Chords for Steve Hackett talks about Hoping Love Will Last
Tempo:
65.55 bpm
Chords used:
D
Em
B
A
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Steve Hackett here.
I'm going to do another one of these track chat things.
This is from
Please Don't Touch and it's Hoping Love Will Last.
A lot of people asked for this.
[B] I'm hoping love will [D] last.
[B] Yes I'm hoping [Em] love [D] will last.
[Em] Hoping love [A] will last.
[C#m] [A]
[D] [Em] It's a very early love song that I wrote, [Bm] Hoping Love Will Last.
That uncertainty in love that I
[F] had at the time.
All these [D] years later, decades later, love [Em] has lasted for me with my wonderful
wife Jo.
[Bm] We're very much a team, so we're [C] very much in love together.
[B] This song is the opposite
of [D] something written with English reserve and [B] [Em] it's less progressive [D] and more soulful.
[Em] The idea of a cross between European music with [A] those European chord changes [C#] and
[A] soul music as depicted by everything that [F#m] Randy was able to bring to it.
[G#] I first [Fm] saw her
in a club in [A#] Chicago singing all those ornamental [B] endings and the crowd [G#] were
applauding every [D] one of them, rather like a soloist, almost like [Am] a sax player playing.
This is the string section.
[Gm] I had great difficulty writing this.
[Dm] There's Graham Smith in the main,
the [G] string section.
It's Hugh Molloy, cello, Graham Smith who was with [Em] string ribbon thing.
And my first attempt at writing [D] something for orchestra really.
Remember the Genesis [F#] guys were
very complimentary about this and Patti Gobriel as well.
She sounds just like Aretha Franklin,
her [B] big hero, when she opens up her pipes here.
[E] [Em]
[E] I think it's just wonderful [B] singing.
I'm going to do another one of these track chat things.
This is from
Please Don't Touch and it's Hoping Love Will Last.
A lot of people asked for this.
[B] I'm hoping love will [D] last.
[B] Yes I'm hoping [Em] love [D] will last.
[Em] Hoping love [A] will last.
[C#m] [A]
[D] [Em] It's a very early love song that I wrote, [Bm] Hoping Love Will Last.
That uncertainty in love that I
[F] had at the time.
All these [D] years later, decades later, love [Em] has lasted for me with my wonderful
wife Jo.
[Bm] We're very much a team, so we're [C] very much in love together.
[B] This song is the opposite
of [D] something written with English reserve and [B] [Em] it's less progressive [D] and more soulful.
[Em] The idea of a cross between European music with [A] those European chord changes [C#] and
[A] soul music as depicted by everything that [F#m] Randy was able to bring to it.
[G#] I first [Fm] saw her
in a club in [A#] Chicago singing all those ornamental [B] endings and the crowd [G#] were
applauding every [D] one of them, rather like a soloist, almost like [Am] a sax player playing.
This is the string section.
[Gm] I had great difficulty writing this.
[Dm] There's Graham Smith in the main,
the [G] string section.
It's Hugh Molloy, cello, Graham Smith who was with [Em] string ribbon thing.
And my first attempt at writing [D] something for orchestra really.
Remember the Genesis [F#] guys were
very complimentary about this and Patti Gobriel as well.
She sounds just like Aretha Franklin,
her [B] big hero, when she opens up her pipes here.
[E] [Em]
[E] I think it's just wonderful [B] singing.
Key:
D
Em
B
A
Bm
D
Em
B
Steve Hackett here.
I'm going to do another one of these track chat things.
This is from
Please Don't Touch and it's Hoping Love Will Last.
A lot of people asked for this.
_ [B] I'm hoping love will [D] last.
_ _ [B] Yes I'm hoping [Em] love [D] _ will last.
_ [Em] Hoping love _ [A] will last.
[C#m] _ _ _ [A] _ _ _ _
[D] _ _ _ _ [Em] It's a very early love song that I wrote, [Bm] Hoping Love Will Last.
That uncertainty in love that I
[F] had at the time.
All these [D] years later, decades later, love [Em] has lasted for me with my wonderful
wife Jo.
[Bm] _ We're very much a team, so we're [C] very much in love together. _ _
[B] This song is the opposite
of [D] something written with English reserve and [B] _ [Em] it's less progressive [D] and more soulful.
[Em] The idea of a cross between European music with [A] those European chord changes [C#] and
[A] soul music as depicted by everything that [F#m] Randy was able to bring to it.
[G#] I first [Fm] saw her
in a club in [A#] Chicago singing all those ornamental [B] endings and the crowd [G#] were
applauding every [D] one of them, rather like a soloist, almost like [Am] a sax player playing.
This is the string section.
[Gm] _ I had great difficulty writing this.
[Dm] There's Graham Smith in the main,
the [G] string section.
It's Hugh Molloy, cello, Graham Smith who was with [Em] string ribbon thing.
And my first attempt at writing [D] something for orchestra really.
_ Remember the Genesis [F#] guys were
very complimentary about this and Patti Gobriel as well.
She sounds just like Aretha Franklin,
her [B] big hero, when she opens up her pipes here. _
[E] _ _ _ _ [Em] _ _ _ _
[E] I think it's just wonderful [B] singing. _ _ _
I'm going to do another one of these track chat things.
This is from
Please Don't Touch and it's Hoping Love Will Last.
A lot of people asked for this.
_ [B] I'm hoping love will [D] last.
_ _ [B] Yes I'm hoping [Em] love [D] _ will last.
_ [Em] Hoping love _ [A] will last.
[C#m] _ _ _ [A] _ _ _ _
[D] _ _ _ _ [Em] It's a very early love song that I wrote, [Bm] Hoping Love Will Last.
That uncertainty in love that I
[F] had at the time.
All these [D] years later, decades later, love [Em] has lasted for me with my wonderful
wife Jo.
[Bm] _ We're very much a team, so we're [C] very much in love together. _ _
[B] This song is the opposite
of [D] something written with English reserve and [B] _ [Em] it's less progressive [D] and more soulful.
[Em] The idea of a cross between European music with [A] those European chord changes [C#] and
[A] soul music as depicted by everything that [F#m] Randy was able to bring to it.
[G#] I first [Fm] saw her
in a club in [A#] Chicago singing all those ornamental [B] endings and the crowd [G#] were
applauding every [D] one of them, rather like a soloist, almost like [Am] a sax player playing.
This is the string section.
[Gm] _ I had great difficulty writing this.
[Dm] There's Graham Smith in the main,
the [G] string section.
It's Hugh Molloy, cello, Graham Smith who was with [Em] string ribbon thing.
And my first attempt at writing [D] something for orchestra really.
_ Remember the Genesis [F#] guys were
very complimentary about this and Patti Gobriel as well.
She sounds just like Aretha Franklin,
her [B] big hero, when she opens up her pipes here. _
[E] _ _ _ _ [Em] _ _ _ _
[E] I think it's just wonderful [B] singing. _ _ _