Chords for Strangers in the Night Cover
Tempo:
80.9 bpm
Chords used:
B
C#
F#
F#m
G#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[E]
[B] [E] [C#]
[E]
Stranger than the night, exchanging glances, wondering in the night, what were the chances
we'd be sharing love before [C] the night [F#m] is [D] through?
[B]
[D] [F#m] Something [B] in your [F#m] eyes was so inviting, something in your smile [F#] was such [C#] a sight,
[B] something in my fucking heart, [F#m]
tell me amongst, [G#m] have you?
[C#] [G#m]
[B] [G#] Stranger than the night, [C#] [G#] two lonely people, we [G#m] were [G#] stranger than the night,
[C#] after the moment where [F#m] we said our first hello, [Am] little did we know,
[E] love was just [C#m] a glance away, [F#] a warm [B] embrace and dance [G#m] away,
[C#]
[G#m] [G#] [C#]
[F#m] [Am]
[E] love was [C#m] just a glance away, [F#m] a warm embrace and [B] dance away, yeah.
[F#] Ever since that night, we've been together,
that first sight, and love, forever,
[G#m] beaten on the ride, [C#]
[B] was stranger [F#] than the [D#m] night,
[G#m]
stranger [C#] than the night.
[F#]
Pretty much all that, man.
[N]
Baltard has fallen, I even thought everything was going to collapse.
Well done, Julia, to the jury for expressing yourself.
[N] Thank you.
Thank you very much.
It's a shame, Julia, that if it continues like this, you'll only be able to see blue with us.
What's incredible is [D] that you didn't even let go of your horses,
you didn't need to do too much, [F#] not even a vocal demonstration.
[D#] And
Oh!
We can't hear you.
And it [F#] does it, it means [E] that everything is inside,
there's no need for a vocal demonstration, it's the best proof.
And I repeat, [C] someone like Julia, we may [F] not realize it, but it's quite rare.
Thank [B] you.
I think there are a lot of people here who realize it.
[D] [N]
I'm extremely, extremely touched.
I must say that the entrance of your voice, of your grain,
on all the violins and the piano of Frank,
these are moments, as I said last week, that are rare.
You just gave what you needed.
I hope you enjoyed it a lot.
We have the impression that you enjoyed it a lot. A lot.
Is this the first time [G#] you sing with violins?
[G#] Yes, of course.
So?
For me, [C] it's the first time.
So, how does it feel?
I [F] thank them, really.
It's just huge.
I [N] have the impression that you
So, it's not that you rounded the angles.
I know you will never round the angles,
but it's rather that you slid in finely,
since you [D#] can have a lot of different timbres of voice.
[G#] Please, please, little angry people,
please, you break the candy, girls.
It's true.
We can't hear anything anymore.
No, but it's true.
[D]
Oh, change of voice, [D#] you're boring with you.
No, really, really, [N] sincerely,
it was a great moment.
Thank you for being in the show this year.
It's always very pleasant to hear you.
Bravo.
Thank you.
Julien, indeed, the performance is exceptional.
And what is really pleasant is that all the strings left.
You arrive, you sit down on it, it's just
[F#] It's just nickel chrome.
[F] And I don't know what [A#] I wanted to say,
because the girls were disturbed.
[B] What is also great, which is quite impressive,
is [A#] that we really feel [N] that you are at 25% of your possibilities.
And that, what does it kill?
Bravo.
Thank you.
Thank you very much.
And we finish with Julien.
Julien, yes.
[D#] I remember, yes, it's
In fact, it's true that it's an act of pure tantrism
to retain his energy, as you did.
[D] And it [C#] releases a sexuality
that [N] makes all these young girls emotional.
Beyond that, bravo for the quadrature of the circle,
again, it would be a great pleasure in Pythagoras.
What's crazy is that you come from a rock universe
and you manage to sing a song of crooner with a crazy class.
Thank you.
There's just Elvis Costello who had to do that,
but I'm not sure he was as strong in terms of voice.
Thank you very much.
Thank you.
See you later.
Thank you. Thank you.
Thank you, Julien.
[B] [E] [C#]
[E]
Stranger than the night, exchanging glances, wondering in the night, what were the chances
we'd be sharing love before [C] the night [F#m] is [D] through?
