Chords for Take Me There - Wendall Mobley & Kenny Chesney
Tempo:
86.6 bpm
Chords used:
D
G
A
Em
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] [D] Would you like to hear Wendell Mobley ladies and gentlemen?
I don't know [G] I would.
[D] I do.
What are you going to do?
Can I get just a tick more of this guitar on there?
Shoot, okay that's probably plenty right there.
What are you doing?
Are you the capo?
No, I'm kidding.
Oh, you're kidding.
Some [N] of you might not even know that Kenny wrote this song,
but I remember the night he called with this idea.
I had the idea and some of the lines and the whole premise laid out
and I was like, yeah, are you kidding?
Well, what happens usually is every year I'll call on my time off.
After my tour [Dm] I'll spend some time [G] away from all this and [B] I start to get [N] creative
and I think I'm creative anyway.
And I'll call Wendell and another friend of ours, Neil Thrasher,
and they know when I call like at 2 or 3 in the morning
that I might have had a little bit of grandpa's cough [D] medicine too much.
And [A] I [G] think that every song idea that I have is like genius.
So every now and then Wendell will go, oh, [B] that's awesome,
but then [Gm] sometimes [D] I [G] call them and then there's silence.
[D] There wasn't this time.
Thank God there wasn't silence [E] with this song.
Yeah, I don't really care.
[N] I think I can speak for everybody up here.
I don't care if Kenny drunk dials you at midnight trying to rhyme alligator and Volkswagen,
you're going to take a shot at it for sure.
[D] At least.
Anyway, we wrote this song and we had to phone [Em] write it because Kenny's really busy
and I think I was at a NASCAR race.
Wendell's one [N] of these guys I've written a lot of [G] songs with but we never sat in the [D] same room.
True story.
But we got it done.
We were trying to get it [D] on Kenny's record and we got it all finished,
got it demoed and ran down there to the studio and Kenny was like a dummy.
I didn't record it.
I think he just sent the players home.
But [N] thank God [D] somebody else was cutting down the road.
So anyway, it was like, [G]
[D] [G]
[D] there's a place in your heart.
[G]
Nobody's been.
[D] Take me [G] there.
[D] Things nobody knows.
[G] Not even your friends.
[D] Take me there.
[G] [D]
Tell me about your mama, your daddy, [G] your hometown.
Show me [D] around.
I want to see it [G] all.
Don't leave anything [D] out.
[G]
Everything [D] about you [G] there.
[D] And I want [G] to go down [D] every road you've been.
[G]
Where [Bm] your hopes and dreams and wishes live.
[A] Where you keep the rest of your life [G] hid.
I want to know the girl behind that pretty [Em] stare.
Take [D] me there.
[G]
[D] Take me there.
One more time.
[G] A little better.
[D] Your first real kiss.
Your [G] first true love.
[D] Show me where [G] you were scared.
You [D] learned about life.
[G] Those summer nights.
[D] Without a care.
[G] Take me there.
L [D].A. street, back road.
[G] Like you did when you were a kid.
[D] What made you who you [G] are.
Tell me what your story [D] is.
[G]
Everything [D] about you [G] there.
[D] And I [G] want to go down [D] every road you've been.
Where [Bm] your hopes and dreams and wishes live.
[A] Where you keep the rest of your life hid.
I [G] want to know the girl behind that pretty [Em] stare.
Take [D] me there.
[G]
[D] Take me there.
Take me there.
[G]
[D] [G]
[D] [G] Everything
[D]
about you there.
And I [G] want to go down [D] every road you've been.
[G]
[Bm] Where your hopes and dreams [D] and wishes live.
Where [A] you keep the rest of your life hid.
I [G] want to know the girl behind [D] that [Em] pretty stare.
[D] Take me there.
[G] Take [D] me there.
[G] Take [D] me there.
[G] Wendell [Dm] Mosley everybody!
[E] [A]
I don't know [G] I would.
[D] I do.
What are you going to do?
Can I get just a tick more of this guitar on there?
Shoot, okay that's probably plenty right there.
