Chords for Stevie Nicks - VH1 Presents The Seventies 08-20-1996

It's hard to to be breaking up with somebody and have to like have breakfast with him [Gb] the next morning
It's like [Em] you just want to leave town
_ _ _ _ _ [N] 60s sexual freedom and the fact that you know if you weren't getting pleasure where you were it was [F] okay to search it out _
_ _ _ _ _ _ _ _
_ [C] Pop stars like [Bb] anybody else you know they were trying to find the partner that they wanted at the time
Strange things that I feel
It was Mac [F] sort of invented an interesting dichotomy [Bb] between men and women [C] kind of a strange
_ _ _ [Bb] _ _ Personal relationship, you know like the ongoing personal relationships within their [F] band.
They they just put [Dm] it right out front
You [Bb] can go
_ _ [C] _ _ _ _
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[C] _ We were [Bb] really talking about relationships that weren't working out as again as glamorous and as good as it was
[F] _ Love wasn't working out
Christine divorced John and I left Lindsay so we went into [C] rumors all of us on the rocks
[Bb] _ _ _ _
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All [F] the songs are about [Bb] life on the road and about things that were going down within the band, [Eb] you know _ _
Within relationships and [G] things like that songs that [Bb] he wrote about me were horrifying.
No go your own way
Go [F] your own way is a nice way to say a really [Dm] worse thing, you know
And [G] you know shacking up is all you want [C] to do which was not true
And I had to listen to him sing that on stage every night
It's [Dm] just and you look at me when he'd say it and I would just be [Bb] going, you know
Don't [C] look at me when you say that
The tender love song that you wrote for me, you know
[Dm] _ _ _
[Bb] _ _ _ _ [C] _ _ _ _
_ _ _ [F] _ There were you know points where there was such [Bb] fighting going [F] on
That you [C] really didn't know if you would if the band would [Bb] still be together next week
My antics the stuff that I did the dancing and the [F] chiffon and the clothes and all that stuff.
They hated that
It was like oh god, she's got another outfit.
She's in gray today
You know, it just [C] would piss them [Bb] off so badly
There was five people that were so individual [F] that made it you could cut the tension [Dm] with scissors _ always
[Bb] _ _ _ _ [C] _ _ _ _
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[Bb] _ _ _ _ [C] _ _ _
And _ I [Dm] think that
_ Transmitted to the audiences [Gm] and to the people that listen to it
[C] I think that they knew that what we were doing was really real as [G] glitzy and as glamorous and as
[Bb] Rock-and-roll as it [C] was it was very real for us _
_ _ _ _ [Dm] _ _ _ _
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People were really dealing with [E] relationships at that time [D] and to the day that I joined Fleetwood Mac
[B] I _ had a lot of [Eb] money and was famous
[E] _ _ _ _ [G] This is [C] a lot bigger it [G] created a series of superstars for today's known as classic rock
Look at Led Zeppelin the Eagles Fleetwood Mac
And these are all [N] artists who cast a big shadow over the culture and will continue to do so
_ You know until the day they [Gm] die
_ _ [D] _ _
_ _ _ [F] _ _ _ [D] _ _
_ [G] _ _ _ _ _ _ _
_ The way that we [N] lived the money that we spent which was amazing
_ _ The fortunes that we lost that are gone now _ _ _ _
We did really try to share it with the audience we tried to take them [Em] along on our trip _ _ _ _ _ _
[F] _ _ [G] _ _ _ [F] In the 60s none of [G] us wanted to make money off what we were doing [F] at least [D] in our first wave of consciousness
[E] It was almost [F] sacrilegious
_ _ [G] Whereas in the 70s accumulation [F] became very very important
_ [G] Rocky really [F] got its life in and
Everybody wanted to accumulate [D] bigger audiences more record [G] sales bigger stages bigger things
[F] _ _ _ _ _ _ [Am] _
_ _ [F] _ _ _ _ [G] _ _
_ _ [F] _ _ _ _ _ _
[G] _ _ _ _ [F] _ _ _ _
_ [G] All of us [F] made and spent the big bucks
Everything about it was big the great hotels
_ The private [C] plans that I see is the seven limousines that would pull up [Fm] on the airfield, you know
[C] No, there's nothing.
There's absolutely no
_ _ [Gb]
Nothing to compare [A] to it.
It can never [F] be done again _
_ _ [G] _ It was my whole [F] world and it was every every one [G] of those five people's home
Well, there was nothing else for [C] us except rock and roll [Em] concerts records songs
[C] It was [F] you know, our whole life was built around that
[G] _ _
_ _ [F] _ _ _ _ _ [Em] _
_ You
[F] _ _ _ _ _
[Em] _ _ _ _ _ [F] _ _ _
In the 70s _ _ _
American [N] rock success came from touring before it came from airplay the American try to look behind the mystique and
Get some reality with when that band came through your town and you went to experience [G] the live show
_ _ _ [C] _
_ _ _ [Em] _ _ _ [C] _ _
_ [G] _ _ [C] _ _ _ [Em] _ _
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[F] _ _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ _
_ [Am] _ _ _ _ _ [C] _ _
The
_ [F] Really _ _ [N]
started the whole perception of the marketing _ and the careful, you know
All of the research that started to go into it.
[Bb] It's
[G] _ _
_ _ [C] _ _ _ _ [D] _ _
_ _ _ [N] The
Crow to soundtrack will also feature white zombie covering Casey and the sunshine bands
I'm your boogeyman plus filter PJ Harvey and Iggy pop who's also in the movie itself
_ _ _ _ Today