[B]
[D] [F#m] Something [B] in your [F#m] eyes was so inviting, something in your smile [F#] was such [C#] a sight,
[B] something in my fucking heart, [F#m]
tell me amongst, [G#m] have you?
[C#] [G#m]
[B] [G#] Stranger than the night, [C#] [G#] two lonely people, we [G#m] were [G#] stranger than the night,
[C#] after the moment where [F#m] we said our first hello, [Am] little did we know,
[E] love was just [C#m] a glance away, [F#] a warm [B] embrace and dance [G#m] away,
[C#]
[G#m] [G#] [C#]
[F#m] [Am]
[E] love was [C#m] just a glance away, [F#m] a warm embrace and [B] dance away, yeah.
[F#] Ever since that night, we've been together,
that first sight, and love, forever,
[G#m] beaten on the ride, [C#]
[B] was stranger [F#] than the [D#m] night,
[G#m]
stranger [C#] than the night.
[F#]
Pretty much all that, man.
[N]
Baltard has fallen, I even thought everything was going to collapse.
Well done, Julia, to the jury for expressing yourself.
[N] Thank you.
Thank you very much.
It's a shame, Julia, that if it continues like this, you'll only be able to see blue with us.
What's incredible is [D] that you didn't even let go of your horses,
you didn't need to do too much, [F#] not even a vocal demonstration.
[D#] And
Oh!
We can't hear you.
And it [F#] does it, it means [E] that everything is inside,
there's no need for a vocal demonstration, it's the best proof.
And I repeat, [C] someone like Julia, we may [F] not realize it, but it's quite rare.
Thank [B] you.
I think there are a lot of people here who realize it.
[D] [N]
I'm extremely, extremely touched.
I must say that the entrance of your voice, of your grain,
on all the violins and the piano of Frank,
these are moments, as I said last week, that are rare.
You just gave what you needed.
I hope you enjoyed it a lot.
We have the impression that you enjoyed it a lot. A lot.
Is this the first time [G#] you sing with violins?
[G#] Yes, of course.
So?
For me, [C] it's the first time.
So, how does it feel?
I [F] thank them, really.
It's just huge.
I [N] have the impression that you
So, it's not that you rounded the angles.
I know you will never round the angles,
but it's rather that you slid in finely,
since you [D#] can have a lot of different timbres of voice.
[G#] Please, please, little angry people,
please, you break the candy, girls.
It's true.
We can't hear anything anymore.
No, but it's true.
[D]
Oh, change of voice, [D#] you're boring with you.
No, really, really, [N] sincerely,
it was a great moment.
Thank you for being in the show this year.
It's always very pleasant to hear you.
Bravo.
Thank you.
Julien, indeed, the performance is exceptional.
And what is really pleasant is that all the strings left.
You arrive, you sit down on it, it's just
[F#] It's just nickel chrome.
[F] And I don't know what [A#] I wanted to say,
because the girls were disturbed.
[B] What is also great, which is quite impressive,
is [A#] that we really feel [N] that you are at 25% of your possibilities.
And that, what does it kill?
Bravo.
Thank you.
Thank you very much.
And we finish with Julien.
Julien, yes.
[D#] I remember, yes, it's
In fact, it's true that it's an act of pure tantrism
to retain his energy, as you did.
[D] And it [C#] releases a sexuality
that [N] makes all these young girls emotional.
Beyond that, bravo for the quadrature of the circle,
again, it would be a great pleasure in Pythagoras.
What's crazy is that you come from a rock universe
and you manage to sing a song of crooner with a crazy class.
Thank you.
There's just Elvis Costello who had to do that,
but I'm not sure he was as strong in terms of voice.
Thank you very much.
Thank you.
See you later.
Thank you. Thank you.
Thank you, Julien.
Key:
B
C#
F#
F#m
G#m
B
C#
F#
_ _ _ [E] _ _ _ _ _
[B] _ [E] _ _ _ _ _ [C#] _ _
_ _ [E] _ _ _ _ _ _
_ _ Stranger than the night, _ exchanging glances, wondering in the night, what were the chances
we'd be sharing love before [C] the night [F#m] is [D] through?
