Chords for Stone Roses Fools Gold TV Performance and Interview
Tempo:
113.15 bpm
Chords used:
G
A
C
Am
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
[C] [G] [A]
[G] [C] [G] [A]
[E] [C] [G] [A]
[Em] [Am] [G] [A]
[Em] [C] [G]
[A] [G] [E]
[G] [Am]
[Abm] [A] [G] [C]
[G] [A]
[Ab] [A]
[D] [C]
[Ab] [A] [Em] [Am]
[C] [A] [C]
[G] [A]
[G] [C] [A]
[C] [G] [A]
[Am] [C] [A]
[C] [A]
[Am] [G] [A]
[C] [G] [A]
[G] [C] [A]
[E] [C] [Am] [G]
[A]
[E] [C] I'm watching [G] you all I see,
[A] [Am]
[C] I'm standing alone,
[D] I'm falling apart,
[A] I'm watching you.
My [Am]
[G] [Am]
[G] [A] [C] fingers are in pieces,
[Am] I'm in [G] [A]
[Am] [G] pieces,
[Am] [C]
[A] [G] I'm [Am] in pieces,
[G] [A] I'm in pieces,
[C]
[G] [D] [Am]
[G] [A] [G]
[A] I'm in pieces,
[Em] I'm [C] in pieces,
I'm [G] in pieces,
[A]
[C]
[G] [D] [A]
[G] [A]
[C] [A]
[Am]
[Em] I'm [C] in pieces,
[G]
[Am] I'm [C] in pieces,
I'm in [D] pieces,
I'm in pieces.
[C] [A] I'm standing alone,
I'm in pieces,
I'm in pieces,
I'm in pieces,
I'm in pieces.
[A] [B] I'm
[F] in
Next week we'll look at the European
Chart with Tomoko, but for now, [E] ofcourse
we got the Stone Rose with us in the studio.
Welcome, lad.
[Dm] Konnichiwa.
Thanks.
Well, what does that mean?
[D] Hello!
Hey, none of this
I've got to speak English around here.
Could you take this fish away?
You can take it away if you can't eat it now, sure.
So little
Don't want any fish.
Is it
well, we'll hand it out later.
Do you want any fish?
We're gonna [Dm] feed the 5,000 here.
Yeah.
Ha ha ha.
Whilst Ian
whilst Ian's saying [D] that
Rennie, listen, mate.
You played Japan just before December, OK?
And I hear it was a pretty massive response out there.
It was.
I [Dm] mean, like, what sort of audience was it, though?
Was it your type of crowd, or was it, like, you know, screaming pop [D] fans?
You take too many drugs in Japan.
Yeah?
[F] They're hard to [D] cope with, they're so
I don't know.
Effervescent.
Well, they're after your trousers, [Am] were they?
No, they're after me [D] hats.
After your hats.
Yeah, of course, you've saved the fishing hat industry with that hat, haven't you?
Don't know about that.
No, then.
Ha ha ha.
But I'll tell you what I want to ask you.
Like, [Ab] when you play a gig in England
I don't know if you call it a rave or not, but it's an event, isn't it?
It's not just a pop concert.
Everyone who goes is a star, yeah.
Well, that's what we've always said, everyone's a star.
[D] Only show business.
Is it the [Ab] same, though, when you go abroad?
When you go to Japan and when you go to Sweden and Finland?
The star's abroad, yeah.
Do you think people abroad understand what you're about?
In the same way
Because, you know, like, here you're part of a big, sort of, like, musical movement in a way, [G] aren't you?
You don't know.
OK.
But wouldn't you say it's a bit [Cm] different, though?
I mean, in terms of what the [D] audience is looking for?
Not [Dm] necessarily.
Yeah?
So
[D] So, when you [Ab] go abroad, are you going to play the same, [Dm] sort of, you know, big venues, 25,000, that sort of thing?
Might do.
[G]
Depends on how you feel.
Might play [F] some small ones, yeah.
[D] Yeah, well, here's the good thing about here, of course, we'll be having you in the studio.
[G] So, look, you've got a few gigs [Fm] coming up.
In May, you're going to be playing, where is it, [D] Denmark
Spike Island, Widness.
Spike Island, Widness, that's already sold out.