What are you doing?
Are you the capo?
No, I'm kidding.
Oh, you're kidding.
Some [N] of you might not even know that Kenny wrote this song,
but I remember the night he called with this idea.
I had the idea and some of the lines and the whole premise laid out
and I was like, yeah, are you kidding?
Well, what happens usually is every year I'll call on my time off.
After my tour [Dm] I'll spend some time [G] away from all this and [B] I start to get [N] creative
and I think I'm creative anyway.
And I'll call Wendell and another friend of ours, Neil Thrasher,
and they know when I call like at 2 or 3 in the morning
that I might have had a little bit of grandpa's cough [D] medicine too much.
And [A] I [G] think that every song idea that I have is like genius.
So every now and then Wendell will go, oh, [B] that's awesome,
but then [Gm] sometimes [D] I [G] call them and then there's silence.
[D] There wasn't this time.
Thank God there wasn't silence [E] with this song.
Yeah, I don't really care.
[N] I think I can speak for everybody up here.
I don't care if Kenny drunk dials you at midnight trying to rhyme alligator and Volkswagen,
you're going to take a shot at it for sure.
[D] At least.
Anyway, we wrote this song and we had to phone [Em] write it because Kenny's really busy
and I think I was at a NASCAR race.
Wendell's one [N] of these guys I've written a lot of [G] songs with but we never sat in the [D] same room.
True story.
But we got it done.
We were trying to get it [D] on Kenny's record and we got it all finished,
got it demoed and ran down there to the studio and Kenny was like a dummy.
I didn't record it.
I think he just sent the players home.
But [N] thank God [D] somebody else was cutting down the road.
So anyway, it was like, [G]
[D] [G]
[D] there's a place in your heart.
[G]
Nobody's been.
[D] Take me [G] there.
[D] Things nobody knows.
[G] Not even your friends.
[D] Take me there.
[G] [D]
Tell me about your mama, your daddy, [G] your hometown.
Show me [D] around.
I want to see it [G] all.
Don't leave anything [D] out.
[G]
Everything [D] about you [G] there.
[D] And I want [G] to go down [D] every road you've been.
[G]
Where [Bm] your hopes and dreams and wishes live.
[A] Where you keep the rest of your life [G] hid.
I want to know the girl behind that pretty [Em] stare.
Take [D] me there.
[G]
[D] Take me there.
One more time.
[G] A little better.
[D] Your first real kiss.
Your [G] first true love.
[D] Show me where [G] you were scared.
You [D] learned about life.
[G] Those summer nights.
[D] Without a care.
[G] Take me there.
L [D].A. street, back road.
[G] Like you did when you were a kid.
[D] What made you who you [G] are.
Tell me what your story [D] is.
[G]
Everything [D] about you [G] there.
[D] And I [G] want to go down [D] every road you've been.
Where [Bm] your hopes and dreams and wishes live.
[A] Where you keep the rest of your life hid.
I [G] want to know the girl behind that pretty [Em] stare.
Take [D] me there.
[G]
[D] Take me there.
Take me there.
[G]
[D] [G]
[D] [G] Everything
[D]
about you there.
And I [G] want to go down [D] every road you've been.
[G]
[Bm] Where your hopes and dreams [D] and wishes live.
Where [A] you keep the rest of your life hid.
I [G] want to know the girl behind [D] that [Em] pretty stare.
[D] Take me there.
[G] Take [D] me there.
[G] Take [D] me there.
[G] Wendell [Dm] Mosley everybody!
[E] [A]
Key:
D
G
A
Em
Bm
D
G
A
[G] _ _ [D] Would you like to hear Wendell Mobley ladies and gentlemen?
I don't know [G] I would.
[D] I do.
What are you going to do?
Can I get just a tick more of this guitar on there?
Shoot, okay that's probably plenty right there.
_ What are you doing?
Are you the capo?
No, I'm kidding.
Oh, you're kidding.
Some _ [N] of you might not even know that Kenny wrote this song,
but I remember the night he called with this idea.
I had the idea and some of the lines and the whole premise laid out
and I was like, yeah, are you kidding?