_ [B] _ _
[D] _ _ [F#m] Something [B] in your [F#m] eyes was so inviting, something in your smile [F#] was such [C#] a sight,
[B] something in my fucking heart, [F#m] _
tell me amongst, [G#m] have you?
[C#] _ _ [G#m] _ _
[B] _ _ [G#] Stranger than the night, [C#] [G#] two lonely people, we [G#m] were [G#] stranger than the night,
[C#] after the moment where [F#m] we said our first hello, [Am] little did we know,
[E] love was just [C#m] a glance away, [F#] a warm [B] embrace and dance [G#m] away,
_ [C#] _ _ _ _
_ _ [G#m] _ [G#] _ _ [C#] _ _ _
_ _ [F#m] _ _ _ _ [Am] _ _
_ [E] love was [C#m] just a glance away, [F#m] a warm embrace and [B] dance away, yeah.
_ _ [F#] Ever since that night, we've been together,
that first sight, and love, forever,
_ [G#m] beaten on the ride, [C#] _
[B] was stranger [F#] than the [D#m] night,
_ [G#m] _ _
_ stranger [C#] than _ _ the night.
[F#] _ _ _ _ _
Pretty much all that, man.
_ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Baltard has fallen, I even thought everything was going to collapse.
_ Well done, Julia, _ to the jury for expressing yourself. _ _
_ [N] Thank you.
Thank you very much. _
It's a shame, Julia, that if it continues like this, you'll only be able to see blue with us. _
What's incredible is [D] that you didn't even let go of your horses,
you didn't need to do too much, [F#] not even a vocal demonstration.
_ [D#] And_
Oh!
_ We can't hear you.
And it [F#] does it, it means [E] that everything is inside,
there's no need for a vocal demonstration, it's the best proof.
And I repeat, [C] someone like Julia, we may [F] not realize it, but it's quite rare.
Thank [B] you.
I think there are a lot of people here who realize it.
_ [D] _ _ [N] _
I'm extremely, extremely touched.
I must say that the entrance of your voice, of your grain,
on all the violins and the piano of Frank,
these are moments, as I said last week, that are rare.
You just gave what you needed.
I hope you enjoyed it a lot.
We have the impression that you enjoyed it a lot. A lot.
Is this the first time [G#] you sing with violins?
[G#] Yes, of course.
So?
For me, [C] it's the first time.
So, how does it feel?
I [F] thank them, really.
It's just huge.
I [N] have the impression that you_
So, it's not that you rounded the angles.
I know you will never round the angles,
but it's rather that you slid in finely,
since you [D#] can have a lot of different timbres of voice.
_ [G#] Please, please, little angry people,
please, you break the candy, girls.
It's true.
We can't hear anything anymore.
No, but it's true.
_ [D] _
Oh, change of voice, [D#] you're boring with you.
No, really, really, [N] sincerely,
it was a great moment.
Thank you for being in the show this year.
It's always very pleasant to hear you.
Bravo.
Thank you.
_ _ Julien, indeed, the performance is exceptional.
And what is really pleasant is that all the strings left.
You arrive, you sit down on it, it's just_
_ _ _ _ _ [F#] It's just nickel chrome.
[F] And I don't know what [A#] I wanted to say,
because the girls were disturbed.
_ [B] What is also great, which is quite impressive,
is [A#] that we really feel [N] that you are at 25% of your possibilities.
And that, what does it kill?
Bravo.
Thank you.
Thank you very much.
And we finish with Julien.
Julien, yes.
[D#] I remember, yes, it's_
In fact, it's true that it's an act of pure tantrism
to retain his energy, as you did.
[D] And it [C#] releases a sexuality
that [N] makes all these young girls emotional.
Beyond that, bravo for the quadrature of the circle,
again, it would be a great pleasure in Pythagoras.
What's crazy is that you come from a rock universe
and you manage to sing a song of crooner with a crazy class.
Thank you.
There's just Elvis Costello who had to do that,
but I'm not sure he was as strong in terms of voice.
Thank you very much.
Thank you.
See you later.
Thank you. Thank you.
Thank you, Julien.
[B] _ [E] _ _ _ _ _ [C#] _ _
_ _ [E] _ _ _ _ _ _
_ _ Stranger than the night, _ exchanging glances, wondering in the night, what were the chances
we'd be sharing love before [C] the night [F#m] is [D] through?