We've got Denmark, Sweden, Norway in May, and [Dm] June
You'll be playing in Finland, won't you?
Well, good luck to you all.
[G] OK, thanks a lot to the Stone [Dm] Rose for coming into the studio.
All the best.
Keep it going.
Thank you.
[C] [G] [A]
[G] [C] [G] [A]
[E] [C] [G] [A]
[Em] [Am] [G] [A]
[Em] [C] [G]
[A] [G] [E]
[G] [Am]
[Abm] [A] [G] [C]
[G] [A]
[Ab] [A]
[D] [C]
[Ab] [A] [Em] [Am]
[C] [A] [C]
[G] [A]
[G] [C] [A]
[C] [G] [A]
[Am] [C] [A]
[C] [A]
[Am] [G] [A]
[C] [G] [A]
[G] [C] [A]
[E] [C] [Am] [G]
[A]
[E] [C] I'm watching [G] you all I see,
[A] [Am]
[C] I'm standing alone,
[D] I'm falling apart,
[A] I'm watching you.
My [Am]
[G] [Am]
[G] [A] [C] fingers are in pieces,
[Am] I'm in [G] [A]
[Am] [G] pieces,
[Am] [C]
[A] [G] I'm [Am] in pieces,
[G] [A] I'm in pieces,
[C]
[G] [D] [Am]
[G] [A] [G]
[A] I'm in pieces,
[Em] I'm [C] in pieces,
I'm [G] in pieces,
[A]
[C]
[G] [D] [A]
[G] [A]
[C] [A]
[Am]
[Em] I'm [C] in pieces,
[G]
[Am] I'm [C] in pieces,
I'm in [D] pieces,
I'm in pieces.
[C] [A] I'm standing alone,
I'm in pieces,
I'm in pieces,
I'm in pieces,
I'm in pieces.
[A] [B] I'm
[F] in
Next week we'll look at the European
Chart with Tomoko, but for now, [E] ofcourse
we got the Stone Rose with us in the studio.
Welcome, lad.
[Dm] Konnichiwa.
Thanks.
Well, what does that mean?
[D] Hello!
Hey, none of this
I've got to speak English around here.
Could you take this fish away?
You can take it away if you can't eat it now, sure.
So little
Don't want any fish.
Is it
well, we'll hand it out later.
Do you want any fish?
We're gonna [Dm] feed the 5,000 here.
Yeah.
Ha ha ha.
Whilst Ian
whilst Ian's saying [D] that
Rennie, listen, mate.
You played Japan just before December, OK?
And I hear it was a pretty massive response out there.
It was.
I [Dm] mean, like, what sort of audience was it, though?
Was it your type of crowd, or was it, like, you know, screaming pop [D] fans?
You take too many drugs in Japan.
Yeah?
[F] They're hard to [D] cope with, they're so
I don't know.
Effervescent.
Well, they're after your trousers, [Am] were they?
No, they're after me [D] hats.
After your hats.
Yeah, of course, you've saved the fishing hat industry with that hat, haven't you?
Don't know about that.
No, then.
Ha ha ha.
But I'll tell you what I want to ask you.
Like, [Ab] when you play a gig in England
I don't know if you call it a rave or not, but it's an event, isn't it?
It's not just a pop concert.
Everyone who goes is a star, yeah.
Well, that's what we've always said, everyone's a star.
[D] Only show business.
Is it the [Ab] same, though, when you go abroad?
When you go to Japan and when you go to Sweden and Finland?
The star's abroad, yeah.
Do you think people abroad understand what you're about?
In the same way
Because, you know, like, here you're part of a big, sort of, like, musical movement in a way, [G] aren't you?
You don't know.
OK.
But wouldn't you say it's a bit [Cm] different, though?
I mean, in terms of what the [D] audience is looking for?
Not [Dm] necessarily.
Yeah?
So
[D] So, when you [Ab] go abroad, are you going to play the same, [Dm] sort of, you know, big venues, 25,000, that sort of thing?
Might do.
[G]
Depends on how you feel.
Might play [F] some small ones, yeah.
[D] Yeah, well, here's the good thing about here, of course, we'll be having you in the studio.
[G] So, look, you've got a few gigs [Fm] coming up.
