Chords for Studio Tour
Tempo:
63.95 bpm
Chords used:
B
G
Bb
A
Ebm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
My shitty nephew welcomes you to the tour of my studio.
What's up guys?
I'm gonna give you a tour of my fucking dope ass studio.
[B] Just kidding.
It's not super dope, but I'm gonna give you the tour anyways to prove a point.
This is [G] what I sing into.
It's an AT4040.
[B] It's uh, it's 300 bucks.
And uh, you can get it pretty much anywhere.
This right here.
Boom.
[A] It's a Fireface 400.
It's discontinued, but it's awesome.
This over here, it's an Atom A7.
Also discontinued.
And then all I'm running is this 2010 model Mac [Bb] with Logic 9.
Yep, there it [Ebm] is.
New GoMeriJam.
[Gb] Yeah, it's just Logic 9.
[D] And that's pretty much it, honestly.
I have a room in there that I record microphone stuff in, but it's pretty sound dead.
It's like not super sound dead.
I record most of the Bill Murray lyrics in this room.
Yeah, that's pretty much all I use.
But I wanted to make this video for you guys to understand something that took me a really long time to understand.
Is that if you have an interface, a microphone, and a DAW, which is like Logic or whatever.
That you have everything that you need to make something totally awesome.
I think I fell into that earlier on in my studio experience of like,
Man, I don't have this million dollar microphone, or I don't have this thousand dollar whatever.
And I was watching a video of Drake's producer Noah Forty, who's one of my favorite guys ever.
And he was basically just like, oh yeah, this number one hit song we recorded in a fucking bathroom.
And this other song we recorded here on a Macbook in this really crappy interface.
And that to me opened up so much creativity because it allowed myself to stop blaming the gear on why something doesn't sound good.
And start being like, okay, it can sound good.
I need to learn how to make it sound good.
And once I realized that like four years ago, my production started getting a lot better.
Because I was able to just be like, it is possible to make something sound awesome.
I think the greatest example of this is Joey Sturgis.
He took a situation that wasn't like the greatest situation.
He didn't have the greatest gear in the world, but he was able to make something awesome.
And he completely revolutionized the entire recording game.
I mean, the fact that I'm recording here at all is because Joey Sturgis took a situation that wasn't optimal.
And he didn't have the greatest gear and he made something that was incredible.
And that kind of opened up the world to me.
And I think that once you realize [Ab] that as a producer, you're going to be able to make [G] amazing stuff without the greatest gear.
So I just [Bb] wanted to share that with you.
That my studio setup is pretty humble.
There isn't a lot going on here, but you can make music that you love with a humble setup.
You just have to figure out a way to do it.
See you later, homies.
What's up guys?
I'm gonna give you a tour of my fucking dope ass studio.
[B] Just kidding.
It's not super dope, but I'm gonna give you the tour anyways to prove a point.
This is [G] what I sing into.
It's an AT4040.
[B] It's uh, it's 300 bucks.
And uh, you can get it pretty much anywhere.
This right here.
Boom.
[A] It's a Fireface 400.
It's discontinued, but it's awesome.
This over here, it's an Atom A7.
Also discontinued.
And then all I'm running is this 2010 model Mac [Bb] with Logic 9.
Yep, there it [Ebm] is.
New GoMeriJam.
[Gb] Yeah, it's just Logic 9.
[D] And that's pretty much it, honestly.
I have a room in there that I record microphone stuff in, but it's pretty sound dead.
It's like not super sound dead.
I record most of the Bill Murray lyrics in this room.
Yeah, that's pretty much all I use.
But I wanted to make this video for you guys to understand something that took me a really long time to understand.
Is that if you have an interface, a microphone, and a DAW, which is like Logic or whatever.
That you have everything that you need to make something totally awesome.
I think I fell into that earlier on in my studio experience of like,
Man, I don't have this million dollar microphone, or I don't have this thousand dollar whatever.
And I was watching a video of Drake's producer Noah Forty, who's one of my favorite guys ever.
And he was basically just like, oh yeah, this number one hit song we recorded in a fucking bathroom.
And this other song we recorded here on a Macbook in this really crappy interface.
And that to me opened up so much creativity because it allowed myself to stop blaming the gear on why something doesn't sound good.
And start being like, okay, it can sound good.
I need to learn how to make it sound good.
And once I realized that like four years ago, my production started getting a lot better.
Because I was able to just be like, it is possible to make something sound awesome.
I think the greatest example of this is Joey Sturgis.
He took a situation that wasn't like the greatest situation.
He didn't have the greatest gear in the world, but he was able to make something awesome.
And he completely revolutionized the entire recording game.
I mean, the fact that I'm recording here at all is because Joey Sturgis took a situation that wasn't optimal.
And he didn't have the greatest gear and he made something that was incredible.
And that kind of opened up the world to me.
And I think that once you realize [Ab] that as a producer, you're going to be able to make [G] amazing stuff without the greatest gear.
So I just [Bb] wanted to share that with you.
That my studio setup is pretty humble.
There isn't a lot going on here, but you can make music that you love with a humble setup.
You just have to figure out a way to do it.
See you later, homies.