_ [B] _ _
[D] _ _ [F#m] Something [B] in your [F#m] eyes was so inviting, something in your smile [F#] was such [C#] a sight,
[B] something in my fucking heart, [F#m] _
tell me amongst, [G#m] have you?
[C#] _ _ [G#m] _ _
[B] _ _ [G#] Stranger than the night, [C#] [G#] two lonely people, we [G#m] were [G#] stranger than the night,
[C#] after the moment where [F#m] we said our first hello, [Am] little did we know,
[E] love was just [C#m] a glance away, [F#] a warm [B] embrace and dance [G#m] away,
_ [C#] _ _ _ _
_ _ [G#m] _ [G#] _ _ [C#] _ _ _
_ _ [F#m] _ _ _ _ [Am] _ _
_ [E] love was [C#m] just a glance away, [F#m] a warm embrace and [B] dance away, yeah.
_ _ [F#] Ever since that night, we've been together,
that first sight, and love, forever,
_ [G#m] beaten on the ride, [C#] _
[B] was stranger [F#] than the [D#m] night,
_ [G#m] _ _
_ stranger [C#] than _ _ the night.
[F#] _ _ _ _ _
Pretty much all that, man.
_ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Baltard has fallen, I even thought everything was going to collapse.
_ Well done, Julia, _ to the jury for expressing yourself. _ _
_ [N] Thank you.
Thank you very much. _
It's a shame, Julia, that if it continues like this, you'll only be able to see blue with us. _
What's incredible is [D] that you didn't even let go of your horses,
you didn't need to do too much, [F#] not even a vocal demonstration.
_ [D#] And_
Oh!
_ We can't hear you.
And it [F#] does it, it means [E] that everything is inside,
there's no need for a vocal demonstration, it's the best proof.
And I repeat, [C] someone like Julia, we may [F] not realize it, but it's quite rare.
Thank [B] you.
I think there are a lot of people here who realize it.
_ [D] _ _ [N] _
I'm extremely, extremely touched.
I must say that the entrance of your voice, of your grain,
on all the violins and the piano of Frank,
these are moments, as I said last week, that are rare.
You just gave what you needed.
I hope you enjoyed it a lot.
We have the impression that you enjoyed it a lot. A lot.
Is this the first time [G#] you sing with violins?
[G#] Yes, of course.
So?
For me, [C] it's the first time.
So, how does it feel?
I [F] thank them, really.
It's just huge.
I [N] have the impression that you_
So, it's not that you rounded the angles.
I know you will never round the angles,
but it's rather that you slid in finely,
since you [D#] can have a lot of different timbres of voice.
_ [G#] Please, please, little angry people,
please, you break the candy, girls.
It's true.
We can't hear anything anymore.
No, but it's true.
_ [D] _
Oh, change of voice, [D#] you're boring with you.
No, really, really, [N] sincerely,
it was a great moment.
Thank you for being in the show this year.
It's always very pleasant to hear you.
Bravo.
Thank you.
_ _ Julien, indeed, the performance is exceptional.
And what is really pleasant is that all the strings left.
You arrive, you sit down on it, it's just_
_ _ _ _ _ [F#] It's just nickel chrome.
[F] And I don't know what [A#] I wanted to say,
because the girls were disturbed.
_ [B] What is also great, which is quite impressive,
is [A#] that we really feel [N] that you are at 25% of your possibilities.
And that, what does it kill?
Bravo.
Thank you.
Thank you very much.
And we finish with Julien.
Julien, yes.
[D#] I remember, yes, it's_
In fact, it's true that it's an act of pure tantrism
to retain his energy, as you did.
[D] And it [C#] releases a sexuality
that [N] makes all these young girls emotional.
Beyond that, bravo for the quadrature of the circle,
again, it would be a great pleasure in Pythagoras.
What's crazy is that you come from a rock universe
and you manage to sing a song of crooner with a crazy class.
Thank you.
There's just Elvis Costello who had to do that,
but I'm not sure he was as strong in terms of voice.
Thank you very much.
Thank you.
See you later.
Thank you. Thank you.
Thank you, Julien.