In May, you're going to be playing, where is it, [D] Denmark
Spike Island, Widness.
Spike Island, Widness, that's already sold out.
We've got Denmark, Sweden, Norway in May, and [Dm] June
You'll be playing in Finland, won't you?
Well, good luck to you all.
[G] OK, thanks a lot to the Stone [Dm] Rose for coming into the studio.
All the best.
Keep it going.
Thank you.
Key:
G
A
C
Am
D
G
A
C
_ [A] _ _ _ _ _ _ _
[C] _ _ _ _ [G] _ _ [A] _ _
[G] _ [C] _ _ _ [G] _ _ [A] _ _
[E] _ [C] _ _ _ [G] _ _ [A] _ _
[Em] _ [Am] _ _ _ [G] _ _ [A] _ _
[Em] _ [C] _ _ _ _ _ [G] _ _
_ _ [A] _ _ [G] _ [E] _ _ _
[G] _ _ [Am] _ _ _ _ _ _
_ [Abm] _ [A] _ _ [G] _ [C] _ _ _
[G] _ _ [A] _ _ _ _ _ _
_ [Ab] _ [A] _ _ _ _ _ _
_ _ _ _ [D] _ _ [C] _ _
_ [Ab] _ [A] _ _ [Em] _ _ [Am] _ _
[C] _ _ [A] _ _ _ _ [C] _ _
_ [G] _ _ _ _ _ [A] _ _
[G] _ [C] _ _ _ _ _ [A] _ _
_ [C] _ _ _ [G] _ _ [A] _ _
_ [Am] _ _ _ [C] _ _ [A] _ _
[C] _ _ _ _ _ _ [A] _ _
[Am] _ _ _ _ [G] _ _ [A] _ _
_ [C] _ _ _ [G] _ _ [A] _ _
[G] _ _ [C] _ _ _ _ [A] _ _
_ [E] _ [C] _ _ [Am] _ _ [G] _ _
_ _ [A] _ _ _ _ _ _
_ [E] _ [C] _ _ I'm watching [G] you all I see,
_ [A] _ _ _ [Am] _ _
[C] I'm standing alone,
_ [D] I'm falling apart,
[A] I'm watching you. _ _ _ _ _
_ _ _ _ _ _ _
My _ _ _ _ _ [Am] _ _
_ [G] _ _ _ _ _ [Am] _ _
[G] _ _ [A] _ [C] fingers are in pieces,
[Am] I'm in [G] _ [A] _ _ _ _ _ _
_ _ [Am] _ _ _ [G] pieces, _
[Am] _ _ _ _ [C] _ _ _ _
_ _ [A] _ _ [G] I'm [Am] in pieces,
[G] _ [A] I'm in pieces,
[C] _ _ _ _
[G] _ _ _ _ [D] _ _ [Am] _ _
_ [G] _ [A] _ _ [G] _ _ _ _
_ [A] I'm in pieces,
[Em] I'm [C] in pieces,
I'm [G] in pieces,
_ _ [A] _ _ _ _
[C] _ _ _ _ _ _ _ _
_ [G] _ [D] _ _ [A] _ _ _ _
[G] _ _ _ _ [A] _ _ _ _
_ [C] _ _ _ [A] _ _ _ _
_ _ _ _ [Am] _ _ _
[Em] I'm [C] in pieces,
_ _ [G] _ _ _ _
[Am] _ _ _ _ _ _ I'm [C] in _ pieces,
I'm in [D] pieces,
I'm in pieces. _
[C] [A] I'm standing alone, _ _ _
I'm in pieces,
I'm in pieces, _
_ I'm in pieces,
I'm in pieces. _ _ _ _
_ _ _ _ [A] _ [B] I'm _
[F] _ _ in
Next week we'll look at the European
Chart with Tomoko, but for now, [E] ofcourse
we got the Stone Rose with us in the studio.
Welcome, lad.
[Dm] Konnichiwa.
Thanks.
Well, what does that mean?
[D] Hello!
Hey, none of this_
I've got to speak English around here.
Could you take this fish away?
You can take it away if you can't eat it now, sure.
So little_
Don't want any fish.
Is it_
well, we'll hand it out later.
Do you want any fish?
