Chords for Sweet - 10.Song Of The Month "The Ballroom Blitz" (OFFICIAL)
Tempo:
107 bpm
Chords used:
E
A
Em
D
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] Hey, man.
[D#] [D] Come on.
Are you ready, C?
Uh?
Andy?
Yeah.
Nick?
OK.
All right, [E] fellas.
Let's go!
Mike Chapman, the songwriter,
had not seen the band play for a little [F#] while,
[E] and he kept reading about these rave reviews
about Sweet Mania and all this stuff,
so he came up to Scotland with us for a couple of shows,
and this one particular show in Glasgow,
where the crowd was incredibly wild,
Brian and I ended up in the audience at one point,
and I felt the scissors going into my hair,
which wasn't pleasant,
and Mike went away and sat down and wrote The Ballroom Blitz.
[F#] And the man in [A] the back said,
Everyone [B] attack me, I'm gonna turn into [Em] a ballroom blitz
[F#] And the girl in [A] the corner said, Boy, I want [Bm] a one-year,
It'll turn you into a ballroom blitz
[E]
Ballroom blitz, [D] [Em] ballroom blitz
Once again, as with most Sweet songs, they start with a guitar riff,
[E] and the guitar riff in this one is once again
going back to the old style of, a lot of songs in the 60s
used to have this
You know, this sort of Chuck Berry type of thing.
It's just another play on that where you've got
And the verse guitar has even got a little bit of Chuck Berry in it
with Memphis, [A] Tennessee, where it goes
[E]
So it's quite simple in its way,
but if you don't play it right, it doesn't sound right.
And I always say that to people.
You know, you may think that these things are quite simple,
[G] but if you don't put the inflection or the right essence,
you're just [Em] another band playing another cover song,
you know, and it could be anybody.
[E]
I was
I was a [A] man in jail for something
Who'd take my mother's life [E] and leave me
I was a man [A] in a suffocating dark hole
For a human being who's nothing [E] but a myth
My father
The end of the [N] middle section, which is basically
a drums and bass-driven section, which had the guitar going,
you know, [D] the HE HUMS
And
[D#] [E] [D] then there's the guitar riff at the end, which [E] basically,
we were all into bands like The Beatles
and we were just looking for a nice little guitar thing at the end
and I came up with, [A]
[E] [A] [G] [N]
which could have been from any of The Beatles,
Revolver or Robber Soul type of albums, so
[Em] But people remember that and I'm glad of that.
HE HUMS
[D] [Em] [E]
[Em]
[E]
[A] [Em]
[D#] [D] Come on.
Are you ready, C?
Uh?
Andy?
Yeah.
Nick?
OK.
All right, [E] fellas.
Let's go!
Mike Chapman, the songwriter,
had not seen the band play for a little [F#] while,
[E] and he kept reading about these rave reviews
about Sweet Mania and all this stuff,
so he came up to Scotland with us for a couple of shows,
and this one particular show in Glasgow,
where the crowd was incredibly wild,
Brian and I ended up in the audience at one point,
and I felt the scissors going into my hair,
which wasn't pleasant,
and Mike went away and sat down and wrote The Ballroom Blitz.
[F#] And the man in [A] the back said,
Everyone [B] attack me, I'm gonna turn into [Em] a ballroom blitz
[F#] And the girl in [A] the corner said, Boy, I want [Bm] a one-year,
It'll turn you into a ballroom blitz
[E]
Ballroom blitz, [D] [Em] ballroom blitz
Once again, as with most Sweet songs, they start with a guitar riff,
[E] and the guitar riff in this one is once again
going back to the old style of, a lot of songs in the 60s
used to have this
You know, this sort of Chuck Berry type of thing.
It's just another play on that where you've got
And the verse guitar has even got a little bit of Chuck Berry in it
with Memphis, [A] Tennessee, where it goes
[E]
So it's quite simple in its way,
but if you don't play it right, it doesn't sound right.
And I always say that to people.
You know, you may think that these things are quite simple,
[G] but if you don't put the inflection or the right essence,
you're just [Em] another band playing another cover song,
you know, and it could be anybody.
[E]
I was
I was a [A] man in jail for something
Who'd take my mother's life [E] and leave me
I was a man [A] in a suffocating dark hole
For a human being who's nothing [E] but a myth
My father
The end of the [N] middle section, which is basically
a drums and bass-driven section, which had the guitar going,
you know, [D] the HE HUMS
And
[D#] [E] [D] then there's the guitar riff at the end, which [E] basically,
we were all into bands like The Beatles
and we were just looking for a nice little guitar thing at the end
and I came up with, [A]
[E] [A] [G] [N]
which could have been from any of The Beatles,
Revolver or Robber Soul type of albums, so
[Em] But people remember that and I'm glad of that.
HE HUMS
[D] [Em] [E]
[Em]
[E]
[A] [Em]
Key:
E
A
Em
D
F#
E
A
Em
[D] _ Hey, man. _ _ _ _ _
_ [D#] _ _ _ _ [D] Come on.
_ _ _ _ Are you ready, C?
Uh?
Andy?
Yeah.
Nick?
OK.
All right, [E] fellas.