Well, what happens usually is every year I'll call on my time off.
_ After my tour [Dm] I'll spend some time [G] away from all this and [B] I start to get [N] creative
and I think I'm creative anyway.
And I'll call Wendell and another friend of ours, Neil Thrasher,
_ and they know when I call like at 2 or 3 in the morning
that I might have had a little bit of grandpa's cough [D] medicine too much.
_ And [A] I [G] think that every song idea that I have is like genius.
So every now and then Wendell will go, oh, [B] that's awesome,
but then [Gm] sometimes [D] I [G] call them and then there's silence.
[D] _ _ _ There wasn't this time.
Thank God there wasn't silence [E] with this song.
Yeah, I don't really care.
[N] I think I can speak for everybody up here.
I don't care if Kenny drunk dials you at midnight trying to rhyme alligator and Volkswagen,
you're going to take a shot at it for sure.
[D] At least.
Anyway, _ we wrote this song and we had to phone [Em] write it because Kenny's really busy
and I think I was at a NASCAR race.
Wendell's one [N] of these guys I've written a lot of [G] songs with but we never sat in the [D] same room.
True story.
But _ we got it done.
We were trying to get it [D] on Kenny's record and we got it all finished,
got it demoed and ran down there to the studio and Kenny was like a dummy.
I didn't record it.
I think he just sent the players home.
But [N] thank God [D] somebody else was cutting down the road.
So anyway, it was like, _ _ _ _ [G] _ _
_ _ [D] _ _ _ _ [G] _ _
_ [D] there's a place in your heart.
[G] _
Nobody's been.
[D] Take me [G] there. _ _
[D] _ Things nobody knows.
[G] Not even your friends.
[D] Take me there.
[G] _ [D] _
Tell me about your mama, your daddy, [G] your hometown.
Show me [D] around.
I want to see it [G] all.
Don't leave anything [D] out.
_ _ _ [G] _ _
Everything [D] about you [G] there. _ _
_ [D] _ And I want [G] to go down [D] every road you've been.
[G] _ _
Where [Bm] your hopes and dreams and wishes live.
[A] Where you keep the rest of your life [G] hid.
I want to know the girl behind that pretty [Em] stare. _
Take [D] me there.
_ [G] _ _ _
[D] Take me there.
One more time.
[G] A little better. _
[D] Your first real kiss.
Your [G] first true love.
_ [D] Show me where [G] you were scared.
You [D] learned about life.
[G] Those summer nights.
_ [D] Without a care.
[G] Take me there.
L [D].A. street, back road.
[G] Like you did when you were a kid.
[D] What made you who you [G] are.
Tell me what your story [D] is.
_ _ _ [G] _ _
Everything [D] about you [G] there. _ _
[D] And I _ [G] want to go down [D] every road you've been. _ _
Where [Bm] your hopes and dreams and wishes live.
[A] Where you keep the rest of your life hid.
I [G] want to know the girl behind that pretty [Em] stare.
Take [D] me there.
_ [G] _ _ _
[D] Take me there.
Take me there.
_ [G] _ _ _
_ [D] _ _ _ _ _ [G] _ _
_ _ [D] _ _ _ [G] Everything _
_ [D] _ _ _ _ _ _ _
_ _ about you there. _
_ _ And I _ [G] want to go _ down [D] every road you've been.
[G] _
_ _ [Bm] Where your hopes and dreams [D] and wishes live.
Where [A] you keep the rest of your life hid.
I [G] want to know the girl behind [D] that [Em] pretty stare.
_ [D] Take me there. _
_ [G] _ Take [D] me there. _
[G] _ _ _ Take [D] me there. _
_ _ _ _ _ _ _ _
_ _ _ _ [G] Wendell [Dm] Mosley everybody! _
_ _ _ _ [E] _ [A] _ _ _
I don't know [G] I would.
[D] I do.
What are you going to do?
Can I get just a tick more of this guitar on there?
Shoot, okay that's probably plenty right there.
_ What are you doing?
Are you the capo?