Key:
B
G
Bb
A
Ebm
B
G
Bb
My shitty nephew welcomes you to the tour of my studio.
What's up guys?
I'm gonna give you a tour of my fucking dope ass studio.
[B] Just kidding.
It's not super dope, but I'm gonna give you the tour anyways to prove a point.
This is [G] what I sing into.
It's an AT4040.
[B] It's uh, it's 300 bucks.
And uh, you can get it pretty much anywhere.
This right here.
Boom.
_ _ [A] It's a Fireface 400.
It's discontinued, but it's awesome.
This over here, it's an Atom A7.
Also discontinued.
And then all I'm running is _ this 2010 model Mac [Bb] with Logic _ _ 9.
_ Yep, there it [Ebm] is.
New GoMeriJam.
[Gb] Yeah, it's just Logic 9.
[D] And that's pretty much it, honestly.
I have a room in there that I record microphone stuff in, but _ it's pretty sound dead.
It's like not super sound dead.
I record most of the Bill Murray lyrics in this room.
Yeah, that's pretty much all I use.
But I wanted to make this video for you guys to understand something that took me a really long time to understand.
Is that if you have an interface, a microphone, and a DAW, which is like Logic or whatever.
That you have everything that you need to make something totally awesome.
I think I fell into that earlier on in my studio experience of like,
Man, I don't have this million dollar microphone, or I don't have this thousand dollar whatever.
And I was watching a video of Drake's producer Noah Forty, who's one of my favorite guys ever.
And he was basically just like, oh yeah, this number one hit song we recorded in a fucking bathroom.
And this other song we recorded here on a Macbook in this really crappy interface.
And that to me opened up so much creativity because it allowed myself to stop blaming _ the gear on why something doesn't sound good.
And start being like, okay, it can sound good.
I need to learn how to make it sound good.
And once I realized that like four years ago, my production started getting a lot better.
Because I was able to just be like, it is possible to make something sound awesome.
I think the greatest example of this is Joey Sturgis.
He took a situation that wasn't like the greatest situation.
He didn't have the greatest gear in the world, but he was able to make something awesome.
And he completely revolutionized the entire recording game.
I mean, the fact that I'm recording here at all is because Joey Sturgis took a situation that wasn't optimal.
And he didn't have the greatest gear and he made something that was incredible.
And that kind of opened up the world to me.
And I think that once you realize [Ab] that as a producer, you're going to be able to make [G] amazing stuff without the greatest gear.
So I just [Bb] wanted to share that with you.
That my studio setup is pretty humble.
There isn't a lot going on here, but you can make music that you love with a humble setup.
You just have to figure out a way to do it.
See you later, homies. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
What's up guys?
I'm gonna give you a tour of my fucking dope ass studio.
[B] Just kidding.
It's not super dope, but I'm gonna give you the tour anyways to prove a point.
This is [G] what I sing into.
It's an AT4040.
[B] It's uh, it's 300 bucks.
And uh, you can get it pretty much anywhere.
This right here.
Boom.
_ _ [A] It's a Fireface 400.
It's discontinued, but it's awesome.
This over here, it's an Atom A7.
Also discontinued.
And then all I'm running is _ this 2010 model Mac [Bb] with Logic _ _ 9.
_ Yep, there it [Ebm] is.
New GoMeriJam.
[Gb] Yeah, it's just Logic 9.
[D] And that's pretty much it, honestly.
I have a room in there that I record microphone stuff in, but _ it's pretty sound dead.
It's like not super sound dead.
I record most of the Bill Murray lyrics in this room.
Yeah, that's pretty much all I use.
But I wanted to make this video for you guys to understand something that took me a really long time to understand.
Is that if you have an interface, a microphone, and a DAW, which is like Logic or whatever.
That you have everything that you need to make something totally awesome.
I think I fell into that earlier on in my studio experience of like,
Man, I don't have this million dollar microphone, or I don't have this thousand dollar whatever.
And I was watching a video of Drake's producer Noah Forty, who's one of my favorite guys ever.
And he was basically just like, oh yeah, this number one hit song we recorded in a fucking bathroom.
And this other song we recorded here on a Macbook in this really crappy interface.
And that to me opened up so much creativity because it allowed myself to stop blaming _ the gear on why something doesn't sound good.
And start being like, okay, it can sound good.
I need to learn how to make it sound good.
And once I realized that like four years ago, my production started getting a lot better.
Because I was able to just be like, it is possible to make something sound awesome.
I think the greatest example of this is Joey Sturgis.
He took a situation that wasn't like the greatest situation.
He didn't have the greatest gear in the world, but he was able to make something awesome.
And he completely revolutionized the entire recording game.
I mean, the fact that I'm recording here at all is because Joey Sturgis took a situation that wasn't optimal.
And he didn't have the greatest gear and he made something that was incredible.
And that kind of opened up the world to me.
And I think that once you realize [Ab] that as a producer, you're going to be able to make [G] amazing stuff without the greatest gear.
So I just [Bb] wanted to share that with you.
That my studio setup is pretty humble.
There isn't a lot going on here, but you can make music that you love with a humble setup.
You just have to figure out a way to do it.
See you later, homies. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
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