Let's go! _
_ _ _ Mike _ _ _ _ _ _ _ _ _ _ _
Chapman, the songwriter,
had not seen the band play for a little [F#] while,
[E] and he kept reading about these rave reviews
about Sweet Mania and all this stuff,
so he came up to Scotland with us for a couple of shows,
and this one particular show in Glasgow,
where the crowd was incredibly wild,
Brian and I ended up in the audience at one point,
and I felt the scissors going into my hair,
which wasn't pleasant,
and Mike went away and sat down and wrote The Ballroom Blitz.
_ _ [F#] And the man in [A] the back said,
Everyone [B] attack me, I'm gonna turn into [Em] a ballroom blitz
[F#] And the girl in [A] the corner said, Boy, I want [Bm] a one-year,
It'll turn you into a ballroom blitz
[E]
Ballroom blitz, _ [D] _ [Em] _ _ _ ballroom blitz
_ _ _ _ _ Once again, as with most Sweet songs, they start with a guitar riff,
[E] and the _ guitar riff in this one is once again
going back to the old style of, a lot of songs in the 60s
used to have this_
You _ know, this sort of Chuck Berry type of thing.
It's just another play on that where you've got_ _
_ _ _ _ _ _ _ _
And the verse guitar has even got a little bit of Chuck Berry in it
with _ Memphis, [A] Tennessee, where it goes_ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ So it's quite simple in its way,
but if you don't play it right, _ it doesn't sound right.
And I always say that to people.
You know, you may think that these things are quite simple,
[G] but if you don't put the inflection or the right essence,
you're just [Em] another band playing another cover song,
you know, and it could be anybody.
_ _ [E] _
_ _ I was_ _ _
_ _ I was a [A] man in jail for something
Who'd take my mother's life [E] and leave me
I _ _ was a man [A] in a suffocating dark hole
For a human being who's nothing [E] but a myth
_ My father_
The end of the [N] middle section, which is basically
a drums and bass-driven section, which had the guitar going,
you know, _ [D] the_ HE HUMS
And _
[D#] _ [E] _ [D] _ _ then there's the guitar riff at the end, which [E] basically,
_ we were all into bands like The Beatles
and we were just looking for a nice little guitar thing at the end
and I came up with, [A] _
[E] _ _ _ [A] _ _ [G] _ _ [N]
which could have been from any of The Beatles,
Revolver or Robber Soul type of albums, so_
[Em] But people remember that and I'm glad of that.
HE HUMS
_ _ _ _ _ _ _ _
[D] _ [Em] _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ [Em] _ _ _ _ _
_ [D#] _ _ _ _ [D] Come on.
_ _ _ _ Are you ready, C?
Uh?
Andy?
Yeah.
Nick?
OK.
All right, [E] fellas.
Let's go! _
_ _ _ Mike _ _ _ _ _ _ _ _ _ _ _
Chapman, the songwriter,
had not seen the band play for a little [F#] while,
[E] and he kept reading about these rave reviews
about Sweet Mania and all this stuff,
so he came up to Scotland with us for a couple of shows,
and this one particular show in Glasgow,
where the crowd was incredibly wild,
Brian and I ended up in the audience at one point,
and I felt the scissors going into my hair,
which wasn't pleasant,
and Mike went away and sat down and wrote The Ballroom Blitz.
_ _ [F#] And the man in [A] the back said,
Everyone [B] attack me, I'm gonna turn into [Em] a ballroom blitz
[F#] And the girl in [A] the corner said, Boy, I want [Bm] a one-year,
It'll turn you into a ballroom blitz
[E]
Ballroom blitz, _ [D] _ [Em] _ _ _ ballroom blitz
_ _ _ _ _ Once again, as with most Sweet songs, they start with a guitar riff,
[E] and the _ guitar riff in this one is once again
going back to the old style of, a lot of songs in the 60s
used to have this_
You _ know, this sort of Chuck Berry type of thing.
It's just another play on that where you've got_ _
_ _ _ _ _ _ _ _
And the verse guitar has even got a little bit of Chuck Berry in it
with _ Memphis, [A] Tennessee, where it goes_ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ So it's quite simple in its way,
but if you don't play it right, _ it doesn't sound right.
And I always say that to people.
You know, you may think that these things are quite simple,
[G] but if you don't put the inflection or the right essence,
you're just [Em] another band playing another cover song,
you know, and it could be anybody.
_ _ [E] _
_ _ I was_ _ _
_ _ I was a [A] man in jail for something
Who'd take my mother's life [E] and leave me
I _ _ was a man [A] in a suffocating dark hole
For a human being who's nothing [E] but a myth
_ My father_
The end of the [N] middle section, which is basically
a drums and bass-driven section, which had the guitar going,
you know, _ [D] the_ HE HUMS
And _
[D#] _ [E] _ [D] _ _ then there's the guitar riff at the end, which [E] basically,
_ we were all into bands like The Beatles
and we were just looking for a nice little guitar thing at the end
and I came up with, [A] _
[E] _ _ _ [A] _ _ [G] _ _ [N]
which could have been from any of The Beatles,
Revolver or Robber Soul type of albums, so_
[Em] But people remember that and I'm glad of that.
HE HUMS
_ _ _ _ _ _ _ _
[D] _ [Em] _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ [Em] _ _ _ _ _