He knew exactly what he was playing, but he, he taught me that from [Ab] watching him, _
that once you'd established that groove, even if you don't have a band backing you up, that you can, you can walk away from it sometimes.
And people will keep the beat for you for a [Bb] while.
You have to get back to it and keep it going again.
But that's [F] kind of what happens there.
_ _ [F] _
_ [Gm] _ _ [Dm] _ _ _ _ _
[Bb] _ _ _ [Gm] _ _ _ [Dm] _ _
[Gm] _ _ [G] And when I, what I play when I'm singing, you know, I can't ever guarantee it's going to be anywhere near, you know, even that [Gm] precise. _ _
[Dm] Shimmering she moves, [Gm] sunlight all [C] around [Gm] her.
_ _ _ [Dm] _ I don't have to play [Bm] at all because I'm singing part of it. Right.
As long as I get, you know, the beginning of the phrase and the end of the phrase, then it all holds together.
Yeah. _ _ _ _
_ _ _ _ _ _ _ _