We're gonna [Dm] feed the 5,000 here.
Yeah.
Ha ha ha.
Whilst Ian_
whilst Ian's saying [D] that_
Rennie, listen, mate.
You played Japan just before December, OK?
And I hear it was a pretty massive response out there.
It was.
I [Dm] mean, like, what sort of audience was it, though?
Was it your type of crowd, or was it, like, you know, screaming pop [D] fans?
You take too many drugs in Japan.
Yeah?
[F] They're hard to [D] cope with, they're so_
I don't know.
Effervescent.
Well, they're after your trousers, [Am] were they?
No, they're after me [D] hats.
After your hats.
Yeah, of course, you've saved the fishing hat industry with that hat, haven't you?
Don't know about that.
No, then.
Ha ha ha.
But I'll tell you what I want to ask you.
Like, [Ab] when you play a gig in England_
I don't know if you call it a rave or not, but it's an event, isn't it?
It's not just a pop concert.
Everyone who goes is a star, yeah.
Well, that's what we've always said, everyone's a star.
[D] Only show business.
Is it the [Ab] same, though, when you go abroad?
When you go to Japan and when you go to Sweden and Finland?
The star's abroad, yeah.
Do you think people abroad understand what you're about?
In the same way_
Because, you know, like, here you're part of a big, sort of, like, musical movement in a way, [G] aren't you? _
You don't know.
OK.
But wouldn't you say it's a bit [Cm] different, though?
I mean, in terms of what the [D] audience is looking for?
Not _ _ _ _ _ [Dm] necessarily.
Yeah?
_ So_ _
[D] So, when you [Ab] go abroad, are you going to play the same, [Dm] sort of, you know, big venues, 25,000, that sort of thing?
_ _ Might do.
[G] _
Depends on how you feel.
Might play [F] some small ones, yeah.
[D] Yeah, well, here's the good thing about here, of course, we'll be having you in the studio.
_ [G] So, look, you've got a few gigs [Fm] coming up.
In May, you're going to be playing, where is it, [D] Denmark_
Spike Island, Widness.
Spike Island, Widness, that's already sold out.
We've got Denmark, Sweden, Norway in May, and [Dm] June_
You'll be playing in Finland, won't you?
Well, good luck to you all.
[G] OK, thanks a lot to the Stone [Dm] Rose for coming into the studio.
All the best.
Keep it going.
Thank you. _
[C] _ _ _ _ [G] _ _ [A] _ _
[G] _ [C] _ _ _ [G] _ _ [A] _ _
[E] _ [C] _ _ _ [G] _ _ [A] _ _
[Em] _ [Am] _ _ _ [G] _ _ [A] _ _
[Em] _ [C] _ _ _ _ _ [G] _ _
_ _ [A] _ _ [G] _ [E] _ _ _
[G] _ _ [Am] _ _ _ _ _ _
_ [Abm] _ [A] _ _ [G] _ [C] _ _ _
[G] _ _ [A] _ _ _ _ _ _
_ [Ab] _ [A] _ _ _ _ _ _
_ _ _ _ [D] _ _ [C] _ _
_ [Ab] _ [A] _ _ [Em] _ _ [Am] _ _
[C] _ _ [A] _ _ _ _ [C] _ _
_ [G] _ _ _ _ _ [A] _ _
[G] _ [C] _ _ _ _ _ [A] _ _
_ [C] _ _ _ [G] _ _ [A] _ _
_ [Am] _ _ _ [C] _ _ [A] _ _
[C] _ _ _ _ _ _ [A] _ _
[Am] _ _ _ _ [G] _ _ [A] _ _
_ [C] _ _ _ [G] _ _ [A] _ _
[G] _ _ [C] _ _ _ _ [A] _ _
_ [E] _ [C] _ _ [Am] _ _ [G] _ _
_ _ [A] _ _ _ _ _ _
_ [E] _ [C] _ _ I'm watching [G] you all I see,
_ [A] _ _ _ [Am] _ _
[C] I'm standing alone,
_ [D] I'm falling apart,
[A] I'm watching you. _ _ _ _ _
_ _ _ _ _ _ _
My _ _ _ _ _ [Am] _ _
_ [G] _ _ _ _ _ [Am] _ _
[G] _ _ [A] _ [C] fingers are in pieces,
[Am] I'm in [G] _ [A] _ _ _ _ _ _
_ _ [Am] _ _ _ [G] pieces, _
[Am] _ _ _ _ [C] _ _ _ _