No, I'm kidding.
Oh, you're kidding.
Some _ [N] of you might not even know that Kenny wrote this song,
but I remember the night he called with this idea.
I had the idea and some of the lines and the whole premise laid out
and I was like, yeah, are you kidding?
Well, what happens usually is every year I'll call on my time off.
_ After my tour [Dm] I'll spend some time [G] away from all this and [B] I start to get [N] creative
and I think I'm creative anyway.
And I'll call Wendell and another friend of ours, Neil Thrasher,
_ and they know when I call like at 2 or 3 in the morning
that I might have had a little bit of grandpa's cough [D] medicine too much.
_ And [A] I [G] think that every song idea that I have is like genius.
So every now and then Wendell will go, oh, [B] that's awesome,
but then [Gm] sometimes [D] I [G] call them and then there's silence.
[D] _ _ _ There wasn't this time.
Thank God there wasn't silence [E] with this song.
Yeah, I don't really care.
[N] I think I can speak for everybody up here.
I don't care if Kenny drunk dials you at midnight trying to rhyme alligator and Volkswagen,
you're going to take a shot at it for sure.
[D] At least.
Anyway, _ we wrote this song and we had to phone [Em] write it because Kenny's really busy
and I think I was at a NASCAR race.
Wendell's one [N] of these guys I've written a lot of [G] songs with but we never sat in the [D] same room.
True story.
But _ we got it done.
We were trying to get it [D] on Kenny's record and we got it all finished,
got it demoed and ran down there to the studio and Kenny was like a dummy.
I didn't record it.
I think he just sent the players home.
But [N] thank God [D] somebody else was cutting down the road.
So anyway, it was like, _ _ _ _ [G] _ _
_ _ [D] _ _ _ _ [G] _ _
_ [D] there's a place in your heart.
[G] _
Nobody's been.
[D] Take me [G] there. _ _
[D] _ Things nobody knows.
[G] Not even your friends.
[D] Take me there.
[G] _ [D] _
Tell me about your mama, your daddy, [G] your hometown.
Show me [D] around.
I want to see it [G] all.
Don't leave anything [D] out.
_ _ _ [G] _ _
Everything [D] about you [G] there. _ _
_ [D] _ And I want [G] to go down [D] every road you've been.
[G] _ _
Where [Bm] your hopes and dreams and wishes live.
[A] Where you keep the rest of your life [G] hid.
I want to know the girl behind that pretty [Em] stare. _
Take [D] me there.
_ [G] _ _ _
[D] Take me there.
One more time.
[G] A little better. _
[D] Your first real kiss.
Your [G] first true love.
_ [D] Show me where [G] you were scared.
You [D] learned about life.
[G] Those summer nights.
_ [D] Without a care.
[G] Take me there.
L [D].A. street, back road.
[G] Like you did when you were a kid.
[D] What made you who you [G] are.
Tell me what your story [D] is.
_ _ _ [G] _ _
Everything [D] about you [G] there. _ _
[D] And I _ [G] want to go down [D] every road you've been. _ _
Where [Bm] your hopes and dreams and wishes live.
[A] Where you keep the rest of your life hid.
I [G] want to know the girl behind that pretty [Em] stare.
Take [D] me there.
_ [G] _ _ _
[D] Take me there.
Take me there.
_ [G] _ _ _
_ [D] _ _ _ _ _ [G] _ _
_ _ [D] _ _ _ [G] Everything _
_ [D] _ _ _ _ _ _ _
_ _ about you there. _
_ _ And I _ [G] want to go _ down [D] every road you've been.
[G] _
_ _ [Bm] Where your hopes and dreams [D] and wishes live.
Where [A] you keep the rest of your life hid.
I [G] want to know the girl behind [D] that [Em] pretty stare.
_ [D] Take me there. _
_ [G] _ Take [D] me there. _
[G] _ _ _ Take [D] me there. _
_ _ _ _ _ _ _ _
_ _ _ _ [G] Wendell [Dm] Mosley everybody! _
_ _ _ _ [E] _ [A] _ _ _