_ _ [A] _ _ [G] I'm [Am] in pieces,
[G] _ [A] I'm in pieces,
[C] _ _ _ _
[G] _ _ _ _ [D] _ _ [Am] _ _
_ [G] _ [A] _ _ [G] _ _ _ _
_ [A] I'm in pieces,
[Em] I'm [C] in pieces,
I'm [G] in pieces,
_ _ [A] _ _ _ _
[C] _ _ _ _ _ _ _ _
_ [G] _ [D] _ _ [A] _ _ _ _
[G] _ _ _ _ [A] _ _ _ _
_ [C] _ _ _ [A] _ _ _ _
_ _ _ _ [Am] _ _ _
[Em] I'm [C] in pieces,
_ _ [G] _ _ _ _
[Am] _ _ _ _ _ _ I'm [C] in _ pieces,
I'm in [D] pieces,
I'm in pieces. _
[C] [A] I'm standing alone, _ _ _
I'm in pieces,
I'm in pieces, _
_ I'm in pieces,
I'm in pieces. _ _ _ _
_ _ _ _ [A] _ [B] I'm _
[F] _ _ in
Next week we'll look at the European
Chart with Tomoko, but for now, [E] ofcourse
we got the Stone Rose with us in the studio.
Welcome, lad.
[Dm] Konnichiwa.
Thanks.
Well, what does that mean?
[D] Hello!
Hey, none of this_
I've got to speak English around here.
Could you take this fish away?
You can take it away if you can't eat it now, sure.
So little_
Don't want any fish.
Is it_
well, we'll hand it out later.
Do you want any fish?
We're gonna [Dm] feed the 5,000 here.
Yeah.
Ha ha ha.
Whilst Ian_
whilst Ian's saying [D] that_
Rennie, listen, mate.
You played Japan just before December, OK?
And I hear it was a pretty massive response out there.
It was.
I [Dm] mean, like, what sort of audience was it, though?
Was it your type of crowd, or was it, like, you know, screaming pop [D] fans?
You take too many drugs in Japan.
Yeah?
[F] They're hard to [D] cope with, they're so_
I don't know.
Effervescent.
Well, they're after your trousers, [Am] were they?
No, they're after me [D] hats.
After your hats.
Yeah, of course, you've saved the fishing hat industry with that hat, haven't you?
Don't know about that.
No, then.
Ha ha ha.
But I'll tell you what I want to ask you.
Like, [Ab] when you play a gig in England_
I don't know if you call it a rave or not, but it's an event, isn't it?
It's not just a pop concert.
Everyone who goes is a star, yeah.
Well, that's what we've always said, everyone's a star.
[D] Only show business.
Is it the [Ab] same, though, when you go abroad?
When you go to Japan and when you go to Sweden and Finland?
The star's abroad, yeah.
Do you think people abroad understand what you're about?
In the same way_
Because, you know, like, here you're part of a big, sort of, like, musical movement in a way, [G] aren't you? _
You don't know.
OK.
But wouldn't you say it's a bit [Cm] different, though?
I mean, in terms of what the [D] audience is looking for?
Not _ _ _ _ _ [Dm] necessarily.
Yeah?
_ So_ _
[D] So, when you [Ab] go abroad, are you going to play the same, [Dm] sort of, you know, big venues, 25,000, that sort of thing?
_ _ Might do.
[G] _
Depends on how you feel.
Might play [F] some small ones, yeah.
[D] Yeah, well, here's the good thing about here, of course, we'll be having you in the studio.
_ [G] So, look, you've got a few gigs [Fm] coming up.
In May, you're going to be playing, where is it, [D] Denmark_
Spike Island, Widness.
Spike Island, Widness, that's already sold out.
We've got Denmark, Sweden, Norway in May, and [Dm] June_
You'll be playing in Finland, won't you?
Well, good luck to you all.
[G] OK, thanks a lot to the Stone [Dm] Rose for coming into the studio.
All the best.
Keep it going.
Thank you. _